Musically Speaking

In this week’s episode, we explore Joachim Neander’s hymn Wondrous King, All-Glorious, and reflect on how singing it before dinner became a surprising moment of connection both in our home and online. We consider what makes table singing so meaningful, why this hymn is a treasure, and how incorporating hymns into daily life reshapes our experience of community.Here's a link to the viral singing reel: https://www.instagram.com/reel/DO2POO3DLb4/The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we consider how singing polyphonic music trains our ears for harmony, strengthens independent musicianship, and builds music literacy. With examples from Victoria and Byrd, we explore how this music shapes both singers and listeners.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey.Here’s a link to listen to the Victoria “O Magnum Mysterium” piece with sheet music: https://youtu.be/9xPh-fXYAc4 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we reflect on hymns that guide us through moments of grief and turning. From Abide with Me to A Mighty Fortress, these hymns, among others, help us lift our eyes from sorrow to the sure hope that God’s kingdom remains.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we hear how pianist Jacques Loussier and his trio reimagined Bach with the swing of a jazz rhythm section. From the famous Air on a G String to the Toccata and Fugue in D minor, these works remind us that sometimes all they need is a modern genre like jazz to bridge the gap and let us hear just how vibrant they would have sounded when first created.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey.Here’s a link to a live performance in Leipzig in the church where Bach is buried: https://youtu.be/BFEj7NfIRY0Here’s Trio X of Sweden’s version of Beethoven’s Moonlight Sonata: https://www.youtube.com/watch?v=s9HHNbQYoJo This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we consider why certain voices move us even when they sound rough around the edges. These are voices that break the mold, resist polish, and still draw us in. What makes them so compelling?The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey.Here’s a few listening links. First is Leonard Cohen’s “If It Be Your Will”:https://www.youtube.com/watch?v=fICsHinJNbcHere’s Randy Newman’s “I Think It’s Going to Rain Today”: https://www.youtube.com/watch?v=7zDt8xyVKtw This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we look at how the familiar Doxology, “Praise God, from whom all blessings flow,” was not originally a stand-alone hymn. It was the shared ending of three different texts by Bishop Thomas Ken. Morning, Evening, and even Midnight devotion all resolve in the same four lines of praise, a pattern that still teaches us how to frame our days.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey.Here’s a link to a PDF of the Doxology: https://shorturl.fm/JyR4lHere’s a recording of the whole thing from Redeemer Presbyterian Church in Austin: https://redeemerpres.org/wp-content/uploads/2013/11/Doxology-Old-Hundredth.mp3 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we consider Chris Stapleton’s Daddy Doesn’t Pray Anymore and why it leaves such a lasting impression. Along the way, we’ll make a surprising connection to a classic country hit and explore what makes songs like this worth returning to again and again.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features music commentary, examples, and recommendations from Jarrod Richey.Here’s the links promised in the episode: https://www.youtube.com/watch?v=4nTch_IbOHEhttps://www.youtube.com/watch?v=es1uCh48TNY This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this episode, we look at the life and legacy of Cecil Frances Alexander (1818–1895), who wrote many hymns for children, including All Things Bright and Beautiful, Once in Royal David’s City, and There Is a Green Hill Far Away—but whose poetic clarity and theological depth often surpass what many churches sing for adults today. We explore how her lyrics arm young worshipers with truth, invite children of all ages into the riches of the faith, and challenge some of our modern expectations for congregational song.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this episode, I take a look at one of Mason Williams’ lesser-known but brilliantly crafted pieces: “The Last Great Waltz.” You probably know him from “Classical Gas,” but this tune tells a quirky story using shifting meters and clever musical turns.Here’s the link to listen to “The Last Great Waltz” in its entirety on YouTube: https://youtu.be/H0jMhedM_-IThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey.Here are the links to listen to the other Mason Williams songs referenced in this episode: “Classical Gas”- https://youtu.be/mREi_Bb85Sk“I’ve Heard that Tear-Stained Monologue You Do There By the Door Before You Go” - https://youtu.be/-e3RJjTFfaoToday’s episode is in loving memory of Ted & Rodger Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week, I take a closer listen to Be Still, My Soul, a hymn of quiet trust and enduring hope. We’ll hear excerpts from David Erb’s choral arrangement and explore how this hymn has shaped generations through grief and faith.Here’s a link to listen to “Be Still, My Soul” on YouTube: https://youtu.be/_HYtMuSyCckThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this episode of the Friday Five, I revisit the classic hymn Now Thank We All Our God, but not in the way you might be used to hearing it. I explore a rhythmic version of this well-loved tune, bringing Johann Crüger’s original 1648 setting back to life with clarity and energy.You’ll hear a recording performed by my junior and senior musicianship students from Geneva Academy in West Monroe, Louisiana. I also highlight three reasons why this hymn deserves a regular place at your table, in your car, and in your congregation.In the episode, I mention my Let Joy Resound: A Singing School Hymnal. For more information, visit LetJoyResound.com.Here’s a link to listen to “Now Thank We All Our God” on YouTube: https://youtu.be/vg8qOChZpmQFor more information about this hymn, see the linked article that includes a PDF of the music: https://jarrodrichey.substack.com/p/hymn-highlight-now-thank-we-all-our The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week, I feature Dearest Magdalene (Big Burn) by my friend and talented guitarist Bill Stutzman. Inspired by the Great Fire of 1910, this ballad from the album Cardinals and Fireflies unfolds like a final letter from a husband and father facing death as he sends his family to safety. With poetic storytelling, ghostly harmonies from his wife Cherise, and a warm vocal delivery reminiscent of James Taylor, this is a hauntingly beautiful song worth a careful listen.Here’s a link to listen to “Dearest Magdalene (Big Burn)” on YouTube: https://youtu.be/k7M-g3Ay9ygThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

Before “The Star-Spangled Banner,” there was CHESTER, a bold and faith-filled anthem that stirred the hearts of the American colonies during the Revolution. In this Independence Day episode, I take a closer look at William Billings’ iconic tune and share three reasons why it's worth rediscovering. From its patriotic theology to its uniquely American fuging style, Chester is a song worth hearing again this July 4. I’ve included clips from both the Robert Shaw recording and Paul Hillier and His Majestie’s Clerkes for your enjoyment.Here’s a link to listen to the Robert Shaw version on YouTube: https://youtu.be/lTNLC4Dl3Jk?feature=sharedHere’s a link to Paul Hillier & His Majestie’s Clerkes version on YouTube: https://youtu.be/9-W6doIU64o?feature=sharedHere are the complete lyrics:Let tyrants shake their iron rod,And slavery clank her galling chains,We fear them not! we trust in God!New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescott and Cornwallis joined,Together plot our overthrow,In one infernal league combined.When God inspired us for the fight,Their ranks were broke, their lines were forced,Their ships were shattered in our sight,Or swiftly driven from our coast.The foe comes on with haughty stride;Our troops advance with martial noise,Their veterans flee before our youth,And generals yield to beardless boys.What grateful offering shall we bring?What shall we render to the Lord?Loud Hallelujahs let us sing,And praise his name on every chord.The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week, we highlight Roger Miller’s fun album, Roger and Out, and share why its blend of humor, heartfelt songwriting, and playful charm makes it a must-listen. Join us as we unpack what makes Miller one of country music’s most creative voices and why you should give Roger and Out a listen.Here’s a link to listen to the album on Spotify: https://open.spotify.com/album/2wuO3nwb5IJXIKoDyHblyF?si=OyDmF5S4QXmyPlcDjWsdLwHere’s a link to listen to “Got 2 Again” on YouTube: https://youtu.be/CDdYFjq8ULcThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

In this week’s episode, we explore how a composer famous for grand tone poems turned to 16th-century lute melodies. Ottorino Respighi, best known for Fountains of Rome and Pines of Rome, also created three exquisite chamber suites in his Ancient Airs and Dances. We’ll hear snippets of Suite I’s sprightly “Gagliarda” and Suite III’s lilting “Siciliana,” then share three reasons why these intimate reimaginings of Renaissance tunes are so captivating. Tune in to discover the beauty hiding in these small-scale gems.Here’s a link to listen on Spotify: https://open.spotify.com/album/3pQx91h84EeCjToUx77McG?si=4fKvDrc4SNyG4H_ueXvOHAHere’s a link to listen on YouTube: https://youtu.be/O_DlXAJ7zpMThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week, I’m taking a closer listen to one of the most charmingly bittersweet duets ever recorded, “Can’t We Be Friends?” by Ella Fitzgerald and Louis Armstrong. There’s something about this track that makes you smile even as it sings about heartbreak. In this episode, I share three reasons why this performance still speaks to us: it feels like a real conversation, it wraps humor around heartache, and it reminds us that not every ending needs to be ugly. It’s jazz with grace, swing, and a whole lot of soul.Here’s a recording: https://youtu.be/wiLIV3H0q-YThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week on the Friday Five, we discuss the uniquely American musical form known as the fuging tune. Featuring Nehemiah Shumway’s SCHENECTADY set to Isaac Watts’ “From All That Dwell Below the Skies,” this episode walks through three key characteristics of fuging tunes and shares how they reflect both musical creativity and congregational participation.Here’s a recording: https://www.youtube.com/watch?v=29KOzkV20EwHere’s a PDF of the sheet music from my Let Joy Resound Hymnal: https://www.dropbox.com/scl/fi/e3p4i4lfo2gkdkfp4buvh/From-All-That-Dwell_LJR.pdf?rlkey=it25ajcekhh17pa0s7knwczth&dl=0The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week, we take a brief look at William Byrd’s Sing Joyfully unto God—a six-part setting of Psalm 81 and a standout example of English Renaissance choral writing. As we typically do, I’ll offer several reasons why you should know and enjoy this remarkable work of sacred choral music.Here’s a link to a recording: https://youtu.be/wRm0mS6UrH8The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

This week on the Friday Five, I’m sharing a choral piece that surprised me with its beauty and depth, even though the text is a list of names. I first heard it live in 2023 during a performance by The Tallis Scholars, and it’s stayed with me ever since. In this episode, I’ll give you three reasons why I think it’s worth your time, too.Here’s a link to the Tallis Scholars’ recording of Arvo Pärt’s “Which Was the Son of…”: https://www.youtube.com/watch?v=5recq2Ff2P8Here’s the link to hear it on Spotify: https://open.spotify.com/track/6mCoEtnzkB0Xptoypsbq3z?si=a0d4245b54f043fdThe Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com

What if the gospel story could be told not by listing its events, but through the songs that have accompanied them? In this week’s episode, I reflect on James Montgomery’s 19th-century hymn Songs of Praise the Angels Sang, which creatively traces redemptive history from creation to resurrection to eternity through the lens of music.Here’s a link to the Coventry Singers’ recording: https://youtu.be/Snu0LzeYfjYHere’s a recording of David R. Erb’s setting also mentioned in this post: https://youtu.be/24ATk3sinf8The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jarrodrichey.substack.com