Drama of the Week

The award winning drama set in an Ambulance Control Room.Carrie is a call handler for the ambulance service. Every day she makes split-second decisions as she deals with a succession of emergencies; from a young woman who has been sexually assaulted to a vicious attack on an ambulance crew. Carrie is gifted with the knack of calmly helping people through their most vulnerable moments. Each episode is a collage of heart-stopping stories, where Carrie’s indiscriminate acts of kindness can mean the difference between life and death But how can a newly pregnant Carrie maintain a calm facade when she has to work with an AI system that can listen but doesn't always understand and her own body rebelling against her.For details of organisations which offer advice and support with pregnancy related issues, go online to bbc.co.uk/actionlineCarrie ..... Sarah Ridgeway Will ..... Rick Warden Ian ..... Michael Jibson Caitlyn ..... Rowan Robinson Dan/Doctor ..... Tom Victor Flo/Holly ..... Abbie Andrews Isaac ....Keenan Munn-Francis Andy ..... Jason Barnett Nina ..... Kitty O'Sullivan Receptionist ..... Maggie ServiceTechnical Producers ..... Andrew Garratt & Neva Missirian Production Co-ordinator ..... Luke MacGregorWriter ..... Al Smith Director ..... Sally AvensA BBC Studios Audio Production

Celebrating Bradford City of Culture and as part of BBC Contains Strong Language Festival, Bradford based writer Jeremy Dyson's original comedy drama set in West Yorkshire in 1978 is inspired by a true story.High Cockalorum tells of a touching, funny and unlikely encounter between a Hollywood superstar and a humble lad from Leeds thrown together by circumstance.A meditation on fame, success and what ultimately matters.MARTY / JAMES MASON.....Mark Gatiss HARVEY/ LIBRARIAN / DJ..... Reece Shearsmith PETE/ PARKING ATTENDANT/ INTERVIEWER.....Steve Pemberton RECEPTIONISTS/ JACKIE..... Monica Dolan SHARON.....Goldie Crane.Writer - Jeremy Dyson Director -Nadia Molinari Composer-Ian Masterson Sound Designer - Sharon Hughes Technical Producers - Andrew Garratt, Neva Missirian Production Co-ordinators - Victoria Moseley, Ben Hollands.A BBC Studios production for BBC Radio 4

Presented by Paul French Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.

Presented by Paul French Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain Zaichek . . . . . Leo Wan Roy . . . . . Daniel York Loh Leopard . . . . . Chris Lew Kum Hoi Tatiana . . . . . Charlotte East Anton . . . . . Luke Nunn Marie . . . . . Cecilia Appiah Saxsen . . . . . Ian Dunnett Jnr The MC . . . . . Roger Ringrose Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.