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In partnership with Oregon Public Broadcasting, Literary Arts is building a retrospective of some of the most engaging talks from the world’s best writers over the first 40 years of Portland Arts & Lectures in Portland.
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In this episode of The Archive Project, we feature poet and essayist Cathy Park Hong from Portland Arts & Lectures in January 2022. Hong became nationally famous in the spring of 2020 for her essay collection Minor Feelings: An Asian American Reckoning, a book so searing and powerful it landed her on the cover of Time magazine’s 2021 issue featuring the 100 most influential people in the world.
Minor Feelings is a collection of seven essays is both a deeply personal account of Hong becoming—and being—an artist, and is also an account of her and her family’s experience as Korean Americans in this country. But she has emphasized that this is a book about America, not necessarily about being Asian. It is also a book infused with her sensibility as a poet, as someone who is fascinated with the endless mutability and power of language. Hong has published three acclaimed collections of poetry, and many listeners who know and have read Minor Feelings might be surprised to learn she primarily identifies as a poet not as an essayist.
The theme of her talk is “community and belonging” and she threads a narrative through pop culture, religion, autobiography, and 20th century history, in order to try to understand the rise in hate crimes against Asian Americans during the pandemic, and the broader discrimination so many Americans experience in their daily lives. That she does this with anger, humor, and tenderness speaks to her remarkable powers as a writer and speaker.
Cathy Park Hong is the author of three poetry collections and Minor Feelings, a New York Times bestselling book of creative nonfiction which won the National Book Critics Circle Award for autobiography and was longlisted for the Andrew Carnegie Medal for Excellence. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, and other journals. She is the poetry editor of The New Republic and full professor at Rutgers University–Newark.
This week features a conversation on humor in fiction featuring two masters of the genre: Kristen Arnett, author of Mostly Dead Thingas and, most recently, Stop Me If You’ve Heard This One, the story of a lesbian clown navigating life, love, and art in Florida; and Jess Walter, author of Beautiful Ruins and, most recently, So Far Gone, about a journalist living off the grid who is forced back into society to help his grandchildren. The conversation is moderated by OPB’s Jess Hazel, host of Morning Edition.
As they discuss, Jess and Krisetn are both writers of place, and are often writing about people who might be thought of as outsiders or marginal. Kristen is a Florida writer, by her own description everything she writes is about Florida, specifically Orlando and Central Florida. And Jess ranges in his work but often, including in So Far Gone, returns to the American Northwest, here to the Eastern Northwest; he also delivers a defense of Spokane, his birthplace and long-time hometown.
The episode starts with the author’s favorite knock-knock jokes, both of which are very personal choices and give some insight into what these funny writers find funny.
What comes through as a primary connection between Jess and Kristen’s work is their fascination with people. Writing is a way to try to better understand people, including people drastically different from the writer, which is a deeply empathetic project. Humor is a way to understanding other people and to connecting with people across some of the things that might seem to divide us.
Kristen Arnett is the author of the novel With Teeth, which was a finalist for the Lambda Literary Award in fiction, and the New York Times bestselling novel Mostly Dead Things, which was shortlisted for the VCU Cabell First Novelist Award. Her work has appeared in The New York Times, TIME, The Cut, Oprah Magazine, and elsewhere. She lives in Orlando, Florida.
Jess Walter is the author of eleven books, most recently the novels So Far Gone, The Cold Millions and Beautiful Ruins; The Zero, a finalist for the National Book Award and Citizen Vince, winner of the Edgar Award for best novel. His work has been published in 34 languages and his short fiction has won O. Henry and Pushcart prizes, appeared three times in Best American Short Stories, and is collected in the books The Angel of Rome and We Live in Water. Walter lives in Spokane, Washington.
Jess Hazel has hosted Morning Edition for OPB since 2024. They graduated with a BA in Journalism at the University of Montana and have previously hosted Morning Edition in Montana and Southern Colorado. Hazel has a voracious appetite for stories and treasures books that make them laugh, cry or cringe.
Portland Book Festival has been a proud partner of the National Book Foundation Presents program for many years now, and at the 2025 festival we featured a program called “The Cost of Hope,” moderated by National Book Foundation executive director Ruth Dickey, and featuring 2024 National Book Award in Nonfiction winner Jason De Leon, author of Soldiers and Kings: Survival and Hope in the World of Human Smuggling, and 2025 National Book Award finalist in Fiction Megha Majumdar, author of A Guardian and a Thief.
The intersections between Jason’s book, in which he embeds with a group of smugglers moving migrants across Mexico over the course of seven years, and Megha’s novel, about two families in a climate-ravaged near-future Kolkata, are abundant. In fact, the two authors share a background in anthropology, and talk about how that education has shaped the way they interpret the world.
Their wide-ranging conversation starts with a discussion of how hope can be “snarling and aggressive,” and idea of hope as a refusal to back down. They also talk about the ways both of their stories connect climate change and migration, and how inescapable that connection is. In different ways; for Jason, through reporting, and for Megha, through fiction, both books are able to interrogate huge systems through the individual lives, making these incomprehensible forces in the world legible by finding the storytelling.
This is a conversation between two artists thinking deeply about some of the most pressing issues of the day, and approaching them from places of care and, indeed, ultimately, from places of hope.
Jason De León is professor of Anthropology and Chicana/o Studies and Director of the Cotsen Institute of Archaeology at the University of California, Los Angeles. He is also Executive Director of the Undocumented Migration Project, a 501(c)(3) research, arts, and education collective that seeks to raise awareness about migration issues globally while also assisting families of missing migrants reunite with their loved ones. He is a 2017 MacArthur Fellow and author of the award–winning books The Land of Open Graves: Living and Dying on the Migrant Trail and Soldiers and Kings: Survival and Hope in the World of Human Smuggling, Winner of the 2024 National Book Award for Nonfiction.
Megha Majumdar is the author of the New York Times bestselling novel A Burning, which was Longlisted for the National Book Award, nominated for the National Book Critics Circle’s John Leonard Prize, and a finalist for the American Library Association’s Andrew Carnegie Medal for Excellence. It was named one of the best books of the year by media including The Washington Post, the New York Times, NPR, The Atlantic, Vogue, and TIME Magazine. A 2022 Whiting Award winner, she was born and raised in Kolkata, India, and holds degrees in Anthropology from Harvard and Johns Hopkins. She is the former Editor-in-Chief of Catapult Books, and lives in New York. A Guardian and A Thief is her second novel.
Ruth Dickey has spent 30 years working at the intersection of community building, writing, and art, and is the Executive Director of the National Book Foundation. The recipient of a Mayor’s Arts Award from Washington DC, and a grant from the DC Commission and Arts and Humanities, Ruth is the author of Our Hollowness Sings (Unicorn Press, 2024), and Mud Blooms (Harbor Mountain Press, 2019), and an ardent fan of dogs and coffee.
CW: The podcast version of this episode is uncensored and contains strong language. Listener discretion is advised!
Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. At Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall.
The 2025 Everybody Reads book was the memoir Solito by Javier Zamora.
Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet.
The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.”
But, Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time.
“Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.”
Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes.
In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants.
Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.
Colm Tóibín is the author of eleven novels, three short story collections and several works of nonfiction. He has written countless articles, plays, an opera libretto and a collection of poetry, and been a finalist for the Booker Prize multiple times
He is perhaps best known for his novel Brooklyn, which was made into a movie that was nominated for three Oscars. Set in the middle of the 20th century, Brooklyn is about Eilis Lacey who leaves her small town in Ireland for New York. After building a life there, she is drawn back home and has to choose where she wants to forge her future.
Tóibín opens his lecture with the moment of his father’s wake in his childhood home in which he hears, as a child, the real life story that would later inspire his character of Elis Lacey. From there, Tóibín’s talk is a captivating story of all of his stories, and a kind of master class for writing a novel. He is a writer known for rendering the quiet intimacies between characters, revealing powerful emotional undercurrents and their deep longings. He is a writer who makes you care about the tiny details of a life – the buttons on a coat or the emotional reverberations of a silence. In this talk, he illuminates his craft, and pulls the curtain back on how his own life shaped his most famous novels.
Colm Tóibín is the author of eleven novels, including Long Island, an Oprah’s Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster; as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. He was shortlisted three times for the Booker Prize. He was also awarded the Bodley Medal, the Würth Prize for European Literature, and the Prix Femina spécial for his body of work.
If you like Heated Rivalry – if you don’t, you’re the only one, but anyway – if you like Heated Rivalry and want more queer romance but wish it had more wine, we’ve got the books for you. This week’s conversation is features queer romance at the 2025 Portland Book Festival, with authors Jasmine Guillory, Adib Khorram, and moderator Anita Kelly.
Jasmine Guillory is the New York Times bestselling author of Drunk on Love, The Wedding Date, and The Proposal. A frequent contributor to The Today Show, she was at the festival for her first queer romance, Flirting Lessons. Adib Khorram is the author of I’ll Have What He’s Having and YA novel Darius The Great Is Not Okay. He serves on the board of directors for Authors Against Book Bans. He was at the festival for his adult romance book is It Had To Be Him. The event is moderated by Portland author Anita Kelly, author of How You Get The Girl and Donut Summer.
Both books, Flirting Lessons and It Had To Be Him, involve escape – to Napa and to Milan, respectively – and the authors talk about the arduous research process of drinking a lot of wine. Jasmine speaks about writing a book as a way to learn about something she’s curious about – in her case the wine business and living in what is thought of as a tourist town, like Napa. And Adib describes a rosé-fueled semi-spontaneous trip to Italy for eight weeks, and how the pursuit of joy inspired his process.
Romance is hot right now, and the conversation is very fun, but a heads up that it is a spicy conversation! There are a few bleeps, and portions might not for all ages or all ears.
The episode includes content that might not be suitable for all audiences – and it’s unbleeped! Listener discretion is advised.
Jasmine Guillory is a New York Times bestselling author. Her novels include Drunk on Love, The Wedding Date, the Reese’s Book Club selection The Proposal. Her work has appeared in The Wall Street Journal, Cosmopolitan, Bon Appetit, and Time. Jasmine is a frequent book contributor on the Today show. She lives in Oakland, California.
Adib Khorram is the queer Iranian author of I’ll Have What He’s Having, which was an instant USA Today bestseller. He is also the author of the young adult novel Darius the Great Is Not Okay, which earned the William C. Morris Debut Award, the Asian/Pacific American Award for Young Adult Literature, and a Boston Globe–Horn Book Honor, and was named one of Time magazine’s 100 Best YA Novels of All Time; his other young adult novels Darius the Great Deserves Better, Kiss & Tell, and The Breakup Lists as well as the picture books Seven Special Somethings: A Nowruz Story and Bijan Always Wins, have garnered critical acclaim, starred reviews, and bestsellers. He grew up in Kansas City—the Milan of the Midwest—but he’d rather be in the real thing, sitting on a patio, enjoying an aperitivo.
Originally from a small town in the Pocono Mountains of Pennsylvania, Anita Kelly now lives in the Pacific Northwest with their family. An educator by day, they write romance that celebrates queer love in all its infinite possibilities. They hope you get to pet a dog today
In 2016 Tara Roberts was living in Washington DC feeling, in a new way, the deep fractures in America, including the way we understand our history. She felt called to be part of trying to heal these divisions. It was a chance encounter with a photograph at the National Museum of African American History and Culture that changed the trajectory of her life. It was of a group of Black women on a boat in diving gear who she quickly discovered were from an organization called Diving with a Purpose, an underwater archeology group with a mission to discover and document the wreckage of slave ships scattered on the ocean floor around the world, and by doing so recover a crucial part of history.
Roberts soon quit her job and joined the group to document their work, learning to scuba dive in order to do so. She turned that journey into an award-winning National Geographic-produced podcast called “Into the Depths” and became the first Black female explorer ever to be featured on the cover of National Geographic Magazine. This work also resulted in a memoir Written in the Waters which both invites us into the fascinating and groundbreaking work below the surface of the Ocean around the globe, and her own personal transformation.
Roberts has travelled the world as a diver, backpacker, and adventurer, bringing to this conversation a global view of history and culture, and a devotion to tell the stories that can bring us together. She is currently Explorer-in-Residence at the National Geographic Society.
Here’s Tara Roberts in conversation with Shayna Schlosberg from the 2025 Portland Book Festival, on Literary Arts, the Archive Project.
Tara Roberts spent the last six years following, diving with, and telling stories about Black scuba divers as they searched for and helped document slave shipwrecks around the world. Her journey was turned into an award-winning National Geographic-produced podcast called “Into the Depths” and featured in the March issue of National Geographic magazine. Tara became the first Black female explorer ever to be featured on the cover of Nat Geo. In 2022, Tara was named the Rolex National Geographic Explorer of the Year. Currently, she is an Explorer-in-Residence at the National Geographic Society. And her book Written in the Waters: A Memoir of History, Home and Belonging hits stands in January 2025.
Tara also worked as an editor for magazines like CosmoGirl, Essence, EBONY and Heart & Soul and edited several books for girls. She was a Fellow at the MIT Open Documentary Lab. She founded her own magazine for women who are ‘too bold for boundaries..’ And Tara spent an amazing year backpacking around the world to find and tell stories about young women change agents. The journey led to the creation of a nonprofit that supported and funded their big ideas.
Shayna Schlosberg is the Vice President of Community Connections at OPB and KMHD, where she leads initiatives to ensure that both organizations authentically reflect and serve the diverse communities of the Pacific Northwest. In this role, she shapes and drives the strategy, vision, and implementation of community representation and inclusion across all aspects of OPB and KMHD’s work.
Shayna joined OPB and KMHD in 2022. Prior to that, she was the Director of Operations and Strategy at Women of Color in the Arts, a national service organization committed to advancing racial and cultural equity in the performing arts. From 2017 to 2021, she served as Managing Director of The Catastrophic Theatre, an acclaimed experimental theater company in Houston, Texas. Before that, she was Associate General Manager at the Alley Theatre, where she played a key role in expanding the theater’s international programming, particularly through partnerships with Latin American artists and companies.
Shayna’s expertise has been recognized nationally—she has served on grant panels for the National Endowment for the Arts. She is a graduate of several leadership programs, including the National Association of Latino Arts and Culture’s Advocacy Leadership Institute, Women of Color in the Arts’ Leadership Through Mentorship program, and the 2020 New Leaders Council Fellowship. She was also a founding advisory committee member of the Houston BIPOC Arts Network Fund, a groundbreaking effort born out of the Ford Foundation’s America’s Cultural Treasures initiative.
Shayna served in the Peace Corps in Armenia from 2010 to 2012.
Baldwin was key figure in the American civil rights movement of the last 1960s, and he is one of our most important American writers. Author of the novels If Beale Street Could Talk, Go Tell It on the Mountain, and Giovanni’s Room, he was also an essayist, poet, and playwright. Baldwin’s influence continues to grow, but even if you’ve never read a word James Baldwin has written – first, you should – you will find something to treasure in this conversation.
Boggs’s biography centers on the artistic and intimate relationships that informed Baldwin’s life and work. Douglas Brinkley, author of Rosa Parks: A Life, said “Nicholas Boggs’s meticulously researched and passionately written Baldwin is the crown jewel of the ongoing James Baldwin revival. … this epic biography captures Baldwin in full.”
Our interviewer is Mitchell S. Jackson, author of The Residue Years, Survival Math, and a Pulitzer Prize winning journalist. Jackson is one of the best interviewers — I genuinely think he should have his own talk show — and he brings so much care and curiosity to the conversation.
We start with a passage from the audiobook, which is published by Macmillan Audio and read by Ron Butler.
Nicholas Boggs is a writer and independent scholar, born and raised in Washington, DC, now living in Brooklyn, New York. He rediscovered and coedited a new edition of James Baldwin’s out-of-print collaboration with the French artist Yoran Cazac, Little Man, Little Man: A Story of Childhood (2018), and his writing has been anthologized in The Cambridge Companion to James Baldwin. He received his BA in English from Yale, his MFA in creative writing from American University, and his PhD in English from Columbia. Baldwin: A Love Story is Nicholas Boggs’ debut novel.
Mitchell S. Jackson is the winner of the 2021 Pulitzer Prize in Feature Writing and the 2021 National Magazine Award in Feature Writing. Jackson is the critically acclaimed author of The Residue Years, Survival Math: Notes on an All-American Family, Fly: The Big Book of Basketball Fashion, and John of Watts (to be published soon). His writing has been featured on the cover of the New York Times Book Review, Time, Esquire, and Marie Claire, as well as in The New Yorker, Harpers, The New York Times, and elsewhere. Jackson’s nonfiction book Survival Math was published in 2019 and named a best book of the year by fifteen publications, including NPR, Time, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. Jackson is a contributing writer for the New York Times Magazine, covers race and culture as the first Black columnist in the history of Esquire, and serves as the John O. Whiteman Dean’s Distinguished Professor in the English Department of Arizona State University.
We’re back at the 2025 Portland Book Festival this week, with poets m. mick powell and Taylor Byas, and moderater Jae Nichelle.
Taylor Byas’s second collection, Resting Bitch Face, uses watching and surveillance to explore Black female subjectivity. Byas engages with multiple art forms — painting, film, sculpture, and photographs – to explore the perspectives of artist and muse, of watcher and watched.
Taylor is in conversation with m. mick powell, whose debut poetry collection Dead Girl Cameo: A Love Stroy in Poems features of chorus of pop stars – Aaliyah, Whitney Houston, Lisa “Left Eye” Lopes, and more – in an exploration of grief, sexuality, and celebrity. Powell refers to the collection as a documentary, and it includes imagery, speculative verse, and more.
Poet Jae Nichelle leads a conversation that starts from the prompt “pop culture poetry.” Engaging with pop culture, as these collections do, is an act of engaging with the cultural moment. Done well, it doesn’t “date” the work, but creates a time capsule – a documentary. Both collections are deeply researched, and Taylor and mick discuss their relationships to art, scholarship, and commerce, and the interplay between those different aspects of publishing this particular collections.
In the conversation, first we’ll hear m. mick powell read the title poem of their debut collection, Dead Girl Cameo, followed by a reading by Taylor Byas of the title poem of Resting Bitch Face and then a conversation between mick, Taylor, and the moderator, Jae.
A heads up – there’s some mature language that may not be appropriate for all listeners, and you’ll hear some bleeps in the opening poem.
Taylor Byas is an award-winning poet and a Black Chicago native currently living in Cincinnati, Ohio. Her poetry collection I Done Clicked My Heels Three Times won the Maya Angelou Book Award, the Ohioana Book Award, the CHIRBy Award, and the BCALA Best Poetry Honor.
m mick powell is a queer Black Cabo Verdean femme, poet, artist, Aries, and the author of DEAD GIRL CAMEO (One World Books, 2025) and threesome in the last Toyota Celica & other circus tricks, winner of the 2023 Host Publications Chapbook Prize. An assistant professor of Gender and Sexuality Studies at the University of Connecticut, mick enjoys chasing waterfalls and being in love.
Louisiana-born Jae Nichelle (she/her) is the author of God Themselves (Andrews McMeel, 2023) and the chapbook The Porch (As Sanctuary) (YesYes Books, 2019). She was a finalist for a 2023 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship and won the inaugural John Lewis Writing Award in poetry from the Georgia Writers Association. Her poetry has appeared in Best New Poets 2020 (University of Virginia Press, 2020), the Washington Square Review, The Offing, Muzzle Magazine, and elsewhere. She believes in all of our collective ability to contribute to radical change.
In this episode, we feature the beloved Irish novelist Emma Donoghue, in conversation with OPB’s Crystal Ligori, from the 2025 Portland Book Festival.
Emma Donoghue has extraordinary range, writing for the screen, and the stage, as well as authoring many acclaimed novels. Her international bestseller Room was a New York Times Best Book of 2010 and a finalist for the Man Booker, Commonwealth, and Orange Prizes, and it is what brought her fame and readers all over the world.
She joined us on stage to discuss The Paris Express, a novel based on an 1895 disaster at the Paris Montparnasse train station that went down in history when it was captured in a series of surreal, extraordinary photographs. It’s a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia. Members of parliament hurry back to Paris to vote; a medical student suspects a girl may be dying; a secretary tries to convince her boss of the potential of moving pictures; two of the train’s crew build a life away from their wives; a young anarchist makes a terrifying plan, and much more.
Emma Donoghue is the author of sixteen novels, including the award-winning national bestseller Room, the basis for the acclaimed film of the same name. Her latest novel is The Paris Express. She has also written the screenplays for Room and The Wonder and nine stage plays. Her next film (adapted with Philippa Lowthorpe from Helen Macdonald’s memoir) is H Is for Hawk. Born in Dublin, she lives in Ontario with her family.
As one of the local hosts of OPB’s “All Things Considered”, Crystal Ligori seeks out unique stories from diverse communities, often focusing on food systems, pop culture, and LGBTQ+ communities. She also narrates OPB’s Emmy-award winning documentary food series “Superabundant” and was the longtime producer/editor for Literary Arts’ weekly radio program and podcast “Literary Arts: The Archive Project”. Before joining OPB, Crystal was a host at KUFO in Portland, OR, KZZU in Spokane, WA and KBGA in Missoula, MT. Her work has been heard nationally on NPR Newscasts, APM’s “Marketplace”, PRX’s “Living on Earth,” and NPR’s “All Things Considered”.
An alumna of the School of Journalism at the University of Montana, she has three SPJ awards for television feature reporting and LGBTQ+ Equity Reporting in audio, a Hearst Journalism Award for broadcast news radio features, and shares three regional Emmy awards for her work on Superabundant.
In this episode, we feature two of Oregon’s most accomplished writers, Omar El Akkad and Karen Russell from a conversation that took place at the 2025 Portland Book Festival. They were joined onstage by Willamette Week‘s arts and culture editor Rachel Saslow for a conversation about the ongoing American reckoning of its violent past and present.
Russell’s novel The Antidote is set in the Great Depression Dust Bowl in a fictional town in Nebraska and examines the history of the American colonialism and the violence it enacted. It is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities
At the center of El Akkad’s book One Day, Everyone Will Always Have Been Against This is the present-day destruction and violence in Palestine, and the realization how much of the West’s moral promises are lies. The book is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage.
At the time of the live event, both El Akkad and Russell were finalists for the National Book Awards in nonfiction and fiction respectively. El Akkad would go on to be given the award for nonfiction just a few weeks later, joining just a small handful of Oregonians ever to receive a national Book Award — including Ursula K Le Guin, William Stafford, Barry Lopez and Mary Szybist.
A note to the listener this episode contains mature themes and discussions of violence that may not be suitable for all listeners.
The Archive Project airs audio from live conversations and events, edited for length and clarity to better serve a listening audience.
An earlier version of this episode omitted a portion of the conversation, as well as the audience Q&A. An extended edition is now available.
Omar El Akkad is an author and journalist. He was born in Egypt, grew up in Qatar, moved to Canada as a teenager, and now lives in the United States. He is a two-time winner of both the Pacific Northwest Booksellers Association Award and the Oregon Book Award for fiction. His books have been translated into thirteen languages. His debut novel, American War, was named by the BBC as one of one hundred novels that shaped our world. His latest book is titled One Day, Everyone Will Have Always Been Against This.
Karen Russell is the author of six works of fiction, including the New York Times bestsellers Swamplandia! and Vampires in the Lemon Grove. She is a MacArthur Fellow, a Guggenheim Fellowship, and a finalist for the Pulitzer Prize. She has received two National Magazine Awards for Fiction, the Shirley Jackson Award, the 2023 Bottari Lattes Grinzane prize, the 2024 Mary McCarthy Award, and was selected for the National Book Foundation’s “5 under 35” prize and The New Yorker‘s “20 under 40” list (She is now decisively over 40). She has taught literature and creative writing at the Iowa Writers’ Workshop, the University of California-Irvine, Williams College, Columbia University, and Bryn Mawr College, and was the Endowed Chair of Texas State’s MFA program. She serves on the board of Street Books, a mobile-library for people living outdoors. Born and raised in Miami, Florida, she now lives in Portland, Oregon with her husband, son, and daughter. Russell’s new book is titled The Antidote.
Rachel Saslow is the arts and culture reporter at Willamette Week. She began her journalism career at the Washington City Paper in Washington, D.C., followed by a staff writer position at the Washington Post, where she wrote the Arts Beat column for the Style section. She now lives in her hometown of Portland, Ore., with her husband and their three children.
On this episode of The Archive Project, we feature Barbara Kingsolver in conversation with Jess Walter. Barbara Kingsovler is the author of seventeen books, including nonfiction, short stories, poetry, and novels. Her novels include modern classics like The Poisonwood Bible and The Lacuna. Kingsolver is known for socially engaged writing that embraces the psychological and emotional. As she has said, “A good book should be trouble and delight the reader.” And few do that as well as Kingsolver.
Her latest novel is Demon Copperhead, set in rural Appalachia, where Kingsolver was raised and lives today. In the book, she remaps Charles Dickens’ Victorian classic David Copperfield onto her real-life community, to illuminate the poverty, broken social and education systems, the influence of industrial agriculture, and the targeting of Appalachians by Big Pharma, and the consequent pervasive and destructive opioid epidemic.
Like Dickens, she tells the story of a resilient kid caught in the crosshairs. The novel is, in the words of The Times UK, “Like Dickens directed by the Coen brothers.” Indeed, despite the subject matter, this novel is a delight to read from the first line, thanks to Kingsolver’s inventiveness and Demon’s distinctive voice. Many critics praise it as her best book yet.
Barbara Kingsolver is the author of ten bestselling works of fiction, including the novels Unsheltered, Flight Behavior, The Lacuna, The Poisonwood Bible, Animal Dreams, and The Bean Trees, as well as books of poetry, essays, and creative nonfiction. Her work of narrative nonfiction is the influential bestseller Animal, Vegetable, Miracle: A Year of Food Life. Kingsolver’s work has been translated into more than twenty languages and has earned literary awards and a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country’s highest honor for service through the arts, as well as the Dayton Literary Peace Prize for the body of her work. She lives with her family on a farm in southern Appalachia.
Jess Walter is the author of six novels, including the bestsellers Beautiful Ruins and The Financial Lives of the Poets, the National Book Award finalist The Zero, and Citizen Vince, the winner of the Edgar Award for best novel. His short fiction has appeared in Harper’s, McSweeney’s, and Playboy, as well as The Best American Short Stories and The Best American Nonrequired Reading. He lives in his hometown of Spokane, Washington.
In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin’s legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula’s son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction.
In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.”
Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin’s work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian.
This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022.
“It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin
Find your copy of these books through the Literary Arts Bookstore.
Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America.
Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city.
Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers’ Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.
Join us in our third installment of this special episode where we spend the day at the 2025 Portland Book Festival. Saturday, November 8, in downtown Portland. Our Virgil is once again editor and producer Matthew Workman, who is taking a turn at the microphone as he searches for festival authors to get their book recommendations. It’s an exclusive, rare! Behind-the-scenes look at the festival, plus a great source for your to-read list and hopefully some gifting inspiration for the readers in your own life.
We once again asked some of our featured festival authors to recommend books by other authors in the festival. We have a bit of a National Book Awards theme happening here too:
We will hear recommendations from:
Patricia Smith, author of The Intentions of Thunder, winner of the 2025 National Book Award in Poetry
Jason De Leon, author of Soliders and Kings, winner of the 2024 National Book Award in Nonfiction
Karren Russell, author of The Antidote, finalist for the 2025 National Book Award in Fiction
Megha Majumdar, author of A Guardian and a Thief, finalist for the 2025 National Book Award in Fiction
Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This, winner of the 2025 National Book Award in Nonfiction
Renée Watson, author of All the Blue in the Sky
Ruth Dickey, poet and executive director of the National Book Foundation
Kristen Arnett, novelist and author of Stop Me If You’ve Heard This One
A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.
This episode of The Archive Project features a lecture from Tommy Orange in Portland, Oregon. This lecture was the culminating event of the Multnomah County Library’s 2020 Everybody Reads program—an annual shared reading experience that includes city-wide events for readers of all ages. In his lecture, Orange details his experience as a Native American growing up and working in Oakland, California. He didn’t always want to be a writer, and he shares the twisting path that led him to this work. His debut novel, There There, is a winner of the PEN/Hemingway Award, the National Book Critics Circle John Leonard Prize, and the Center for Fiction First Novel Prize. It was shortlisted for the Andrew Carnegie Medal for Excellence in Fiction, and named one of the best books of the year by numerous publications. There There—and Orange himself in this lecture—explores a multitude of themes, from identity and ownership to the urban-rural divide.
Link to “Ghost Dance” short film referenced in Orange’s lecture:
https://www.youtube.com/watch?v=z5plHAdBums
Tommy Orange is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California.
This episode of The Archive Project features author Salman Rushdie reading from and discussing his 1999 New York Times bestseller The Ground Beneath Her Feet. Just one year after almost a decade in hiding from the Iranian government, Rushdie made his first public appearance in Portland, discussing the ideas, both mythical and musical, that inspired this New York Times bestseller. In his remaking of the myth of Orpheus, Rushdie tells the story of Vina Apsara, a pop star, and Ormus Cama, an extraordinary songwriter and musician, who captivate and change the world through their music and their romance. Beginning in Bombay in the fifties, moving to London in the sixties, and New York for the last quarter century, the novel pulsates with a half-century of music and celebrates the power of rock ‘n’ roll. In this episode, Rushdie discusses the musical and mythological influences that inspired this ambitious work of magical realism.
“The thing that I wanted to do most of all was to write a love story. And to find a way of writing a contemporary love story that was neither gushily sentimental nor fashionably cynical, but which could face up to great passion and try and make sense of it. And so, in my usual perverse way, while trying to write a modern story I found myself thinking about an ancient myth.”
Salman Rushdie is the author of several novels, including Grimus, Midnight’s Children, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, and Shalimar the Clown. He has written collections of short stories, including East, West, and co-edited with Elizabeth West a collection of Indian literature in English, Mirrorwork. He has also published several works of nonfiction, among them The Jaguar Smile, Imaginary Homelands, The Wizard of Oz, and Joseph Anton, a memoir of his life under the fatwa issued after the publication of The Satanic Verses. His fourteenth novel, Victory City, released in 2023.
Angela Flournoy came to Portland for the 2025 Portland Book Festival, where she discussed her new novel The Wilderness in conversation with Renée Watson, award-winning author of skin & bones.
The title of The Wilderness refers to what Flournoy describes as the true “coming of age” — instead of the transition out of adolescence, the decades from one’s twenties onward. The book revolves around four friends as they navigate those years, when you confront who you thought you might be as an adult, and what is actually happening in your life: your friendships, romances, success, grief, career, and so much more. The “found family” of long, deep friendship is the center of the book, and Flournoy and Watson discuss the constant choosing that creates and sustains a found family, the ongoing making and remaking that happens over decades of friendship.
Angela Flournoy is the author of The Turner House, which was a finalist for the National Book Award, a finalist for the Center for Fiction First Novel Prize, a Barnes & Noble Discover Great New Writers selection, an Indie Next pick, and a New York Times Notable Book of the Year. Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, Los Angeles Times, and elsewhere. A graduate of the Iowa Writers’ Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She lives in New York. Flournoy’s latest novel is titled The Wilderness.
Renée Watson is a #1 New York Times bestselling author. Over the past decade she has authored twenty books for young readers including Black Girl You Are Atlas and Cicely Tyson, which have collectively sold more than a million copies. She received a Coretta Scott King Award and a Newbery Honor for her novel Piecing Me Together and high praise for 1619 Project: Born on the Water, co-written with Nikole Hannah-Jones. Her debut adult novel, skin & bones, was published May 7th, 2024. Watson is on the Council of Writers for the National Writing Project and is a member of the Academy of American Poets’ Education Advisory Council. She splits her time between Portland, Oregon and New York City. Her latest middle grade title is All the Blues in the Sky.
This week we are bringing you a conversation that Literary Arts hosted in October 2025 with historian and political philosopher Timothy Snyder, author of On Tyranny, who spoke about his book On Freedom with Literary Arts executive director – and co-host of this show – Andrew Proctor.
Timothy Snyder is the author of several books including Bloodlands and The Road To Freedom, as well as numerous articles and a popular Substack. He is a scholar of Eastern European history who Anne Applebaum has called, “one of our most original and perceptive thinkers.” He currently serves Chair in Modern European History at University of Toronto. He has won both the Carnegie and the Guggenheim Fellowship, the Literature Award of the American Academy of Arts and Letters, the Leipzig Book Prize for European Understanding and the Hannah Arendt Prize for Political Thought. He speaks five languages and reads in ten, once telling a reporter, “If you don’t know Russian, you don’t really know what you’re missing.” The Guardian called him, “one of the most eloquent interpreters of the war in Ukraine.” He served as an advisor to UN Security Council, and has met privately with Ukrainian president, Volodymyr Zelenskyy.
In the wake of the 2016 election, what began as a list of thoughts on an airplane napkin became On Tyranny: Twenty Lessons From The Twentieth Century. The book spent two years on the bestseller list and catapulted Snyder from respected historian to one of the most prominent voices in fight against authoritarianism. The lessons of On Tyrrany were widely shared, inspiring multiple poster campaigns and at least one rap song.
With On Freedom, Snyder once again places the past in direct conversation with the present and the future. Freedom, for Snyder, is not external thing we may or may not achieve, but an ongoing, embodied struggle. With immediacy and striking humility, he draws lessons from history, not simply to predict future risk, but to claim agency in the present, to see clearly our potential as individuals, as a country and as a species.
Timothy Snyder is the Richard C. Levin Professor of History and Global Affairs at Yale University and a permanent fellow at the Institute for Human Sciences in Vienna. His books, which have been published in over forty languages, include Bloodlands, Black Earth, On Tyranny, Road to Unfreedom, Our Malady, and On Freedom. His work has inspired poster campaigns and exhibitions, sculptures, a punk rock song, a rap song, a play, and an opera, and he has appeared in over fifty films and documentaries. He lives in New Haven, Connecticut
Every once in a while, a writer arrives in a historic moment who can explain it, even while it is still actually occurring. M. Gessen is one of these writers. They are a part of the lineage of other incredible writers of their moments, like George Orwell, and Hannah Arendt.
Gessen is the author of eleven books and has been a staff writer at the New Yorker since 2014, and is a columnist for the New York Times. They won the National Book award in 2017 for The Future is History: How Totalitarianism Reclaimed Russia, and became a household name with their bestselling book Surviving Autocracy, which was published in 2020 and written as both a warning and a call to action in the aftermath of Trump’s 2016 election.
Gessen’s talk is a rare glimpse into their childhood and early professional life – growing up in the Soviet Union and emigrating at the age of 14; their early experience in Boston and how it shaped their life personally and professionally; their return to Moscow as a journalist and a rare and strange meeting with Vladimir Putin, and how their grandmothers’ life stories shaped their work.
Gessen is one of the rare contemporary commentators on authoritarianism who has lived under such a regime, and in a democracy – and they have an urgent warning for us all.
“I’ve always thought that I was very lucky to know when I had to leave (Russia) because one of the hardest decisions that somebody has to make…is figuring out when your home is no longer your home. It was kind of a great favor that Putin did to me.”
M. Gessen is a Russian American author, translator, and journalist. They’ve written 11 books, including Surviving Autocracy, The Future is History: How Totalitarianism Reclaimed Russia (winner of the 2017 National Book Award for Nonfiction), and an award-winning account of the Boston Marathon bombers titled The Brothers: The Road to an American Tragedy. They spent years covering Putin’s regime in Russia and was famously dismissed as the editor of the Russian popular science magazine Vokrug sveta for refusing to cover a Putin event they felt was propaganda. Gessen received a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the Hitchens Prize, an Overseas Press Club Award for Best Commentary, and the Hannah Arendt Prize for Political Thought. They’ve written for many US publications including The New York Times, The Washington Post, The Los Angeles Times, and The New Yorker. Gessen is a distinguished professor at the Craig Newmark Graduate School of Journalism at CUNY and a distinguished visiting writer at Bard College. They live in New York with their wife and children.
In this episode, we feature Ta-Nehisi Coates in conversation with Omar El Akkad from the Arlene Schnitzer Concert Hall in October 2024.
Coates’ versatility and virtuosity as a writer makes him one of the most singular and important writers at work today. He first rose to national recognition as a staff writer at The Atlantic Magazine, and in particular for an article he wrote in 2014 titled The Case for Reparations. A year later, Coates published his second book, a long essay called Between the World and Me which became an international bestseller. Coates went on to write a novel called The Water Dancer, for Marvel’s Black Panther comic book series, and a published collection of essays titled We Were Eight Years in Power: An American Tragedy. For his work he has won a National Magazine Award, a MacArthur fellowship and the National Book Award, among many other prizes.
He joined us in fall 2024 to talk about The Message, a new book of essays set in Senegal, South Carolina and Palestine about how our stories – personal or political – can both hide and reveal the truth.
Coates is in conversation with Omar El Akkad, who is a journalist and author of the novels American War, What Strange Paradise and most recently One Day, Everyone Will Have Always Been Against This, his debut book of nonfiction which publishes in February 2025.
Ta-Nehisi Coates is an award-winning author and journalist. His books include Between The World and Me and The Water Dancer. He is currently a writer-in-residence at Howard University.
Omar El Akkad is an author and journalist. He was born in Egypt, grew up in Qatar, moved to Canada as a teenager and now lives in the United States. He is a two-time winner of both the Pacific Northwest Booksellers’ Award and the Oregon Book Award. His books have been translated into 13 languages. His debut novel, American War, was named by the BBC as one of 100 novels that shaped our world.



