Memoir Nation

This week we have a fun episode that examines point of view in memoir. We’re talking about personal narrative that falls outside of first person, which means points of view that are second, third, and plural. We consider this style, which used to be far less common in memoir than it is now, with author Elizabeth Crane, whose memoir, This Story Will Change, implements all the points of view to great effect. We had fun with this one and we hope our writer-listeners will have fun experimenting with point of view, too. Don’t miss Brooke’s underrated Substack post on 5 Ways to Use “You” in Memoir. And especially don’t miss this incredible list of publishers that are accepting unsolicited manuscripts for memoir. Thank you, Becker! Elizabeth Crane is the author of four collections of short stories,  two novels, and one memoir. Her work has been translated into several languages and has been featured in numerous publications including Other Voices, Nerve, Ecotone, Swink, Guernica, and many other outlets. She’s a recipient of the Chicago Public Library 21st Century Award, and her work has been adapted for the stage by Chicago’s Steppenwolf Theater company, and has also been adapted for film. She teaches in the UCR-Palm Desert low-residency MFA program. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a treat to connect with Roxane Gay about memoir. We cover topics of oversharing and boundaries, as well as when memoir becomes manifesto. Today’s show covers vulnerability and writing about shame, and how Roxane’s success and visibility has impacted her writing. Plus, we get Roxane’s take on Elizabeth Gilbert’s new memoir, and why she thinks it’s “not good.” Much worth listening to this week, including Brooke’s celebration of having Roxane on the show in the first place after having been declined a couple times. A lesson for all that a no is not a forever no. Tune in! Roxane Gay’s writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, A Public Space, McSweeney’s, Tin House, Oxford American, and many others. She is a contributing opinion writer for The New York Times and the author of the books Ayiti, An Untamed State, The New York Times-bestselling Bad Feminist, the nationally bestselling Difficult Women, and The New York Times-bestselling Hunger. She is also the author of World of Wakanda for Marvel. And don’t miss out on her Substack newsletter, The Audacity.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we come back to a topic, the mother-daughter relationship, we’ve covered in various ways over the years. Author Jeannie Vanasco has a unique take, however, in that her mother lived with her while she was writing her new book, A Silent Treatment. She shares with us about writing from “within an experience” and why she wrote this book “for” her mother. There are endless nuances to explore when it comes to the mother-daughter relationship, and Grant and Brooke get into why this is a dynamic that memoirists will always be drawn to. Jeannie Vanasco is the author of the memoirs Things We Didn’t Talk About When I Was a Girl—which was named a ​New York Times Editors' Choice and a best book of 2019 by TIME, Esquire, Kirkus, among others—and The Glass Eye, which Poets & Writers called one of the five best literary nonfiction debuts of 2017. Her third book,  A Silent Treatment, is out this month on Tin House. Born and raised in Sandusky, Ohio, she lives in Baltimore and is an associate professor of English at Towson University. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Memoir Nation podcast turns 8! And we’re kicking off our new season with guest Myriam Gurba, the brilliant if sometimes controversial critic and cultural writer who’s the author of multiple books, including her memoir, Mean, and the forthcoming Poppy State. This week’s podcast is focused on language—word choice, puns, clever language, reading aloud, being in love with language, and so much more. Myriam is a master of language, and her books are a delight to read because of it. And we’re bringing back the book trend this season, kicking off with a conversation between Brooke and Grant about the trend of authors using AI to enhance their writing, specifically chosen to juxtapose the kind of language we read in Myriam’s work. If you’ve been thinking about how to write better, more creative, more unique prose, we’re circling that and more this week. And welcome to our new season! Myriam Gurba is the author of four books: Dahlia Season, Painting Their Portraits in Winter; Mean, and Creep. Myriam’s writing has been widely anthologized and has appeared in The New York Times, Los Angeles Times, Harper’s Bazaar, Believer, Paris Review, and elsewhere. She is a teacher, an editor, an anti-rape activist, a public speaker, a practitioner of plant-based magic, and a co-founder of Dignidad Literaria, a grassroots organization that combats white supremacy in the publishing industry.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week’s Memoir Nation is the last of our summer best-of round-up episodes. We chose to pair Victoria Chang and Carvell Wallace because these were two of our most heartfelt guests who delved deeply and honestly into some of memoir’s deepest emotions: shame; love; anger; happiness; and more. These interviews were a couple that most touched us for Chang and Wallace’s articulation of process, making connections, and staying with the emotions that move you. We hope you enjoy and Memoir Nation will be back next week with a new season and a new episode. We can’t wait! Carvell Wallace is a writer and podcaster who has contributed to The New Yorker, GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera. His debut memoir, Another Word For Love, explores his life, identity, and love through stories of family, friendship, and culture and was a 2024 Kirkus Finalist in Nonfiction.  Victoria Chang’s most recent book of poems is With My Back to the World, published in 2024. It received the Forward Prize in Poetry for Best Collection. Some of her other books include The Trees Witness Everything, OBIT, and Dear Memory: Letters on Writing, Silence, and Grief. She has written several children’s books as well. She has received multiple fellowships and prizes and is the Bourne Chair in Poetry at Georgia Tech and Director of Poetry@Tech. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s summer celebration of the best of Write-minded and Memoir Nation, we’re partnering Amanda Knox and Lidia Yuknavitch, both of whom speak compellingly on what it means to reclaim your story. Whether you’ve been victimized in some way, as Knox was; or whether you’re ready to take back a particular story in your life, to cast yourself as the hero or heroine of your own narrative, as Yuknavitch has, these two guests will light the way. They show not just that reclaiming is a choice, but also how to do it in life and on the page. Such inspiring guests and role models for memoirists—and humans—everywhere. Amanda Knox is an author, journalist, and podcast host whose work explores criminal justice, media ethics, and the human experience. She is the author of two memoirs—Waiting to Be Heard and Free: My Search for Meaning—and co-hosts the podcast, Labyrinths. Lidia Yuknavitch is the National Bestselling author of two memoirs, The Chronology of Water and Reading the Waves; four novels: Thrust, The Book of Joan, Dora: A Headcase, and The Small Backs of Children, winner of the 2016 Oregon Book Awards Ken Kesey Award for Fiction; and the critically acclaimed collection of short fiction, Verge.The Misfit's Manifesto, based on her popular 2016 TED Talk, “The Beauty of Being a Misfit,” was published by TED Books. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we continue our August celebration of our favorite interviews and themes—and this week we’re going back to two authors who inspired us so much for their advocacy, their championing of non-mainstream characters, and their commitment to the hard work of speaking truth to power. Both of these heartfelt, brave authors had a lot to say about the kinds of characters they want to see in books, why representation matters, and how standing up for what they believe in isn’t so much a choice as a way of being in the world. Very inspiring to bring Maggie Tokuda-Hall and Lee Wind’s voices together in this week’s round-up. Maggie Tokuda-Hall is the author Also an Octopus, illustrated by Benji Davies, The Mermaid, The Witch and The Sea, Squad, illustrated by Lisa Sterle, and Love in the Library illustrated by Yas Imamura with more books forthcoming. She lives in Oakland, California with her husband, son, and their objectively perfect dog. Lee Wind is a storyteller out to engage, empower, and hold safe space for communities. He is the Chief Content Creator for the Independent Book Publishers Association and the author of multiple books, including the nonfiction titles No Way, They Were Gay? and The Gender Binary Is a Big Lie, the novels Queer as a Five-Dollar Bill and A Different Kind of Brave, and social justice and Queer-history themed picture books. Lee’s popular blog is I’m Here. I’m Queer. What the Hell Do I Read? Learn more about your ad choices. Visit megaphone.fm/adchoices

This week marks the beginning of our August round-ups where we choose our favorite episodes from the prior year as we gear up for our new season. We’re revisiting two of our personal favorite authors and subjects: craft. Tune into Jane Alison and Jeannine Ouellette to glean insight and inspiration about your writing and the structures, forms, playfulness, and directions it can take when you’re attuned to all the possibilities and permutations. Don’t miss Janet Fitch’s August 19th class. Details are online here. Jane Alison is the author of four novels, as well as Change Me, translations of Ovid’s stories of sexual transformation, and Meander, Spiral, Explode, about the craft and theory of writing. Her newest novel is Villa E, about the collision of architects Eileen Gray and Le Corbusier. She is Professor of Creative Writing at the University of Virginia. Jeannine Ouellette is the author of the bestselling Substack Writing in the Dark, a creative community of almost 18K people strong. Her lyric memoir, The Part That Burns, was a 2021 Kirkus Best Indie Book and a finalist for the Next Generation Indie Book Award in Women’s Literature, and her essays and short fiction have appeared widely in anthologies and journals, including Narrative, North American Review, Los Angeles Review of Books, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, our final episode of our seventh season, features John B. King Jr., who served in President Barack Obama's cabinet as the tenth U.S. Secretary of Education. This is a book about mentors who helped King along the way and how he rose in the ranks of public education to eventually be appointed as Secretary. Brooke and Grant discuss what it means to do what you love, and talk about the difference between working to live and living to work. This episode is particularly poignant in light of the current assault against the Department of Education. Book Alley this week features Garrett Glaser's Fairyboy, which explores the hidden world of gay New York before the Stonewall Riots and you can watch a TV spot here. John B. King Jr. served in President Barack Obama's cabinet as the tenth U.S. Secretary of Education. He has been a high school social studies teacher, a middle school principal, the first African American and Puerto Rican to serve as New York State Education Commissioner, a college professor, and the president and CEO of the Education Trust, a national education civil rights organization. King is currently the chancellor of the State University of New York (SUNY), the nation's largest comprehensive system of public higher education. Both of King's parents were career New York City public school educators.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for a conversation about all the ways our creativity is fueled by our stories—the stories of who we are and what we have to tell. Guest W. Kamau Bell tells stories through so many mediums, and this episode explores his approach to creativity, conversation, and advocacy. We have a couple links we mention in the show that we’re dropping here: 1) a link to Kamau’s Substack, specifically a post from earlier this year about Gavin Newsom; and 2) a link to She Writes Press’s STEP contest that we hope you’ll share widely. W. Kamau Bell is a stand-up comedian, Emmy-winning TV host, filmmaker, author, and podcast creator known for tackling race and social justice with humor and heart. He’s the director of We Need to Talk About Cosby, creator and host of CNN’s United Shades of America, and co-author of Do the Work. Kamau is also the author of the memoir, The Awkward Thoughts of W. Kamau Bell. He blends activism and storytelling across platforms, making space for honest conversations that challenge, connect, and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Memoir Nation ventures into waters rarely touched except when speaking “about” the topic. Yep, it’s celebrity memoir. Jeff Hiller, author of the new memoir, Actress of a Certain Age, is a celebrity, but only so newly so that we feel he’s an appropriate ambassador of the genre—someone who straddles that otherworldly space and the real world. Grant and Brooke laughed a lot on this show, and we’re happy to report that we have a new bestie in Jeff Hiller. Listen this week so you’ll know how it all got started. And, if you need a laugh—and who doesn’t?—this is just a fun and funny interview on celebrity memoir and so much more. Jeff Hiller is a Peabody‑winning actor (“Somebody Somewhere”), solo storytelling favorite (“Grief Bacon, Middle Aged Ingenue”), and memoirist whose essays reveal the surprising twists behind his “overnight success”—a path shaped by small‑town Texas, UCB improv, social work, and a late‑blooming acting career. He’s also an improv teacher, a proud pet parent, and married to artist Neil Goldberg. Learn more about your ad choices. Visit megaphone.fm/adchoices

Memoir Nation has a touching episode this week with fashion designer Prabal Gurang, who shares about his relationship with his mother, who, in allowing him to pursue his joy, encouraged him also to pursue his dreams of fashion design. We discuss the power of reading a memoir aloud and the emotions that evokes, and about authenticity on the page when you set out just to write the best story you can write—not necessarily coming to your memoir as the best or most trained writer in the world, but rather as someone with a story that matters. Much inspiration here this week! Prabal Gurang is a famous fashion designer who is also a memoirist. His new book, Write Like a Girl, tells the story of his childhood in Singapore and Nepal, education in India, and career in the U.S. fashion industry, where he was subjected to racial discrimination. A reviewer for Kirkus called the memoir “an insightful and entertaining look into the life of a famous fashion designer.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Molly Jong-Fast’s new memoir, How to Lose Your Mother, is celebrity memoir meets real literary merit. As fans of Molly’s podcast and political commentary, and also because we had Molly’s mother, Erica Jong, on the show back in 2023, we were eager to connect with Molly to talk about mother-daughter dynamics, the buzz and controversy this book is getting, and—importantly—opening a vein on the page (in the tradition of Erica Jong). This interview explores betrayal, reclamation, dementia, alcoholism, narcissism, the theme of bad mother/bad daughter, and so much more. As Brooke said, this is the kind of nepo baby memoir she can get behind—so come find out why. Molly Jong‑Fast is a contributing writer at Vanity Fair and a political analyst at MSNBC. She also hosts the wonderful podcast, Fast Politics. She’s the author of three previous books—Normal Girl, Girl [Maladjusted], and The Social Climber’s Handbook—and has written for The Atlantic, The Daily Beast, Playboy, Glamour, Vogue, and The Forward. Her brand-new memoir, How to Lose Your Mother, just came out this month, and centers among other things her relationship with her mother, the novelist Erica Jong.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Grant and Brooke consider images as enhancements to memoir. Historically publishers have tended to regard images in memoir with reservation, but that’s been changing in recent years. Guest Jennifer Croft’s recent memoir, Homesick, is accompanied by her own Polaroids. When should photos be included, or central? And what are some other memoirs that have been improved by the addition of images? Whether to include images involves many considerations—from your reader, to style, to the interplay between words and image, and Jennifer Croft offers thoughtful insights around this and more. Jennifer Croft is the author of the illustrated memoir, Homesick, and the translator of Polish of Nobel laureate Olga Tokarczuk’s Flights, for which she won the 2018 International Booker Prize. She won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for Homesick. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, Granta, VICE, n+1, Electric Literature, Lit Hub, BOMB, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week’s Memoir Nation show is an exploration of Hawai’i, heritage, and land—part of the story told in guest Sara Kehaulani Goo’s new memoir: Kuleana. Kuleana is a word that means “responsibility” in the most broad terms, but as you’ll hear in this interview, Kuleana can be anything that you are safeguarding for the world. As such, you’ll hear about Sara’s story of Kuleana, and be invited to ponder your own Kuleana, whether that’s your writing or something else you hold sacred. A beautiful episode and invitation! Sara Kehaulani Goo is a journalist and senior news executive who has led several news organizations including Axios, NPR and The Washington Post. She is the former editor-in-chief at Axios, where she launched the company’s editorial expansion into national and local newsletters, podcasts and live journalism. Before Axios, she led online audience growth as a managing editor at NPR, overseeing the newsroom's digital news operation. Sara lives in Washington, D.C. Learn more about your ad choices. Visit megaphone.fm/adchoices

Victoria Chang has been one of the country’s most prolific poet-writers of the past few years, with a series of books exploring universal topics of grief, shame, silence, legacy, and identity. This week Brooke and Grant chose to explore silence and its impact on families, on selfhood, and of course on our writing. Victoria’s insights and disclosures will leave you feeling validated and inspired in your own explorations of even the most complicated and emotionally challenging subjects. A true treat! Victoria Chang’s most recent book of poems is With My Back to the World, published in 2024. It received the Forward Prize in Poetry for Best Collection. Some of her other books include The Trees Witness Everything, OBIT, and Dear Memory: Letters on Writing, Silence, and Grief. She has written several children’s books as well. She has received multiple fellowships and prizes and is the Bourne Chair in Poetry at Georgia Tech and Director of Poetry@Tech. Learn more about your ad choices. Visit megaphone.fm/adchoices

All memoirists at some point in the writing process will grapple with what’s theirs to tell. This week's show focuses on this all-important topic of permission. When do you need it? Who gives it to you and when and for what purpose? And do you need permission at all—from anyone but yourself? Centered around topics in guest Elissa Altman’s latest book, which is titled Permission, this is an empowering, deep-felt, and permission-giving episode—and something all writers, especially memoirists, can use to stay the course and keep going. Elissa Altman is the author of the Permission: The New Memoirist and the Courage to Create and the award-winning author of three memoirs: Motherland; Treyf; and Poor Man’s Feast. Altman’s work has appeared everywhere from Bitter Southerner and Orion to The Guardian, Narrative, O: The Oprah Magazine, Lion’s Roar, Krista Tippett’s On Being, the Wall Street Journal, and the Washington. She has a popular Substack, Poor Man’s Feast, and she’s also a James Beard Award-winner for narrative food writing and was a finalist for the 2020 Lambda Literary Award in Memoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week’s show is a fun and fascinating consideration of all the ways we’re shaped by technology and how we are technological beings, more and more with each passing year. Grant and Brooke share their earliest internet, email, and social media interactions, and connect with guest Vauhini Vara, whose new book, Searches, explores our online footprints, how technology shapes us, and how we both exploit and get exploited by big tech—like Google, YouTube, and social media companies. A truly interesting consideration of how far we’ve evolved alongside technology. Vauhini Vara began her journalism career as a technology reporter at The Wall Street Journal and later launched, edited and wrote for The New Yorker. Her latest book is Searches, a work of journalism and memoir about how big technology companies are changing our understanding of our selves and our communities. Her debut novel, The Immortal King Rao, was a finalist for the Pulitzer Prize, and her story collection, This is Salvaged, was longlisted for The Story Prize and the Mark Twain American Voice in Literature Award. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Amanda Knox granted us a special interview that delves into the power of memoir to reclaim your own narrative. This episode touches upon themes that run through Amanda’s new memoir—about what it means to be free, how we live with the stories that are told about us, and how memoir can be a vehicle to release yourself from the stories others tell to center the story you need to tell. There’s so much insight in this interview, and permission and encouragement for writers to write, write, write! Not to be missed. Amanda Knox is an author, journalist, and podcast host whose work explores criminal justice, media ethics, and the human experience. She is the author of two memoirs—Waiting to Be Heard and Free: My Search for Meaning—and co-hosts the podcast, Labyrinths. Her writing and public speaking focus on wrongful convictions, storytelling, and personal transformation.  Learn more about your ad choices. Visit megaphone.fm/adchoices

On the heels of Mother’s Day, tune into Memoir Nation this week for a conversation about *mother as character*—among many other potential characters any one of us might be on the page. Guest Nicole Graev Lipson explores the idea of where fiction ends and truth begins when you’re a woman through this fascinating conversation prompted by her recent memoir-in-essays Mothers and Other Fictional Characters. If you’ve ever thought about the boundaries between truth and fiction as a writer or a reader, or the confines certain roles limit women to or within—girl, mother, wife—you won’t want to miss this episode. Nicole Graev Lipson is the author of the memoir-in-essays Mothers and Other Fictional Characters. Her writing has been awarded a Pushcart Prize, selected for The Best American Essays anthology, and shortlisted for a National Magazine Award. Her work has appeared in The Sun, Virginia Quarterly Review, The Gettysburg Review, Creative Nonfiction, Fourth Genre, River Teeth, Alaska Quarterly Review, LA Review of Books, The Millions, Nylon, The Washington Post, and The Boston Globe, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices