Holmes Movies Podcast

Hello everyone! Anders Holmes is here with another solo episode where he reviews the sci fi horror film Event Horizon, directed by Paul W.S. Anderson. As it is spooky season with October around the corner and Halloween is on the way, Anders Holmes will be talking about some of his favourite horror films in these solo Anders Reviews episodes. Horrors film that are some of his favourites, films that have made a big impression on him and films that people should check out. Whether they be fans of the genre or not. On this episode, Anders talks about one of his favourite horror films from the 1990s. Event Horizon was released in 1997 and Anders's words, it is the perfect definition of a cult film. Event Horizon may have bombed at the box office and received mostly negative reviews, however over the years it has amassed a large cult following. One of those types of films that found its audience and success later on home video, DVD, Blu-ray and streaming. The film stars Sam Neill, Laurence Fishburne, Jason Isaacs, Sean Pertwee, Kathleen Quinlan, Joely Richardson, Richard T. Jones and Jack Noseworthy. A script written by Philip Eisner. Event Horizon is best described as a haunted house film set in space. It is set in the not to distant future, 2047 to be exact. Prior to the events of the film, seven years earlier, the starship Event Horizon disappears without a trace. The ship was designed for vast space exploration. It reappears and is orbiting around the planet of Neptune. A rescue salvage crew, the Lewis & Clark, led by Captain Miller (Fishburne) is sent out to rescue the remaining crew members and salvage the ship. Along for the ride is Dr William Weir (Neill) who designed and built the Event Horizon. Upon entering the Event Horizon, do they find the ship empty of its crew and also discover evidence of bloody violence. It slowly becomes evident to our characters, that they are not alone. Wherever the ship has been for the last seven years, it has brought something back with it. It is a race against time for the Lewis & Clark crew to figure out what is going on before they suffer the same fate that befell the Event Horizon crew. Event Horizon takes characteristics of the haunted house genre and mixes it together with the stylings of Ridley Scott's Alien, Andrei Tarkovsky's Solaris and Clive Barker's Hellraiser. A film that is fun, entertaining and something you want to watch with a large crowd. Having said that, the production history is much more interesting than the film itself. Event Horizon had a rushed production schedule and was put together quickly. Multiple scenes were cut from the film. Those scenes/moments don't exist anymore and the footage that does exist was badly preserved or of bad VHS quality. Chances of an extended cut from Paul W.S. Anderson are slim, but it is still able to stand on its own.We hope you enjoy this episode and stay tuned for more solo episodes from Anders during this year's spooky season.Be sure to check out our Monument Valley Film on our YouTube Channel.Follow us on our Instagram page.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the fifth episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers reunite with the legendary Richard Bruno to discuss the classic western The Ox-Bow Incident. A favourite western of the Holmes Brothers. The film stars Henry Fonda, Harry Morgan, Harry Davenport, Leigh Whipper, Anthony Quinn and Dana Andrews. It was directed by William A. Wellman and based off the novel by Walter Van Tilburg Clark. The film is about two Cowboys (Fonda & Morgan) who ride into the town of Bridger's Wells just when news breaks of a terrible crime. A well known rancher who is beloved by the male townsfolk is found to be murdered and his cattle is stolen. It doesn't take long for a bloodthirsty posse to form. They ride out along with our two protagonists to find the culprits they believe are responsible. On their ride, the posse comes across three men who appear to have the stolen cattle. The men are then interrogated and captured. Though they say they're innocent of the crime and with little evidence to prove it, the posse debates on sentencing them to death by hanging. A dark and bleak psychological western that Clint Eastwood called one of his favourites. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Chris Geier, who was on our last episode of our other series The Movies And Me, is an author and his book Silt is available here.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on James Gunn's Superman.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the fourth episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers discuss the Jean-Luc Godard film Le Petit Soldat. After helping start the French New Wave with his influential film Breathless (À bout de souffle), Godard was set to make this his second film in 1960. But due to censorship and its provocative look at the French-Algerian War plus scenes of torture, it was not released in cinemas until 1963. The film is set in Geneva, Switzerland and it has the Algerian War happening in the background. Actress Anna Karina worked with Jean-Luc Godard for the first time on this project. They had a bit of tumultuous relationship and were together for four years. The two of them made a bunch of films together. Pierrot Le Fou being their most memorable project amongst film fans and critics. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Chris Geier, who was on our last episode of our other series The Movies And Me, is an author and his book Silt is available here.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on James Gunn's Superman.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the third episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers discuss the Larisa Shepitko film from 1977, The Ascent. The film is set in battle torn, and cold, Belorussia during the Second World War. Two partisan soldiers venture out into the cold and desolate world of the film to find food for their group. Along the way, they battle the Germans, the harsh and freezing landscape and their own psyches. Larisa Shepitko was awarded the Golden Bear at the Berlin Film Festival, the second female filmmaker to win that award. It proved sadly to be her final film. In 1979, Larisa died in a car accident while working on what would have been her next film Farewell. Her husband and filmmaker Elem Klimov finished the film. As we do go into spoiler territory, we advise you to see the film first before listening to the episode. You can find it available on the Criterion Channel for example. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Chris Geier, who was on our last episode of our series The Movies And Me, is an author and his book Silt is available here. Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on Mission Impossible: A Final Reckoning and Ryan Coogler's Sinners.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the seventh episode of The Movies And Me, a podcast project of ours where in each of these episodes we sit down with a filmmaker, writer, someone who works in the film industry or just someone who is a big cinephile who just lives for movies. We talk about their creative projects and also discuss their four favourite films that have inspired them to go out and have a career in film. Or four films that have least inspired them to seek out the career they have today.On this episode, we are delighted to chat with a friend of Adam's, Chris Geier. Chris is a fan/friend of the podcast. He is a former journalist and an author. His novella Silt is available to purchase and read. It can be found on his publisher's website Alternating Current Press. The plot of Silt is: "Cincinnati, 1856. German immigrant Werner Bosenbach has a part-time job collecting shady debts and a full-time drinking habit. When he is hired by a wealthy widow to hunt down those responsible for her husband’s death, Werner is drawn deep into a city bursting with corruption, nativism, and long-simmering racial tension. From violent dock workers and crooked marshals, to operators of the underground railroad and the slave hunters they oppose, Werner must navigate the dangers and divisions of his adopted home to find some answers and, with any luck, some lager." Fans of Raymond Chandler, Dashiell Hammett and Cormac McCarthy should check it out. We really enjoyed having Chris Geier on the podcast and talking to him about the four favourite films of his that he picked. If you haven't seen them, you should check them out. It was a very fun conversation. Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam&Chris Hosted on Acast. See acast.com/privacy for more information.

Welcome to the second episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this episode of Fascism On Film, the Holmes Brothers head back to Italy during the time of the Second World War to discuss the Franco Zeffirelli's 1999 film Tea With Mussolini. It stars Cher, Maggie Smith, Judi Dench, Lily Tomlin and Joan Plowright. The film is a semi-autobiographical tale about a young orphaned boy left to be raised by old English and American lady expats living in Italy. The film shows the events of Italy before and during the war through the eyes of the boy Luca (played by Baird Wallace as a teenager and Charlie Lucas as a boy) who is brought up by these ladies. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on Mission Impossible: A Final Reckoning and Ryan Coogler's Sinners.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to a new podcast series from the Holmes Movies Podcast titled: Fascism On Film! Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events. On the first Fascism On Film episode Anders & Adam Holmes head back to a galaxy, far, far away to discuss Rogue One: A Star Wars Story and its Disney + prequel series Andor. Rogue One was released in 2016 and was a prequel to a New Hope. It showed how the Rebel Alliance stole the plans for the Death Star, which leads into the events of Star Wars: A New Hope. It stars an all star cast including Diego Luna who plays Cassian Andor. He would get his own series in the form of Andor which is set five years before the events of Rogue One. It looks at the origin story of Cassian and it shows what makes him the man we see in Rogue One. Andor also looks at the machinations and inner workings of the Galactic Empire and the beginnings and formation of the Rebel Alliance. It also has an all star cast which includes Stellan Skarsgård. Tony Gilroy who co-wrote Rogue One and oversaw reshoots on that film was the head writer and showrunner on Andor. A very grounded and realistic Star Wars show that tackles some very heavy themes.We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series. Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Check out our blog and read Anders's recent reviews on Mission Impossible: A Final Reckoning and Ryan Coogler's Sinners. Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to another Trilogies episode where Anders & Adam Holmes move (briefly) away from a Galaxy, Far, Far, Away to war torn Italy. This episode we look at Roberto Rossellini's War Trilogy. Roberto Rossellini (father of Isabella Rossellini, plus ex-father in law to Martin Scorsese) was one of the most prominent directors of Italian Neo-Realist Cinema. A film movement where its stories focused mainly on the poor and working class. Films about everyday life, poverty and oppression. Films shot on location and used primarily non-classically trained actors. Actors basically picked off the street essentially. The Bicycle Thieves is a perfect example of Italian Neo-Realism. The movement influenced French New Wave for example. Along with Rossellini, other Italian filmmakers like Vittorio De Sica and Luchino Visconti popularised this very influential film movement. Rossellini's Neo-Realist War Trilogy started with Rome, Open City (1945), Paisan (1946) and concluded with Germany Year Zero (1948). Some of the first post-war films made in Italy and films that helped shape Italian Neo-Realism. Rome, Open City has a rare 100% rating on Rotten Tomatoes and is part of the Vatican's Important Films list. It's listed under the category Values. We hope you like this episode and stay tuned for more Trilogies episode. We will be putting a pause on our Trilogies series and moving onto another series of episodes we have in the works: Fascism On Film. The first episode of that series will be on Andor & Rogue One: A Star Wars Story. Stay tuned for that and for more episodes of The Movies And Me. Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

"May the Force Be With You," and also May The 4th Be With You.The Holmes Brothers head back to the world of Star Wars to review The Prequel Trilogy. We're back with another Trilogies episode. The films in the trilogy include Episode I: The Phantom Menace (1999), Episode II: Attack of the Clones (2002) and Episode III: Revenge of the Sith (2005). Revenge of the Sith is currently being re-released in select cinemas to coincide with its twenty year anniversary.Before the rights of LucasFilm and the world of Star Wars were sold to Disney, George Lucas came back to finish the Star Wars saga with the Prequels. Whether you like the films or not, cinema and visual effects technology caught up with Lucas's vision and he was able to tell the full story in the way that he envisioned. He could finally show Podracers, Gungans, the planet Coruscant and also show how Anakin Skywalker became Darth Vader. There was a lot of hype and expectations around these films. Back in 1999 before the release of Episode I, people would buy tickets to other films just to see the trailer and then leave. This is way before YouTube. Today there has been a slight reappraisal of the films from some corners of cinema fans and lovers of all things Star Wars, compared to the critical bashing they all got during their original releases from fans, filmmakers and critics. The films were not as popular as the Original Trilogy. They did not receive the same love and acclaim at the time and a lot of the criticisms the films got were due to the writing, storytelling, characterisation and sometimes the VFX. Now many years later, where do you think we land on the films? Listen to the episode and find out.We hope you like this episode and stay tuned for more Trilogies episode. The next episode will be on The War Trilogy, directed by Italian filmmaker Roberto Rossellini.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out. Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the sixth episode of The Movies And Me, a podcast project of ours where in each of these episodes we sit down with a filmmaker, writer, someone who works in the film industry or just someone who is a big cinephile who just lives for movies. We talk about their creative projects and also discuss their four favourite films that have inspired them to go out and have a career in film. Or four films that have least inspired them to seek out the career they have today.On this episode, we are delighted to chat with a friend of Adam's, Edward Carson. Edward Carson is a scholar, an educator and activist. On his website, it says that Edward Carson 'teaches seminars on African American Studies, Race, Class, Gender, American Jesus, and Black Christianity.' A dean and historian who teaches about race and religion in America's 20th Century. Edward also currently hosts a podcast called Race Matters. The podcast Race Matters examines the nomenclature of race, class, gender, and culture and how they intersect with past historical phenomena and present narratives. Race Matters seeks to discuss the critical nature of how we talk about race and our moral obligation to confront it. You can also listen to the podcast here on SoundCloud and watch episodes on YouTube.We really enjoyed having Edward Carson on the podcast and talking to him about the four favourite films of his that he picked. If you haven't seen them, you should check them out.Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

“It’s not the years, honey. It’s the mileage."Back after a mini hiatus due to film work commitments, Anders & Adam Holmes are back with a new trilogies episode!On this episode, the Holmes Brothers head on a globe trotting exploration into the unknown and search for the ethereal mysteries of the world. This episode they look at the first three Indiana Jones films starring Harrison Ford as the famous archaeologist and part time teacher. They discuss and analyse the three films (Raiders of the Lost Ark, The Temple of Doom & The Last Crusade), their impact on action-adventure cinema and also the films notable flaws in regards to its portrayal of foreign cultures and people. An aspect of the film that has probably not aged very well, yet the films are still enjoyable in our opinion. Temple Of Doom not so much... but they get to that.We hope you like this episode and stay tuned for more.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film here on Collider.Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

It’s Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked.This time, we will be casting our eye back to… the 63rd Academy Awards, the year that honoured the best films of 1990. It was held March 25th 1991 (the year of Anders's birth) at the Shrine Auditorium in Los Angeles, California. It was hosted by Billy Crystal.Kevin Costner's Dances with Wolves, which went head to head with Martin Scorsese's film Goodfellas, won 7 Oscars out of the 12 nominations it got. It was also the year Kathy Bates won a Best Actress Oscar for her mesmerising performance in Misery. Ghost, starring Demi Moore, went home with two Oscars. One for Best Original Screenplay and Best Supporting Actress for Whoopi Goldberg. How do you think we would have done things that night? Listen here to find out. Follow us on our Instagram page.Please check out and watch our Monument Valley Travelogue/Short Film. We hope you like it and can check it out on our YouTube Channel.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

It’s Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked.This time, we will be casting our eye back to… the 30th Academy Awards, the year that honoured the best films of 1957. It was held March 26th 1958 at the RKO Pantages Theatre in Los Angeles, California. It was hosted by Bob Hope, Rosalind Russell, James Stewart, Jack Lemmon, David Niven and Donald Duck.David Lean's The Bridge On The River Kwai won 7 awards that night, with Joshua Logan's Sayonara starring Marlon Brando receiving the most nominations. Listen here and find out who we would've picked that night.Follow us on our Instagram page.Please check out and watch our Monument Valley Travelogue/Short Film. We hope you like it and can check it out on our YouTube Channel.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

It’s Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked.This time, we will be casting our eye back to… the 73rd Academy Awards, the year that honoured the best films of 2000. It was held March 25th 2001 at the Shrine Chandler Auditorium in Los Angeles, California. It was hosted by Steve Martin .It was the year of Gladiator, Traffic, Chocolat and Crouching Tiger, Hidden Dragon. Steven Soderbergh was nominated twice for Best Director, Russel Crowe won Best Actor and Cameron Crowe won Best Original Screenplay for Almost Famous. Listen here and find out who we would've picked.Follow us on our Instagram page.Please check out and watch our Monument Valley Travelogue/Short Film. We hope you like it and can check it out on our YouTube Channel.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

It’s Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked.This time, we will be casting our eye back to… the 45th Academy Awards, the year that honoured the best films of 1972. It was held March 27th 1973 at the Dorothy Chandler Pavilion in Los Angeles, California. It was hosted by actors Carol Burnett, Michael Caine, Charlton Heston (Clint Eastwood briefly filled in for him) and Rock Hudson. It was the year of Cab-Father, when Bob Fosse's Cabaret and Francis Ford Coppola's The Godfather Part 1 went head to head with each other. It was also the first time two African American women were nominated for awards: Cicely Tyson and Diana Ross. But out of the films released in 1972, which ones deserved to win and/or get nominated? Listen here and find out who we would've picked.Follow us on our Instagram page. Stay tuned for our Monument Valley travelogue film!Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

"Never apologize. It's a sign of weakness."We know we're quite a ways into 2025, but Happy New Year everyone. Anders & Adam Holmes are back with a new trilogies episode! On this episode, the Holmes Brothers hop on their horses and ride out west to Monument Valley. They again discuss and analyse three favourite westerns from their childhood, two of which they saw a lot on VHS (remember those?). The movie trilogy they are looking at on this episode is: John Ford's The Cavalry Trilogy. It includes Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).All three films star John Wayne and feature regular members of Ford's acting troupe like Henry Fonda, John Agar, Harry Carey Jr, Ben Johnson, George O'Brien and Victor McLaglen. John Ford was very much in his mythical period when making these westerns. We hope you like this episode and do check out the films, if you have or haven't seen it. Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Also check out Anders's reviews on Robert Eggers's Nosferatu, Die Hard 4.0 and The Crow (2024).Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!Anders Hosted on Acast. See acast.com/privacy for more information.

"Now I have a machine gun. Ho ho ho."Yippee-ki-yay, motherf-ers, welcome to the party pals and Merry Christmas to one and all! The Holmes Movies Podcast crew are here with another Trilogies episode. A Yuletide themed episode just in time for the holidays. On this episode, Anders & Adam Holmes discuss the first three original films in the Die Hard franchise. The film that started it all Die Hard, then its 1990 sequel Die Hard 2: Die Harder and finally the 1995 threequel starring Samuel L. Jackson Die Hard: With A Vengeance. The first Die Hard is one of the best action films of all time that helped define the action genre of the 1980s. An influential and well crafted film from director John McTiernan, it not only was a huge box office success but it propelled Bruce Willis from TV actor to movie star. And it also introduced the world to Alan Rickman who got his big break playing the brilliant villain Hans Gruber. Bruce Willis played John McClane, a wise cracking New York police officer who is the textbook definition of the wrong guy, in the wrong place at the wrong time and who is caught in a real towering inferno of explosions, gunfights and surviving death defying stunts. From sunny California, to snowy windy Washington DC and to the hustle and bustle of New York City, there is nothing he can't handle.Happy holidays and Merry Christmas to all who celebrate it. Be safe out there.Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to the fifth episode of The Movies And Me, a podcast project of ours where in each of these episodes we sit down with a filmmaker, writer, someone who works in the film industry or just someone who is a big cinephile who just lives for movies. We talk about their creative projects and also discuss their four favourite films that have inspired them to go out and have a career in film. Or four films that have least inspired them to seek out the career they have today.On this episode, we are delighted to chat with a friend of Adam's, Kate Senecal. Kate works as a writing coach, developmental editor, teacher and a writing group facilitator. She resides and is based in Western Massachusetts. Kate works with all kinds writers ranging from short story writers, novelists, screenwriters and playwrights. What she does and coaches in, for example, is helping writers maintain a consistent writing habit, helping others find a community of writers, becoming better self-editors and developing craft technique for writers to take their stories further. She provides one on one coaching sessions in person or on Zoom and there is an opportunity to workshops ideas with other groups of writers. There is also something she offers to writers which is called Book Buddies which you can read about here.You can find all you need to know about Kate and the work she does here on her website.We really enjoyed having Kate on the episode and talking to her about four unique and different films (and one honourable mention) that she picked. All of them are adapted from books and/or short stories.Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome to our second Noirvember Special, the last time we did an episode where we discussed Film Noir as a whole was back in 2020. The episode can be listened to here on Apple Podcasts. On this smoky and hardboiled episode, Anders & Adam Holmes are joined by the great and legendary Richard Bruno to discuss the roots of Film Noir, it's literary and filmic influences, the films that define film noir plus its actors, filmmakers and also try to answer the burning question surrounding Noir: Is Noir a filmmaking style? Or is Noir a film genre itself? Friend of the podcast Richard Bruno returns for a second time as a guest, having already been a guest on our Movies And Me episode that features him. A lot of films on this episode are mentioned by all three of us, all are Film Noir classics and we all recommend them. So do keep your ears peeled and list them as we go. In case you haven't seen any of the films before. In keeping with the Noir theme, feel free to also check out Anders & Adam's previous episode on the Un-Official Philip Marlowe Trilogy. Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

What d'ya hear? What d'ya say?Welcome to our 9th Trilogies episode, Film Noir edition. We hope you enjoyed our last episode where we looked at The Dark Knight Trilogy from Christopher Nolan. We are getting the podcast back on track after a few weeks/months away. As it is November aka Noirvember, we thought we would have a Film Noir themed episode. This trilogies episode is a little different from the rest. We of course will be looking at three films, but we're making our own trilogy. The films we will discuss are not connected per se as in Film 1, 2 and 3. No, they stand alone films though they are connected by a single character. That character is Detective Philip Marlowe, a private investigator created by author Raymond Chandler. Along with Dashiell Hammett and James M. Cain, Chandler was one of the great writers of pulp hard-boiled detective crime fiction. The films we will be discussing are some of our favourites. Murder My Sweet (1944) directed by Edward Dmytryk, The Big Sleep (1946) directed by Howard Hawks and The Long Goodbye (1973) directed by Robert Altman. Each film depicts Los Angeles in a different style, tone and, in Altman's case, time period. More importantly, they interpret Marlowe in their own unique way and as well as the source material. Dick Powell, Humphrey Bogart and Elliott Gould all bring something different and new for their performances as Philip Marlowe. We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode.Stay Tuned for more!Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.