60 Songs That Explain the '90s

This week, Rob takes a trip down memory lane, a.k.a. 2000s Williamsburg, Brooklyn. Now that we are in the dark ages of social media and virality, there is a set-in-stone Mount Rushmore of late-night TV band performances, including the high-energy TV On The Radio debut of “Wolf Like Me.” Rob discusses how TV On The Radio was affected by post-9/11 New York, giving us the iconic opening album line, “I was a lover before this war.” Later, he is joined by musician and top-10 TV On The Radio fan Bartees Strange to discuss covering a monolith of a song like “Wolf Like Me” and how TV On The Radio paved the road for artists like Bartees. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler, Julianna Ress, and Chris Sutton Guest: Bartees Strange Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob makes a solid argument that the coolest thing a person can do is watch cartoons and play pretend. He breaks down the many personas of Daniel Dumile, starting with Zev Love X and ending with his villain persona Madvillain. He argues that his best work was done with fellow children’s show lover Madlib before he is joined by rapper and podcaster Open Mike Eagle to talk about getting to collaborate with your favorite rapper and the appeal of concealing one’s identity as an artist.  Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler, Julianna Ress, and Chris Sutton Guest: Open Mike Eagle Learn more about your ad choices. Visit podcastchoices.com/adchoices

You’ve heard the song a million times, and you can sing along with the crowd when it comes on. But come trivia, would you be able to name the artist and song title? Today, Rob is going to drill every jock jam into your head, leading up to the iconic opening eight bars of “Seven Nation Army” by the White Stripes. He breaks down the unusual nature of Meg and Jack White’s relationship and the perfect minimalism of Meg White’s drum style paired with Jack White’s unpredictable maximalist guitar. He tries to make sense of how, of all their songs, “Seven Nation Army” has reached the pinnacle of fame. Later, he is joined by author Chuck Klosterman, who shares his experience interviewing the White Stripes, discusses the small list of songs that are more iconic than their creators, and ruminates on whether Jack White could ever form a two-person band again. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Production Support: Kevin Pooler and Chris Sutton Guest: Chuck Klosterman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob talks about the song that left him speechless upon his first listen—“Milkshake”. He retraces his steps back to the beginning of Kelis’s career when she was screaming at a Glastonbury crowd. He analyzes the trend of not being able to place Black women into neat and separate genres, as rock, rap, punk, pop, and R&B start to blur lines. He is blissfully confused, and that is okay. Later, he is joined by music critic Leslie Gray Streeter to discuss the art of balancing humor and anger in a song and the empowerment of “Milkshake” as Kelis makes fun of the men who lust after her. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler and Chris Sutton Guest: Leslie Gray Streeter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imagine the angstiest, cringiest art you made as a teenager. Now imagine the entire world singing to it in their cars and at karaoke forever. Today, Rob is breaking down the emotionally turbulent emo-bop factory machine that is Paramore. He applauds the incredible and messy lyrics of ‘Riot!,’ which differentiate the album from those of similar bands of the time. Later, he talks to The Ringer’s Rob Mahoney, Paramore’s OG fan, to discuss the exponential improvement between ‘All We Know Is Falling’ and ‘Riot!’ and Hayley Williams’s incredible vocals on “Misery Business.” Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler and Chris Sutton Guest: Rob Mahoney Learn more about your ad choices. Visit podcastchoices.com/adchoices

There is a select handful of people who were never meant to step foot into an office due to their proclivity to screw around. Just like we sent Rob packing to Ohio to bother no one but himself, Lowestoft, England shipped us The Darkness. During the post-grunge era when rock was murkily defined, we were gifted front man and lead singer Justin Hawkins on a silver platter (his manager’s shoulders) to give us crude operatic hair metal ballads. This week, Rob discusses, “I Believe in a Thing Called Love,” a song that proves if you dive head first into cheesiness, it becomes ironic and cool. Later, he is joined by Jill Hopkins who talks about the experience of watching The Darkness live and then comparing that to the people who feel confident enough to sing The Darkness at karaoke. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler Guest: Jill Hopkins Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob breaks down one of the many impossible expectations we have for our musical stars—the memorial performance. After years of staying out of the public eye, D’Angelo paid tribute to the artist he grew up imitating, Prince, not because he was expected to but because he had something to share. The bulk of D’Angelo’s career was spent defying our expectations, from taking his time between each of his three studio albums to refusing to become a one-dimensional sex symbol after the release of his “Untitled (How Does It Feel)” music video. Rob speaks to author and poet Hanif Abdurraqib about how we misinterpreted this music video and how we should all be grateful we were born at a time when we could listen to D’Angelo. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler Guest: Hanif Abdurraqib Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the uncertain moments following 9/11, we were searching for comfort and someone to help us make sense of it all. Today, Rob discusses the one musician who was capable of stepping up and capturing the emotions the American people were feeling: Bruce Springsteen. Rob recaps the political statements Springsteen had been making in the decades before, which prepared him for the creation of “The Rising.” Finally, he is joined by music critic and Springsteen expert Steven Hyden to discuss where the album ‘The Rising’ ranks in his discography. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler Guest: Steven Hyden Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before he vows to leave her alone, Rob breaks down the cataclysmic career of a pop star who did it for the love of the game and the disgust of the fame. Britney Spears had the power to shift culture with a single VMAs performance, yet her music reflected a desperation to control her own personal life. Despite the public’s continuous mistreatment of Britney, she selflessly gifted us one of the most iconic bangers of our time: “Toxic.” Afterwards, Rob speaks with music journalist Jeff Weiss to talk about the unfinished evolution of Britney’s career, the difference in today’s celebrity culture, and creation of his book, ‘Waiting for Britney Spears,’ in the time of the Free Britney movement. Host: Rob Harvilla Guest: Jeff Weiss Producers: Justin Sayle and Olivia Crerie Additional Video Editing: Kevin Pooler Learn more about your ad choices. Visit podcastchoices.com/adchoices

At long last, Rob has returned to your speakers and screens, triumphant in the face of his haters. In this way, he is no different than the subject of today’s episode: T-Pain. Even though he wrote, produced, and performed some of the greatest hits of the 2000s, T-Pain’s use of auto-tune overshadowed his talent. However, after his 2014 Tiny Desk Concert, it is safe to say we all owe T-Pain an apology (and a drank). Finally, Rob talks to The Ringer’s Tyler Parker, who speaks to the shock of hearing “I’m n Luv (wit a Stripper)” for the first time and becoming fascinated with T-Pain’s style and his version of the club. Host: Rob Harvilla Guest: Tyler Parker Producers: Justin Sayle and Olivia Crerie Additional Video Editing: Kevin Pooler Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob returns with a gift in time for the holidays, breaking down what many would call the voice of an angel. He takes us back to the ’90s, when one of the most covered songs on the planet was merely a forgotten, horny track from Leonard Cohen’s catalog. While many artists cover songs in an attempt to replicate the original (or just sing it more loudly), Rob explains how Jeff Buckley covered the song and made it new. Later, Rob is joined by documentary filmmaker Amy J. Berg to discuss her new project ‘It’s Never Over, Jeff Buckley.’ She describes the intimate moments of Buckley’s mother she captured, how Buckley’s father affected his relationship with success and music, and the difficulties of what to do with an artist’s unfinished discography posthumously. Host: Rob Harvilla Guest: Amy J. Berg Producers: Justin Sayles, Chris Sutton, and Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob explores the biblical complexities of brotherhood throughout popular song, and uses those musical examples to highlight this eternal dichotomy: Some days when you aren’t Abel, there is always Cain. This sentiment rings glaringly true as he dissects the career of Virginia brothers The Clipse and their massive 2002 hit ‘Grindin’’, arguably the Neptunes finest production moment. Later, Rob is joined by Ringer alum Shea Serrano to explain why Malice and Pusha T’s elegant street poetry transcends the simple ‘coke rap’ designation critics have hastily assigned to their legacy. Host: Rob HarvillaGuest: Shea SerranoProducers: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week’s episode, Rob uses the blueprint he learned from all of his favorite rock band movies, like 'Dig!' and 'The Great Muppet Caper,' to better understand the self-proclaimed misunderstood band Wilco. He takes us through Jeff Tweedy’s journey, starting with Wilco’s predecessor Uncle Tupelo, which diverged from the marketable grunge movement of its time to make forthright folk music. Unsurprisingly, Tweedy continued not to write music for the masses and the labels, inadvertently making hits like “Heavy Metal Drummer.” Later, Rob is joined by Dylan Tupper Rupert, who explains how she discovered Wilco as a 12-year-old and how a band can make even the most childless of listeners feel like a dad (in the best way). Host: Rob Harvilla Guest: Dylan Tupper Rupert Producers: Olivia Crerie, Chris Sutton, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob shines a light on the many ways singer-songwriters have utilized the concept of the word ‘home’ to convey where the heart and the human spirit truly reside. These musings serve as a springboard for a thorough analysis of country superstar Miranda Lambert’s hit song from 2010 ‘The House That Built Me’, and the defiantly authentic discography that preceded it. He’s then joined by friend and culture writer Elamin Abdelmahmoud from CBC’s ‘The Commotion’ podcast to expound further on Lambert’s infectious Texas charm. Host: Rob HarvillaGuest: Elamin AbdelmahmoudProducer: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob puts his pretensions about country music aside with a closer look at Tim McGraw’s simple but moving song, “Live Like You Were Dying,” that encourages even the most sarcastic of 20-something-year-olds to romanticize their life. He talks about his late father-in-law who shared the same zest for life as the song’s narrator, and he encourages all his listeners to go sky diving, rocky mountain climbing, and to share a song they love with someone they love. Host: Rob Harvilla Producers: Olivia Crerie, Chris Sutton, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why would the best ever want to stop being the best? Rob tries to figure this out in this week's episode covering Outkast. He proves that Big Boi and André 3000 will always be better together by comparing the tag team effort in their hit song, “Ms. Jackson,” and their split album ‘Speakerboxxx/The Love Below’. Later, he is joined by ‘Last Song Standing’ hosts, Cole Cuchna and Charles Holmes, to discuss how Outkast has aged for newer rap listeners and to share their favorite Outkast album in their self-proclaimed old age. Host: Rob Harvilla Guests: Charles Holmes and Cole Cuchna Producers: Olivia Crerie, Chris Sutton, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob initiates this week’s show by waxing poetic on the mortality of his musical idols and the treasure trove of emotional tribute songs that proliferated after the tragic passing of Nirvana frontman Kurt Cobain. His insightful homage leads perfectly into a loving soliloquy on the chaotic beauty of the Red Hot Chili Peppers' catalog, particularly their gigantic hit from 2002, “Can’t Stop.” Rob is then joined by both members of English pop duo the Ting Tings, who not only share his infatuation with bassist Flea’s instrumental prowess but also cite the RHCP's unbridled artistic vision as a major influence on their music. Host: Rob HarvillaGuests: Katie White and Jules De Martino of The Ting TingsProducers: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob contemplates the art of making an ironic cover song sincere as he enters the dark realm of the 2000s hit TV show, ‘American Idol’. He follows the inevitable success of Season 1 winner Kelly Clarkson, who proves with her impossible-to-sing hit song, “Since U Been Gone,” that she is more than just a pop princess. Later, he is joined by ‘Breakaway’ tour-goer and Clarkson connoisseur Jodi Walker to discuss Clarkson's vocal capabilities and what her discography did for 2000s TV culture. Host: Rob Harvilla Guest: Jodi Walker Producers: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob examines the hallowed art of employing songs within the soundtrack of a crucial TV scene to emotionally manipulate the viewing audience. Along the way, he evokes classic moments from ‘General Hospital’ , 'ER', and ‘Scrubs’ before ultimately expounding on the highly effective use of the Fray’s “How to Save a Life” in ‘Grey’s Anatomy’ to tug on the proverbial heart strings. He’s then joined by The Ringer’s own Yasi Salek to shine a light on how the Fray’s hit song shaped her experiences while watching the dramatic events unfold at the fictional Seattle Grace Hospital. Host: Rob HarvillaGuest: Yasi SalekProducers: Chris Sutton, Jonathan Kermah, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices