Born To Watch - A Movie Podcast

Before “Drive to Survive,” before Lewis Hamilton made Formula One fashionable, and long before IMAX cameras were strapped to carbon-fibre rockets, there was just a snorbs reporter with a dream… and Brad Pitt behind the wheel. In our F1 The Movie (2025) Review, we will unpack it all.It's 2025. The team at Born to Watch trades nostalgia for noise as they deep dive into one of the year's biggest cinematic engines: F1 The Movie. With Pitt playing Sonny Hayes, a one-time F1 star turned paddock has-been, and Damson Idris as the cocky rookie you'll want to punch with a wrench, this week's episode is a fast, furious, and occasionally feral take on a film that tries to be Top Gun: Maverick on four wheels.Whitey sets the pace with a bold take: Is F1 even about the story, or is this Avatar-level immersion with fuel and friction? He breaks down how this one's less about the emotional arc and more about tech flexing at 300km/h. Gow, never one to pass up a pit stop, steers us through Morgz parallels, real-life F1 credentials, and why Brad Pitt is still Hollywood's smoothest operator, even when he's getting screamed at by a 38-year-old playing a 60-year-old's mum.Dan on the Land delivers one of the pod's all-time greatest analogies: F1 The Movie is the tale of a man returning from back surgery and bourbon benders to coach a team of year-nine canoeists. Add Damo's unexpected "this is about me” speech, and you've got a review that's half cinema, half confession.The pod delves into the cry-o-meter (0%), the popcorn meter (full), and how the audience ultimately comes to like the car more than the characters. There are debates over whether Kerry Condon was miscast, who should've punched JP first, and whether Javier Bardem's surgically-enhanced nose deserved its own credit. Bonus points for the Han Solo theory. Double bonus points for calling JP the most punchable character since Bob Sugar.Also: Damo reveals his Snorbs report special, a future film starring Jennifer Lawrence and featuring full-frontal nudity. Naturally. Dan shares a story about custom condoms and splashdowns that we cannot print here. And Whitey invents a new Oscar category: best use of tennis balls in a montage.And just when you think it’s over, someone brings up Chuck Norris, and the podcast goes sideways in the most Born to Watch way possible.JOIN THE CONVERSATIONWas this just Top Gun: Maverick with gear changes?Is JP the worst teammate in movie history?Should Brad Pitt be allowed to keep that hair at his age?Drop us a voicemail at https://www.borntowatch.com.au and tell us whether this movie deserves a podium or a pit lane penalty.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don’t forget to LIKE, SUBSCRIBE, and always yell “PLAN C” when walking into a bar.#F1TheMovie2025Review #BornToWatch #BradPitt #FormulaOneMovie #IMAXExperience #SnobsReport #MoviePodcast #RacingMovies #FilmReview #DriveToSurvive

Before "Ted Lasso," before viral Super Bowl speeches, and long before anyone tried to give athletes emotional depth in a rom-com, there was Jerry Maguire. The year was 1996. The Cold War was over, the NFL was king, and Tom Cruise was still a god among men, only this time, he wasn't flying jets, breaking into vaults, or sliding around in his jocks. He was having an existential crisis... over sports marketing. Join the team for this Jerry Maguire (1996) Review.This week on Born to Watch, the team gets personal with Cameron Crowe's career-defining genre-bender. It's a sports film. It's a romantic drama. It's a corporate takedown. It's an Oscar-worthy performance from Cuba Gooding Jr., a breakout role for Renée Zellweger, and the movie that made grown men cry, "You complete me."Whitey sets the tone, reminding us that Tom Cruise's 90s run, A Few Good Men, The Firm, Mission: Impossible, Magnolia, is better than most actors' entire careers. He dives headfirst into Jerry's meltdown, that now-iconic mission statement, and the truth that integrity doesn't pay… until it suddenly does. Gow takes us into the heart of the Rod Tidwell storyline and how one man's love for his family and the almighty bonus created one of cinema's most quotable characters. Will? He gets emotional. There are tears. Multiple.The pod goes all in on the movie's cry meter, with Whitey clocking in at a solid three sobs, and Gow recommending we scrap the popcorn scale for tears-per-scene metrics. We break down why this movie hits so hard: the kid with glasses saying "You said fuck," the kitchen kiss, the living room apology, and yes, the car radio singalong that still gives everyone anxiety.The team also has questions: What was Jerry doing on that porch? Is Bob Sugar the most punchable man in cinematic history? Could Tom Hanks have pulled this off, or did Cruise's signature manic energy make this role iconic? And what's with Dickie Fox and his "wake up happy" nonsense? Do we buy it, or want to slap him?As always, we hit The Good, The Bad, and The Ugly. The good? The chemistry between Cruise and Cuba. The soundtrack that absolutely slaps. Bonnie Hunt is an underrated MVP. The bad? The wedding scene. Jerry's inability to fake happiness. That mission statement is being printed at Kinko's. The ugly? A porch makeout scene that doesn't belong in a PG-13 film, especially with a child and a sister literally ten feet away.The cast breakdown gets the complete treatment: Zellweger's rise from indie darling to Oscar winner, Cuba's perfect moment before a long string of missed roles, and a deep, reluctant appreciation for Jay Mohr's ultra-hatable Bob Sugar. Also: Jonathan Lipnicki, secret weapon. Human heads weigh 8 pounds. Who knew?Legacy-wise, Jerry Maguire doesn't just survive; it thrives. It's more relevant in 2025 than ever: in a world that prizes hustle and brand, it reminds us what it means to care. It's messy. It's heartfelt. And it's full of awkward truths that still sting.JOIN THE CONVERSATIONIs this Tom Cruise's most human role?Did the mission statement actually change anything, or make him broke?Who deserves the bonus: Jerry or Rod?Drop us a voicemail at https://www.borntowatch.com.au and show us the listener love.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and whisper "You had me at hello" to strangers in the street.#JerryMaguire1996Review #BornToWatch #TomCruise #YouCompleteMe #ShowMeTheMoney #CameronCrowe #MoviePodcast #SportsRomance #FilmReview #90sMovies

In this special edition of Born to Watch, the team dives back into the deep blue to celebrate the 50th anniversary of Steven Spielberg's iconic 1975 thriller, Jaws. But this isn't just a rewatch, it’s a cinematic pilgrimage. Hosts Whitey and Dan welcome special guest Paul Glasby to revisit the film not just in spirit, but in spectacle, attending a screening at Hoyts Tweed City, experiencing this Jaws 50th Anniversary Review on the big screen with recliners, giant Pepsi Maxes, and a crew of unsuspecting newcomers.This episode is more than just a review; it's a tribute. For Whitey, who's marking his own 50th birthday, Jaws isn't just a classic; it's a defining piece of his movie-loving DNA, neck-and-neck with Star Wars and The Empire Strikes Back as his all-time favourite. The team reminisces about the first time they saw the film, how it scarred them from surfing, and the strange magic that Jaws still holds over an audience, even half a century later.Dan, making his debut on a Jaws episode, brings the perspective of a cinema recluse, someone more used to fields and chickens than Dolby sound and John Williams scores. But even he's swept up by the grandeur of the theatrical experience. Paul, a returning guest and self-proclaimed booster-seat podcaster, shares a British kid's perspective on Jaws' TV legacy, recalling its 3D TV gimmicks and how the film once ruled Saturday night telly. But seeing it on the big screen? That's another beast entirely.Throughout the episode, the guys reflect on Spielberg's breakout masterpiece, how a 27-year-old director, working with malfunctioning mechanical sharks and intense studio pressure, managed to craft a film that changed cinema forever. There's plenty of love for the gritty film stock, practical effects, and Spielberg's decision to show less rather than more. The now-famous story about the shark not working—leading to a suspenseful masterclass in implication over gore—gets its well-deserved praise.They also unpack the movie's unforgettable score, with Paul comparing John Williams' two-note theme to the Rocky IV training montage, so iconic that it shapes the entire experience. For Dan, the real terror lies in the opening scene, all shadows and suggestion. For Whitey, it's the rich character work, Quint’s haunted Indianapolis speech, Hooper's dry wit, and Brody's quiet resolve that keep the film swimming in the top tier of cinema history.The episode isn't just nostalgia-heavy; it's a call to arms. Why don't we watch classic films in the cinema more often? Why isn’t there a chain of retro movie houses showing Jaws, Alien, The Exorcist, and Boogie Nights on the regular? Dan offers a deeper look into the decline of cinema attendance, post-COVID challenges, and how theatres now survive on mega-drinks and bar-style concessions. But the gang also sees an opportunity: could Born to Watch host monthly screenings of classics? Would audiences come?There's also plenty of fun tangents, dodgy car park stories, oversized soft drinks, generational lines drawn by Paddington in Peru, and roasting fellow podcasters for their Marvel movie hot takes. Expect talk of Spielberg's filmography, the state of modern blockbusters, and whether Top Gun: Maverick or Avengers: Endgame can hold a candle to the cultural typhoon that Jaws was in 1975.In true Born to Watch style, the episode blends deep cinematic appreciation with pub-style banter, bringing in kids' reactions, audience dynamics, and even some surprising praise for Richard Dreyfuss's underrated turn as Hooper. For a film that's been endlessly dissected, this conversation feels fresh, personal, and anchored by genuine love for cinema.Whether you're a longtime fan or a landlocked Gen Z who's never felt the terror of a dorsal fin rising from the surf, this episode is a reminder of why we watch, why we return, and why, 50 years later, Jaws still bites.JOIN THE CONVERSATIONIs Jaws still the scariest movie ever made—or did the rubber shark finally lose its bite? Should Mayor Vaughn have been eaten first?Would YOU get in the water with Hooper, Brody, and a barrel full of bad ideas?Drop us a voicemail at https://www.borntowatch.com.au and share your Jaws hot takes.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don’t forget to LIKE, SUBSCRIBE, and yell “You’re gonna need a bigger boat!” at strangers to promote the show.Tonight we had Paul Glazby of the When I Grow Up Podcast - You can check out his podcast on YouTube or all good podcast platforms.https://www.youtube.com/@WhenIGrowUpPodcast-r8y#BornToWatchPodcast #Jaws50th #SpielbergClassic #JawsOnTheBigScreen #CinematicLegends #BlockbusterOrigins #SharkAttackCinema #FilmNostalgia #ClassicMoviesRevisited #MoviePodcastMagic

Before Call of Duty, before The Hunger Games, and long before kids with rifles were standard streaming fare, there was Red Dawn, a film where teenagers in Colorado picked up hunting rifles, hid in the woods, and waged war on the Soviet-Cuban invasion of suburban America. In 1984, World War III didn't start with a bang. It began with a history teacher getting machine-gunned through a classroom window. Wolverines, assemble. This Red Dawn 1984 Review is gunna be epic!This week on Born to Watch, the team revisits John Milius' unlikely cult classic, the first PG-13 movie ever released, and still one of the most bizarrely patriotic action flicks of its time. Whitey sets the scene: Cold War hysteria at its cinematic peak, where the solution to global conflict is apparently a football quarterback, a couple of dirt bikes, and a stash of grenades. Gow marvels at how dark and unexpectedly bleak the movie is upon rewatch. And special guest Chris, who watched this on loop in a Canadian compound in Saudi Arabia (seriously), adds depth, nostalgia, and just the right amount of North American sincerity.The pod kicks off with a bang (and a few technical apologies), diving straight into awkward romances, surprisingly competent teens, and Patrick Swayze's transition from ballet shoes to combat boots. There's plenty of love for the Outsiders alums in the cast, from Swayze to C. Thomas Howell to Charlie Sheen in his screen debut, "He looks like he's been acting for 20 years," Whitey insists. Jennifer Grey and Lea Thompson round out the '80s dream team, while Powers Boothe arrives halfway through the movie like a red-blooded Deus Ex America, delivering monologues about freedom, death, and being "super Catholic unless he needs to be super Anglican."And yes, the Wolverines' origin story is still insane. A bunch of high schoolers flee to the hills, build underground bunkers with trap doors, and become insurgents overnight. The pod breaks down every logical inconsistency and still comes away loving it: why did the Russian soldiers...take the picnic basket? Why did Darryl betray them? And how the hell did they learn to use claymores?As always, The Good, The Bad, and The Ugly delivers the heat. The good? A refreshingly sincere slice of 80s teenage warfare, where death has weight and characters grow (or die trying). The bad? Avenge me! Avenge meee! Screams Harry Dean Stanton in a moment so melodramatic it becomes unintentionally iconic. And the ugly? Powers Boothe, nearly getting frisky with Lea Thompson, cut in post, thank God, but still creepy on rewatch.The conversation also swerves into great side quests. Gow takes us through Ordinary People, tying every cast member back to The Outsiders or Back to the Future in six degrees or less. Whitey flexes his film nerd muscles with a deep dive into director John Milius, writer of Apocalypse Now, Dirty Harry, and the infamous USS Indianapolis speech from Jaws. There's also the obligatory "One Degree of Kurt," tying the film back to Russell via Tombstone and Powers Boothe. Born to Watch bingo, complete.Set pieces get their due: the shock of the paratroopers in the opening scene, the forest ambush montages, the tragic final shootout between brothers. There's genuine reverence for how gritty and grim the film gets, even with its wild premise. "This movie's better than it has any right to be," is the consensus.Legacy-wise, Red Dawn didn't just launch a thousand VHS replays; it set the template for teen action cinema, and even inspired a less-than-stellar 2012 remake (which the boys pretend doesn't exist). No Oscars here, but in the Book of Born to Watch, it gets a solid star on the Walk of Cult Classics.JOIN THE CONVERSATIONShould Jed have let Darryl live?Is Red Dawn better than it should be—or just a patriotic fever dream gone rogue?Would YOU survive a Soviet invasion with nothing but camping gear and high school trauma?Please leave us a voicemail at https://www.borntowatch.com.au and join the rebellion.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and yell "WOLVERINES!" at strangers to promote the show.#RedDawn #Wolverines #borntowatchpodcast #80sAction #CultClassic #PatrickSwayze #ColdWarCinema #MoviePodcast #FilmReview

By 2016, the Star Wars galaxy was splintered. Disney had bought the keys to the kingdom, and The Force Awakens had opened the floodgates of nostalgia; fans were debating whether the magic still remained. Enter Rogue One, a gritty, grounded war film that not only connected the dots between trilogies but also reminded us what sacrifice actually looks like in a galaxy far, far away. Our Rogue One (2016) Review could be our boldest Star Wars exploration yet. Listen to find out.On this week's Born to Watch, the team rallies on Yavin 4 to break down the boldest entry in Disney's Star Wars canon. Whitey brings the heat with tales of midnight screenings and family rewatches, calling Rogue One the "Everest" of modern Star Wars. Damo, initially underwhelmed, admits it took a second viewing to appreciate the depth and daring of this standalone story. And Bones? Let's just say he came armed with more trivia than a Death Star databank, from K-2SO's comic origins to what Chirrut Îmwe's staff is really made of.The episode begins with the squad sharing their first impressions, ranging from faulty cinema projectors to kids ditching mid-movie, before diving into the film's iconic trailer. Vader's breath. The Rogue One theme. Mon Mothma's icy resolve. It still rocks. The boys dissect what made the trailer work and laugh at the glaringly absent "I rebel" line that somehow vanished between teaser and final cut.Naturally, the Born to Watch crew doesn't just scratch the surface. They dive deep into what makes Rogue One so special: a fresh cast of characters who aren't chosen ones or lightsaber prodigies, but ordinary rebels making impossible choices. Jyn Erso (Felicity Jones) gets major love for her no-frills attitude, while Diego Luna's Cassian Andor earns newfound respect thanks to the phenomenal Andor series, which Whitey all but begs Damo to finally watch.And then there's K-2SO, the sardonic droid voiced by Alan Tudyk (aka "Two Dicks”, don't ask, just listen). Easily one of the funniest characters in the franchise, K-2 delivers punchlines and gut-punches with equal finesse. The same goes for Donnie Yen's Chirrut and Wen Jiang's Baze, a dynamic duo who bring martial arts, mysticism, and machine guns to the battlefield.Ben Mendelsohn's Director Krennic gets the Aussie shoutout treatment, with the team praising his imperial smugness and exquisite cape work. Forest Whitaker's Saw Gerrera? A source of debate, gasps, and conspiracy theories, is he a Vader prototype? A puffed-up Darth Hipster? Either way, "Bo Gullet" lives rent-free in everyone's head, even if no one quite understands what he's doing there.And then comes the scene. You know the one. The Vader hallway massacre. It's cinematic perfection, a horror movie, action flick, and fan fantasy rolled into one red lightsaber ignition. The team agrees: it might be the greatest single moment in Star Wars history. Period.From there, it's time for Good, Bad, and Ugly, where the sets, the new worlds (Scarif, Jedha), and the grounded stakes all get high praise. The team relishes how Rogue One finally explains the Death Star's ridiculous design flaw, praises its minimal use of nostalgia, and wonders how Jyn Erso climbs that 500-metre tower without even puffing.Legacy-wise, Rogue One is a billion-dollar box office hit that somehow still feels underrated. No Skywalkers. No prophecy. Just a desperate, beautiful mission and a finale that dares to kill every single lead. The episode wraps with laughs, trivia, a tease of a Star Wars Trivial Pursuit rematch, and a reminder that Rogue One is the rare Disney-era film that actually elevates what came before.JOIN THE CONVERSATIONIs Rogue One the best Star Wars movie since the original trilogy?Would you rather pilot an X-Wing or be one with the Force like Chirrut? Is K-2SO the most underrated droid in the galaxy?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don't forget to LIKE, SUBSCRIBE, and click the bell to stay updated on all things Born to Watch, your weekly fix of nostalgia, nonsense, and no-holds-barred movie breakdowns.#RogueOne #StarWars #BornToWatch #MoviePodcast #CassianAndor #K2SO #DarthVader #FilmReview

1985 was the year Sylvester Stallone went from Hollywood heavyweight to undisputed box office king. With Rocky IV on one side and Rambo: First Blood Part II on the other, he wasn't just riding the wave of 80s action; he was the wave. And while First Blood had been a surprisingly thoughtful thriller about trauma, alienation, and a veteran's struggle to reintegrate into society, its sequel shed all subtlety like a spent shell casing. What we got instead was a high-octane, Reagan-era fever dream of exploding arrows, shirtless jungle warfare, and a hero who could take down entire armies with little more than a knife, a bow, and a steely stare. Strap into your parachutr and prepare for our Rambo: First Blood Part II ReviewOn this week's Born to Watch, the boys dive into Stallone's red-bandanaed return to Vietnam. Whitey sets the scene: this isn't just a movie, it's the beginning of the "one-man war" subgenre that would dominate until Die Hard flipped the script in 1988. Damo admits he's barely watched it compared to the rest of the team, just four times, making him the weakest link in the Rambo chain, while Dan fondly recalls a childhood of VHS replays and backyard re-enactments, complete with shirtless flexing and imaginary M-60s.The episode kicks off with laughs about the film's working title, "Second Blood," which the team insists is far better than what we ended up with. From there, the conversation barrels through the film's unforgettable trailer, essentially a three-minute version of the movie that gives away every major set piece. But then again, in 1985, you weren't dissecting trailers on YouTube; you were catching glimpses of them before Back to the Future or in the lobby of Hoyts.As always, Colonel Trautman gets his share of love. Richard Crenna's grizzled commander was the heart of First Blood, but here the boys agree he's been badly sidelined, emasculated by slimy bureaucrats and robbed of his best lines. Whitey argues that Stallone intentionally clipped Trautman's wings to keep the spotlight on himself, before realising by Rambo III that the series needed more Crenna.Villains are in no short supply: Charles Napier's Murdoch oozes bureaucratic slime, Steven Berkoff delivers Cold War menace as a sneering Russian general (forehead mole and all), and Martin Kove, fresh off The Karate Kid, simmers in the background as a mercenary who doesn't get nearly enough to do. And then there's Julia Nickson as Co, whose accent is so gloriously bad it's become immortal. Her "What mean expendable?" line sends the boys into hysterics, though they're quick to admit she's stunning on screen and essential to Rambo's fleeting attempt at love.The set pieces get the full treatment too: Rambo parachuting into the jungle, the bamboo cage of leeches, the patrol boat ambush, and the climactic showdown with a hulking Russian gunship that feels like the final boss in a video game. Logic rarely applies, Rambo seems oddly immune to electrocution and, at one point, appears in what the boys can only describe as a "ceremonial Vietnamese G-string", but that's half the fun. Unlike Cobra, which the podcast tore apart in a recent episode, First Blood Part II manages to be outrageous without ever becoming dull.The team also dives into the film's legacy. Box office juggernaut? Absolutely, $300 million worldwide on a $44 million budget. Awards darling? Not quite. While it picked up an Oscar nomination for sound editing, it swept the Razzies, winning for Worst Picture, Worst Actor, and even Worst Original Song. That song, Peace in Our Life, penned by Frank Stallone, gets roasted at length—described as "mesmerisingly bad" and “patriotic cheese that makes Bon Jovi sound poetic.”But for all its flaws, there's an undeniable joy in watching Rambo: First Blood Part II. Whitey compares it to the Avengers: Endgame of 1985, pure crowd-pleasing cinema where audiences would've cheered out loud when Rambo vaporised a guard with an explosive arrow. The film may be ridiculous, but it's never boring.As always, there are detours into Mad Max Beyond Thunderdome (unanimously despised), A View to a Kill (fondly remembered for Roger Moore inventing snowboarding to the Beach Boys), and Corey Haim's werewolf flick Silver Bullet. There's also a spirited listener voicemail from loyal fan Chupperz, who demands a proper definition of "cameo" for Film School for FW, and a reminder that even when the team is tearing something apart, it's always done with affection.By the time they hit The Good, The Bad, and The Ugly, the verdict is clear: Stallone's hair deserves its own credit, Trautman deserves better, and Rambo: First Blood Part II is the kind of dumb, overblown, endlessly rewatchable 80s action that Born to Watch was made for.So if you love muscle-bound mayhem, Cold War villains, or just want to hear a bunch of Aussie legends laugh, argue, and celebrate a truly explosive piece of cinema history, this is the episode for you.JOIN THE CONVERSATIONIs Rambo: First Blood Part II a misunderstood classic or just overblown propaganda? Would you rather ride shotgun in the gunship or sneak through the jungle with the bow and arrow? Does this sequel outshine First Blood, or did Stallone lose something when subtlety gave way to spectacle? Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Rambo #FirstBloodPartII #SylvesterStallone #80sAction #CultClassic #MoviePodcast #BornToWatch #FilmReview #ActionMovies #RetroCinema

Lock, load, and prepare for a ballistic ride. This week, the Born to Watch crew take on the movie that brought Keanu Reeves roaring back into the action spotlight and set a new standard for gun-fu carnage with their John Wick (2014) Review.Whitey, G Man, Damo, and returning guest Bones gather in the "Red Circle Russian Baths" to break down this lean, mean revenge machine. The premise is simple: they killed his puppy, they stole his car, and now John Wick is going to kill absolutely everyone. What follows is 101 minutes of exquisitely choreographed violence, ruthless headshots, and underworld world-building that's as fascinating as it is stylish.The boys kick things off with an "overs and unders" rewatch count, Bones leading the charge with a double-digit tally, Damo admitting he was late to the Wick party, and G Man revealing this was only his second full viewing. Whitey takes us back to his last days running a video shop in 2014, when he first discovered the movie on DVD and immediately knew it was something special.From there, it's a high-calibre conversation covering the sequels (John Wick 2 gets big love, John Wick 3 cops a length warning, and John Wick 4 is called out for testing bladders at nearly three hours). They crunch the numbers on the original film's body count, 84 kills for Wick alone, and swap favourite takedowns, from the Red Circle massacre to the infamous knife-to-the-chest finisher.But John Wick isn't just about spraying bullets. The team dive into what makes it different: the cool, calculated underworld mythology of The Continental, the gold coin economy, and the assassin's code that adds sophistication to the chaos. They agree that the "no business on Continental grounds" rule is a masterstroke, and that Ian McShane's Winston brings the perfect mix of charm and menace.Keanu Reeves' career gets its own spotlight, with nods to Point Break, Speed, The Matrix, and even the roles he almost played (Platoon, Starship Troopers). Supporting cast members also get their flowers: Michael Nyqvist's quietly menacing Viggo, Alfie Allen's punchable rich-kid villainy, Willem Dafoe's sniper guardian angel, and a surprise cameo from wrestling giant Kevin Nash.In true Born to Watch fashion, the chat spirals into side quests: hot takes on Taken's influence on modern revenge films, debates over whether Russians are cinema's ultimate gangsters, and an oddly passionate discussion on Japanese onsens and Russian bathhouses (including the etiquette of washing before soaking with strangers).They also unpack critical reception, David Stratton's dismissive "all gun battles" take versus The New York Times' praise for its style, wit, and box office performance, noting how word of mouth turned a modest $86 million return into the launchpad for a billion-dollar franchise.Signature segments return in force:Hit, Sleeper, Dud, Swinger – with Interstellar and Edge of Tomorrow as hits, Frank as the sleeper, Dumb and Dumber To as the dud, and Pompeii roasted as a "swinger" that belongs in cinematic ash.Snobs Report Special – veering gloriously off-topic to Alexandra Daddario's career-making scene in True Detective.Question Time – covering everything from the realism of Wick's "magic pills" to whether Iosef's death was anticlimactic, and what exactly makes a headshot so satisfying.Through it all, the crew's affection for John Wick is undeniable. They celebrate its stripped-back storytelling, grounded stunt work, and unrelenting pace, while acknowledging its few stumbles. It's the perfect mix of 80s-style simplicity and modern fight choreography, proof that a revenge story, told well, never goes out of style.If you're a fan of tight, furious action films with a killer lead, a colourful rogues' gallery, and a fictional criminal underworld you want to explore (but not live in), this is the Born to Watch episode for you.JOIN THE CONVERSATIONIs John Wick the best modern action franchise or just a stylish headshot marathon?Which kill in the Red Circle nightclub is your all-time favourite?Is killing the puppy the single most effective way to make an audience cheer for revenge?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#JohnWick #KeanuReeves #MoviePodcast #ActionMovies #BornToWatch #GunFu #RevengeMovies #CultAction #FilmReview #PopCulture #borntowatchpodcast

This week on Born to Watch, the boys dive sunglasses-first into their Cobra (1986) Review, Sylvester Stallone’s 80s fever dream of fascist fashion, cult chaos, and cheeseball one-liners. In a time when Sly was king of the box office, rocking Rambo and Rocky, he went rogue and gave us… Marion Cobretti. Part cop, part Terminator, all denim.Whitey, G-Man, and Morgz try to unpack this absurd Dirty Harry knockoff that’s equal parts vanity project and testosterone overdose. From the opening monologue's completely made-up crime stats to the gratuitous axe-wielding cult, nothing about Cobra makes sense, and that’s half the fun.But it’s not all bullets and bravado. The team takes a hard look at Stallone’s creative control (spoiler: he shouldn’t have had any), the film’s bizarre product placement (Pepsi, anyone?), and a montage that includes Brigitte Nielsen posing with robots to a Robert Tepper deep cut. Seriously.Gow marvels at the buckle boots and slasher absurdities, Dan questions why Cobra opens a warm beer just to throw it, and Whitey can’t believe this was supposed to be the start of a franchise. There’s praise for the poster, grief for the editing, and unfiltered confusion about the serial killer cult that clinks axes in an abandoned pool.Also in this episode:An explosive “Good, Bad, and Ugly” segment where “ugly” takes on new meaningA wild tangent into Canadian trailer parks and Gow's legendary exploits as the “Ten Slayer”A bonus voicemail from our mate XR8 Chupperz, who wants answers about Canadian bar fights and Gow’s taste in trailer park womenAs the crew reflects on Cobra’s place in 1986 cinema, surrounded by giants like Top Gun, Aliens, and Platoon, they ask the big questions: Could this have been good with a different cut? Did anyone actually direct this thing? And is “You're a disease, and I’m the cure” the greatest dumb action line ever written?Spoiler alert: Cobra ends with 41 confirmed kills. Stallone doesn’t just clean up crime; he clears the census.So if you love muscle-bound madness, slashers in stocking masks, or just want to laugh at a movie that takes itself way too seriously, this episode is for you.JOIN THE CONVERSATIONIs Cobra a misunderstood action gem or just a flaming dumpster fire of denim and ego?Would you ride shotgun with Cobretti or run from his gun with the custom Cobra logo? Who’s scarier—the Night Slasher or that robot photo shoot montage?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Cobra #SylvesterStallone #BornToWatch #MoviePodcast #80sAction #CultClassic #BadMoviesWeLove #BrigitteNielsen #PepsiPlacement #GunWithALogo

Strap on your goggles and hoist the sails, this week on Born to Watch, the crew dives into a post-apocalyptic puddle with their Waterworld (1995) Review, Kevin Costner’s legendary aquatic epic that soaked Universal Studios in ambition, cash, and controversy. Whitey, G Man, and Damo reunite to wade through the waves of cinematic history, revisiting a film as infamous for its behind-the-scenes chaos as it is for its soggy storytelling.From the jump, the team questions Waterworld's place in pop culture infamy. Once touted as the most expensive movie ever made, this maritime Mad Max-on-water starred Costner at the peak of his fame, but was it his creative apex or the beginning of his soggy descent? The guys don’t pull punches, balancing deep dives into production lore with their trademark irreverent humour.Whitey sets the tone by confronting the bloated ambition of the project: “Has any Hollywood star become so famous with a catalogue with so many peaks and troughs?” Cue a wide-ranging Costner retrospective, comparing the golden days of Field of Dreams and The Untouchables to the indulgent excesses of The Postman and yes, Waterworld. The verdict? Costner might’ve been drinking his own Kool-Aid, filtered through a urine distillation machine, of course.G Man leads the crew through the absurd plot, where the Earth is drowned, the polar caps are melted, and dry land is a mythic memory. Costner plays the Mariner, a grim, gilled loner with webbed feet and a personality drier than the lost continent he’s searching for. The podcast doesn’t shy away from the film’s narrative flaws: characters with no backstory, Mad Max rip-offs, and a complete lack of chemistry between the leads, most notably between Costner and Jeannie Triplehorn, affectionately known as “Jeannie Triple Blurter” by the team.Speaking of performances, Dennis Hopper’s turn as the Deacon is eviscerated with delight. Compared to his electric villain in Speed just a year prior, Hopper here is an oily cartoon, piloting a rust-bucket Exxon Valdez filled with chain-smoking goons. “It’s a bad Beyond Thunderdome,” declares Whitey, and the panel doesn’t disagree.The gang revels in the film’s infamous production disasters: hurricanes, a constantly rewritten script, Costner’s massive creative control, and his falling out with director Kevin Reynolds. G Man reminds us of the legendary quote about Costner directing himself: “Now he gets to work with his favourite actor and his favourite director.” Ouch.Despite the floundering script, there are moments that the Born to Watch crew appreciates. The practical effects, like the massive floating Atoll set and Costner’s tricked-out trimaran, get nods of approval, even if the action sequences are undercut by choppy editing and goofy stunts. And the team can’t help but laugh at the iconic “pee filtration scene,” the rope-assisted bungee jump climax, and the infamous underwater city reveal, which defies all logic and basic physics.One of the episode’s standout sections is “Question Time,” where the trio tackles the film’s most baffling plot points: How does the Mariner’s boat outrun jet skis? How does dry land remain uninhabited? And why, oh why, would someone spend their life searching for paradise only to leave it five minutes after finding it?The boys also pay tribute to the lesser-known cast and crew: a young Jack Black in a blink-and-miss-it role, Tina Majorino (aka the Enola of Napoleon Dynamite fame), and the brilliant yet misfiring score from James Newton Howard. “He dialled it in harder than Dennis Hopper did,” quips Damo.By the end, the Born to Watch gang reaches a consensus: Waterworld is a cinematic curiosity, too ambitious to dismiss outright, too flawed to celebrate, and just insane enough to warrant a watch. Maybe once.So whether you're a fan of ‘90s action epics or just here to marvel at cinematic misfires, this Waterworld deep dive is a splash of nostalgic chaos you won’t want to miss.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Waterworld an underrated cult classic or a floating disaster?Would you survive in a world covered by the ocean? And seriously, how does that boat outrun jet skis?#BornToWatch #Waterworld #KevinCostner #MoviePodcast #90sMovies #PostApocalyptic #DennisHopper #JeanneTripplehorn #CultClassic #MadMaxOnWater #MovieReview #PodcastLife

In this week’s Born to Watch, the lads swing for the fences with their deep dive Moneyball (2011) Review. Whitey, Dan on the Land, and Will “The Worky” take to the mound to dissect why this unconventional baseball flick, starring Brad Pitt and Jonah Hill, continues to resonate over a decade later.From the get-go, it’s clear this isn’t your typical sports movie review. The team kicks off with backyard renovations, foot fetish tangents, and a laugh-out-loud discussion on the bizarre world of Japanese vending machines, classic Born to Watch territory. But once they find their groove, it’s all baseball, banter, and brilliance.Moneyball, based on the true story of Oakland A’s GM Billy Beane, gets the full pod treatment. The trio wax lyrical about Pitt’s understated performance, Hill’s against-type turn as the socially awkward numbers guy, and Philip Seymour Hoffman’s quietly simmering portrayal of sceptical coach Art Howe. Whitey makes the case for this being one of Pitt’s finest performances, yes, even better than his Oscar-winning turn in Once Upon a Time in Hollywood. Dan and Will aren’t far behind in their praise, though they’re quick to point out the poetic license the film takes with some of its real-life counterparts.Of course, it wouldn’t be Born to Watch without the gang tackling the “overs and unders.” Will throws a curveball with a surprisingly low watch count, while Whitey admits he’s clocked in over 40 viewings. Dan, as always, brings the analytical fire, no surprise for a man who appreciates Michael Lewis’ storytelling DNA, also behind The Big Short.The trio also tackles one of the episode’s core questions: Why are baseball movies so damn good? Is it the history? The romance? The slower pace that allows for actual acting? Whatever the formula, it works. From The Natural and Field of Dreams to Major League and Bull Durham, the guys rattle off their favourites with the kind of passion you only get from true movie lovers.There’s also an appreciation for the film’s dry, cerebral tone. Unlike other sports flicks that rely on big plays and locker room speeches, Moneyball thrives on boardroom tension, Excel spreadsheets, and quiet moments of doubt. Yet somehow, it’s riveting. It’s a film about math, risk, and the emotional cost of change, and yet it’s as compelling as any game-winning homer.Listeners are treated to the usual podcast hallmarks: mock trailers, roast reviews (with one critic thoroughly torn apart), and a beautifully read back-of-the-DVD synopsis that outshines the studio blurb. Whitey’s disdain for the critic who panned the movie is particularly entertaining, while Dan gives a thoughtful defence of Moneyball’s cinematic liberties.The episode also veers into classic BTW chaos. There’s a spirited debate on the merits of Jack and Jill (spoiler: there are none), a nostalgic dive into The Inbetweeners as a sleeper hit of 2011, and an epic sidetrack into surfing journalism and Jonah Hill’s transformation from comedy darling to surf-culture punching bag. It’s podcast whiplash in the best possible way.As always, the “Ordinary People” segment stands out, offering a nuanced examination of the film’s characters and the performances that bring them to life. The pod pays homage to Philip Seymour Hoffman, laments Jonah Hill’s real-life reputation despite his on-screen brilliance, and even finds time to praise an uncredited Spike Jonze cameo that nearly steals the film.In the end, Moneyball gets the respect it deserves, a deeply human story wrapped in a sports movie shell. For the Born to Watch crew, it’s not just about baseball; it’s about challenging the system, betting on the misfits, and finding magic in the margins.So whether you’re a sabermetrics savant or just love a good underdog story, this episode is a must-listen.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Moneyball the smartest sports movie ever made?Could you build a winning team with just data?And is Brad Pitt’s Billy Beane his most underrated role?#BornToWatch #Moneyball #BradPitt #JonahHill #BaseballMovies #Sabermetrics #SportsMovies #FilmPodcast #AaronSorkin #MichaelLewis #PhilipSeymourHoffman #UnderdogStory #MovieNight

Grab your cricket bat, raid the fridge for a cold one, and head to the Winchester, because this week, the Born to Watch crew are diving deep into one of the smartest and most beloved horror-comedies of all time with their Shaun of the Dead (2004) review.With G-Man MIA (probably off playing Tekken in the shed), Matt and Sir Dimmy hold the fort to break down Edgar Wright’s 2004 cult classic that reanimated the zombie genre and redefined the zombie flick with a pint of bitter and a dash of British wit.In this week’s episode, the lads explore how Shaun of the Dead walks the tightrope between gore and giggles, creating a film that works just as well as a slacker comedy as it does a horror satire. Damo admits to confusing it with The World’s End (don’t worry, he’s new here), while Matt reveals he’s seen the film nearly 20 times and could watch it on loop, especially with a packet of pork crackle and a Pepsi Max.From the iconic walk to the shop (twice), to the Queen-backed zombie beatdown in the Winchester, the boys dissect every major scene with the kind of reverence usually reserved for Tarantino or Scorsese. They also dig into Simon Pegg’s breakout role as the titular Shaun, Nick Frost’s glorious (and infuriating) turn as Ed, and the supporting cast of Britcom legends including Lucy Davis, Dylan Moran, and the ever-reliable Bill Nighy.They ask all the important questions:Is Shaun actually a zombie at the start of the film, who awakens into humanity?Could a pub really be the best place to ride out the apocalypse?And how the hell did Shaun survive that crowd of flesh-eaters outside the Winchester?Damo goes full philosopher, questioning the human condition in the age of smartphones (spoiler: we’re all zombies), while Matt wonders why anyone would throw priceless vinyl at the undead.But it’s not all jokes and Queen sing-alongs, the episode also touches on the emotional beats of the film, like Shaun’s relationship with his mum and stepdad, the heartbreak of watching loved ones turn, and the surprisingly poignant ending that still manages to sneak in one last gag.The boys also fire off rapid takes in “The Good, The Bad and The Ugly,” with highlights like:The perfect pacing and editing of the dual morning walk sequencesThe underappreciated brilliance of the bizarro “mirror crew” sceneAnd Ed’s ability to be the most annoying – yet somehow still likeable – flatmate in cinema historyThrow in some choice reviews from critics (both good and hilariously bad), box office trivia, and the revelation that director Edgar Wright used just $4 million to craft a film that grossed over $30 million and launched a thousand pub-themed Halloween costumes, and you’ve got yourself one hell of a breakdown.Oh, and yes, the team briefly wonders why cricket bats are now over $1,000, a real horror show.So whether you’re a diehard fan of the Cornetto Trilogy or new to the undead scene, this episode is a must-listen.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Shaun of the Dead the best zombie comedy ever made?Would you ride out the apocalypse in a pub? And what’s the best record to throw at a zombie?#BornToWatch #ShaunoftheDead #EdgarWright #SimonPegg #ZombieComedy #BritishHumour #HorrorComedy #NickFrost #CornettoTrilogy #MoviePodcast

Tonight, Born to Watch delves deep into the dusty, desolate West Texas badlands to dissect a modern masterpiece: the Coen Brothers’ haunting 2007 thriller, No Country for Old Men. It’s a film that sidesteps genre conventions, delivering existential dread with a bolt gun and cowboy boots. The full Born to Watch crew is in session, and from the moment Whitey’s epic intro begins, you know this episode is going to be as layered and unpredictable as Anton Chigurh himself.Right from the start, the boys are firing, rattling off 2007’s Oscar lineup, debating Juno’s place in film history, and showering praise on Daniel Day-Lewis’ oil-thirsty turn in There Will Be Blood. But tonight belongs to a different kind of monster: Javier Bardem’s Anton Chigurh. Is he cinema’s most terrifying villain? Whitey thinks he’s second only to Darth Vader, and with that hair, maybe even scarier.As the team recalls first viewings and rewatch counts (shoutout to G Man’s 15 and counting), the discussion spirals into tales of obsessive fans, including a local surfboard shaper who watched the movie weekly and theorised on every nuanced frame. This isn’t just a movie, it’s a layered riddle that demands attention, multiple viewings, and, apparently, a decent video store rental policy.Each Born to Watch host brings their own flavour to the conversation. Damo labels it a “one watcher” for its grim tone, while Dan declares it a regular “downtime” favourite on the land, fitting for a film that captures so much dusty silence and moral ambiguity. G Man and Whitey, meanwhile, dig into the deeper layers, noting how every watch reveals something new.The cast gets a well-deserved spotlight, with special attention paid to Javier Bardem’s quietly horrifying performance. Gow dives into Bardem’s rugby-playing past (yes, really) and his reluctance toward violent roles, ironic, considering Chigurh is basically Death with a pageboy cut. Josh Brolin’s understated turn as Llewelyn Moss also gets love, as does Tommy Lee Jones’ weary, philosophical sheriff. The gang reflects on Woody Harrelson’s all-too-brief but memorable role and Kelly Macdonald’s heartbreaking final scene.And in true Born to Watch fashion, the episode isn’t just about highbrow film theory; it’s a ride. Expect detours into Aussie weather patterns, rogue toasties, and the quality of Diane Lane’s 2010s filmography. There are tangents on Baywatch, Peter Phelps’ acting career, and even a debate on the New Yorker’s most pretentious film review ever written. Trust us, you won’t want to miss Whitey translating the nonsense of a critic who thinks name-dropping Elmore Leonard makes a hot take.As always, the team weighs in on whether the film cracks the Rank Bank. But the real joy is in the journey: Gow’s taglines, Dan’s literary deep dives, and Damo’s reluctant respect all add up to a collective conclusion: No Country for Old Men might just be the smartest film to ever feature a cattle gun.So, if you love Oscar-winning nihilism, coin toss-induced dread, or just want to hear a bunch of Aussie legends unravel one of the Coens’ most unnerving films, this is the episode for you.JOIN THE CONVERSATION Is No Country for Old Men the Coens’ bleakest brilliance or just a beautifully shot nightmare? Would you call it heads or tails… or just run for the hills? Is Anton Chigurh cinema’s most chilling villain or just a man with a bad haircut and worse manners?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don’t forget to LIKE, SUBSCRIBE, and click the 🔔 to stay updated on all things Born to Watch—your weekly fix of nostalgia, nonsense, and no-holds-barred movie breakdowns.#NoCountryForOldMen #BornToWatch #MoviePodcast #CoenBrothers #AntonChigurh #OscarWinner #FilmReview #ModernWestern #JavierBardem #CormacMcCarthy

This week on Born to Watch, we're heading to the desert planet of Arrakis to break down one of the biggest sci-fi epics of recent memory in Denis Villeneuve’s Dune: Part One Review. Join Whitey and Sir Dimmy of the House Cockburn as they unpack a film that’s equal parts galactic power struggle, political thriller, and interstellar fever dream.Villeneuve’s Dune had a lot riding on it. Announced in 2017 and delayed by the COVID-19 pandemic, it finally arrived in 2021 with both cinema and HBO Max releases. But did it live up to the hype? Was the spice worth the squeeze? Whitey and Sir Dimmy get stuck into the sandstorm of ambition, adaptation, and a whole lot of Zimmer.From the very start, the duo agree, this film demands the big screen. Whitey confesses to watching it via a sneaky early online drop and instantly regretting not experiencing it in the cinema. For Dimmy, it was love at first IMAX. There’s a reverence for the visuals, the grandeur, and the world-building that marks Dune as a rare modern blockbuster that dares to go deep.But this isn’t a dry academic analysis. This is Born to Watch, where film critique meets pub banter. That means serious praise for Hans Zimmer’s thunderous, Oscar-winning score, though we do wonder if the music sometimes overshadows the movie. The team marvels at the film's scale: the ornithopters, the wormsign, the sand-soaked vistas. Arrakis feels real. The political scheming feels Shakespearean. The voice feels like Jedi mind tricks on steroids.Naturally, the cast gets a full once-over. Timothée Chalamet is dubbed a “scrawny action hero” who somehow works as Paul Atreides. Rebecca Ferguson as Lady Jessica earns the nickname “Freckles Ferguson” and delivers the emotional heft of the film, tears, telepathy, and total commitment. Jason Momoa’s Duncan Idaho is everyone’s space-dad crush, and Stellan Skarsgård’s floating, grotesque Baron Harkonnen might just be the scariest slug in cinema history.And then there’s Zendaya. Or… is there? While her face is plastered across posters, trailers, and marketing campaigns, she’s in the actual film for about 10 minutes, and that’s being generous. Sir Dimmy and Whitey don't hold back, calling it one of the greatest bait-and-switches in recent memory. She’s Paul’s “blue-eyed wet dream,” more vision than character, and it all but guarantees the necessity of a sequel.The discussion also gets into the film's legacy. Is Dune the sci-fi blueprint that inspired Star Wars? Without question. From the Force-like Voice to desert-dwelling mystics and chosen one arcs, Herbert’s fingerprints are all over modern sci-fi. Villeneuve’s version just finally gives the novel the serious treatment it deserves, after the messy (but charmingly weird) David Lynch version in 1984 and a forgettable miniseries.Of course, Born to Watch being Born to Watch, there are plenty of detours. There's debate over whether Duncan Idaho could survive in the Game of Thrones universe. There's talk of Dutch ovens, nose jobs, and the possibility of casting Mr. T as the Reverend Mother. At one point, the podcast veers into a philosophical wormhole involving one-name celebrities like Sting, Prince, and, of course, Zendaya. The House Cockburn coat of arms even gets a shoutout, shielded by fire, flanked by two swords in the shape of appendages. You really had to be there.Despite a few gripes, underexplained lore, a traitorous doctor’s paper-thin logic, and the slightly sluggish pacing, Whitey and Sir Dimmy are all in on Dune. It’s a film that dares to take itself seriously. No snark, no winks. Just grand, immersive sci-fi storytelling. It may not be everyone's flavour of spice, but it’s a feast for those who want their blockbusters with brains.As the credits roll and the sand settles, one thing is clear: this is only part one. And Born to Watch will be there when part two drops, with fresher takes, deeper dives, and possibly more Zendaya.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation: Is Dune a sci-fi masterpiece or a high-concept snooze? Was Zendaya’s screen time the greatest bait-and-switch ever? Would YOU ride a sandworm into battle?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #Dune2021 #DenisVilleneuve #TimotheeChalamet #SpiceMustFlow #MoviePodcast #FilmReview #SciFiCinema #Zendaya #HansZimmer #MovieNerds #FilmTalk #PopCultureBreakdown #HouseCockburn #BlueEyedWetDreams #JasonMomoa #RebeccaFerguson

The heat is back on as the Born to Watch crew heads back to Beverly Hills for some high-octane hijinks, fast-talking cons, and serious shoulder-padded style. In this week’s episode, Whitey, G-Man, and Dan on the Land revisit the 1987 sequel that turned up the dial on Eddie Murphy’s star power with their Beverly Hills Cop II Review, directed by the ever-slick Tony Scott.From the moment Axel Foley slides behind the wheel of a Ferrari to the final shootout at the oil fields, the team breaks down why this neon-soaked action-comedy remains an ‘80s icon. They revel in Murphy’s unmatched charisma, dissect the film’s bold visual flair, and relive the glory of Harold Faltermeyer’s synth-driven score and Bob Seger’s anthemic “Shakedown.”Whitey goes deep on Tony Scott’s signature aesthetic, the burnished orange hues, the stylized action, the hyper-stylized masculinity, while G-Man keeps it grounded with sharp takes on the film’s functional but fun villainy and the lovable duo of Rosewood and Taggart. Meanwhile, Dan (pizza in hand) dishes on Eddie’s behind-the-scenes power moves and the rise of “Eddie Murphy Productions,” proving this was the moment Axel Foley became Eddie Murphy’s true alter ego.The boys aren’t afraid to poke fun, either. From the inexplicable countdown robberies and oddly muscular strippers to baffling wardrobe coincidences (how did that blazer fit Taggart so well?), this episode’s got more questions than an alphabet heist. And don’t get them started on the extra at the Playboy Mansion doing an interpretive dance; he’s earned a permanent spot in the Bad Running Ripley Hall of Fame.They also tip their hats to the era: the coke-fueled Simpson/Bruckheimer production madness, the bafflingly low Rotten Tomatoes scores despite the film being the second biggest box office hit of 1987, and the sheer power of a good montage scored by Seger. It’s a masterclass in style-over-substance, but sometimes style is the substance.And of course, it wouldn’t be a Born to Watch episode without diversions into North Shore memories, Magnum P.I. comparisons, and the origin story of Dan’s legendary mustard shirt. If you know, you know.So, whether you’re an ‘80s kid raised on VHS or just discovering that Beverly Hills had a crime problem solvable only by Detroit’s finest, this episode is a full-throttle celebration of a sequel that doesn’t just play the hits, it cranks them.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Beverly Hills Cop II better than the original? Does Tony Scott’s style elevate the film or overshadow it? Which song hits harder: “Shakedown” or “The Heat Is On”?Leave us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #BeverlyHillsCopII #EddieMurphy #TonyScott #80sMovies #ActionComedy #MoviePodcast #BobSeger #Shakedown #CultClassics #BeverlyHillsCop2

Step back into the Hyborian Age as the Born to Watch team revisits the sword-swinging, snake-worshipping, bass-drum-thumping fantasy epic that turned Arnold Schwarzenegger from a musclebound oddity into a bona fide cinematic icon. In this week’s episode, Matt, Damo, and Will the Worky unsheath their mics and tackle John Milius' 1982 cult classic in our Conan the Barbarian (1982) Review, a film where dialogue is sparse, but biceps and barbarism are abundant.From the first clang of steel to the last decapitated villain, the team dissects how Conan carved a path for modern sword-and-sorcery flicks. They marvel at Basil Poledouris' thunderous score, which practically carries the film on its symphonic shoulders, because let’s face it, Arnie wasn’t hired for his monologues (all 76 words of them). The music, paired with breathtaking cinematography and operatic violence, sets a tone so grand it makes modern blockbusters feel like children's theatre.Matt reminisces about watching Conan far too young, the kind of early exposure to gore and magic that forges lifelong genre fans, or scars. Damo is surprised by how little he remembered and how much more there was to appreciate in the rewatch, especially the high fantasy structure and iconic character archetypes. Meanwhile, while watching it for the first time, Will finds joy in the bizarre mix of stoic barbarism and pseudo-philosophy, and even draws connections to his favourite cult flicks.The team dives deep into the lore, from Nietzsche quotes (anachronistically inserted, of course) to the Riddle of Steel, and unpacks Conan's journey from orphaned child to vengeful demigod. They salute James Earl Jones’ haunting performance as Thulsa Doom, complete with snake eyes and an even more chilling voice and appreciate how he lends gravitas to a film otherwise packed with loincloths and camo body paint.There’s plenty of laughs, too. From the bizarrely tame “orgy” scene (more twister than temptation) to the ineptitude of Thulsa Doom’s guards who fall like dominoes, no absurdity is safe. The guys revel in the moments where the film leans into camp, noting that sometimes a little cheese makes the fantasy feast even better.But it’s not all satire and side-eyes. They pay proper homage to the movie’s impact on pop culture and its clear influence on everything from Game of Thrones to Willow. There's admiration for the throwback practical effects, the majestic (if questionably choreographed) sword fights, and the sheer cinematic ambition that poured from every dust-covered frame.Of course, no Born to Watch episode would be complete without some detours into the ridiculous. You'll hear about suspiciously hygienic cave-dwellers, the logistics of snake cult recruitment, and even a story involving an orgy, a wall, and a very confident swinger. Yep, it's that kind of episode. So, whether you’re a lifelong Conan fan or just now discovering that sword and sorcery can be both epic and unintentionally hilarious, this episode is a glorious deep-dive into a film that helped define 1980s fantasy cinema and the Born to Watch crew wouldn’t have it any other way.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Conan the most iconic role of Arnold’s career?Does Basil Poledouris’ score make this an all-time great?What’s the most badass moment in the film?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #ConanTheBarbarian #ArnoldSchwarzenegger #SwordAndSorcery #80sMovies #FantasyEpic #MoviePodcast #BasilPoledouris #JamesEarlJones #CultClassics

This week on Born to Watch, we lace up our Asics, slap on a second singlet, and head to the sun-soaked courts of Venice Beach as we rewind to 1992 with our White Men Can't Jump Review, a film that might be the most gloriously nineties thing we've ever reviewed. From hypercolor hats to bike shorts over trackies, this movie is a time capsule of an era when trash talk was an art form and hustling was a full-time job.Whitey and G Man go deep on this cult classic, remembering their own basketball glory days and how this film shaped their approach to trash talk on and off the court. More than just a sports movie, White Men Can’t Jump is a gritty, witty, and surprisingly layered look at addiction, betrayal, and self-destruction, with a side of slam dunks and “yo mama” jokes.Woody Harrelson’s Billy Hoyle is the kind of guy who can’t get out of his own way, while Wesley Snipes’ Sidney Deane has charm, ambition, and just enough hustle to burn his own mates. Together, they’re magic on the court, but it’s off the court where their flaws truly shine. Gloria, played by Rosie Perez, may be one of the most annoying characters in cinematic history, but she’s also a vital part of the film’s emotional punch, and maybe, just maybe, part of Billy’s downfall.The boys ask the big questions: Is this actually a comedy? Or is it a cleverly disguised tragedy about two men who can't get out of their own way? Is Gloria the real villain? And why does Sidney wear a cycling cap to play basketball? There are critical breakdowns of the basketball action (which holds up surprisingly well), deep dives into the fashion, and stories of real-life trash talk glory from the Narrabeen Fitness Camp days.We cover everything from the impeccable chemistry between Harrelson and Snipes to the deeper themes that still resonate today. And yes, we’ve got the stats: box office, critical reception, director Ron Shelton’s sporting film pedigree, and why this movie may be more about green than black or white.So grab your Gatorade, stretch out like Billy on the sideline, and settle in for a Born to Watch deep cut that’ll take you back to a simpler time—when all you needed was a ball, a dream, and someone to hustle.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Billy Hoyle the most frustrating character in sports movie history?Was Gloria's Jeopardy obsession genius or just plain annoying?Who had the better game—Billy or Sydney?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #WhiteMenCantJump #WesleySnipes #WoodyHarrelson #RosiePerez #90sBasketball #MovieHustle #TrashTalkLegends #RonShelton #MoviePodcast

This week on Born to Watch, we dive headfirst into the bug-infested chaos of Paul Verhoeven’s 1997 cult classic, with our Starship Troopers (1997) Review. It’s brutal, brilliant, and batshit insane and we wouldn’t have it any other way.With the Born to Watch crew all lined up in the co-ed showers, Whitey, Damo, Dan, and special guest Matty Beer Geek go deep (but not too deep) on the movie that was mocked at release but has grown into a beloved sci-fi satire. Is this just a brainless space action flick? Or is it a razor-sharp takedown of fascism and militarism? Or both? Spoiler: it’s both.We break down the iconic moments: the ridiculously perfect jawlines of Casper Van Dien and Denise Richards, Michael Ironside chewing scenery like the legend he is, and Jake Busey's teeth doing most of the acting for him. From Zegema Beach to brain bug psychic probes, we cover it all.Expect plenty of laughs as the boys recall their first times watching it, at sweaty cinemas, VHS marathons, and maybe even the odd midnight screening. Plus, some heartfelt debate: Dizzy or Carmen? Would you sign up to be a citizen or sit back and let the bugs win? And yes, we do get very specific about the co-ed shower logistics (spoiler: prep is key).There’s also time for a raucous trip down 1997 memory lane. Damo sweats it out in the back row, Dan’s off riding dirt bikes through Romania and eating 19 types of salami, and Matty brings his A-game from the West. We revisit the hottest music of the year, the infamous Playboys of McDonald's video rental section, and mourn the box office fate of Starship Troopers. This misunderstood gem lost money but gained a cult following.With a budget that would make even the Federation blush, and CGI bugs that still look better than some 2025 blockbusters, Starship Troopers is pure Verhoeven: provocative, pervy, and politically charged.We also take aim at the critical drubbing this movie received on release, some reviewers clearly didn’t get the joke. We shine a light on the film’s relevance today: Would the satire hit harder in a post-Hunger Games, post-Fury Road world? Is this what our future looks like if TikTok replaces civics education?In true Born to Watch fashion, we ask the tough questions:Is this Verhoeven's secret masterpiece?Who's worse: Carmen or the bugs?And most importantly, how do you prep for a co-ed shower in boot camp?Whether you’re a superfan who’s seen it 30 times or a rookie just enlisting in the Mobile Infantry, this episode is for you. So load your Morita rifle, shout “Kill ‘em all!”, and join us as we break down Starship Troopers the only way we know how, boobs, bugs, banter, and all.Because remember: everyone fights. No one quits. And we were Born to Watch.🎧 Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!📣 Join the conversation: 💬 Is Starship Troopers a misunderstood masterpiece or fascist propaganda in disguise? 🔥 Would you follow Rico into battle or hide in the co-ed showers? 🐛 Is this Paul Verhoeven's smartest dumb movie or his dumbest smart one?#BornToWatch #StarshipTroopers #PaulVerhoeven #CultClassics #MoviePodcast #SciFiMovies #FilmSatire #90sMovies #CinephileLife #PodcastLife

In this week’s episode of Born to Watch, we’re diving deep, like three layers deep, into Christopher Nolan’s reality-bending sci-fi thriller with our Inception (2010) Review. The team celebrates three years of podcasting with one of the most mind-twisting films of the 21st century.It’s only fitting that a film about dreams, time loops, and subconscious sabotage kicks off our birthday episode. With a cast that includes Leonardo DiCaprio, Tom Hardy, Joseph Gordon-Levitt, and Ken Watanabe, this Nolan original has become a modern classic. But is it as smart as it thinks it is? Does the top fall? And how many times do you really need to watch it to understand what the hell is going on?Whitey, G-Man, and Damo don’t just scratch the surface, they go full inception mode, breaking down the film’s ambitious plot, its dream architecture, and whether Cobb is actually home with his kids or just lost in another layer.From Dreamscapes to DiCaprioWhitey kicks off with his usual gusto, revealing that he saw Inception solo on opening day, classic cinephile move. He hails it as peak Nolan and DiCaprio’s most complex role, while G-Man confesses he just watched the movie in full for the first time this week. Damo, meanwhile, delivers the ultimate snob flex: he’s seen it three times and still finds new details with each watch.The team breaks down Dom Cobb’s fractured psyche, the emotionally rich (and confusing) relationship with Mal, and how Ariadne (played by Elliot (Ellen) Page) is more than just the new recruit; she’s the audience surrogate. There’s praise for Joseph Gordon-Levitt’s gravity-defying hallway fight and Tom Hardy’s cheeky charm as dream-forger Eames. Hardy might just be playing his most “normal” character ever.The Nolan EffectFrom the layered timelines to the rules of the dream world, Nolan’s script is pure high-concept storytelling. The boys debate the film’s exposition-heavy style, with Damo defending it as necessary and Whitey pointing out how cleverly the rules are integrated into dialogue. G-Man admits that the film almost lost him early on, but it eventually clicked.The group agrees that what sets Inception apart isn’t just its ambition, it’s the balance between visual spectacle and emotional stakes. Cobb’s longing to return to his children grounds the entire story. As Whitey puts it, “Love is the engine of the movie.” And that spinning top at the end? The debate rages, with Damo arguing that the wedding ring, not the top, is Cobb’s real totem.Zimmer’s Sonic BoomHans Zimmer's iconic score is one of the true stars of the episode and the film. The guys take a detour to relive their recent trip to see Zimmer live, where “Time” was the final encore and “Mombasa” opened the show. Damo drops some deep trivia, including Zimmer’s creation of the signature “braaam” sound that became a staple in modern trailers.Zimmer’s blend of orchestral grandeur and percussive power is credited with elevating Inception to the next level. It’s not just background music, it’s narrative glue.Big Ideas, Bigger DebatesThe episode also tackles the meta: could inception be real? Is dream-sharing possible? The crew has fun exploring the logic (and illogic) of the film’s concept, concluding that it’s a hard "maybe". They also dive into Nolan’s place in the pantheon of modern directors, putting him above even some of the biggest names for his commitment to originality.Damo offers a run-through of the best Nolan films, debating whether Inception tops The Dark Knight, Interstellar, and Memento. G-Man drops trivia about the film’s production and cast (yes, Pete Postlethwaite was only in it for three minutes), and the whole crew salutes Nolan’s ability to deliver blockbuster-level art films.IN THIS EPISODE:Dream physics, logic puzzles, and Joseph Gordon-Levitt in zero-GThe tragic brilliance of Mal and why Cobb’s guilt is the real villainTom Hardy: suave or too normal?The mystery of Ariadne’s tiny pantsIs this peak Nolan? (Spoiler: probably)Listen now on Spotify, Apple Podcasts, or wherever you get your movie fix.Join the conversation:Does the top fall or spin forever?Is Inception Nolan’s best film or just his most ambitious?Who out of the cast would make the best Bond?Drop us a voicemail at BornToWatch.com.au and tell us your dreams—or nightmares—about the movie.#InceptionReview #ChristopherNolan #LeonardoDiCaprio #BornToWatchPodcast #HansZimmer #TomHardy #MoviePodcast #SciFiMovies #MindBendingCinema #DreamWithinADream

Clint Eastwood might be known for playing grizzled, hard-as-nails lawmen, but in our In the Line of Fire (1993) Review, he takes things in a different direction, just slightly. This week, the Born to Watch crew dives into this overlooked 90s political thriller that pits Eastwood’s aging Secret Service agent Frank Horrigan against one of cinema’s most memorable villains: John Malkovich as the terrifying Mitch Leary.Whitey, G-Man, and Will “The Worky” are in studio to unpack the deadly game of cat and mouse that unfolds in Wolfgang Petersen’s taut, tense, and occasionally trope-heavy flick. What follows is a mix of movie breakdowns, personal throwbacks, accidental roastings, and a bold declaration that Malkovich might just rival Hannibal Lecter as one of the great screen psychopaths.Eastwood: Still Got It (But Also, He’s 63) Gow calls Eastwood’s performance “Dirty Harry with a blue pill next to the bed.” Whitey thinks it’s flirty, even charming, a rare side of Clint. Will just seems shocked that he’s now the Born to Watch Eastwood expert. The team debates whether Frank Horrigan is one of Clint’s best post-Unforgiven roles or just another iteration of his go-to tough guy with a badge and a haunted past.Malkovich: BAFTA Noms, Creepy Vibes, and a Murderous Basement John Malkovich steals the show as Mitch Leary, a former CIA assassin with a grudge, a creepy lair that looks suspiciously like Buffalo Bill’s basement, and a habit of tormenting Clint over the phone. His calm delivery, terrifying intensity, and sheer unpredictability earned him an Academy Award nomination and earned our crew’s unanimous praise. The guys marvel at his screen presence, his range, and yes, his mysterious career choices.’90s Tropes and Why We Love Them The gang agrees: In the Line of Fire is soaked in ‘90s action movie tropes, and that’s not a complaint. From overbearing chiefs of staff and cheesy one-liners to conveniently timed sniper reveals and romantic subplots with massive age gaps, the movie wears its era on its sleeve. Renee Russo’s chemistry with Clint is questionable at best, and her role sparks a deep (and hilarious) debate about whether she’s “a good sort” or a “right-light good sort.”Clint’s Dating Age Gap: A Cinematic Tradition With Eastwood at 63 and Russo at 39, the romantic tension raises eyebrows. “She’s two years younger than his daughter,” Whitey points out. “It could’ve been a father-daughter thing.” The conversation doesn’t stop there; it spirals into references to Seinfeld, Once Upon a Time in Hollywood, and Monty Burns.Cat, Mouse, and Jazz Piano This movie isn’t just about bullets and bravado — it’s got emotional weight too. Frank’s regret over JFK’s assassination adds gravitas to the plot, and the constant tension between him and Leary plays out over landlines and cassette recorders. The team loves the phone calls, the psychological warfare, and yes, Clint’s real-life jazz piano skills.IN THIS EPISODE:Eastwood’s “grizzled flirt” energy gets ratedMalkovich’s villain performance gets compared to movie greatsThe trailer’s original JFK-themed edit sparks a nostalgic digression‘90s newsagents, porno mags, and the glory days of inside sport magazinesDamo cops heat in the Snobs Report beef from a random footy guyIt’s a movie about obsession, redemption, and running beside the presidential limo at 60+. It’s also a conversation packed with pop culture tangents, Eastwood trivia, and plenty of digs at Morgs (who’s nowhere to defend himself).LISTEN NOW on Spotify, Apple Podcasts, or wherever you get your pods.Join the conversation:Is In the Line of Fire Clint’s last great performance?Did Malkovich deserve the Oscar?Is 63 too old to be jogging beside the president’s car?Drop us a voicemail at BornToWatch.com.au and let us know.#InTheLineOfFire #ClintEastwood #JohnMalkovich #BornToWatchPodcast #90sThriller #MoviePodcast #ReneeRusso #SecretServiceMovie

This week on Born to Watch, the team takes aim at one of Quentin Tarantino’s most audacious creations with their Inglourious Basterds (2009) Review. Set in Nazi-occupied France during World War II, Tarantino weaves together a brutal tale of revenge, propaganda, and pure cinematic spectacle. Brad Pitt leads the charge as Lieutenant Aldo Raine, a grizzled American soldier commanding a team of Jewish fighters with one simple mission, kill Nazis and collect their scalps.It’s a deliciously violent premise, executed with Tarantino's signature flair for dialogue, tension, and shock value. Whitey, Damo, G-Man, and special guest Dan break down the movie's unforgettable moments, from the iconic opening sequence in the French countryside to the explosive showdown in Shoshanna’s Parisian cinema.The crew dives deep into the brilliance of Christoph Waltz as Colonel Hans Landa, the “Jew Hunter” whose multilingual charm and chilling brutality won him an Academy Award. Whitey recounts his jaw-dropping experience attending the Inglourious Basterds premiere at the State Theatre in Sydney, where he not only watched the film in stunning 70mm but bumped into Tarantino himself, earning a nod and a “Thanks, mate” from the director. It’s a full-circle fanboy moment that the crew can’t help but roast him for.Damo, true to form, is sceptical of the film’s pacing and violence, admitting that it took him three separate tries to get through it. He hilariously recalls turning it off twice during the Bear Jew scene — the sound of the bat making contact just too much to handle. Meanwhile, G-Man shines with trivia gold, revealing Tarantino’s decade-long script process and the last-minute discovery of Christoph Waltz, who stole the role from Leonardo DiCaprio. His ability to seamlessly switch between German, French, Italian, and English during his audition left Tarantino and producer Lawrence Bender high-fiving in disbelief.The team also dissects the infamous basement bar scene — a masterclass in tension and dialogue that only Tarantino could deliver. Michael Fassbender's suave but doomed performance as Lieutenant Archie Hicox gets high praise, while Damo can’t help but admire his old-timey English gentleman look. Whitey and Dan debate whether this is the best opening scene of all time, putting it up against classics like Raiders of the Lost Ark and The Dark Knight.Of course, it wouldn’t be Born to Watch without a deep dive. Damo declares the movie a “masterpiece of tension,” while G-Man drops the trivia bomb that Tarantino nearly abandoned the script after failing to find the right actor for Landa. It wasn’t until Waltz walked in and blew them away with his quad-lingual performance that the movie finally came together.IN THIS EPISODE:Quentin Tarantino’s mastery of dialogue and pacingBrad Pitt’s Southern drawl and why Aldo Raine might be his coolest roleChristoph Waltz’s Oscar-winning turn as Hans LandaWhy the basement bar scene is Tarantino at his bestWhitey’s surreal run-in with Tarantino after the Sydney premiereInglourious Basterds is the movie where history gets rewritten, Nazis get what’s coming to them, and Tarantino crafts his most ambitious narrative yet. It’s violent, sharp, and endlessly quotable. The team at Born to Watch spares no detail, no roast, and no punchline in their breakdown of this modern classic.Listen now on Spotify, Apple Podcasts, or wherever you get your movie fix.Join the conversation:Is Inglourious Basterds Tarantino's best work?Can you handle the Bear Jew scene?Where does Hans Landa rank among the all-time great villains?Drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #InglouriousBasterds #QuentinTarantino #BradPitt #ChristophWaltz #MoviePodcast #CinemaRevenge #NazisGetScalped #WorldWarIIMovies #TarantinoClassic