Den of Cin

Devin & James are back in the Den to celebrate the 50th anniversary of some fantastic and influential films coming from Asia in 1975! We start with one of our favorite monsters in the Kaiju classic THE TERROR OF MECHAGODZILLA! We then take to the streets with Kinji Kukasaku's brutal yakuza tale COPS VS. THUGS. Then things get more kung fu classical in the origin story of one of cinema's coolest weapons, THE FLYING GUILLOTINE. After that, we hop on THE BULLET TRAIN (No, not the Brad Pitt one. The Sonny Chiba one!). Our cinematic traveling continues down under with the Australian/Chines co-production, THE MAN FROM HONG KONG. From there, we go completely off the rails with the cinematic cotton candy that is SUPER INFRAMAN. Finally, we get a taste of horror (and some other things we'd rather not mention here) in BLACK MAGIC. All of these films are from Japan or China, but we make sure to check in on the rest of the continent with shout-outs to YEONG-JA'S HEYDAYS out of Korea, THE RARE BLUE APES OF CANNIBAL ISLE from Malaysia, the Bollywood classic SHOLAY, and DERSU UZALA, the Academy Award-winning Russian film directed by Akira Kurosawa!

Devin & James are back in the Den with special returning guest star, CASEY O'CONNOR!! We needed an extra hand to take on the first episode of a new ongoing series about the cinema of 1975, with our first deep dive being into all the huge CULT FILMS of '75, celebrating their 50th anniversary this year! We start at the top with the iconic ROCKY HORROR PICTURE SHOW. We then take that time warp back to visit MONTY PYTHON AND THE HOLY GRAIL. Next are a couple of exploitation classics from two grindhouse giants, Russ Meyer's SUPERVIXENS, and Rudy Ray Moore in DOLEMITE! We then see, hear, and feel Ken Russell and The Who's rock opera, TOMMY, with a LISZTOMANIA chaser. We finish off with a batch of post-apocalyptic films, each with its own bleak view of the future: ROLLERBALL, DEATH RACE 2000, and A BOY AND HIS DOG. And this is only the start of the discussion about all the incredible celluloid that came from 1975!

Devin & James are back in the DEN to conclude their discussion about one of the greatest American actors ever to hit the screen, GENE HACKMAN! This time around, we reach into some slightly more obscure territory. We get into his early Western work, in THE HUNTING PARTY and BITE THE BULLET. We also discuss two films he made with a frequent collaborator, Arthur Penn: the underappreciated TARGET and the stone-cold neo-noir masterpiece, NIGHT MOVES. Actress Joanna Cassidy shows up as a match for Hackman in THE PACKAGE and UNDER FIRE. We also discuss a couple of misfires that may fall short of greatness (or even goodness, in some opinions). Still, we make the case that Hackman makes them interesting watches anyway: LOOSE CANNONS (with Dan Aykroyd and an insane Hitler sex tape plot) and LUCKY LADY (which puts him in a literal throuple with Liza Minnelli and Burt Reynolds!!!!). All this, plus many more films to add to your list. We could have honestly gone into a third episode with Hackman as the headline topic, and we hope you join us to celebrate his unique presence in cinema. Gene Hackman was truly one of a kind.

Devin & James are back in the DEN to pay tribute to one of the greatest performers of all time, GENE HACKMAN! Gene Hackman may have retired from acting 20 years before his unfortunate passing earlier this year, but in his five decades of filmmaking, he created a filmography that's impossible to match. In fact, we had to extend this out to two episodes. In this first of two, we discuss some of Hackman's earlier work, such as MAROONED and CISCO PIKE. We get into some of his heavy hitters, like HOOSIERS, MISSISSIPPI BURNING, UNCOMMON VALOR, and UNFORGIVEN. We also cover some of his lesser-seen titles, like the masterpiece SCARECROW, and the bizarre EUREKA. We even get close to his retirement, with HEARTBREAKERS, RUNAWAY JURY, and, of course, THE ROYAL TENENBAUMS. Add a few mentioned along the way, and we are still just getting started. For deeper dives on a few of Hackman's other classics, please look up our episodes on THE FRENCH CONNECTION series, and our episode on Killer Couples, which explores BONNIE & CLYDE.

Devin & James are back in the Den, and it's full of bats! In this episode, we are covering a very specific type of vampire... OFF-BRAND DRACULAS! These vampires may have castles in Transylvania, look hot in a cape, or have an unnatural interest in foreign real estate, but they all owe their cinematic existence to the literary existence of Bram Stoker's Dracula. We start with NOSFERATU, covering Murnau's 1922 silent classic, through Herzog in 1979, and to Eggers in 2024. We then move on to a couple of Bela Lugosi films, where he plays a bloodsucker who is "definitely NOT Dracula" (legally speaking) with 1935's MARK OF THE VAMPIRE and 1943's THE RETURN OF THE VAMPIRE. We then head to AIP in the groovy 70's, when they redefined the old legend with 1970's COUNT YORGA, VAMPIRE, featuring the underrated Robert Quarry as the titular count with a mouthful of fangs, as well as 1972's BLACULA, featuring a dignified performance by William Marshall that deserves much more credit than it's punny title suggests.

Devin & James are back in the Den to bid a final "ciao" to the TOUR OF ITALY series with a look at the violent world of POLIZIOTTESCHI movies! (or Eurocrime, for the pronunciation challenged.) Italy had a special touch with crime thrillers during their politically tumultuous "Years of Lead," and we go over some of the genre's highest points, starting with Enzo G. Castellari's HIGH CRIME (1973), starring Franco Nero, and Franco Nero's mustache. We follow that with Lucio Fulci's only crime film, the gloriously bloody CONTRABAND (1980). Then we get into the sticky details around the release of Mario Bava's underseen and underrated RABID DOGS/KIDNAPPED, and why two different cuts of this movie were finally released over 20 years after the movie was shot and abandoned in 1974. We follow that with some fun in Umberto Lenzi's THE CYNIC, THE RAT, AND THE FIST (1977), which matched up 3 of the genre's most iconic stars (Milian, Merli, & Saxon). Finally, we cover the influential second entry of Fernando Di Leo's "Milieu Trilogy," THE ITALIAN CONNECTION (1972), where actor Mario Adorf outshines hitmen Henry Silva and Woody Strode to give the most heart-pounding and heartbreaking pimp performance we've ever seen. We're sad to finally be leaving Italy behind (for now), but we closed out with some of our favorite movies ever committed to celluloid. Buckle in and hold on for some off-the-wall Italian mayhem.

Devin & James are back in the Den with their penultimate visit to Italy! This time we shift from focusing on one genre to examining a type of film that is not uniquely Italian, but they sure put their own style on: THE KNOCK-OFF. Low-budget films ripping off box office hits has always been a popular way for Producers to make a buck. Still, the filmmakers themselves can sometimes bring their own spin to a popular trope or trend and create works that rise above being called simply imitations. And then... there are the imitations. We make the case that there is plenty to enjoy about all the approaches, as long as you know what you're getting into. We start with the sharksploitation film that Universal Studios successfully took off the market for lifting the plot of Jaws in 1981, Enzo G. Castellari's THE LAST SHARK (with a bonus look at CRUEL JAWS). If imitation is flattery, then Bruno Mattei must be one of the most complimentary filmmakers ever to play the game, and we dive into his back-to-back sci-fi knocks-offs from 1989, ROBOWAR (Predator featuring a Robocop) and SHOCKING DARK (Aliens featuring a Terminator). We finish up with a couple of films that are inspired by the head-spinning, pea soup-spitting world of The Exorcist, but that build their unique plots and bizarre twists to create works that stand on their own, Alberto De Martino's THE ANTICHRIST, and Ovidio G Assonitis and Roberto D'Ettorre's BEYOND THE DOOR, both from 1974. Grab a can of Campbell's Pea Soup and a straw, and buckle in.

Devin & James are back in the Den, and are go for launch! As we return to our Tour of Italy, this time the action will take us right into the stratosphere with ITALIAN SCIENCE FICTION! We start with the doomed visitors to Mario Bava's PLANET OF THE VAMPIRES, a still underappreciated film that inspired a generation of Sci-Fi writers and directors. We then swing into more action with the utterly bizarre, early body horror, Antonio Margheriti's WILD, WILD PLANET (it's wild enough to deserve it twice in the title). Then we take off for a galaxy far, far away-ish with Luigi Cozzi's Star Wars wannabe, STARCRASH. Finally, we follow up with more Luigi Cozzi with the (occasionally) explosive CONTAMINATION. Strap in, folks... this is gonna be a messy ride.

Devin & James are back, and we've brought fun size candy! We're taking a short detour from our Tour of Italy to celebrate Halloween, and what better way than by running a movie marathon? We take on one of the most unique series in film history: All four of the INVASION OF THE BODY SNATCHERS films! The pod people first invade in 1956, then make an even more gruesome return in 1978, creating two undisputably beloved and influential Sci-Fi Horror classics. Then things stray from the storyline with 1993's BODY SNATCHERS, a lost classic worth another look (or a first look, for most people), and 2007's THE INVASION, which is... almost good? But fun to discuss. With both Halloween and Election Day near, it feels like we are ready for the Pods to appear on our silver screens again. They're here! You're next!!

Devin & James are back in the DEN OF CIN, and it's getting a little spooky in here as we continue our TOUR OF ITALY. This time we are taking on SUPERNATURAL HORROR. There were a lot of ghouls, goblins, ghosts, and witches lurking around Italy during their classic horror period, and we get things started with one of the first: Mario Bava's iconic BLACK SABBATH, starring Boris Karloff! We follow that up with the Dario Argento oddity PHENOMENA (known here in the U.S. as CREEPERS, with about 34 minutes butchered out!), before moving into lesser-seen Lucio Fulci territory with the maestro's bizarre AENIGMA. We end things on a film that defines what a forgotten cult classic can be, with Gianfranco Giagni's brain-melting SPIDER LABYRINTH. Join us to get Spooky Season started off with a BOO!

Devin & James are back in the saddle for another roundup of Italian flicks. A sampling of the cultiest of all cult genres, the SPAGHETTI WESTERNS! When Clint Eastwood rode through Spain and called it Mexico in 1964's Fistful of Dollars, it started a legit European phenomenon that would produce over 600 titles in barely over ten years! Whereas the American Westerns often whitewashed and mythologized its own westward history, the idea of the good guys always wearing white was losing steam by the 1960s, and the Italians had no sentimentality toward the Earp or James clans as historical figures. The Italian Western hero was the epitome of the anti-hero. Not so much straddling the line between good and bad, but rather stomping on it with their spurred boots. The settings may have been North American, but the politics were purely Italian. We start our discussion with the G.O.A.T., the transformative masterpiece that is Sergio Leone's ONCE UPON A TIME IN THE WEST. We then move on to the sub-sub-genre of the Zapata Westerns (set within the Mexican Revolution) with Damiano Damiani's criminally underappreciated A BULLET FOR THE GENERAL. Then we lighten the mood a bit with a couple of Westerns that border on comedies while still being bloody and wild. The master Sergio Corbucci (so much more than "The Other Sergio") takes us on a wild ride across the border and back in COMPANEROS, and we finish up with the first film in Gianfranco Parolini's super-stylized hero-in-black series, SABATA! We've wrangled all your favorite Spaghetti West heroes: Nero, Milian, Van Cleef, Bronson, Fonda, Volonte, Kinski, and so many more. But when you hear the harmonica or banjo begin playing, you better run!

Devin & James are back in the Den for more Italian scares! This time our focus is on RELIGIOUS HORROR, which has been possessing Italian horror since nearly the beginning of the genre during the sound era. We start with the immortal masterpiece, Mario Bava's BLACK SUNDAY (without which Tim Burton movies would have been very different). We then move on to our first legacy film of the series, DEMONS, the ultimate what-the-fuck popcorn demon movie by Lamberto Bava (Mario's son). Then we swing toward Michele Soavi's more artful (but still seriously gory and gross) THE CHURCH. And finally, what trip through the Gates of Hell would be complete without Lucio Fulci's classic THE BEYOND (which will burn your eyeballs out of your face, if the tarantulas don't get to them first)? Plus we get into honorable mentions for Lisa & The Devil, Demons 2, The Sect, and the other bloody entries in Fulci's GATES OF HELL trilogy. We've packed a lot into this pop culture sermon.

Devin & James are back in the Den, and this time they brought their leather vests and switchblade boots cause they're ready for the Italian POST-APOCALYPSE. The post-atomic wasteland became all the rage globally after the success of films like Mad Max 2: The Road Warrior and Escape from New York, and clever (and not-so-clever) copycats began to pop up everywhere. But, as usual, the Italian filmmakers did take the proverbial yellowcake. In this episode we focus on Enzo Castellari's 1990: THE BRONX WARRIORS, Joe D'Amato's ENDGAME, Lucio Fulci's WARRIORS OF THE YEAR 2072, and finally, Sergio Martino's HANDS OF STEEL. Don't forget your spiked wristbands!

Devin and James are back in the Den, and ready to take you on an Italian picnic! (If you can stomach it.) As we continue our sampling of Italian genre films, we finally hit on a few legit Video Nasties with two of the most popular and trigger warning-worthy subgenres, CANNIBALS and ZOMBIES. We start things off with scandal right away in Ruggero Deodato's CANNIBAL HOLOCAUST, followed by a visit to Umberto Lenzi's NIGHTMARE CITY (Don't you dare call them zombies!). Then we move from living flesh eaters to the undead ones with Andrea Bianchi's super bizarre BURIAL GROUND, and top off the meal with (what else?) Lucio Fulci's legendary ZOMBIE! (or is it Zombie 2?) There will be something to explore for every taste but good taste. Bon appetit!

Devin & James are back in the Den, and the Den is still in Italy! In our second Tour of Italy episode, we are going back to the roots of the Italian genre/cult film era with the SWORD & SANDAL films of the 1950s and 60s, introducing film fans to the hero Hercules for the first time, and giving us our first film of the evening, Mario Bava's colorful HERCULES IN THE HAUNTED WORLD. From there, we move to the SWORD & SORCERY era of the 1980's, where we examine some films that owe an awful lot to Conan the Barbarian and The Beastmaster, starting with Joe D'Amato's ATOR, THE FIGHTING EAGLE, followed closely by Lucio Fulci's CONQUEST, and ending the show (and kind of the entire genre) with Ruggero Deodato's THE BARBARIANS (yes, the one starring the Barbarian Twins)! Join us on our quest! We promise plenty of feats of strength, loincloths, snakes, spiders, naked women, gore, and head bashing.

Devin & James are back in the Den with a new topic! We are taking a TOUR OF ITALY, an 8-episode long series, each featuring a different sub-genre created or perfected by Italian filmmakers. We begin with a journey through the shadowy dream territory of GIALLO films. These films are highly stylized murder mysteries, most with a heaping helping of gore. We offer up a sample of some great specimens, and specifically some of the great directors, in this uniquely Italian movement, with a focus on Mario Bava's BLOOD & BLACK LACE, Lucio Fulci's DON'T TORTURE A DUCKLING, Sergio Martino's TORSO, and of course, Dario Argento's DEEP RED. We also go over a few other titles, as well as define the tropes that make a Giallo easy to spot, even if it's not so easy to spot that gloved killer sneaking up from behind!

DO YOU LIKE SCARY MOVIES? Devin & James are back in THE DEN to finish their four-part series on the career of WES CRAVEN! We review the final films we ever got from him as a director, deep dive into CURSED and RED EYE, and top it all off with a discussion on his second major franchise, the SCREAM series. A lot of highs and lows in this period, and we go over a lot of the studio drama that resulted in a couple of these films being far less than what they could have been, but we end on a high note with one of the most beloved slasher franchises ever created.

Devin & James are back in the Den with the third in their series on the career of writer/director Wes Craven. This time they turn their focus to the period between Freddy and Ghostface (1985-1995). We discuss all of his theatrical films during this era but put a spotlight on THE SERPENT AND THE RAINBOW, SHOCKER, and THE PEOPLE UNDER THE STAIRS. Not so much "lost" as underappreciated, Craven shows that in many ways he was at a certain creative peak during this time, and being unfairly held up to what Freddy Krueger had become as the 1980's wore on.

Devin & James are back in the Den for the second episode in their series on WES CRAVEN, and this time we are taking on one of the most influential villains of all time... Freddy Krueger from A NIGHTMARE ON ELM STREET. We are focusing on the series installments that Craven participated in, covering the story arc of his ultimate Final Girl, Nancy (played by Heather Langenkamp). We'll dive into the original NIGHTMARE from 1984, as well as 1987's NIGHTMARE ON ELM STREET 3: DREAM WARRIORS, and 1994's NEW NIGHTMARE, and discuss the ways Craven turned the slasher genre on its head, then twisted it again, and then gave it the ultimate meta twist to finish it off.

Devin and James are back in the Den with a new topic! This time we'll explore the career of horror pioneer WES CRAVEN! And, of course, we are starting at the beginning with Craven's roughest films, THE LAST HOUSE ON THE LEFT and THE HILLS HAVE EYES. (TRIGGER WARNING: These films are very graphic.) Then we follow the course of his career into writing/directing one of the first comic book adaptations of the post-Donner's Superman era, DC's SWAMP THING! And this is just the beginning, as we'll have three more Wes Craven-centered episodes following in the weeks ahead!