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© Clinton and Billy
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Clinton and Billy have open-floor discussions and review various horror and other obscure cinema.
12 Episodes
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This week we talk about the balancing act between sci-fi and horror elements of PHANTASM (1979). Is your local mortuary secretly trafficking a slave-race too?
A little low budget film, FRIDAY THE 13th (1980), inspired by holiday horror, took on a mark in horror history of its own. Clinton and Billy discuss the film and the impact.
The highlight of New French Extremism, MARTYRS (2008) is a highly controversial film. We discuss film critic EJ Moreno's favorite horror film and the new genre it helped form.
In 1954 the great beast Gojira emerged from the Pacific Ocean, forever changing cinema and horror for the rest of time. We dive into the waters of ゴジラ "Godzilla" (1954). In memory of Akira Takarada (1934 - 2022).
Even becoming part of our podcast's title, George A Romero's DAWN OF THE DEAD (1978) infected the horror genre and spread across the world. Let's talk about it.
This week we get infected with Italian cult from Lamberto Bava and Dario Argento's DEMONS (1985) and the impact of Mediterranean horror.
With special guest, Ahlissa, columnist for Fangoria Magazine, we dive into Francis Ford Coppola's adaptation of BRAM STOKER'S DRACULA (1992).
You may find Ahlissa by searching HAUNTEDBYDEADLINES on Instagram and Twitter as well as COUPLE OF CREEPS on YouTube.
Let's talk about co-host Billy's favorite film, and a historical one for horror and sci-fi, John Carpenter's THE THING (1982).
Just in time for Netflix's sequel, this week's episode we talk about co-host Clinton's favorite horror film, Tobe Hooper's classic THE TEXAS CHAINSAW MASSACRE (1974).
Clinton and Billy talk about how much they enjoyed the new, and possibly final Resident Evil film, RESIDENT EVIL: WELCOME TO RACCOON CITY (2021).
Clinton and Billy are divided on their views while reviewing David Gordon Green's HALLOWEEN KILLS and discuss about the franchise as a whole.
In our introductory episode, Living Dead Queers discuss the legacy of Scream and Wes Craven while reviewing Radio Silence's SCREAM (2022).
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