Dior Lady Art

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind creation. In this episode, we meet Sophia Loeb, a Brazilian-born, London-based artist whose practice unfolds as a meditative fusion of internal form, elemental landscapes and tactile sensation. Shaped by her early experiences of Brazil’s lush abundance, Loeb embraces a philosophy of oneness, where life and land exist in harmony. Her vivid, tactile paintings grow from a sculptural sensibility—flipped, rotated, layered, and worked with hands as much as brushes—each gesture guided by material, rhythm, and intuition. For Dior Lady Art, Loeb reimagined the Lady Dior as a living extension of her canvases. Across four designs, she sought to capture the materiality and sensorial pull of her paintings—inviting touch, curiosity, and wonder. One bag gleams in metallic red, its glossy surface evoking liquid light; another in gold leather is carved with subtle bumps and adorned with delicate, geology-inspired jewelry motifs. A knitted jacquard model embroidered with Lurex threads and beads showcases layered craftsmanship, while a medium-sized design in printed technical fabric, embroidered with threads and beads, carries imagery drawn from one of her recent paintings—a cascade of lilies, fiery orbs, or flowers raining into a landscape, enveloping the bag like a shifting tableau. A meeting of worlds, Loeb’s collaboration with Dior reflects her pursuit of universal harmony—where nature, body, and object converge. Pulsating with vitality, her Lady Dior interpretations become sensorial vessels that carry the joy, strength, and beauty of her artistic universe. Download the episode to step into Sophia Loeb’s world and discover her journey with Dior Lady Art #10.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork.This episode invites us into the universe of Alymamah Rashed, a Kuwaiti visual artist and storyteller whose work is as intimate as it is expansive. Known for her poetic, multidimensional practice, Rashed explores the intersections of spirit, memory, and the quiet rituals of daily life. Her visual language is one of duality—femininity and masculinity, softness and density, ephemerality and permanence—all expressed through painting, sculpture, printmaking, and spontaneous writing.For her Dior Lady Art collaboration, Rashed approached the Lady Dior as a vessel of layered meaning. One bag draws on the sensual textures of Failaka Island’s seashore, where a single seashell, a patch of sand, or a barnacle becomes a sacred relic. The second is an homage to the native Humaith flower of Kuwait, its fleeting springtime presence captured through an explosion of 3D blooms, embroidered petals, and beadwork.In each piece, the figure is subtly embedded within the landscape, emerging through surface and texture. Inside, hidden poems and symbolic charms serve as secret offerings that deepen the emotional resonance of each work.Download the episode to explore Rashed’s world—where art becomes a vessel to “bodify” the spirits we birth across lifetimes.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork.In this episode, we speak with London-based artist Lakwena, whose vibrant practice draws on the power of words, color, and everyday symbolism to create visual declarations of hope, strength, and spiritual resonance. Blurring the lines between street signage, sacred space, and pop culture, her work inhabits both public murals and intimate objects—offering what she describes as “a present hope and a future glory.”For Dior Lady Art, Lakwena approached the Lady Dior as a vessel of meaning—honoring the bag’s symbolic function as something we hold, carry, and treasure. Inspired by her experience of new motherhood, she infused her designs with phrases like “Love Me,” “Hold Me,” and “Carry Me”—a poetic reflection on tenderness, prayers and meditations, and feminine power.Drawing from her recent body of sculptural paintings—assemblages composed of cut wooden pieces—Lakwena translated her visual language into a richly tactile patchwork of leather and precious metallic finishes. Each element was hand-cut and assembled to echo the collage-like surfaces of her work. The addition of a resin sculpted hand to the bag’s iconic “D, I, O, R” charms deepens the symbolism—evoking ideas of making, holding, and connection.Embracing the legacy of Dior’s cannage quilting while imbuing the bags with contemporary vibrancy and meditative stillness, Lakwena’s creations bridge the personal and the universal. These intimate yet powerful pieces pulse with her signature voice—joyful, instinctive, and quietly radical.Download the episode to enter Lakwena’s universe and discover her journey with Dior Lady Art #10.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from around the world were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork. In this episode, we speak with British artist Marc Quinn, whose practice spans sculpture, painting, and public installations that explore identity, the body, and the evolving dialogue between nature and technology. A pivotal figure in contemporary art, Quinn was the very first artist to collaborate on Dior Lady Art in 2016. Almost a decade later, he returns with a bold new series that bridges past and present, human and machine, reality and dream. For this 10th edition, Quinn reimagines the Lady Dior as a living sculpture, enriched with three-dimensional elements that bring sound and movement to life. His five new creations revisit themes at the heart of his work: the iris as a symbol of identity and perception, flowers as emblems of beauty and transience, and fingerprints as unique traces of the self. Among the collection, one bag shimmers with metallic forms of varying sizes, enlarged portraits of Christian Dior’s own fingerprint. These abstract, oval shapes are partly fixed, while others dangle freely and produce a soft clink as the bag moves. Another bag teems with hundreds of enameled eyes generated by an AI system trained on Quinn’s iris paintings —surreal variations he describes as “AI dreaming of what we look like.” One design stands out for its restraint: pure white, decorated only with a sculptural silver orchid on the front and a smaller bloom in the top corner, its pared-back elegance recalling the minimalism of the 1960s. For Quinn, these works are not simply accessories but mobile sculptures—artworks carried into daily life, shaped by chance, encounter, and performance. Bridging the virtual and the physical, the personal and the universal, they embody identities in transformation, becoming relics of the present and messengers of the future. Download the episode to hear Marc Quinn reflect on his creative journey, his return to Dior Lady Art, and the poetic meeting point of art, fashion, and technology.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork.In this episode, we exchange with Patrick Eugène, an Atlanta-based Haitian-American artist whose practice is at once intuitive, transcendent, and deeply anchored in cultural lineage. Having come to painting in his late twenties, Eugène describes the medium as a calling—an all-consuming devotion that quickly became both sanctuary and spiritual journey. His imagined portraits of men and women of color radiate quiet resilience and dignity, their open expressions inviting the viewer into dialogue. For his Dior Lady Art collaboration, Eugène turned to his Haitian roots with a project titled Pearl of the Antilles. Known as a tribute to Haiti to describe its natural beauty, in part derived from its bountiful resources, the phrase here is reclaimed as an homage to underscore Haiti’s endurance, culture, and spirit. Working closely with the House’s ateliers, Eugène translated his painterly language into sculptural form, drawing on materials emblematic of both Haiti and Dior: raffia, bamboo, supple leather, and gleaming pearls. The pearls recall both the women who populate his canvases and Dior’s codes of timeless elegance, while earthy greens, deep blues, and burgundies evoke Haiti’s mountainous landscapes. Each bag is adorned with a pearl charm—a discreet yet potent emblem of pride and remembrance. Rooted in ancestry yet attuned to the present, this collaboration becomes a vessel through which Eugène weaves together past and present, memory and history, identity and craftsmanship. The result is a body of work that resonates far beyond fashion—spiritual in essence, graceful in form, and enduring in legacy. Download the episode to step into Patrick Eugène’s universe and discover his journey with Dior Lady Art #10.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork.In this episode, we speak with Brooklyn-based painter Jessica Cannon, whose luminous, meditative practice explores celestial forms, interior landscapes, and the subtle mysteries of light and color.For her Dior Lady Art collaboration, Cannon approached the Lady Dior as a dimensional extension of her work—translating the layered surfaces, symbolic imagery, and shifting light of her paintings into a tactile form through embroidery, beading, and sculptural materials.Drawing from the rich universe of Dior—from the House’s layered silhouettes to the fantastical jewelry of Victoire de Castellane—Cannon rooted her three handbag designs in the concept of eternity. A standout piece, The Sky for Catherine, pays homage to Catherine Dior—Monsieur Dior’s sister, a French Resistance fighter and devoted gardener—through a spiral motif that echoes the form of a dove. Crafted from sculpted tulle, pearlescent discs, iridescent sequins, glass beads, and crystals, the bag captures the shimmering, light-sensitive qualities of Cannon’s paintings. Even the handles are conceived as sacred jewels, symbolizing the connection between the hand, creation, and the divine.This intimate collaboration with the Dior ateliers—blending craftsmanship, symbolism, and poetic vision—offers a powerful meditation on the Lady Dior as both object and experience.Download the episode to step into Jessica Cannon’s universe and discover her journey with Dior Lady Art #10.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.In the latest episode, Peruvian artist Sara Flores approaches the Lady Dior as a global canvas to promote Kené, the ancient visual language of the Shipibo-Conibo people, indigenous to the Ucayali River in the Peruvian Amazon. Traditionally applied as body painting and on ceramic and textiles intended for clothing, using local plant-based pigments such as turmeric and annatto, the painstaking artistic practice of Kené is passed down by mothers to daughters. Flores’ intricate geometric paintings of labyrinths, images that come to her in visions triggered by psychoactive plants grown in the jungle, reflect the complex interconnected web of life found within the Amazonian rainforest. For Dior Lady Art, Flores celebrates the traditions of her people with two unique handbags directly inspired by her Kené designs, crafted from vegan pineapple leather and tocuyo cotton hand-painted with vegetal dyes. The first, a medium-sized model, features a handle adorned with a cosmic serpent, its surface sparkling with a constellation of black beads, while the second, a mini bag, is embellished with a maze of shimmering silver gems. Also embroidered with a serpentine motif, the bags convey the concept of spiritual healing through the intentional paths traced by the strokes. These remarkable pieces do more than just captivate the eye, they engage the senses, shedding light on the enduring legacy of ancient cultural traditions as they carry a message of respect for the natural world.  Download the episode to learn more about Sara Flores’ universe and the Dior Lady Art experience.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.Our latest guest, the celebrated Chinese artist Liang Yuanwei, takes the bag’s status as an emblem of artisanal craftsmanship with rich cultural connotations to new heights, interweaving references to her impasto “Golden Notes” series and Ru ware from the Song dynasty. Blending ancient and new techniques, her captivating Lady Dior resembles a porcelain object, with the artist’s textured brushstrokes evoking crackles in the glaze. Layered with symbolism, the bag’s edges in antique gold metal echo traditional gilding techniques, while its color recalls the signature celadon green shade of Ru ware.Its creation required a series of painstaking processes. The artist’s calligraphic brushstrokes, which differ in power and do not overlay the other, were reproduced in resin using a 3D printing process before being broken into pieces, like a puzzle, and then recomposed on a velvet base.Download the episode to learn more about the artist’s fascinating Dior Lady Art journey and how this experimental process, and collaborating with the House’s artisans, has impacted her creative approach.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.For our latest guest, the American artist Vaughn Spann, collaborating on Dior Lady Art meant a change of scale. Adopting a conceptual approach, the New Jersey-based talent recalibrated details from a selection of his monumental works for three distinctive day-to-night variations of the Lady Dior that capture the signature otherworldly colors, materiality and feel of the original works.Spann’s color-blocked red and black “Flame” Lady Dior has a richly textured, fiery, volcanic feel, while for the “Dalmatian” design, gridded, spotted abstractions offer a graphic twist on the bag’s signature motifs. Meanwhile, for his “Marked Man” Lady Dior, a giant opaque “X” motif floats on a sheer pink plexiglass base topped by a retro briefcase handle, playfully blurring masculine-feminine codes. Embodying a cross-pollination of fashion and art, the contemporary creations are designed to accompany the wearer on different occasions, whether to a gala, a nightclub or on a ski trip, offering the opportunity to live with the artist’s paintings in a more compact and intimate way.Download the episode to learn more about Spann’s universe and Dior Lady Art journey.Hosted by Ausha. See ausha.co/privacy-policy for more information.

La nouvelle série Dior Talks, présentée par la journaliste parisienne Katya Foreman, met à l'honneur la très attendue neuvième édition de Dior Lady Art. Pour l’occasion, onze artistes de renommée internationale ont été invités à réinterpréter l’emblématique sac Lady Dior et à en faire une œuvre d’art unique.Passionné de nature, tout comme Monsieur Dior, notre invité est l’artiste Duy Anh Nhan Duc, né au Vietnam et installé à Paris. Véritable poète botanique, il crée des installations éthérées en utilisant des mauvaises herbes et des fleurs sauvages, capturant l’essence d’un univers enchanteur. L’artiste récolte ces plantes oubliées autour de son atelier au Pré-Saint-Gervais, celles qui poussent entre les fissures des trottoirs et qui rappellent les jeux de son enfance. Parmi elles, salsifis, chardons, blé, trèfles et akènes de pissenlit qui, lorsqu’on souffle dessus, s’envolent en une myriade de graines. Ces végétaux sont ensuite minutieusement séchés dans son atelier avant d’être intégrés à ses œuvres, dans une exploration fascinante des cycles de la vie et de la fragilité de l’instant présent.Pour Dior Lady Art, l’artiste a transposé sa passion des plantes sauvages sur un Lady Dior immaculé, alliant simplicité organique et élégance virtuose. Une profusion de plantes en relief orne le cuir vegan, rehaussée par des broderies délicates. En lieu et place du cannage emblématique, un treillis métallique finement travaillé symbolise un jardin ouvert à tous. Le sac se pare également de branches dorées en métal précieux et cache un secret : un talisman unique, une graine de pissenlit dorée et préservée à jamais dans une goutte de résine.Découvrez cet épisode pour plonger dans l’univers fascinant de l’art végétal de Duy Anh Nhan Duc.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.A lover of nature like Monsieur Dior himself, our latest guest is the Vietnam-born, Paris-based artist Duy Anh Nhan Duc, a green-fingered poet who creates ethereal installations composed of common weeds and wildflowers, forming the essence of his enchanting universe. The artist collects them near his studio in Le Pré-Saint-Gervais, focusing on the “forgotten plants” that push through the cracks of sidewalks – the type he would play with as a child – from salsifies, thistles and wheat to clover and dandelion puffballs that, when blown, disperse into an explosion of seeds. He then painstakingly dries them in his studio to use in his works, weaving a fascinating dialogue from the cycles of life, focusing on the fragility of the moment.For Dior Lady Art, the artist imprints his passion for wild plants onto a pristine white Lady Dior, fusing organic simplicity with virtuoso elegance. A profusion of plants embossed into vegan leather is enhanced by delicate embroidery, while in lieu of the iconic cannage quilting, a delicate wire trellis is partly exposed, symbolizing a garden that is open to all. Adorned with contrasting golden branches crafted from gilded metal, the bag also contains a hidden surprise: the secret talisman of a gold-embellished dandelion, captured in a drop of resin for all eternity.Download the episode to learn more about Duy Anh Nhan Duc’s remarkable vegetal artistry.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to t ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.Collaborating with Dior Lady Art for a second consecutive season, artist Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and Cherokee descent, returns with a piece inspired by his 2017 punching-bag sculpture “LOVE IS THE DRUG,” themed around the complexities of loving and being loved. An advocate of artisans, materials, pattern and adornment, the New York-based artist – known for his ultra-colorful works that combine traditional Native American craftsmanship with a bold, almost psychedelic aesthetic – also plays with texts and slogans, embracing the power of speech as he celebrates the forgotten and the marginalized. Thus, his latest Lady Dior is fully beaded on one side, with the word “Love” repeated three times in a signature LCD-style font, while the other is loaded with over 70 jangling 3D-printed hearts. “Being a person of color traveling around the world – I’ve lived in London, South Korea, Germany and different states in the United States – I think I’ve really always paid attention to how people dress themselves and adorn themselves,” says the artist. “I’m really interested in different kind of movements, whether it’s feminist movements, LGBTQ movements or Indigenous liberation movements, and the ways that we codify that in how we dress.”Download the episode to learn more about Jeffrey Gibson’s fascinating universe.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Our latest guest is artist Hayal Pozanti, who explores dreaming as a collective power to create a new reality. The Turkish-born, US-based artist lives in Manchester in rural Vermont, a town surrounded by forest-covered mountains, endless lakes and rivers and waterfalls and greenery. Drawing on the tradition of plein air painting, Pozanti creates preliminary pastel sketches during hikes which she transforms into large-scale landscapes, painting with oil sticks, her fingers, her hands and body. The artist draws upon her experiences of the natural world, her dreams and her intuitions, directing the gaze towards a fictional elsewhere that feels irresistibly real. For Dior Lady Art, Pozanti has created three Lady Dior bags inspired by her art and travels into the heart of the mountains. The first two designs feature details drawn from her passion for trekking: sheepskin inserts reminiscent of the lining of hiking boots, custom carabiners hand-crafted by the Dior Ateliers and feet recalling the star-shaped tips of walking poles. The iconic “D, I, O, R” charms are translated into hieroglyphs conceived by the artist.  Based on a painting Pozanti created on a beach during a full moon, the third model is a clutch painted with a nocturnal panorama and embroidered with comet-like trails of rhinestones; the interior is covered with mirrors, offering a reflection of oneself and the earth. “It's a painting that encompasses all that is magic about our world,” says the artist. Download the episode to learn more about Hayal Pozanti’s fascinating universe.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. With his 360-degree vision of the art world, as a gallerist and curator, our latest guest, the renowned Chinese contemporary artist Xu Zhen, combines installation, video, painting and performance in a singular, inventive universe that explores subjects ranging from socio-political taboos to consumerism and the principles of the art market. The artist’s fascinating works subvert – not without irony – notions of artisanship and originality (relative to mass production), as well as concepts of ownership and globalization in the digital age. He thwarts and questions their effects on the art market, making visible certain dissonances and the resulting absence of logic. For Dior, the conceptual artist, who has exhibited at a number of prestigious art institutions and biennales internationally, including the Venice Biennale, MoMA PS1 in New York and the Hayward Gallery in London, wanted to reflect on the value and meaning of discourse. Inspired by his “Metal Language” series – and made of transparent plexiglass and mirror-effect printed fabric – his two versions of the Lady Dior are adorned with golden and silver phrases and exclamations applied on a reflective surface to evoke a screen. The words are edged with gold and silver chains, like speech bubbles, serving as symbols of the emptiness of a languagethat no longer has any real functionality.Tune in to the episode to learn more about the artist’s playful and thought-provoking concept behind the bags.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. In this new episode, we immerse ourselves in the poetic universe of Mircea Cantor, an internationally renowned Romanian artist whose works, suspended between dream and reality, lucidly reflect his commitment to contemporary society. Cantor’s singular vision is embodied in a polymorphous practice that utilizes a variety of media, such as video, animation, sculpture, drawing, photography and performance but also collaborations with artisans for the conception of unprecedented installations, with a view to broadening the field of knowledge through this savoir-faire. Awarded the Marcel Duchamp Prize in 2011, his works are presented in prestigious international collections, notably the Pompidou Center in Paris, the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington.The artist’s protean approach plays out in two Lady Dior creations that feature bewitching optical effects, textures and perspectives. Dressed by turns in black or beige leather, they are adorned with captivating embroidery evoking the beauty of the garden of Eden, filled with flowers of every variety, inspired by a traditional gilet from western Romania. In contrast, the graphic lines of the bag’s cannage motif are highlighted by leather cord, an essential element of embroidery and leatherwork symbolizing connection, transmission and continuity. Completing the designs, the handles bear the words “make heaven out of what you have” – in French, English and Romanian – a true artist’s manifesto, while the charms are reinvented in an elaborate golden version, borrowed from the lexicon of jewelry. As a finishing touch, the inside of each bag contains a hand-designed silk scarf signed by Cantor as well as a logbook annotated by the artist.Tune in to the episode to learn more about the genesis of this exceptional project.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. In this latest episode, we plunge into the esoteric, cosmic universe of Mariko Mori. Operating in another realm spanning the past, present and future, the internationally acclaimed Japanese artist through her futuristic multidisciplinary works blurs the lines between art and technology, exploring themes including life, death and rebirth, prehistory, the cosmos and spirituality. For Dior Lady Art, Mori used her signature dichroic vacuum deposition and lenticular techniques to take the iconic Lady Dior handbag into a new dimension, harnessing her mastery of light, which she describes as “an inner source for all living things.” Seemingly inhabited by light which shifts as the bag is moved, the first of three bags features an inner landscape inspired by the ālaya, the eighth consciousness in Buddhism. The second – in a small format – celebrates Dior heritage through an emblematic white bow made from an innovative fabric that lights up in an array of select colors in a crafted sequence. The final design with its compact, minaudière dimensions, resembles a rainbow-colored bubble, evoking a space-time capsule on which the "O" of the "D.I.O.R." charms is transformed into a model of the artist’s monumental sculptural installation, “Ring: One With Nature.” As a final surprise, the bags’ interiors are dressed in a unique shade of delicate pink, heightening the bag’s feminine essence.Tune in to the episode to learn more about the artist’s fascinating world.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. Known for her colorful, lush, light and airy botanical paintings, our latest guest artist, Michaela Yearwood-Dan, much like Monsieur Dior in his time, has a passion for flora and fauna. Through her visually striking abstract works, the multifaceted British artist questions norms and celebrates singularities, recounting the present through a reading of the past.Switching scales, for Dior Lady Art, the London-based artist wanted to immortalize a site-specific curved mural she made in 2022 for a new LGBTQ+ art hub created by Queercircle, London. Titled “Let Me Hold You”, the monumental work, which covered the entire space, symbolized holding the community, creating a sense of sanctuary for visitors. Playing with texture, patterning, fabrics and beading, and incorporating her signature collage technique, the artist transposed parts of the mural onto two unprecedented versions of the Lady Dior handbag. Using Dior savoir-faire of excellence, precious embroideries reproduce theeffects of materials adorning the artist’s paintings, including ceramic pansy petals reinterpreted as metal adornments punctuating one of the exceptional models in a poetic deep blue shade. The emblematic ‘D.I.O.R.’ charms are in turn revisited, sometimes in deep black, sometimes embellished with a leaf. Odes to the beauty of gestures play out in a powerful yet delicate universe imbued with messages of love and acceptance. Tune in to the episode to learn more about the artist’s fascinating world. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. Bringing the joyous vibrancy of her work to the Lady Dior universe, LA-based artist Hilary Pecis is known for her color-drenched contemporary still-lifes capturing domestic settings, filled with cats, vases of flowers, stacks of books and other signs of everyday life, with references to art history. Her streetscapes and landscapes are imbued with the special light and visual codes of California.The artist approached the Lady Dior handbag as a three-dimensional canvas surface. Using the virtuoso savoir-faire of the Dior ateliers, she reinterpreted one of her paintings, “Botanical Garden,” depicting a lily pond and reflections from a domed glass ceiling.An ode to the beauty of the plant world so dear to Christian Dior, Pecis’s Lady Dior is festooned with white lotuses and lily pads embroidered with a textured profusion of beads, sequins and rhinestones in all shades of green, as if they were growing off the bag, while the handle has a delightful organic “wobbliness” to it.The velvet-lined creation with its 3D volumes and ornate preciousness also holds personal symbolism, with tributes to her grandmother’s collection of costume jewelry and accessories which she liked to dress up in as a child. “She also had an incredible handbag collection and I wanted to reimagine a Dior bag that would appeal to my six-year-old self and me today, as well as my grandma if she were still alive,” says Pecis. Tune in to the episode to learn more about the artist’s colorful universe and the inspirations behind her Lady Dior bags. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. “Class at its highest standard” is how our latest guest, Ludovic Nkoth, describes the Lady Dior. The New York-based artist, who was born and raised in Cameroon and moved to the United States at 13, is known for his intimate, vibrant, densely impastoed portraits that explore themes including the Black experience, displacement, the idea of self, power and culture.For Dior Lady Art, Ludovic Nkoth blends references to his “System” series with emblems evoking the history of Cameroon on striking black and white versions of the ‘Lady Dior.’ Like a secret gallery, the bags’ flaps open to reveal a lining bearing a grid of faces, while the iconic cannage quilting is dotted with red and black cowrie shells, which served as currency in pre-colonial Cameroon. Revealing a number of precious details borrowed from jewelry-making savoir-faire, small golden metal masks become charms on these captivating pieces that offer a window into his world.Tune in to the episode to hear all about the stories and symbols behind the artist’s powerful Lady Dior creations.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. Bridging heritage and reinvention, New York-based Jeffrey Gibson dreams up multicolored works fusing traditional Native American craft techniques with a bold, almost psychedelic Pop aesthetic.Influenced by his peripatetic childhood, the multimedia artist curates a mash-up of aesthetic references, ranging from queer aesthetics to fashion, while exploring the power of the spoken word through phrases that resonate with his world, celebrating the forgotten and the marginalized through the prism of art.Adorned with patterned beadwork, partly inspired by the artist’s iconic punching bag series, and tagged with the phrase “I can do whatever I choose,” the Lady Dior takes on an object sculpturalness. Working with Dior’s petites-mains, Gibson used a mix of glass and beadwork of varying sizes to achieve different textures, offset with fluorescent neoprene and netting, while the handles are covered in rhinestones that give a Sixties vibe.A second small-format version of the iconic bag is embroidered with a face, the artist’s emblem, with a stone for a nose, a 3D-printed shell mouth, and beaded eyes using elements from West Africa. The “D.I.O.R.” charms metamorphose into giant pixels, materializing the link between past and present.An extension of his artistic universe, the Lady Dior in Gibson’s hands transforms into a multicolored totem for exploring the cultural realities of modern life, in a masterful mélange of narratives and references.Tune in to the episode for a deep dive into his universe.Hosted by Ausha. See ausha.co/privacy-policy for more information.