New Books in Urban Studies

Art historian Minna Valjakka speaks with Satoko Naito to discuss her concept of Socially Engaged Creativity, which aims to both broaden and complicate the notion of civic participation through art and creativity. The conversation focuses on her research on protests in Hong Kong as well as various forms of urban hacking and environmental art, highlighting the wide range of protagonists that actively participate in civil discourse and the diverse expressions of their engagement. Dr. Valjakka also shares her approach to on-site fieldwork, stressing the prioritization of respect for the protagonists. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

Jesuit Father Greg Boyle is the founder of Homeboy Industries in East LA, the world’s largest and most successful gang intervention and rehabilitation program. He talks about this ministry and his “therapeutic mysticism” which has trained him to see God and God’s people. Father Greg (“Father G”) has no interest in categories and the games of exclusion that we humans often play; he says, “gang violence is about a lethal absence of hope.” His mission to the homies, therefore, is filled with faith, hope, and love and brings “the God who is tender, the God who is too busy loving us to be disappointed, the God who can’t take His eyes off of us.” That’s why it has been so effective. ·      Here is the website of Homeboy Industries. ·      Books by Fr. Greg (including New York Times bestseller, Tattoos on the Heart) are available from Amazon.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Architecture of the Wire explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to “micro-architectures,” such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical “things” with architecture and art.Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores architecture in the long nineteenth century, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices

Orthodox Choreographies: Boundaries, Borders and Materiality in Jerusalem's Old City (Gorgias Press, 2024) offers a comprehensive anthropological study of lived Christianity in Jerusalem’s Old City, with a special focus on the Church of the Holy Sepulchre or the Church of the Anastasis. Based on in-depth ethnographic fieldwork, the study explores the experiences of the Rum Orthodox community, examining their internal dynamics and relationships with other Christian groups. Within the Church of the Anastasis, complex interplays emerge, as fragile legal agreements intermingle with ethnic and theological considerations, resulting in a complex reality of shared spaces and coexistence. A materialist lens is employed to study these dynamics, suggesting that the material aspects of religious practices play a crucial role in shaping borders and influencing perceptions of similarities and differences across them. Outside the Church's confines, in the Old City of Jerusalem, lay Christians, especially the local Palestinian Orthodox, engage in 'border-crossing practices', which often deviate from the Orthodox Church's approved practice. These practices reflect the flexible strategies local Christians adopt in their everyday lives in Israel, challenging established norms and boundaries. By capturing these dynamics, the book provides valuable insights into shared sacred spaces and offers a significant contribution to debates in the anthropology of Christianity and its material culture. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices

How street vendors tangle with the law in São Paulo, Brazil. With a little initiative and very little startup money, an outgoing individual might sell you a number of delights and conveniences familiar to city dwellers—from cold water bottles while you’re sitting in traffic to a popsicle from a cart on a summer afternoon in the park. Such vendors form a significant share of the workforce in São Paulo, Brazil, but their ubiquity belies perpetual struggle. Some have the right to practice their trade; others do not. All of them strive to make it—or stay afloat.In The Edge of the Law: Street Vendors and the Erosion of Citizenship in São Paulo, (U Chicago Press, 2025) Jacinto Cuvi introduces us to the world of street vendors and teases out the relationship between the construction of legality and the experience of citizenship. As São Paulo’s city government undertakes a large-scale plan to cancel street vending licenses and evict street vendors, Cuvi reveals how the rights of informal workers can be revoked or withheld and how the lines can be redrawn between work that is “legal” and work that takes place under constant fear of law enforcement. Alongside the mechanics of disenfranchisement, Cuvi captures the lived experience of criminalization, dissecting the distribution of (shallow) rights among vendors who continually reinvent strategies to eke out a living while dealing with the constraints and pressures of informal citizenship at the edge of the law. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email Learn more about your ad choices. Visit megaphone.fm/adchoices

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Preparing the Modern Meal: Urban Capitalism and Working-Class Food in Kenya's Port City (Ohio UP, 2025) is an urban history that connects town and country. Devin Smart examines how labor migrants who left subsistence food systems in Kenya’s rural communities acquired their daily meals when they arrived in the Indian Ocean city of Mombasa, a place where cash mediated access to daily necessities. In their rural homes, people grew their own food and created mealtimes and cuisines that fit into the environments and workday routines of their agrarian societies. However, in the city, migrants earned cash that they converted into food through commercial exchange, developing foodways within the spatial dynamics of urban capitalism. Thus, Smart considers how working-class formation and urbanization, central themes of modern world history, changed East Africa’s food systems. Smart explores how these processes transformed domestic labor within migrant households, as demographic change and daily life in a capitalist city shaped the gendered dynamics of food provisioning and cooking. He also examines how urban capitalism in Mombasa, as elsewhere in the world, drove the expansion of eateries for working-class consumers. It focuses especially on street-food vendors who kept their overhead and prices low by operating on sidewalks, in alleyways, and along other open spaces in makeshift structures, where they fried, boiled, and grilled the meals that sustained working-class people in Kenya’s port city. The history of street food also provides insights on the political economy of colonial and decolonizing African cities. Despite the services and income provided by street food, Mombasa officials also regularly pursued “modernization” campaigns to remove such informal businesses from the city’s landscape, fining and arresting vendors and demolishing their structures. Preparing the Modern Meal reveals the contradictions of such urban political economies from the colonial period to the more recent neoliberal era. Devin Smart is an assistant professor of history at West Virginia University, where he teaches courses in African, European, and global history. His most recent articles have appeared in the Journal of African History and International Labor and Working-Class History, and his current research projects examine Kenya’s commercial fisheries as well as the energy transition that occurred in twentieth-century East Africa. He has two additional book projects underway, both of which address the relationship between environmental and economic change. Working the Water: Fishing and Extractivism in Twentieth-Century Kenya examines commercial fisheries as a particular kind of extractive industry, considering how these aquatic economies changed the region's lake, river, and marine environments. Dr. Smart's third book project, A Refined World: Energy Transitions in Modern East Africa, explores how different forms of energy, such as wood, coal, and petroleum, shaped daily life, the region's environments, and the political economy of colonialism and decolonization. Dr. Smart has also published articles on the history of tourism and economic development in Kenya in the African Studies Review, and on the politics of racial conflict in late-colonial Mombasa in the Journal of Eastern African Studies. You can learn more about Dr. Smart’s work here Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in Ghana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Master Plans and Minor Acts: Repairing the City in Post-Genocide Rwanda (U of Chicago Press, 2024) by Dr. Shakirah Hudani examines a “material politics of repair” in post-genocide Rwanda, where in a country saturated with deep historical memory, spatial master planning aims to drastically redesign urban spaces. How is the post-conflict city reconstituted through the work of such planning, and with what effects for material repair and social conciliation? Through extended ethnographic and qualitative research in Rwanda in the decades after the genocide of 1994, this book questions how repair after conflict is realized amidst large-scale urban transformation. Bridging African studies, urban studies, and human geography in its scope, this work ties Rwanda’s transformation to contexts of urban change in other post-conflict spaces, bringing to the fore critical questions about the ethics of planning in such complex geographies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1907 to 1967, a network of reservoirs and aqueducts was built across more than one million acres in upstate New York, including Greene, Delaware, Sullivan, and Ulster Counties. This feat of engineering served to meet New York City’s ever-increasing need for water, sustaining its inhabitants and cementing it as a center of industry. West of the Hudson, it meant that twenty-six villages, with their farms, forest lands, orchards, and quarries, were bought for a fraction of their value, demolished, and submerged, profoundly altering ecosystems in ways we will never fully appreciate. This paradox of victory and loss is at the heart of Nineteen Reservoirs: On Their Creation and the Promise of Water for New York City (The Experiment, 2022) Lucy Sante’s meticulous account of how New York City secured its seemingly limitless fresh water supply, and why it cannot be taken for granted. In inimitable form, Sante plumbs the historical record to surface forgotten archives, bringing lost places back to life on the page. Her immaculately calibrated sensitivity honors both perspectives on New York City’s reservoir system and helps us understand the full import of its creation. An essential history of the New York City region that will reverberate far beyond it, Nineteen Reservoirs examines universal divisions in our resources and priorities—between urban and rural, rich and poor, human needs and animal habitats. This is an unmissable account of triumph, tragedy, and unintended consequences. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can a state make its people forget the dead? Cemeteries have become sites of acute political contestation in the city-state of Singapore. Confronted with high population density and rapid economic growth, the government has ordered the destruction of all but one burial ground, forcing people to exhume their family members. In Necropolitics of the Ordinary: Death and Grieving in Contemporary Singapore (University of Washington Press, 2025), an ethnography of Chinese funeral parlors and cemeteries, anthropologist and trained mortician Dr. Ruth E. Toulson demonstrates this as part of a larger shift to transform a Daoist-infused obsession with ancestors into a sterile, more easily controlled "Protestant" Buddhism. Further, in a context where the dead remain central to family life, forced exhumation tears the social fabric, turning ancestors into ghosts. Using death ritual and grieving as interrogative lenses, Dr. Toulson explores the scope of and resistance to state power over the dead, laying bare the legacies of colonialism and consequences of whirlwind capitalist development. In doing so, she offers a new anthropology of death, one both more personal and politicized. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many local policymakers make decisions based on a deep-seated belief: what’s good for the rich is good for cities. Convinced that local finances depend on attracting wealthy firms and residents, municipal governments lavish public subsidies on their behalf. Whatever form this strategy takes—tax-exempt apartments, corporate incentives, debt-financed mega projects—its rationale remains consistent and assumed to be true. But this wasn’t always the case. Between the 1870s and the 1970s, a wide range of activists, citizens, and intellectuals in New York City connected local fiscal crises to the greed and waste of the rich. These figures saw other routes to development, possibilities rooted in alternate ideas about what was fiscally viable. In The Menace of Prosperity: New York City and the Struggle for Economic Development, 1865–1981 (U of Chicago Press, 2025), Daniel Wortel-London argues that urban economics and politics are shaped by what he terms the “fiscal imagination” of policymakers, activists, advocates, and other figures. His survey of New York City during a period of explosive growth shows how residents went beyond the limits of redistributive liberalism to imagine how their communities could become economically viable without the largesse of the wealthy. Their strategies—which included cooperatives, public housing, land value taxation, public utilities, and more—centered the needs and capabilities of ordinary residents as the basis for local economies that were both prosperous and just. Reed Schwartz (@reedschwartzsf) holds an MPhil in intellectual history from the University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Imperial Creature: Humans and Other Animals in Colonial Singapore, 1819-1942 (National University of Singapore Press, 2019), Timothy Barnard explores the more-than-human entanglements between empires and the creatures they govern. What is the relationship between the subjugation of human communities and that of animals? How did various interactions with animals enable articulations of power between diverse peoples? This book is one of the first to tackle these questions in the context of a Southeast Asian colonial city. Drawing from rich, archival material and with an attentiveness to visual sources, this study analyses the varied and messy positioning of animals in a city – as sources of protein, vectors of disease, cherished pets and impressed labor. The book’s deliberate focus on everyday animals such as dogs and horses – common in growing cities worldwide at the time – connects the history of colonial Singapore to a broader urban history, addressing what modernity means in terms of human-animal relationships. In our conversation, we discuss more-than-human-imperialism, the question of animal agency, the performative aspects of animal welfare and a few exciting, related reading recommendations by the author. Faizah Zakaria is an Assistant Professor of History at Nanyang Technological University. She is completing her first monograph on dialectical relationships between landscape and religious conversions in maritime Southeast Asia. You can find her website here or on Twitter @laurelinarien Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan Wang is a research fellow at Stanford University’s Hoover History Lab, and previously a fellow at Yale Law School’s Paul Tsai China Center. Before that, he was an analyst focused on China’s technology capabilities at Gavekal Dragonomics, based across Hong Kong, Beijing, and Shanghai. Dan is perhaps best known for a series of annual letters, published between 2017-2023, which encapsulate his reflections on Chinese society; his writing has also appeared in other outlets including Foreign Affairs, The Atlantic, The New York Times, and beyond. In this New Books Network Episode, Dan discusses his debut book Breakneck: China’s Quest to Engineer the Future (Norton, 2025). Styled as an aggregation of seven of his famed annual letters, Breakneck presents a dichotomy of China and the US as an “engineering state” and "lawyerly society” respectively, and traces how China’s “engineering state” has shaped Chinese society over the last decade.  Breakneck is now available for purchase online and in physical bookstores. Show notes: Dan’s website Dan’s annual letters: 2023, 2022, 2021, 2020, 2019, 2018, 2017 Dan’s blogpost about Breakneck, which we reference several times in the episode China-related English books that Dan mentions: The Halls of Uselessness (Simon Leys), Other Rivers (Peter Hessler), Invitation to a Banquet (Fuchsia Dunlop) Chinese-language movies from 2017+ that Anthony recommends for illustrating a diverse spectrum of sociopolitical noteworthiness: Wolf Warrior 2 (for China's nationalistic/geopolitical narrative), Upstream (for China's tech industry/labor market), Detention (for Taiwanese popular memory on authoritarianism); plus two additional movies not mentioned in the episode — Ne Zha 2 (for China's soft power potential) and Limbo (for a dark taste of Hong Kong's contemporary malaise).  Chinese-language movies that Dan recommendations: Caught by the Tides (Jia Zhangke), One Second (Zhang Yimou) Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices

Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933–1945 (DOM, 2025) is edited by Uwe Altrock, Harald Bodenschatz, Victoria Grau, Jannik Noeske, Christiane Post, and Max Welch Guerra. The book includes contributions from Christian von Oppen, Piero Sassi, and Jannik Noeske.  Two co-editors, Victoria Grau and Max Welch Guerra, join the New Books Network to discuss this work. In this book, urban planning under the Nazi dictatorship is for the first time examined not only as something that evolved during the different periods of Nazi rule but also in the context of other European dictatorships of the time. The period between 1933 and 1945 saw important changes in the focus of Nazi urban planning. These affected the cast of principal actors, the content of the regime’s propaganda, cities and areas affected, programs and practices, and winners and losers. The result of this survey is a multi-layered picture that goes beyond the usual presentation of well-known power-projecting buildings to consider a range of other important aspects including housing construction, urban renewal, internal colonization, buildings for rearmament, large-scale infrastructure, industrial areas, educational institutions, and camps. This volume marks the conclusion of a series of academic publications about urban planning and dictatorship – in the Soviet Union, Italy, Portugal and Spain. Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933-1945 is the English language edition of Stadtbau im Nationalsozialismus: Angriff, Triumph, Terror im europäischen Kontext, 1933–1945. Guests: Victoria Grau is a researcher in the Department of Architecture and Urban Planning at Bauhaus-Universität Weimar. Sen. Prof. Dr. Max Welch Guerra is the Chair of Spatial Planning and Spatial Research at Bauhaus-Universität Weimar. Host:    Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Find Jenna on Scholars@Duke or her Linktree. Learn more about your ad choices. Visit megaphone.fm/adchoices

On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now. Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bettina Ng’weno is Professor of African American and African Studies at the University of California, DavisNairobi, known as the Green City in the Sun, has taken shape through anti-urban ideologies that insist that the city cannot be home for most residents. Based on decades of experience in rapidly changing Nairobi, No Place Like Home in a New City: Anti-Urbanism and Life in Nairobi (U of California Press, 2025) traverses rivers, cemeteries, parks, railways, housing estates, roads, and dancehalls to explore how policies of anti-urbanism manifest across time and space, shaping how people live in Nairobi. With deeply personal insights, Bettina Ng’weno highlights how people contest anti-urbanism through their insistence on building life in the city, even in the current dynamic of ubiquitous demolition and reconstruction. Through quotidian practices and creative resistance, they imagine alternatives to displacement, create belonging, and build new urban futures. This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation’s urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield’s book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices

The soundscape of prison life is that of constant clangs, bangs and jangles. What is the significance of this cacophonous din to those who live and work with it? Sound, Order and Survival in Prison: The Rhythms and Routines of HMP Midtown (Bristol UP, 2024) tells the story of a year spent with a UK prison community, bringing its social world vividly to life for the first time through aural ethnography. Dr. Kate Herrity’s sensory criminology challenges current thinking on how power is experienced by the imprisoned and the lasting effects of incarceration for all who spend time in these environments. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices