The Archive Project

In this urgent presentation, strategist and democracy defender Scot Nakagawa, co-founder of the 22nd Century Initiative, makes the case that artistic freedom is not a cultural amenity but democratic infrastructure. It is the most sensitive indicator we have of the health of a free society. Drawing on the historical record from Nazi Germany to contemporary Hungary, and on the latest research on nonviolent civil resistance, Nakagawa argues that the assault on arts funding, public media, and free expression we are witnessing right now is not a culture war. It is an infrastructure attack. And artists are already on the front lines, whether they know it or not. For artists and cultural workers who have been watching mass mobilizations and asking themselves, what is my role in this?, this talk offers some answers. Nakagawa reframes the question entirely: you are not watching the resistance from the outside. You are making the resistance possible. From documenting reality against the falsification of history, to humanizing the people authoritarians want to erase, to building communities that no government authorized, the work artists do every day is the cultural foundation that democratic movements depend on. The conversation ends with a specific ask: a commitment never to self-censor, and an invitation to understand the arts community as what it has always been—a river made of springs, each distinct, all moving in the same direction. Scot Nakagawa has been an organizer and social justice advocate since 1979. Since 1988, Scot’s main focus has been on the rise and mainstreaming of authoritarian movements, and of political violence in the name of ethnic and racial nationalism. He has worked with organizations such as the Coalition for Human Dignity, the National Anti-Klan Network, the National LGBTQ Task Force, the Highlander Research and Education Center, and numerous political campaigns to limit the power and influence of racist, antisemitic, patriarchal, and religious fundamentalist leaders and groups. Scot is also the co-founder and past Senior Partner of ChangeLab, an Asian American think/act laboratory addressing issues of social justice and Asian American leadership, work for which he was recognized by the Association of Asian American Studies, Community Leader Award. He is a past Open Society Foundations fellow, and Senior Fellow on Nationalism, Authoritarianism, and Race of Race Forward: The Center for Racial Justice Innovation. He is a writer whose essays on authoritarianism and resistance can be found online in The Anti-Authoritarian Playbook on Substack, and co-host of the Anti-Authoritarian Podcast.

Each year, Portland youth spend months writing and competing in poetry slam competitions on high school campuses across the city. Each April, about 20 finalists compete for the title of city-wide Portland slam champ at Verselandia!, in front of an audience of nearly 1,000. The 2026 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 30 at 7 pm. For more information and tickets visit our website literary-arts.org. On this episode, we go backstage at Verselandia! 2025 to talk to student poets as they wait to take the stage at the Schnitz, and then hear them perform.  We’ll also hear some poems from people competing in this year’s Verselandia!, and talk to them about their work. A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. At Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora. Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet. The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.” But, Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time. “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes. In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants. Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.

In the words of the Los Angeles Times, “A new book by (Patrick Radden) Keefe means drop everything and close the blinds; you’ll be turning pages for hours.” Keefe is an award-winning investigative journalist, a staff writer at the New Yorker, the creator of a popular podcast, and the author of six books, including the bestsellers Rogues, Empire of Pain, and Say Nothing. “When I go out looking for a good story,” says Keefe, “I almost never find one. Instead, the really good ones tend to fall in my lap.” Say Nothing was prompted by reading an obituary. A wild-seeming rumor about the 90’s heavy metal band The Scorpions led to the podcast Wind of Change, a sweeping tale of government secrets, Soviet spies, propaganda, and 90’s power ballads. To call his research “meticulous” is an understatement. Keefe’s book, Snakehead, required over 300 interviews to complete. Say Nothing found him speaking to thousands of sources. While writing about the opioid epidemic in EMPIRE OF PAIN, Keefe was blocked from speaking to the Sackler family, so instead, he amassed thousands of correspondences from personal emails to Bar Mitzvah announcements. Though Keefe’s doggedness recalls the detective stories that inspired him early on, he is perhaps more hopeful than hardboiled. By approaching those forces that appear too vast to unravel, he proves that even institutions and systems that seem unassailable can, in fact, be broken down and examined—one interview, one receipt, one wedding invitation at a time. Like all the great whodunnits, his books contain breathtaking plot twists. Though he has, on at least one occasion, solved a murder mystery, Keefe is less interested in pointing to a perpetrator and more interested in holding up a mirror. The question at the heart of his work is one that pertains to everyone: What does it mean to be human? His newest book, London Falling, is an investigation into the mysterious death of 19-year-old Zach Brettler and its connection to both London’s criminal underworld and its elite circles. The author Katherine Rundell says, “Nobody writes like Patrick Radden Keefe; nobody makes achieving something so powerfully complex and difficult look so easy. It’s a form of intellectual generosity and, I think, a form of genius.” Patrick Radden Keefe is a staff writer at The New Yorker and the author of the New York Times bestsellers Rogues, Empire of Pain, and Say Nothing, which received the National Book Critics Circle Award for Nonfiction, was selected as one of the ten best books of 2019 by The New York Times Book Review, The Washington Post, Chicago Tribune and The Wall Street Journal, and was named one of the top ten nonfiction books of the decade by Entertainment Weekly. His previous books are The Snakehead and Chatter. His work has been recognized with a Guggenheim Fellowship, the National Magazine Award for Feature Writing and the Orwell Prize for Political Writing. He is also the creator and host of the eight-part podcast Wind of Change.

In this episode we feature one of the giants of story telling and of long form journalism, Tracy Kidder. Kidder passed away at the age of 80 in March 2026, and so we are sharing this recording from 2011 as a way for us to celebrate his life and work, and all that he has given to readers. Spanning over 50 years, Kidder’s career began at the Iowa Writers Workshop where he enrolled in 1974 after military service in the Vietnam war. He began with aspirations to be a novelist but soon found that he had talent for seeing the through line of the lives of the people all around him. And so for his entire storied career, Kidder wrote compellingly about ordinary people from all walks of life, including carpenters, home builders, computer programmers, Haitian doctors, schoolchildren, and nursing home residents  – just to name a few. Along the way he earned a Pulitzer, a National Book Award, and the Robert F. Kennedy Book Award, for his ground breaking books like The Soul of a New Machine and Mountain Beyond Mountains. His body of work included dozens and dozens of articles, and twelve books, which came to redefine an entire genre of nonfiction. He joined us in 2011 after the publication of a book called Strength In What Remains, and he tells the story of learning to write in Iowa, and then his apprenticeship turned life-long professional relationship with Richard Todd who was one of the Atlantic Magazine’s famed editors. It’s an extraordinary story in which Kidder reveals his mistakes, uncertainties, and vulnerabilities as much as his successes. And he does so with self effacing humor and quiet wisdom. This is a must-listen for every aspiring writer, and for every reader who wants deeper insight into the creative process and to understand how many of the stories that have come to define modern journalism were made. Tracy Kidder graduated from Harvard and the University of Iowa. He won the Pulitzer Prize, the National Book Award, the Robert F. Kennedy Award, and many other literary prizes. He is the author of Rough Sleepers, A Truck Full of Money, Good Prose (with Richard Todd), Strength in What Remains, My Detachment, Mountains Beyond Mountains, Home Town, Old Friends, Among Schoolchildren, House, and The Soul of a New Machine. Kidder passed away in 2026.