The Editing Podcast

Join ⁠⁠⁠⁠⁠Riverside⁠⁠⁠⁠⁠, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get a free month of ⁠⁠⁠⁠⁠TrackClub⁠⁠⁠⁠⁠. Learn more about Tony Santos who Edits with Thomas Frank Follow Hayden Hilllier-Smith ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ Follow Jordan Orme ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ Business Inquiries: ⁠⁠⁠⁠TheEditingPodcast@gmail.com⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.theeditingpodcast.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join ⁠⁠⁠⁠Riverside⁠⁠⁠⁠, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get a free month of ⁠⁠⁠⁠TrackClub⁠⁠⁠⁠. In this thought-provoking discussion, we delve into the fascinating and sometimes unsettling world of AI in the film industry, focusing on AI's capabilities and potential in video editing. The conversation explores the pros and cons of AI-generated content, the uncanny realism it can achieve, and the concerns about its potential to replace human creativity in filmmaking. We also discuss the ethical implications of AI taking over jobs traditionally done by humans, from modeling and photography to film editing, and the fear that AI could replicate and even replace unique human editing styles. However, we also explore the possibility of AI as a tool to expedite the editing process, presenting an interesting paradox. Hosts: ⁠⁠⁠⁠Jordan Orme⁠⁠⁠⁠ and ⁠⁠⁠⁠Hayden Hillier-Smith⁠⁠⁠⁠ Producer: ⁠⁠⁠⁠Ashley J. Woods⁠⁠⁠⁠ Intro Editor: ⁠⁠Paul Predu Editor: David Sant Follow Hayden Hilllier-Smith ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ Follow Jordan Orme ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ Business Inquiries: ⁠⁠⁠⁠⁠TheEditingPodcast@gmail.com⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://www.theeditingpodcast.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join ⁠⁠⁠Riverside⁠⁠⁠, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get a free month of ⁠⁠⁠TrackClub⁠⁠⁠. Learn more about Peter Albrechtsnsen. If you want your audience to pay attention, bring them in with sound. The open secret is that you see a movie more with your ears than your eyes. Peter Albrechtensen working hand in hand with director Lee Cronen, Peter built the soundscape for Evil Dead Rise. Peter shares a masterful philosophy on using sound to tell your story, not just for horror films but any genre. Hosts: ⁠⁠⁠Jordan Orme⁠⁠⁠ and ⁠⁠⁠Hayden Hillier-Smith⁠⁠⁠ Producer: ⁠⁠⁠Ashley J. Woods⁠⁠⁠ Intro Editor: ⁠⁠Paul Predu Editor: David Sant Follow Hayden Hilllier-Smith ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ Follow Jordan Orme ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ Business Inquiries: ⁠⁠⁠⁠TheEditingPodcast@gmail.com⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.theeditingpodcast.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join ⁠⁠Riverside⁠⁠, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get a free month of ⁠⁠TrackClub⁠⁠. Subscribe to Sara Dietschy YouTube is in an editor skill shortage. There has never been a bigger demand for YouTube editors, but the jobs go unfilled. It’s not a lack of editors; the incentive isn’t there. Sara Dietchy is one of the few creators who cracked that code. A former editor herself, Sara shared how she did the impossible: taking an editor from Fiverr and training them up to be a super-editor. Hosts: ⁠⁠Jordan Orme⁠⁠ and ⁠⁠Hayden Hillier-Smith⁠⁠ Producer: ⁠⁠Ashley J. Woods⁠⁠ Intro Editor: ⁠⁠Liam Bedford Editor: João Mimoso Follow Hayden Hilllier-Smith ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠Twitter⁠⁠⁠ Follow Jordan Orme ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠Twitter⁠⁠⁠ Business Inquiries: ⁠⁠⁠TheEditingPodcast@gmail.com⁠⁠⁠ ⁠⁠⁠https://www.theeditingpodcast.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join ⁠Riverside⁠, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get Funding For Your Content with ⁠Creative Juice⁠. Get a free month of ⁠TrackClub⁠. Buy "Making The Cut At Pixar" "The Wheel" is a filmmaking formula responsible for some of your core memories. Pioneered by Pixar, this storytelling structure is unique because everything comes from the editor. We spoke to Bill Kinder, Director of Editorial, on some of your favorite Pixar films. We also spoke with Bobbie O’Steen, an editing historian. Together they co-wrote "Making the Cut at Pixar." In their book, Bobbie and Bill pull back the curtain on the key to Pixar’s incredible storytelling. Hosts: ⁠Jordan Orme⁠ and ⁠Hayden Hillier-Smith⁠ Producer: ⁠Ashley J. Woods⁠ Intro Editor: ⁠Daniel McMahon⁠ Editor: Tyson Pellegrini Follow Hayden Hilllier-Smith ⁠⁠YouTube⁠⁠ ⁠⁠Instagram⁠⁠ ⁠⁠Twitter⁠⁠ Follow Jordan Orme ⁠⁠YouTube⁠⁠ ⁠⁠Instagram⁠⁠ ⁠⁠Twitter⁠⁠ Business Inquiries: ⁠⁠TheEditingPodcast@gmail.com⁠⁠ ⁠⁠https://www.theeditingpodcast.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

We record all remote interviews with Riverside. Sign up here with code EDITINGPODCAST for 20% off⁠ ⁠Get Funding For Your Content with Juice⁠ ⁠Get a free month of TrackClub with code EDITINGPODCAST How do you edit a talking head video to be entertaining? It’s a massive industry, but extremely hard to stand out in. We know the secret to doing so is in the editing, and Amy, who edited for  @LegalEagle  knows it intimately. So we asked Amy how to edit talking head videos amazingly. Chapters: 00:00 Intro 00:39 Riverside is the best video podcasting tool 01:48 Breaking down a talking head edit for Legal Eagle 03:47 Call and response editing 05:09 How to have great retention in talking head videos 07:26 How to fix boredom 08:17 Get funding with Creative Juice 09:30 Trackclub has bloody good music 10:19 How to edit a seemingly boring topic 13:39 How to make anything funny with editing 15:47 How to overcome the intimidation of After Effects 17:24 Templates are game-changers 18:21 Amy’s top 3 talking head tips Hosts:  @JordanOrme  and  @HillierSmith  Editor:  @TysonPellegrini  Intro Editor:  @HillierSmith  Producer:  @AshleyJWoods ​ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

We record all remote interviews with Riverside. Sign up here with code EDITINGPODCAST for 20% off Get Funding For Your Content with Juice Get a free month of TrackClub with code EDITINGPODCAST From FilmBooth to ThinkMedia, to Finzar to Chris Hau, all of us are doing it, but I don't think we've acknowledged the term: we are edit influencers. So we sat down with Kelsey, the founder of Premiere Gal Media, an educational YouTube channel and training platform for video production and editing learners, and asked her about being an editing influencer. PremiereGal's Channel: https://www.youtube.com/c/PremiereGal Chapters 00:00 Intro 00:32 Remote podcasting with Riverside 01:40 Editor influencer then vs. now 05:04 How The Editing Podcast is going 07:48 Can you be an “Editing Influencer” without editing? 11:20 Where will the editing economy go next? 12:56 Get funding with Creative Juice 14:08 Trackclub has bloody good music 14:57 What we WANT to make vs. the algorithm 18:20 YouTube content or seasons of TV? 21:43 How to stay true to yourself with your content 22:56 What should you do when you are stuck? Hosts: @JordanOrme and @HillierSmith Editor: @TysonPellegrini Intro Editor: @HillierSmith Producer: @AshleyJWoods ​ --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join Riverside, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get Funding For Your Content with Creative Juice Get a free month of TrackClub. 00:00 Comparing The Last of Us HBO Show to the Game Intro 00:59 Use Riverside for interviews and video calls 01:50 “Your Watch Is Broken” Comparison 03:27 Someone Who’s Played The Game 05:13 Henry and Sam Comparing with HBO Show and Game 06:39 The Last of Us and The Fear of Failure 08:14 “You’re Not My Daughter” Jackson Scene with Joel and Ellie 11:20 Corridor Crew VFX Artist Reacts Answer to The Last Of Us 12:31 Get Funding For Your Content With Creative Juice  13:25 Get Awesome Music For Your Content With TrackClub 14:14 Final Scene Ellie Confronts Joel “I Swear - Okay” Comparison 18:03 How Love Can Destroy in The Last of Us 19:09 The Hospital Scene Change  20:18 The Hospital Scene Breakdown 25:11 Empathy with a villain, we understand him 25:34 Conclusion, Use a Fresh Perspective While Acknowledging The Game  The Last of Us tv show has some notable differences from the show. Other scenes felt script-lifed from the game. We explore these changes with Timothy Good, ACE and Emily Mendez who edited multiple episodes of the show. Hosts:  Jordan Orme and Hayden Hillier-Smith    Producer: Ashley J. Woods Editor and Intro Editor: Hayden Hillier-Smith Guests:   Timothy Good, ACE Twitter IMDB Emily Mendez IMDB --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join Riverside, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get Funding For Your Content with Creative Juice. Get a free month of TrackClub. HBO’s The Last of Us is a TV show created and directed by Craig Mazin, and Neil Druckmann with a secret: it is an action show that doesn’t cut to the action. Instead, it takes a backseat to the character development of Joel and Ellie. We sat down with the talented editors of the show, Timothy Good, ACE and Emily Mendez to learn the editing techniques that made this series a streaming sensation in 2023.  From the art of editing action sequences to creating heartwarming moments like a kiss, Timothy and Emily share their insights on how they use empathy to find the perfect footage. And Timothy gives a shot-by-shot editing breakdown of Episode 3 "Long, Long Time" that might make you ugly cry all over again. Chapters: 00:00 Intro 01:09 Use Riverside for interviews and video calls  01:59 Kansas City Battle breakdown 06:06 “Left Behind” breakdown 08:22 Emily and Mini Mysteries 10:02 The most important part of the editing process  11:59 Get funding for your content with Creative Juice 12:53 Get bomb music at TrackClub 13:42 Episode 3 “Long Long Time” breakdown 15:54 Bill & Frank ending breakdown *you might cry*  Hosts:  Jordan Orme and Hayden Hillier-Smith    Producer: Ashley J. Woods Editor and Intro Editor: Hayden Hillier-Smith Guests: Timothy Good, ACE Twitter IMDB Emily Mendez IMDB --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join Riverside, Your Online Recording Studio - code EDITINGPODCAST for 20% off. Get Funding For Your Content with Creative Juice. Get a free month of TrackClub. Colin and Samir are described as your favorite YouTubers favorite YouTuber. After 10 years of struggling on YouTube they found their format: an interview show exploring what it means to be a creator. They rode that show with 140 episodes all the way to a million subscribers. We explored the editing process behind their interview show and their return to documentary filmmaking, with a breakdown from their editor Chris Schwaar on their iconic Doc: 24 hours with MrBeast.  Hosts: Jordan Orme and Hayden Hillier-Smith Producer: Ashley J. Woods Intro Editor: Daniel McMahon Editor: Tyson Pellegrini Guests: Colin Rosenblum, Samir Chaudry, and Chris Schwaar Watch Colin and Samirs's Documentary Here Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Join Riverside, the Online Recording Studio that professional editors use and trust - use code EDITINGPODCAST for 20% off.  Get Funding For Your Content with Creative Juice. Get a free month of TrackClub and edit with great music. The story of “Euphoria” is there is little story, but enormous emotion, because that’s what growing up is like. Instead of plot being what motivates their show, they prioritize the emotion and showcase what their characters do with that emotion. We asked the editors of “Euphoria” how we can prioritize and express emotion, instead of feeling obligated to plot. We began with an editing breakdown of one of “Euphoria’s” iconic scenes. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com Get Mount Everest by Labrinth and over 1M + mainstream tracks here https://go.lickd.co/Music License ID: GO8mmAZJ8lR --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Get Funding For Your Content - http://getjuice.com/getfunding Get a free month of TrackClub - https://trackclub.com/referral-landing?via=the-editing-podcast We are hiring: https://www.theeditingpodcast.com/join-the-family Learn to make $100k/yr editing with Jordan's online editing course "The Editing Formula" - https://www.acidbite.com/products/the-editing-formula/ In this episode of The Editing Podcast, we're honest about how and why we burned out and took a break, reminded each other of why we started this Podcast, and what we learned when we recorded our first 10 episodes. Episodes Mentioned Ryan Trahan and Redemptive Content - https://youtu.be/zM4azN1c1Tw Editing Language and Solution Providing - https://youtu.be/mKKZ3_Jqjho Comedic Editing Formula and Feeling Shame - https://youtu.be/rJ75ZOIT0fw Create Options To Find The Best Version - https://youtu.be/P-t0tKSxW2Q Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits It’s every filmmaker’s dream, $1,250,000 dollars to make the documentary you’ve always wanted. But Yes Theory said no. “Project Iceman” is a documentary about the man who completed an Iron Man Triathlon in the most dangerous place on earth, Antarctica. Even more impressively, this movie was funded entirely by the subscribers of the YouTube channel Yes Theory. We sat down with Ammar and his DP/Editor Victor. In our conversation, we explored how the editing process was challenging, how they prioritized emotion in their visual storytelling, and what this means for the future of YouTube filmmakers. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits This show has been called the next Breaking Bad. It’s been called the best tv show of the year and its storytelling secret can be summed up in two words. Blink Removal. Simon Smith edited episodes 9 and 10 of Andor, a new Star Wars show on Disney+ that has been called a tour-de-force of television writing, editing, and storytelling. With Jordan under the weather, Hayden spoke with Simon about YouTube editing trends and secret Star Wars VFX tricks, and we broke down the editing of one of Andor’s iconic scenes. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits  0:00 Why filmmakers hate YouTube 2:22 Editors used to hate Netflix 3:34 YouTube’s secret advantage 4:58 Why Sven’s film students reject YouTube 6:35 How Sven started his YouTube channel 11:00 Comment “We love Stir”  11:43 Film vs YouTube intros 15:55 Why do music video work on YouTube? 17:54 How creatives use social media to tell stories 20:17 ThisGuyEdits’ biggest YouTube lesson 22:14 How James Cameron hired from YouTube 24:41 Secrets behind ThisGuyEdits  Subscribe to  @ThisGuyEdits  https://www.youtube.com/@ThisGuyEdits Why do filmmakers hate Youtube? James Cameron has hired someone immediately after watching their YouTube video. But if you’re posting your artsy film on YouTube, and working with YouTube’s “retention rules” doesn’t that mean you can’t make your film the way you intend?   We honestly don’t know if YouTube is a good or bad place for new filmmakers, but we wanted to explore these ideas with Sven Pape. He has edited films that have been to Sundance and Cannes, but he is best known for his YouTube channel ThisGuyEdits. Sven is the rare content creator who has a foot both in the Youtube world and in the traditional film world. And so we wanted to have the conversation. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits  A great movie should suck you in. "Nope" directed by Jordan Peele does that, literally. The man who put those shots together is Nicholas Monsour. Nicholas has edited "Nope", "Us", "Keanu", "Key and Peele", and "Drunk History." We talked to him about finding the story in the edit, how much the script dictates his cuts and hidden details in "Nope" that you might have missed. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits Can a YouTube video be number one on Netflix? Netflix took a gamble on a YouTube Show, Cobra Kai, and it became the #1 streaming show, with Season 5 outpacing The House of the Dragon, The Rings of Power, and She-Hulk. And there’s a reason for this, its storytelling and editing. Zack Arnold has edited the most iconic episodes of Cobra Kai, and became its lead editor in season 5, mostly due to his storytelling philosophies. We sat down with Zack and explored the language of editing on Netflix and if traditional editors care about Netflix’s Algorithm. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits Do you want to know what’s next for YouTube? Look to Michelle Khare. Michelle has trained with the army, survived the hottest place on earth, and made us interested in the politics of a cheer squad. Michelle creates Spectacle-based YouTube videos, but hers stand out as the best because of her experience in traditional media. Instead of retention and optimization, her team focuses on experiential storytelling which is brought to life by her director Garrett, and Silas, her editor! Their secret to good videos is surprisingly obvious. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits  Is there a difference between editing MrBeast and Black Adam? You may be surprised by the answer. Mike Sale, ACE has been in the business for over 20 years, and his passion for editing is palpable. The reason Black Adam is doing so well in the cinema is that Mike’s editing made us fall in love with the main character using one trick, flaws. Despite working with budgets we’ve never seen before, Mike’s advice in this episode is highly actionable for any editor at any level, especially his 3 secrets to a perfect cut. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

Credit yourself with Stir: https://www.usestir.com/credits   Taylor Swift. Mariah Carey. Nicki Minaj. Imagine Dragons. What do all these artists have in common? Their music videos have all been edited by today’s guest. Chancler Haynes is a music video editor who has worked with the music industry’s biggest artists, amassing billions of views and breaking YouTube trending every upload. His latest edit was Taylor Swift’s Anti-Hero and Bejeweled music videos which she released for her latest Midnights album. Chancler spoke to us about working with Taylor Swift and Joseph Kahn, and how his biggest editing inspiration is actually Jackie Chan. Follow Hayden Hilllier-Smith YouTube Instagram Twitter Follow Jordan Orme YouTube Instagram Twitter Business Inquiries: TheEditingPodcast@gmail.com https://www.theeditingpodcast.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support