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AWR - Instrumental Music3
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Music for Meditation, Dialogue from Suite II Pièces d'Orgue pour le Magnificat (Jean Adam Guilain: 1680-1739). "For He who is mighty has done great things for me, and holy is His name." Luke 1:49 (NKJV)
Music for Meditation,Basse de Trompette from Suite II "Magnificat" (Jean Adam Guilain:1680-1739)."He has scattered the proud in the imagination of their hearts.He has put down the mighty from their thrones,and exalted the lowly."Luke 1:51,52(NKJV)
Music for Meditation, Trio de flutes from Suite II Pièces d'Orgue pour le Magnificat (Jean Adam Guilain: 1680-1739). "For He has regarded the lowly state of His maidservant; For behold, henceforth all generations will call me blessed." Luke 1:48 (NKJV)
Music for Meditation, Tierce en Taille from Suite II Pièces d'Orgue pour le Magnificat (Jean Adam Guilain: 1680-1739). And Mary said, “My soul magnifies the Lord, and my spirit has rejoiced in God my Savior." Luke 1:46, 47 (NKJV)
Music for Meditation, Poco allegretto "Communion" from L'Organiste, No. 48 (César Franck: 1822-1890). He was originally born in Belgium. He studied and worked in France, and was a French Romantic composer, pianist and organist.
Music for Meditation, Allegretto cantabile "Canzona" from Heures Mystiques, Op. 30, Volume II, No. 9 (Léon Boëllmann: 1862-1897). He was a French composer, who wrote a variety of pieces for the organ.
Music for Meditation, Andantino expressivo "Plainte" from Heures Mystiques, Op. 30, Volume II (Léon Boëllmann: 1862-1897). He was a French composer, who wrote a variety of pieces for the organ.
Music for Meditation, Sarabande from Quatrème Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Menuet from Première Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part Four from Première Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part Three from Première Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part Two from Première Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part One from Première Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Double de la Courante from Première Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part 6 from Quatrieme Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part 5 from Quatrieme Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part 4 from Quatrieme Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
Music for Meditation, Chaconne Rondeau Part 3 from Quatrieme Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.



