The Sounding Jewish Podcast

Welcome back to Season 5 of The Sounding Jewish Podcast! This month's episode features Dr. Lillian Wohl. We explore her entrance into academia, her ethnographic investigations of music and memory with the Jewish community in Buenos Aires, and her recent explorations of the life of Jewish composer Jacobo Ficher.Guest Bio:Dr. Lillian M. Wohl is a member of the Área de Investigaciones en Artes del Espectáculo y Judeidad (JADE) at the Instituto de Artes del Espectáculo “Raúl H. Castagnino,” Universidad de Buenos Aires (UBA). While exploring the performance of racial, ethnic, and religious difference in modern Latin American history with a focus on Jewish belonging, she considers how the cultures of memory and shifting notions of temporality —pasts, presents, and futures—are expressed and negotiated in music. From 2017 to 2019, she was Postdoctoral Fellow in Musicology and Assistant Director of Jewish Music Research with the Lowell Milken Fund for American Jewish Music at UCLA. She was Visiting Assistant Professor of Jewish Musicology and Ethnomusicology at the Debbie Friedman School of Sacred Music at Hebrew Union College‒Jewish Institute of Religion, New York City, from 2014 to 2017, and completed a PhD in Music (ethnomusicology) at the University of Chicago. She is currently a researcher at the Instituto de Investigación en Etnomusicología (IIEt), DGEART, Gobierno de la Ciudad de Buenos Aires and Adjunct Professor in History at Pepperdine University Buenos Aires.Sound Clip Citations/Credits:SOUND CLIP #1: Intro and outro music, rosegoldglitch, May 22, 2020, https://freesound.org/people/rosegoldglitch/sounds/519176/SOUND CLIP #2: León Gieco – “Memoria,” Music video recording session featuring 100 Argentine musical artists commemorating the 22nd anniversary of the AMIA Jewish center attack on July 18, 1994. Premiered on July 4, 2016, organized and produced by Elio Kapszuk, Lito Vitale, Gabriel Scherman, and Virginia Taranto. Directed by Sebastián Orgambide.SOUND CLIP #3: Coro Mordeje Guebirtig, Rehearsal in the ICUF (Idishre Cultur Farband | Federación de Entidades Cullturales Judías de la Argentina, May 5, 2012, Courtesy of Lillian Wohl.SOUND CLIP #4: “Sher Bamate” performed by the Orquesta Kef, Produced by Gastón Mohadeb and Rafael Surijón, Extra Kef Música Judía (2005).SOUND CLIP #5: “En una cima dorada” (canción de Maude), .https://www.youtube.com/watch?v=Q9OXS2BgjnoSOUND CLIP #6: “Weihen windn.” Both Clips 5 and 6 were composed by Victor Schlichter, performed by Emanuel Hecker (voice) and Vincent Föhlisch (piano), recorded on June 12, 2026 in Frankfurt, Germany, with the Lateinamerikanisches Filmfest (Festival de Cine Latinoamericano), the Instituto Cervantes, and the Hochschule für Musik und Darstellende Kunst, Frankfurt. From the project: “Para Qué Suene la Música de los Archivos” (Sounding the Musical Archives), directed by Dr. Silvia Glocer, with Yasmin Garfunkel (voz), and Federico Garber (piano), and affiliated with: Área de Investigación en los Artes de Espectáculo y Judeidad (Jewish Performance Studies Research Group), Insituto de Artes de Espectáculo “Dr. Raúl Castagnino,” Universidad de Buenos Aires (UBA).SOUND CLIP #7: Jacobo Ficher – “Dos piezas hebreas para violín y piano, op. 12: no. 1, ‘Melodía hebrea’ y no. 2, ‘Danza hebrea’” (1928/1969), Performed by Édua Zádory on violín and Gerardo Delgado on piano, A project of the Instituto de Investigación en Etnomusicología (IIET), of the DGEART, Ministerio de Cultura, City of Buenos Aires.SOUND CLIP #8: Jacobo Ficher, “Tres Danzas Hebreas, op. 64: Hora” (1946).

Please enjoy this special collaborative Bonus episode between The Sounding Jewish Podcast and Between Two Shabbatot: A Weekly Podcast from Temple Etz Chaim! On this episode, host Dr. Noam Meyer Fields-Gould interviews Dr. Samantha M. Cooper (Robert M. Beren Assistant Professor in Jewish Studies, University of Kansas) about her research, connections to Jewish musical life, and forthcoming book American Jews and the Making of the New York Opera Industry, 1880-1940 (Oxford University Press, 2026). Between Two Shabbatot is a weekly look into the heart of the community of Temple Etz Chaim of Thousand Oaks, California. Each episode starts with something small—a melody, a plaque on a wall, a ritual preschoolers do before candle lighting—and follows it into a conversation with the people who make this congregation—and the larger Jewish community—what it is today. You can listen to Season 1 here: https://www.templeetzchaim.org/connect/between-two-shabbatot/

Enjoy this trailer for the fifth season of Sounding Jewish, a monthly podcast featuring conversations with musicologists, ethnomusicologists, and sound studies scholars, hosted and produced by Dr. Samantha M. Cooper, Robert M. Beren Assistant Professor in Jewish Studies at the University of Kansas. The first episode will be released on November 1, 2026.

The sixth and final episode of Season 4 of The Sounding Jewish Podcast features Dr. Sarah Ross. We explore her entrance into academia, interest in Jewish women's music-making, and her recent work on Jewish music in heritage studies.Guest Bio:Prof. Dr. Sarah M. Ross is a scholar in Jewish Music Studies. Since 2015, she has served as Professor of Jewish Music Studies and Director of the European Centre for Jewish Music (EZJM) at the Hanover University of Music, Drama and Media. Since 2022, she is the speaker of the Priority Programme "Jewish Cultural Heritage" (SPP 2357). Her major publications include A Season of Singing: Creating Feminist Jewish Music in the United States (Brandeis University Press, 2016) and The Moralization of Jewish Heritage in Germany (Lexington Books, 2024).Sound Clip Citations:SOUND CLIP #1: Credit for the intro and outro music belongs to rosegoldglitch, May 22, 2020, freesound.org, https://freesound.org/people/rosegoldglitch/sounds/519176/SOUND CLIP #2: “The Meron Tragedy – ACHEINU at the Kotel,” posted May 5, 2021 by Will Wolfowich, https://www.youtube.com/shorts/KQVAqxXlvb0SOUND CLIP #3: “Rosh Chodesh Moon,” posted on November 11, 2015, https://www.youtube.com/watch?v=0QNUsRjasj4&list=RD0QNUsRjasj4&start_radio=1.SOUND CLIP #4: “Shechinah, My Light – Rabbi G. Rayzel Raphael,” posted by Rabbi Geela Rayzel Raphael on December 16, 2020, https://www.youtube.com/watch?v=kNmKg5qZrYs&list=RDkNmKg5qZrYs&start_radio=1SOUND CLIP #5: “Gates of Justice – Chana Rothman – 3 Songs for Justice,” posted by Chana Rothman on October 22, 2018, https://www.youtube.com/watch?v=VUiLSBFaWpc&list=RDVUiLSBFaWpc&start_radio=1SOUND CLIP #6: “Sing Unto God – Debbie Friedman & the Highland Park Senior High Camerata (1973),” posted by bran on December 16, 2017, https://www.youtube.com/watch?v=BF2u7AFPPMo&list=RDBF2u7AFPPMo&start_radio=1SOUND CLIP #7: "Hine Ma Tov" performed on Alphorns by Swiss-Jewish musician Martin Mürner and his colleague Mike Maurer in the synagogue in Zurich, recording provided courtesy of Sarah Ross.SOUND CLIP #8: “Louis Lewandowski - Ma Towu (Leipziger Synagogalchor gemeinsam mit dem Kammerchor Josquin des Préz),” posted by the Leipziger Synagogalchor on September 9, 2016, https://www.youtube.com/watch?v=CgRi8azXJRg&list=RDCgRi8azXJRg&start_radio=1SOUND CLIP #9: “Chorkonzert UNESCO-Welterbetag "Hashiwenu" mit jüdischer Synagogalmusik - Deutscher Kammerchor,” posted by Dommusik Speyer on August 10, 2021,https://www.youtube.com/watch?v=dKperNin2F8&list=RDdKperNin2F8&start_radio=1

The fifth episode of Season 4 of The Sounding Jewish Podcast features Dr. Árni Heimir Ingólfsson. We explore the unexpected start of his book Music at World's End, which focuses on the lives and careers of three exiled musicians who made their way from Nazi Germany and Austria to Iceland, and revitalized Iceland's classical music scene in the process.Árni Heimir Ingólfsson is an Icelandic musicologist and holds a PhD in historical musicology from Harvard University. His primary area of interest is the history of Icelandic music from the Middle Ages to the present. He is the author of several books, including Jón Leifs and the Musical Invention of Iceland (2019), which was listed as one of that year's best books on music by Alex Ross of The New Yorker. His most recent book, Music at World’s End, is a study of the Jewish musicians who fled Germany and Austria to Iceland in the 1930s, and their significant and lasting contribution to the music scene there. The book was nominated for the 2024 Icelandic Literary Prize (non-fiction category)—Ingólfsson’s third nomination for that award.Ingólfsson has given lectures and pre-concert talks throughout the world, including in Europe, Asia, and the United States. He was a special guest speaker at the LA Philharmonic’s Reykjavík Festival in 2017, an Erasmus guest lecturer at the Vienna Conservatory of Music, and has held visiting fellowships at Oxford, Harvard, and Yale Universities. In spring 2026, he is Visiting Research Fellow at the Herzog August Library in Wolfenbüttel, Germany. In Reykjavík, he is Senior Researcher at the Reykjavík Academy, working on a book project on modernism in Icelandic music, ca. 1950-1980.Ingólfsson has wide-ranging experience as performing musician. As conductor of the vocal ensemble Carmina, he is a two-time winner of the Icelandic Music Award, and their CD Melódía won rave reviews, including an Editor’s Choice in Gramophone magazine. He has been interviewed by international media such as The New Yorker, Gramophone, and BBC Radio 3, and has held advisory posts for international foundations such as the Nordic Culture Fund. He is also an active pianist and harpsichordist and has performed on a number of CDs, including Nico Muhly’s Mothertongue (2007).