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The Forgotten Exodus
The Forgotten Exodus
Author: American Jewish Committee (AJC)
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The multi-award-winning, chart-topping Jewish podcast, The Forgotten Exodus, is back for season two.
The world has overlooked an important episode in modern history: the 800,000 Jews who left or were driven from their homes in the Middle East and North Africa in the mid-20th century to forge new lives for themselves and future generations.
The Forgotten Exodus, a limited podcast series by American Jewish Committee (AJC), explores the important lessons we can learn from this pivotal moment and the little-known Jewish heritage of the Middle East and North Africa. As Jews around the world confront rising antisemitism, hear five new stories of Mizrahi and Sephardi courage, perseverance, and resilience from this transformative and tumultuous period of history for the Jewish people. The world has ignored them. We will not.
The world has overlooked an important episode in modern history: the 800,000 Jews who left or were driven from their homes in the Middle East and North Africa in the mid-20th century to forge new lives for themselves and future generations.
The Forgotten Exodus, a limited podcast series by American Jewish Committee (AJC), explores the important lessons we can learn from this pivotal moment and the little-known Jewish heritage of the Middle East and North Africa. As Jews around the world confront rising antisemitism, hear five new stories of Mizrahi and Sephardi courage, perseverance, and resilience from this transformative and tumultuous period of history for the Jewish people. The world has ignored them. We will not.
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The Forgotten Exodus has been nominated for a Webby Award, also known as "the Internet's highest honor" — but we need your help to win! Click here to vote for The Forgotten Exodus for "Best Limited Podcast Series." It takes less than a minute. Voting ends at 11:59 p.m. PDT on April 20, 2023. The Forgotten Exodus is the first-ever narrative podcast series devoted exclusively to the fascinating and often-overlooked history of Mizrahi and Sephardic Jewry from Arab countries and Iran. Created by American Jewish Committee (AJC), the series debuted as the top-ranked Jewish podcast in America last August. Please make sure that these fascinating and impactful stories reach an even wider audience. Vote for the series now. ____ Show notes: Pond5: "Arabic (Middle Eastern Music)"; Composer: Andrei Skliarov; Item ID # 152407112 Vote now: AJC.org/Webby Listen to "The Forgotten Exodus": AJC.org/ForgottenExodus
The world has overlooked an important episode in modern history: the 800,000 Jews who left or were driven from their homes in Arab nations and Iran in the mid-20th century to forge new lives for themselves and future generations. The Forgotten Exodus, a new limited podcast series brought to you by American Jewish Committee (AJC), explores the lessons we can learn from this pivotal moment of Jewish history. The series delves into the rich, yet little-known heritage of Jews from Arab nations, as some of those countries normalize relations with Israel, and the moving stories of courage, resilience, and reconciliation that illustrate how Jews in the Middle East and North Africa overcame tremendous challenges. Premiering August 1, join us as we share these stories in The Forgotten Exodus. New episodes will be released weekly. Subscribe wherever you listen to your favorite podcasts. ___ Show Notes: www.AJC.org/ForgottenExodus Theme song credit: Publisher: Pond5 Publishing Beta (BMI); Composer: Tiemur Zarobov (BMI), IPI#1098108837 Transcript: MANYA BRACHEAR PASHMAN, HOST: The world has overlooked an important episode in modern history: the 800,000 Jews who left their homes in Arab nations and Iran in the mid-20th century. Some fled antisemitism, mistreatment, and pogroms that sparked a refugee crisis like no other. CAROL ISAACS, GUEST: A lot of businesses were trashed, houses were burnt, women raped, mutilated, babies killed. It was an awful time. And that was a kind of time when the Jews of Iraq started to think, well, maybe this isn't our homeland after all. MANYA BRACHEAR PASHMAN: Others sought opportunities for their families or followed the calling to help create a Jewish state. BENNY GAMLIELI, TRANSLATOR FOR ZE'EV TZUBERI, GUEST: So during thousands of years, the Jewish people used to dream, to go, that the Messiah will come, to go to Israel, to go to the Holy Land, to see the city of Jerusalem. It was a dream during thousands of years. MANYA BRACHEAR PASHMAN: In Israel, America, Italy, wherever they landed, these Jews forged new lives for themselves and future generations. American Jewish Committee will explore the lessons we can learn from this pivotal moment of Jewish history in a new limited series called The Forgotten Exodus.
Who are the Jews of Iraq? Why did they leave? And why do so many Iraqi Jews, even those born elsewhere, still consider Iraq their home? The premiere episode of a new limited narrative series from American Jewish Committee (AJC) uncovers the answers to these questions through the inspiring story of Mizrahi Jewish cartoonist Carol Isaacs' family. Feeling alienated growing up as the only Jew in school from an Arab-majority country, Carol turned her longing for Iraq and the life her family left behind into a gripping graphic memoir, The Wolf of Baghdad. Meanwhile, Zvi Ben-Dor Benite, professor of History and Middle Eastern and Islamic Studies at New York University, delves into the fascinating, yet the little-known history of Iraqi Jewry, from its roots in the region 2,600 years ago, to the antisemitic riots that led them to seek refuge in Israel, England, and the U.S. _________ Show notes: Sign up to receive podcast updates here. Learn more about the series here. Song credits: Thanks to Carol Isaacs and her band 3yin for permission to use The Wolf of Bagdad soundtrack. Portions of the following tracks can be heard throughout the episode: 01 Dhikrayyat (al Qasabji) 02 Muqaddima Hijaz (trad) 03 Che Mali Wali (pt 1) (trad) 05 Fog el Nakhal (trad) 11 Balini-b Balwa (trad) 12 Al Effendi (al Kuwaiti) 14 Dililol (trad) 15 Che Mail Wali (pt 2) (trad) Pond5: "Desert Caravans": Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837; "Sentimental Oud Middle Eastern": Publisher: Pond5 Publishing Beta (BMI), Composer: Sotirios Bakas (BMI), IPI#797324989.; "Adventures in the East": Publisher: Pond5 Publishing Beta (BMI) Composer: Petar Milinkovic (BMI), IPI#00738313833. ______ Episode Transcript: CAROL ISAACS: A lot of businesses were trashed, houses were burnt. It was an awful time. And that was a kind of time when the Jews of Iraq had started to think, 'Well, maybe this isn't our homeland after all.' MANYA BRACHEAR PASHMAN: Welcome to the premiere of the first ever podcast series devoted exclusively to an overlooked episode in modern history: the 800,000 Jews who left or were driven from their homes in Arab nations and Iran in the mid-20th century. Some fled antisemitism, mistreatment, and pogroms that sparked a refugee crisis like no other, as persecuted Jewish communities poured from numerous directions. Others sought opportunities for their families or followed the calling to help create a Jewish state. In Israel, America, Italy, wherever they landed, these Jews forged new lives for themselves and future generations. This series explores that pivotal moment in Jewish history and the rich Jewish heritage of Iran and Arab nations as some begin to build relations with Israel. Each week, we will share the history of one Jewish family with roots in the Arab world. Each account is personal and different. Some include painful memories or elegies for what could've been. Others pay homage to the conviction of their ancestors to seek a life where they were wanted. To ground each episode, we rely on a scholar to untangle the complexities. Some of these stories have never been told because they wished to leave the past in the past. For those of you who, like me, before this project began, never read this chapter in Jewish history, we hope you find this series enlightening. And for those who felt ignored for so many decades, we hope these stories honor your families' legacies. Join us as we explore stories of courage, perseverance, and resilience. I'm your host, Manya Brachear Pashman, and this is The Forgotten Exodus. Today's episode: Leaving Iraq. CAROL: All my life, I've lived in two worlds – one inside the family home, which is a very Jewish world, obviously, but also tinged with Iraqi customs like Iraqi food, a language we spoke—Judeo Arabic. So, I've always known that I'm not just British. I've lived in these two worlds, the one at home, and then the one at school. And then later on at work, which was very English. I went to a terribly English school, for example, there were about a thousand girls. Of those thousand girls, 30 were Jewish, and I was the only Mizrahi, the only non-European Jew. So, there's always been that knowing that I'm not quite fitting into boxes. Do you know what I mean? But I never quite knew which box I fit into. MANYA: Carol Isaacs makes her living illustrating the zeitgeists of our time, poking fun at the irony all around us, reminding us of our common quirks. And she fits it all into a tiny box. You might not know Carol by her given name, but you've probably seen her pen name, scrawled in the corner of her cartoons published by The New Yorker and Spectator magazines: TS McCoy, or The Surreal McCoy. Carol is homesick for a home she never knew. Born and raised Jewish in London, she grew up hearing stories of her parents' life in Baghdad. How her family members learned to swim in the Tigris River using the bark of palm trees as life preservers, how they shopped in the city sooks for dates to bake b'ab'e b'tamer. Millions of Jews have called Iraq home for more than 2,600 years, including many of their children and grandchildren who have never been there, but long to go. Like Carol, they were raised with indelible stories of daily life in Mosul, Basra, Baghdad – Jewish life that ceased to exist because it ceased to be safe. CAROL: My mother remembered sitting with her mother and her grandmother and all the family in the cellar, going through every single grain of rice for chometz. Now, if you imagine that there were eight days of Passover, I don't know 10, 12 people in the household, plus guests, they ate rice at least twice a day. You can imagine how much rice you'd have to go through. So little things like that, you know, that would give you a window into another world completely, that they remembered with so much fondness. And it's been like that all my life. I've had this nostalgia for this, this place that my parents used to . . . now and again they'd talk about it, this place that I've never visited and I've never known. But it would be wonderful to go and just smell the same air that my ancestors smelled, you know, walk around the same streets in the Jewish Quarter. The houses are still there, the old Jewish Quarter. They're a bit run down. Well, very run down. MANYA: Carol turned her longing for Iraq and the life her family left behind into a graphic memoir and animated film called The Wolf of Baghdad. Think Art Spiegelman's Maus, the graphic novel about the Holocaust, but for Jews in Iraq who on the holiday of Shavuot in 1941 suffered through a brutal pogrom known as the Farhud, followed by decades of persecution, and ultimately, expulsion. Her research for the book involved conversations with family members who had never spoken about the violence and hatred they witnessed. They had left it in the past and now looked toward the future. There's no dialogue in the book either. The story arc simply follows the memories. CAROL: They wanted to look forward. So, it was really gratifying that they did tell me these things. 'Cause when my parents came, for example, they came to the UK, it was very much 'Look forward. We are British now.' My father was the quintessential city gent. He'd go to the office every day in the city of London with his pinstriped suit, and a rose plucked from the front garden, you know, a copy of The Guardian newspaper under his arm. He was British. We listened to classical music. We didn't listen to the music of my heritage. It was all Western music in the house. MANYA: But her father's Muslim and Christian business associates in Iraq visited regularly, as long as they could safely travel. CAROL: On a Sunday, every month, our house would turn into little Baghdad. They would come and my mother would feed them these delicacies that she spent all week making and they'd sit and they'd talk. MANYA: As Carol said, she had heard only fond memories throughout her childhood because for millennia, Jews in Iraq lived in harmony with their Muslim and Christian neighbors. CAROL: Jews have always lived in Mesopotamia, lived generally quite well. There was always the dimmi status, which is a status given to minorities. For example, they had to pay a certain tax, had to wear certain clothing. Sometimes, they weren't allowed to build houses higher than their neighbor, because they weren't allowed to be above their neighbor. They couldn't ride a horse, for example, Jews. I mean, small little rules, that you were never quite accorded full status. But then when the Brits arrived in 1917, things became a bit easier. MANYA: But 20-some years later, life for Jews took a turn for the worse. That sudden and dramatic turning point in 1941 was called The Farhud. ZVI BEN-DOR BENITE: Jews have been living in Iraq for thousands of years. If we start with the Farhud, we are starting in the middle of the story, in fact, in the middle of the end." MANYA: That's Zvi Ben-Dor Benite, a professor of history and Middle Eastern and Islamic Studies at New York University. The son of Iraqi Jewish parents who migrated to Israel in the early 1950s, he carries in his imagination maps of old Jewish neighborhoods in Mosul and Baghdad, etched by his parents' stories of life in the old country. He shares Carol's longing to walk those same streets one day. ZVI: Iraqis, even those who were born in Israel, still self-identify as Iraqis and still consider that home to a certain extent – an imaginary home, but home. And you can say the same thing, and even more so, for people who were born there and lived there at the time. So here's the thing: if I go there, I would be considering myself a returnee. But it would be my first time. MANYA: As a Jew, Zvi knows the chances of his returning are slim. To this day, Iraq remains the only Arab country that has never signed a ceasefire with Israel since Arab nations declared war on the Jewish state upon its creation in 1948. Jews are no
Once home to one of the world's oldest Jewish communities, some 50,000 Yemeni Jews, or Teimanim, left their homes between 1949-50 as part of Operation Magic Carpet. They walked for months to reach Alaskan Airlines planes "filled like sardines" that chartered them to safety in the then-young Jewish nation. How did this incredible story unfold and what were the political, social, and economic forces that drove them to leave? In the #1 Jewish podcast in the U.S, the history and personal stories of Yemenite Jews are uncovered and told. Hear from windsurfer Shahar Tzubari, who won a bronze medal in the 2008 Beijing Olympics, about how his grandparents left behind their life as dairy farmers in Ta'iz, Yemen, to come to Israel, and Ari Ariel, a Middle East historian at the University of Iowa, who delves into what the 2,600-year-old community was like and the dramatic transitions that led to the mass exodus. ___ Show notes: Sign up to receive podcast updates here. Learn more about the series here. Video credits: Sailing - Men's RS:X Windsurfing - Beijing 2008 Summer Olympic Games Shahar Tzuberi Wins Israel's First Olympic Medal Of 2008 Beijing Olympics Song credits: "Emet El Shmeha", by Shoshana Demari "Hatikvah" "Muhabet" by Turku, Nomads of the Silk Road Pond5: "Desert Caravans": Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837 "Sentimental Oud Middle Eastern": Publisher: Pond5 Publishing Beta (BMI), Composer: Sotirios Bakas (BMI), IPI#797324989. "Adventures in the East": Publisher: Pond5 Publishing Beta (BMI) Composer: Petar Milinkovic (BMI), IPI#00738313833. "Modern Middle Eastern Underscore": Publisher: All Pro Audio LLC (611803484); Composer: Alan T Fagan (347654928) "Middle Eastern Arabic Oud": Publisher: Pond5 Publishing Beta (BMI); Composer: Sotirios Bakas (BMI), IPI#797324989 Photo credit: GPO/Zoltan Kluger ____ Episode Transcript: BENNY GAMLIELI/ZE'EV TZUBARI: During thousands of years, the Jewish people used to dream, that the Messiah would come, to go to Israel, to go to the Holy Land, to see the city of Jerusalem. It was a dream during thousands of years. MANYA BRACHEAR PASHMAN: The world has overlooked an important episode in modern history: the 800,000 Jews who left, or were driven from their homes in Arab nations and Iran in the mid-20th century. This series, brought to you by American Jewish Committee, explores that pivotal moment in Jewish history and the rich Jewish heritage of Iran and Arab nations, as some begin to build relations with Israel. I'm your host, Manya Brachear Pashman. Join us as we explore family histories and personal stories of courage, perseverance, and resilience. This is The Forgotten Exodus. Today's episode: Leaving Yemen. [Video clip of Beijing 2008 Summer Olympics Windsurfing RS:X event] MANYA: That is the sound of Israeli Windsurfer Shahar Tzubari in the 2008 Beijing Olympics, coming up from behind to earn the bronze medal. At the same time, he was electrifying his country by winning Israel's only medal in those Olympic Games, he was also fulfilling his mandatory military service to help defend the Jewish state. Two generations before him also served in the Israeli military, including his grandfather who fought to defend Israel against attacks from its Arab neighbors just days after shepherding his family on foot across Yemen to board a plane and make the new Jewish state their new home. SHAHAR TZUBARI: I just know about the past, of my parents and my grandparents. And I know, they fought for this country. And they fought for independence. And for me, I'm here, and I represent basically what they fought for. MANYA: Shahar, who now coaches Israel's women's windsurfing team, is a second-generation Israeli whose grandparents and generations before them lived in Yemen. Their journey to the Jewish state resembles that of tens of thousands of Yemeni Jews, who came to Israel from Yemen between 1948 and 1949 as part of a mass exodus commonly called Operation Magic Carpet. In fact, Yemeni Jews, or Teimanim, are believed to be one of the oldest Jewish communities in the world outside of Israel, existing there even before the destruction of the First Temple. Yemeni Jews spoke a particular dialect of Hebrew and maintained many original religious traditions and others shaped over the centuries by the influence of Maimonides and Kabbalah. Hundreds of Jewish settlements were scattered across Yemen, where Jews primarily served as silversmiths, blacksmiths, carpenters, masons, shoemakers, and tailors. But that population started to shift in the 19th Century, what historians call the "age of migration," driven largely by economic shifts. When the Suez Canal opened in 1869, movement between the Red Sea and the Mediterranean suddenly became much easier. That was true not only for imported and exported goods, but transportation of people too. ARI ARIEL: Most of the time, the story is told starting with Magic Carpet, because that's the big migration. But it's really a much older story. MANYA: That's Ari Ariel, a Middle East historian at the University of Iowa who focuses on Jewish communities in the Arab world and Mizrahi communities, those who immigrated from Arab countries to Israel and elsewhere in the Diaspora. His own family left Yemen for Israel in the 1930s. Professor Ariel has spent the last decade trying to piece together that lineage and the history of Yemeni Jews. He notes that between 1872 and 1881, Ottomans retook parts of Yemen where they had previously ruled centuries before. They also ruled over Palestine. But that wasn't the only significant transition. In fact, just in the span of five decades leading up to 1922, monumental transitions unfolded. The Ottoman Empire fell apart. Yemen became independent, both Jewish and Arab national movements arose, and the British, who obtained a mandate over Palestine in 1922, expressed support for a Jewish national home – Israel. ARI: So, there are big economic changes. More and more imported goods start to enter Yemen, and Yemeni Jews, who are craftsmen, largely, and small-scale merchants, really can't compete. So, you have documents complaining about the price of imported shoes and other kinds of imported things. So, in 1911, the Zionist movement, for the first time sends an emissary to Yemen, because they want Yemeni Jews to move to Palestine. And here, there's also an economic factor. For the Jewish nation to redeem itself, Jews have to fulfill all economic roles. What that means is they really want Jewish farmers. So, they send a guy named Shmuel Yavnieli. He goes and he walks, he goes around to different villages. It's kind of an intrigue story. He goes from village to village trying to get Yemeni Jews to move. When he writes back to Jerusalem, he makes it pretty clear, the only Jews who he thinks he's going to be able to get to move to Palestine are the ones who aren't doing so well economically. And that if the Zionist movement agrees to pay for, say, their transportation or housing, or things of that nature, that they may move, and he is successful at doing that. From my perspective, as a historian, that's important, too, because from that point, pretty much most Yemeni Jews who leave Yemen are going to Palestine. That's not true initially. So in the earlier periods, you have lots of Yemeni Jews going to East Africa, to India, to Egypt, a small number to the U.S., actually. So you get these movements. But once it's directed by a state, or I guess, a state like structure, in the case of the Zionist movement, at this point, the flow becomes much clearer to Palestine. MANYA: The Tzubari family's initial departure from Yemen – aunts, uncles, cousins – is part of that larger story of migration. But Shahar's grandparents came amid the events of the mid-20th Century that sparked the most significant exodus. Within a three-month period, nearly 50,000 Yemeni Jews, including Shahar's grandparents and great grandparents, poured out of Yemen and made Israel their new home. This is their story as told to me by Shahar and his father Ze'ev Tzubari. Ze'ev Tzubari's parents were born in southwestern Yemen. For generations they had been dairy farmers. Before they left in 1949 through Operation Magic Carpet, they lived in Ta'iz, once known as the nation's cultural capital. ZE'EV AND BENNY, TRANSLATOR: [speaking Hebrew]: ZE'EV: In Yemen? BENNY: Yes, you remember what they did? ZE'EV: They had, what I remember, goats, cattle, they had cattle. BENNY: In Ta'iz? ZE'EV: In Ta'iz, there, we had cattle.] MANYA: Ze'ev spoke to me in Hebrew, and a family friend, Benny Gamlieli, translated. Here's Benny. BENNY: By the way, my parents as well came through this project by Alaska [Airlines] and brought, as I said, over 50,000-55,000 Jewish people from Yemen came through this project. You know this Aliyah, that we call the Magic Carpet. MANYA: Operation Magic Carpet was the nickname for a joint venture of the Israeli government, the American Jewish Joint Distribution Committee and the Jewish Agency, to transport Jews from Yemen to Israel. Its official name was Operation Kanfei Nesharim, which, translated from Hebrew means "On the Wings of Eagles", referring to the passage in Exodus: "how I carried you on eagles' wings and brought you to me…" BENNY: So during thousands of years, the Jewish people used to dream, that the Messiah will come, to go to Israel, to go to the Holy Land, to see the city of Jerusalem. It was a dream during thousands of years. MANYA: There are a number of theories about why the exodus from Yemen took place at this moment in time and the circumstances surrounding it. Ze'ev's translator, Benny, said Jews and Muslims lived side by side. But being Jewish wasn't easy. Since the seventh century, Jews in Yemen were considered second class, which varied in meaning from ruler to ruler. Since 1910, the imam of Yemen had an agreement with the Ottomans to take care of the Jews. But t
In the first half of the 20th century, Egypt went through profound social and political upheavals culminating in the rise of President Gamal Abdel Nasser and his campaign of Arabization, creating an oppressive atmosphere for the country's Jews, and leading almost all to flee or be kicked out of the country. Hear the personal story of award-winning author André Aciman as he recounts the heart-wrenching details of the pervasive antisemitism during his childhood in Alexandria and his family's expulsion in 1965, which he wrote about in his memoir Out of Egypt, and also inspired his novel Call Me by Your Name. Joining Aciman is Deborah Starr, a professor of Near Eastern and Jewish Studies at Cornell University, who chronicles the history of Egypt's Jewish community that dates back millennia, and the events that led to their erasure from Egypt's collective memory. Aciman's modern-day Jewish exodus story is one that touches on identity, belonging, and nationality: Where is your home when you become a refugee at age 14? ___ Show notes: Sign up to receive podcast updates here. Learn more about the series here. Song credits: Rampi Rampi, Aksaray'in Taslari, Bir Demet Yasemen by Turku, Nomads of the Silk Road Pond5: "Desert Caravans": Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837 "Sentimental Oud Middle Eastern": Publisher: Pond5 Publishing Beta (BMI), Composer: Sotirios Bakas (BMI), IPI#797324989. "Frontiers": Publisher: Pond5 Publishing Beta (BMI); Composer: Pete Checkley (BMI), IPI#380407375 "Adventures in the East": Publisher: Pond5 Publishing Beta (BMI) Composer: Petar Milinkovic (BMI), IPI#00738313833. "Middle Eastern Arabic Oud": Publisher: Pond5 Publishing Beta (BMI); Composer: Sotirios Bakas (BMI), IPI#797324989 ___ Episode Transcript: ANDRÉ ACIMAN: I've lived in New York for 50 years. Is it my home? Not really. But Egypt was never going to be my home. It had become oppressive to be Jewish. MANYA BRACHEAR PASHMAN: The world has overlooked an important episode in modern history: the 800,000 Jews who left or were driven from their homes in Arab nations and Iran in the mid-20th century. This series, brought to you by American Jewish Committee, explores that pivotal moment in Jewish history and the rich Jewish heritage of Iran and Arab nations as some begin to build relations with Israel. I'm your host, Manya Brachear Pashman. Join us as we explore family histories and personal stories of courage, perseverance, and resilience. This is The Forgotten Exodus. Today's episode: leaving Egypt. Author André Aciman can't stand Passover Seders. They are long and tedious. Everyone gets hungry long before it's time to eat. It's also an unwelcome reminder of when André was 14 and his family was forced to leave Egypt – the only home he had ever known. On their last night there, he recounts his family gathered for one last Seder in his birthplace. ANDRÉ: By the time I was saying goodbye, the country, Egypt, had essentially become sort of Judenrein. MANYA: Judenrein is the term of Nazi origin meaning "free of Jews". Most, if not all of the Jews, had already left. ANDRÉ: By the time we were kicked out, we were kicked out literally from Egypt, my parents had already had a life in Egypt. My mother was born in Egypt, she had been wealthy. My father became wealthy. And of course, they had a way of living life that they knew they were abandoning. They had no idea what was awaiting them. They knew it was going to be different, but they had no sense. I, for one, being younger, I just couldn't wait to leave. Because it had become oppressive to be Jewish. As far as I was concerned, it was goodbye. Thank you very much. I'm going. MANYA: André Aciman is best known as the author whose novel inspired the Oscar-winning film Call Me By Your Name – which is as much a tale of coming to terms with being Jewish and a minority, as it is an exquisite coming of age love story set in a villa on the Italian Riviera. What readers and moviegoers didn't know is that the Italian villa is just a stand-in. The story's setting– its distant surf, serpentine architecture, and lush gardens where Elio and Oliver's romance blooms and Elio's spiritual awakening unfolds – is an ode to André's lost home, the coastal Egyptian city of Alexandria. There, three generations of his Sephardic family had rebuilt the lives they left behind elsewhere as the Ottoman Empire crumbled, two world wars unfolded, a Jewish homeland was born, and nationalistic fervor swept across the Arab world and North Africa. There, in Alexandria, his family had enjoyed a cosmopolitan city and vibrant Jewish home. Until they couldn't and had to leave. ANDRÉ: I would be lying if I said that I didn't project many things lost into my novels. In other words, to be able to re-experience the beach, I created a beach house. And that beach house has become, as you know, quite famous around the world. But it was really a portrait of the beach house that we had lost in Egypt. And many things like that, I pilfer from my imagined past and dump into my books. And people always tell me, 'God, you captured Italy so well.' Actually, that was not Italy, I hate to tell you. It was my reimagined or reinvented Egypt transposed into Italy and made to come alive again. MANYA: Before he penned Call Me By Your Name, André wrote his first book, Out of Egypt, a touching memoir about his family's picturesque life in Alexandria, the underlying anxiety that it could always vanish and how, under the nationalization effort led by Egypt's President Gamel Abdel Nassar, it did vanish. The memoir ends with the events surrounding the family's last Passover Seder before they say farewell. ANDRÉ: This was part of the program of President Nasser, which was to take, particularly Alexandria, and turn it into an Egyptian city, sort of, purified of all European influences. And it worked. As, by the way, and this is the biggest tragedy that happens to, particularly to Jews, is when a culture decides to expunge its Jews or to remove them in one way or another, it succeeds. It does succeed. You have a sense that it is possible for a culture to remove an entire population. And this is part of the Jewish experience to accept that this happens. MANYA: Egypt did not just expunge its Jewish community. It managed to erase Jews from the nation's collective memory. Only recently have people begun to rediscover the centuries of rich Jewish history in Egypt, including native Egyptian Jews dating back millennia. In addition, Egypt became a destination for Jews expelled from Spain in the 15th Century. And after the Suez Canal opened in 1869, a wave of more Jews came from the Ottoman Empire, Italy, and Greece. And at the end of the 19th Century, Ashkenazi Jews arrived, fleeing from European pogroms. DEBORAH STARR: The Jewish community in Egypt was very diverse. The longest standing community in Egypt would have been Arabic speaking Jews, we would say now Mizrahi Jews. MANYA: That's Deborah Starr, Professor of Modern Arabic and Hebrew Literature and Film at Cornell University. Her studies of cosmopolitan Egypt through a lens of literature and cinema have given her a unique window into how Jews arrived and left Egypt and how that history has been portrayed. She says Jews had a long history in Egypt through the Islamic period and a small population remained in the 19th century. Then a wave of immigration came. DEBORAH: We have an economic boom in Egypt. Jews start coming from around the Ottoman Empire, from around the Mediterranean, emigrating to Egypt from across North Africa. And so, from around 5,000 Jews in the middle of the 19th century, by the middle of the 20th century, at its peak, the Egyptian Jews numbered somewhere between 75 and 80,000. So, it was a significant increase, and you know, much more so than just the birth rate would explain. MANYA: André's family was part of that wave, having endured a series of exiles from Spain, Italy, and Turkey, before reaching Egypt. DEBORAH: Egypt has its independence movement, the 1919 revolution, which is characterized by this discourse of coexistence, that 'we're all in this together.' There are images of Muslims and Christians marching together. Jews were also supportive of this movement. There's this real sense of a plurality, of a pluralist society in Egypt, that's really evident in the ways that this movement is characterized. The interwar period is really this very vibrant time in Egyptian culture, but also this time of significant transition in its relationship to the British in the various movements, political movements that emerge in this period, and movements that will have a huge impact on the fate of the Jews of Egypt in the coming decades. MANYA: One of those movements was Zionism, the movement to establish a Jewish state in the biblical homeland of the Jews. In 1917, during the First World War, the British government occupying Egypt at the time, issued a public statement of support for the establishment of a "national home for the Jewish people" in Palestine, still an Ottoman region with a small minority Jewish population. That statement became known as the Balfour Declaration. DEBORAH: There was certainly evidence of a certain excitement about the Balfour Declaration of 1917. A certain amount of general support for the idea that Jews are going to live there, but not a whole lot of movement themselves. But we also have these really interesting examples of people who were on the record as supporting, of seeing themselves as Egyptians, as part of the anti-colonial Egyptian nationalism, who also gave financial support to the Jewish project in Palestine. And so, so there wasn't this sense of—you can't be one or the other. There wasn't this radical split. MANYA: Another movement unfolding simultaneously was the impulse to reclaim Egypt's independence, not just in legal terms – Egypt had technically gained independence from the British in 1922 – b







