The Last Laugh

For the first 10 years of Phoebe Robinson’s comedy career, she “dreaded” getting up to tell jokes every night. It wasn’t until she found a way to genuinely have fun on stage that she has produced her best hour of stand-up yet in the new special ‘I Don’t Wanna Work Anymore’ (now streaming on YouTube). In her return to the show, the former co-host of the popular 2 Dope Queens podcast takes on the rise of the MAGA manosphere podcasters who are suddenly having second thoughts about helping Donald Trump win. She also shares her unfiltered thoughts on the greedy comedians taking millions from the Saudi government to look the other way on human rights abuses at the Riyadh Comedy Festival and weighs in on the “divorce” rumors that have plagued Barack and Michelle Obama.Follow Phoebe Robinson on Instagram @dopequeenpheebs Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com Hosted on Acast. See acast.com/privacy for more information.

Will Forte is one of the only comedians to ever turn down an initial offer from Lorne Michaels to join ‘Saturday Night Live.’ But after three years in the cast, he found himself at a crossroads on the show. In his return to the podcast, Forte discusses the second lease on life that Michaels gave him after coming closer than anyone knew to cutting him loose. The star of two Netflix series this year—‘Haunted Hotel’ and ‘The Four Seasons’—also talks about his love of animation and playing the husband of his former ‘SNL’ boss Tina Fey. And Forte shares updates on the unlikely fate of his canceled and then resurrected ‘Coyote vs. Acme’ movie, reveals the potential for a ‘MacGruber’ sequel, and shares behind-the-scenes stories from his wild night at the ‘SNL50’ anniversary special.Follow Will Forte on Instagram @orviv Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch full episodes of The Last Laugh podcast on the Daily Beast’s YouTube channelHighlights from this episode and others at TheDailyBeast.com Hosted on Acast. See acast.com/privacy for more information.

Hannah Einbinder had never really acted before she was cast as Ava Daniels opposite Jean Smart’s Deborah Vance on ‘Hacks.’ Now, she’s a three-time Emmy nominee. In this episode, Einbinder opens up about the overconfidence she brings to that role as well the onstage persona she displays in her excellent debut stand-up special ‘Everything Must Go’ on Max. She also talks about overcoming the intimidation of acting with Jean Smart, compares the generational gap between their characters to her relationship with her own mother (original SNL cast member Laraine Newman), and reveals how Stephen Colbert helped land her the role that changed her career. And later, Einbinder shares her unfiltered thoughts about the “old f*cking guys” in comedy who complain that political correctness is stifling their craft. This episode was originally published on August 14, 2024.Follow Hannah Einbinder on Instagram @hannaheinbinderFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Over the course of his long and distinguished career, Rob Reiner has directed some of the most beloved and acclaimed films in Hollywood history. But he had never directed a sequel until ‘Spinal Tap 2: The End Continues.’ In this episode, Reiner breaks down why he decided to reunite with Christopher Guest, Michael McKean, and Harry Shearer for one last mockumentary 41 years after they invented the genre with ‘This Is Spinal Tap.’ He talks about how the comedy of the film has evolved now that they are in their 70s and 80s, and the secret to playing the straight man opposite someone as effortlessly funny as Guest. Reiner also gets into the state of America under Trump 2.0, how Elon Musk drove him away from Twitter, and what he learned about being a politically outspoken celebrity from Norman Lear and Jane Fonda. Finally, he reflects on his relationship with his late father Carl Reiner, recalls the first time he met Mel Brooks, and considers the enduring legacy of classic films like ‘The Princess Bride’ and ‘When Harry Met Sally.’Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

When they were shooting the pilot episode of ‘The Office,’ Steve Carell told Rainn Wilson that playing Dwight Schrute could change his life forever. And he could not have been more right. In this episode, Wilson breaks down his unique career journey from working character actor to sitcom star all the way through his latest film ‘Code 3’ (in theaters Friday Sept. 12) in which he plays a burnt out paramedic alongside fellow comedian Lil Rel Howery. His role in the new movie, as well as much of what he has done since ‘The Office’ ended in 2013, feels very different from Dwight, and purposefully so. Wilson opens up about the massive blessing and occasional curse of being so closely associated with such a hugely popular character. Addressing the perennial question about whether ‘The Office’ could be made today, he admits that the “clueless, insensitive, racist, sexist” jokes hit differently now. Wilson also reveals the “relief” he felt when NBC killed off a Dwight-centered spinoff and shares whether that character could ever pop up on the new Peacock spinoff ‘The Paper’—or perhaps even a movie version of ‘The Office.’Follow Rainn Wilson on Instagram @rainnwilsonFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Raphael Bob-Waksberg was still in his 20s when he convinced Netflix to produce his audacious Hollywood satire about a washed-up, alcoholic former TV star who also happens to be a horse. Now, as a 41-year-old father of two, the creator of ‘Bojack Horseman’ is back with another animated Netflix series that is just as boldly funny and devastatingly emotional, but without the crutch of constant animal puns. In this episode, Bob-Waksberg opens up about his “vulnerable” new show, ‘Long Story Short,’ which depicts a Jewish family in the Bay Area that is not unlike his own. He breaks down how the show’s unique time-jumping format cleverly tricks viewers into feeling like they have known the characters for years and reflects on how the essential Jewishness of the story has been interpreted—or perhaps, misinterpreted—by critics. Bob-Waksberg also looks back on the legacy of ‘Bojack,’ including what it did or not predict about the state of “Hollywoo” in 2025 and what it would take for him to revive those characters after saying goodbye to them five years ago. Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Over the course of eight years in the cast of ‘Saturday Night Live,’ Beck Bennett performed comedy with more than 150 celebrity hosts. But no one—not even Donald Trump himself—was as difficult to work with as Elon Musk. In the 300th episode of The Last Laugh, Bennett looks back on his SNL audition, discusses what it was like to join the show with one of his oldest friends Kyle Mooney (with whom he just launched his own new podcast), and reveals exactly what made Musk a more “offensive” collaborator than Trump. He explains how he knows Vladimir Putin liked his shirtless impression a lot more than Trump liked Alec Baldwin’s portrayal, how he knew it was finally time to leave the show, and how Lorne Michaels nearly talked him into staying. Finally, Bennett talks about the two very different movies he appears in this summer: voicing a cartoon dog in the raunchy Netflix movie ‘Fixed’ and joining the DC cinematic universe as The Daily Planet’s Steve Lombard in ‘Superman.’Follow Beck Bennett on Instagram @beckbennettFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

10 years into her run at ‘The Daily Show,’ Desi Lydic is riding high with three Emmy nominations—including two for her short-form series “Foxsplains” in which she tries to wrap her head around MAGA’s most unhinged conspiracy theories. In this episode, the correspondent-turned-rotating host talks about how the series has granted her more empathy for brainwashed Trump supporters and looks back on processing his second term victory in real-time while hosting ‘The Daily Show.’ She talks about wanting to be the show’s “female Stephen Colbert” and how things changed once she dropped her Megyn Kelly-inspired character and started being herself on screen. Lydic also gets into the precarious state of late-night TV, from the “shocking” Colbert cancellation to the fate of Jon Stewart under the new Paramount leadership. Follow Desi Lydic on Instagram @desilydicFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

The three creators of the Emmy-nominated comedy series ‘Hacks’ had no idea they were predicting the future when they had their central late-night host character defiantly speak out against her network bosses and then lose her dream job. In this episode, Lucia Aniello, Paul W. Downs, and Jen Statsky break down the “surreal” parallels between Deborah Vance’s arc in Season 4 and the real-life tribulations of Stephen Colbert. They talk about the importance of late-night TV, what its future might hold, and reveal how they got Jimmy Kimmel to play a bully version of himself on the show. The trio also goes deep on casting leads Jean Smart and Hannah Einbinder, as well as this year’s Emmy-nominated guest stars Robby Hoffman and Dance Mom herself, Julianne Nicholson. And they tease what might be in store for Season 5—including why fans are so desperate for Deborah and Ava to finally hook up. Follow Paul W. Downs on Instagram @paulwdownsFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Akiva Schaffer prefers to stay behind the scenes. But that doesn’t mean he’s any less funny than his Lonely Island bandmates Andy Samberg and Jorma Taccone. The three middle school best friends started shooting videos right out of college before landing a plush gig making digital shorts for ‘Saturday Night Live,’ including hits like “Lazy Sunday,” “Dick in a Box,” “Jizz in My Pants” and many others. In this episode, Schaffer talks about their unusual path to SNL and how directing outrageous movies like ‘Popstar: Never Stop Never Stopping’ led him to take on a meta ‘Chip ‘n Dale: Rescue Rangers’ reboot for Disney+ starring Samberg and John Mulaney—and now the huge ‘Naked Gun’ reboot starring Liam Neeson and Pamela Anderson. He also explains why he might be single handedly responsible for Netflix deciding to greenlight ‘I Think You Should Leave’ with Tim Robinson. This episode was originally published on May 24, 2022.Follow The Lonely Island on Instagram @thelonelyisland Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Natasha Rothwell can be a bit defensive when it comes to her character on ‘The White Lotus.’ The actress, who just scored her second Emmy nomination for the hit HBO show, may have struggled at first to understand why Belinda did what she did at the end of Season 3. But she also believes she “deserves” what comes to her and gets why she ultimately decided to “f— the morality.” In her return to the podcast, Rothwell opens up about how she used her own past struggles with money to relate to her character on the show. As a former SNL writer herself, she reacts to the “White Potus” sketch that caused an uproar and frustrated her castmate Aimee Lou Wood. Rothwell also discusses how another co-star, Jason Isaacs, helped fuel rumors on real-life drama between cast members, reflects on the disappointing cancellation of her Hulu show ‘How to Die Alone,’ and explains why she has spent nearly a decade tweeting “you are trash” at Donald Trump every single day. Follow Natasha Rothwell on Instagram @natasharothwellFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch this episode of The Last Laugh on YouTubeHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

This is a fraught time to be a political comedian in America. It’s something Stephen Colbert learned when CBS suddenly canceled ‘The Late Show.’ And it’s something comedian Jena Friedman experienced in an even more visceral way the last time she crossed the border back home to the U.S. In her fourth appearance on The Last Laugh, Friedman weighs in on the end of the late-night show that served as her very first TV writing gig and tells the harrowing story of being grilled about her jokes by U.S. Customs and Border Security. She also talks about putting together her new TED talk on comedy and AI, recalls the time she nicknamed her fetus “Jeffrey Epstein” on Colbert’s show, and previews her new stand-up hour ‘Motherf---er’ about becoming a mom and losing her own mom at the same time. Get tickets to see Jena Friedman liveFollow Jena Freidman on Instagram @jenafriedmanFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodWatch this episode of The Last Laugh on YouTubeHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Jameela Jamil no longer “gives a f---” what people think about her. After years spent trying to inspire fans with positive affirmations, the British presenter and actress has turned her attention to the subject of humiliating failure on a new comedy podcast called Wrong Turns. In this episode, Jamil reveals why she has moved away from trying to inspire people to action and instead has decided to become, in her words, a kind of shameless “failure pervert.” She also breaks down how landing her role as Tahani on the NBC sitcom ‘The Good Place’ had less to do with “imposter syndrome” and more with being an actual imposter, details why not knowing who Larry David was when they first met led to her officiating his second wedding, and shares a story about the time she inadvertently ended up pretending to be Priyanka Chopra at an awards ceremony. And, for the first time, Jamil addresses the backlash she received for declaring that she no longer plans to sit for written interviews with female journalists. Watch this episode of The Last Laugh on YouTubeFollow Jameela Jamil on Instagram @jameelajamilFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

‘Late Night with Seth Meyers’ writer Jenny Hagel has spent the entirety of Donald Trump’s political career writing and telling jokes that ride a precarious line between funny and offensive. But the difference between Hagel and Trump’s anti-woke comic crowd is that she only ever targets her own demographic. In this episode, Hagel breaks down her and Amber Ruffin’s long-running “Jokes Seth Can’t Tell” segment, including how they got Hillary Clinton to join in after losing the 2016 election and why they are able to get away with outrageous punchlines that could get people with the wrong intentions canceled. She also discusses how ‘Late Night’ has changed during the second Trump term, reveals some secrets behind Seth Meyers’ popular “Day Drinking” bit, shares her reaction to NBC’s decision to kill ‘The Amber Ruffin Show,’ and teases her live comedy show ‘Jenny Hagel Gives Advice’ in which she bolds tells audience members how to live their lives. Get tickets to see ‘Jenny Hagel Gives Advice’ liveFollow Jenny Hagel on Instagram @jennyhagelFollow Matt Wilstein on Bluesky @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Seth Meyers is currently vying for one of just three nomination spots in the late-night TV Emmys race. But ahead of the 2024 election, the comedian, ‘Saturday Night Live’ alum and host of NBC’s ‘Late Night’ was doing his best to stay in the present and take each new insane development as it comes. In this episode, Meyers talks about how he ended up releasing a stand-up special (‘Dad Man Walking’ on Max) that has nothing to do with politics so close to the election. He also shares thoughts about his infamous ice cream date with Joe Biden, why he regrets platforming JD Vance on his show, how SNL’s reliance on guest stars has changed the show since he was in the cast, and so much more.This episode was originally published on October 30, 2024.Follow Seth Meyers on Instagram @sethmeyers Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

For the first several years of his career, stand-up comedian Matteo Lane would open his sets by telling the audience, “Obviously, I’m gay.” At a certain point, he got tired of coming out to a room of strangers every night and instead begins his new Hulu hour ‘The Al Dente Special’ by making fun of the way white women talk—a bit that delighted Gayle King and led to one of the more awkwardly hilarious morning TV moments in recent history. In this episode, Lane explains why he decided to give the ‘CBS Mornings’ host a pass for repeating the “f-slur” back to him and reveals how King’s fellow astronaut Katy Perry ended up being part of his special as well. And as Pride Month comes to a close, he discusses why he’s sick of people expecting gay comedians to relive their trauma, shares why he avoids talking politics on stage, and calls out TV bookers for keeping him off of late-night TV because they deemed his act “too gay.” Buy Matteo Lane’s cookbook ‘Your Pasta Sucks’Follow Matteo Lane on Instagram @matteolaneFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Over the course of his 40-year career, Larry Charles has had two central creative relationships with Larry David (‘Seinfeld’ and ‘Curb Your Enthusiasm’) and Sacha Baron Cohen (‘Borat’ and  ‘Brüno’). Now, he reveals in a new memoir that he hasn’t spoken to either man in years. In his return to The Last Laugh podcast, Charles breaks down how it all fell apart with two comedians he still considers complicated geniuses. He shares stories about how ‘Seinfeld’ solved its early Elaine problem after Julia Louis-Dreyfus came to the creators sobbing and reveals why a young David Sedaris turned down an offer to write for ‘Seinfeld.’ Charles also discloses what exactly it was about his HBO documentary that Larry David couldn’t stand, shares his thoughts about friends Bill Maher and Cheryl Hines flirting with MAGA, explains why there was a time he would have literally “died” for Sacha Baron Cohen and what went so wrong with their final collaboration ‘The Dictator.’ Buy Larry Charles’ new memoir ‘Comedy Samurai: Forty Years of Blood, Guts, and Laughter’Follow Larry Charles on Instagram @larrycharlesFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod Hosted on Acast. See acast.com/privacy for more information.

Justine Lupe thought there was no way she’d ever be able to top the experience of playing Willa on HBO’s ‘Succession.’ Then she got cast as Morgan, one of the “loser siblings” on the runaway Netflix hit ‘Nobody Wants This.’ They are two very different roles on two very different shows, but she says on this episode that she feels extremely “lucky” to get the opportunity to show both comedic and dramatic sides of herself on each. Fresh off of wrapping filming for Season 2 of ‘Nobody Wants This,’ Lupe talks about the pressure of satisfying fan expectations for her character’s complicated relationship with Timothy Simons’ Sascha. And she opens up about her deeply rewarding experience on ‘Succession,’ which was only supposed to be a handful of episodes before Willa became a central character, and even part of the Roy family, all the way until the very end. Follow Justine Lupe on Instagram @mejustinelupeFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

25 years ago, Kevin Smith released his most controversial and provocative film. Then, after a solid run in theaters and a robust life on VHS, it disappeared into the ether and has never been available to stream. Now, as ‘Dogma’ makes its triumphant return to theaters this weekend, Smith reveals the full story of how he got huge stars like Matt Damon, Ben Affleck, George Carlin and others to appear in his audacious satire of the Catholic Church, how he was able “rescue my movie about angels from the devil himself” Harvey Weinstein, how a planned sequel will change now that he has fully lost his own faith, and so much more. Plus, Smith confirms the Oscar-winning actors who almost played God before Alanis Morissette got the coveted role and reveals the major Hollywood job he turned down to focus on finishing his greatest film. Follow Kevin Smith on Instagram @thatkevinsmithFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

You might recognize Richard Kind from sitcoms like ‘Mad About You’ or ‘Spin City.’ Or from his voice work as the imaginary friend Bing Bong in Pixar’s ‘Inside Out.’ Now, he has become the ultimate late-night TV sidekick on ‘Everybody’s Live with John Mulaney,’ which wraps up its first season run on Netflix this week. In this episode, Kind talks about what it’s like to be just famous enough to work all the time but not famous enough to play himself on ‘Curb Your Enthusiasm.’ He also shares showbiz stories about almost getting cast on ‘Seinfeld,’ playing Rudy Giuliani in the film ‘Bombshell’ and offers up some very strong opinions about Woody Allen.This episode was originally published on July 14, 2020.Follow Richard Kind on Instagram @realrichardkindFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.