Claim OwnershipStaging Sound. Reflecting theatre music and sound design
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This podcast accompanies the research project "The Sound of Theatre", supported by the Centre for Advances Studies at the University of Munich. We will explore questions around the current research in this field of study, we will have conversations with artists and discussions about performances, and we will record presentations and papers that come out of our various cooperations.
The format, length and frequency of this podcast will vary, but we hope that all episodes will be interesting, engaging and relevant for all those interested in the wide range of interplays between theatre, music, sound, voice, acoustic and technolgy: whether you are a student, a scholar, an artist or an audience member: Please subscribe and tune in!
The format, length and frequency of this podcast will vary, but we hope that all episodes will be interesting, engaging and relevant for all those interested in the wide range of interplays between theatre, music, sound, voice, acoustic and technolgy: whether you are a student, a scholar, an artist or an audience member: Please subscribe and tune in!
32 Episodes
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In this episode theatre musicians Constantin John, Fabian Kalker, Karolin Killig, Nils Ostendorf, Katrin Schüler-Springorum, Rainer Süßmilch and Fiete Wachholtz discuss the working conditions of theatre musicians in German-speaking theatre, the formation of a network and the genesis of an open letter to theatre officials and critics they have just launched.
Today’s episode is part II of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives (Tamara Quick and David Roesner, eds.). Routledge 2025
Today’s episode is part I of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives (Tamara Quick and David Roesner, eds.). Routledge 2025
This episode is an interview with Matze Pröllochs, drummer and composer, about his new solo album „Birth No Birth“ as well as his theatre collaborations with director Christopher Rüping, such as the spectacular project "Dionysos Stadt", which premiere in Munich in 2018.
In this episode, Lynne Kendrick and David Roesner engage in conversation with Leonie Persyn about her PhD Project THE SOUND OF A SHARED INTIMACY. A PHENOMENOLOGICAL RESEARCH INTO SOUND(ING) AND LISTENING IN PERFORMANCE PRACTICES
In this episode, Salomé Voegelin presents her thoughts in relation to Arturas Bumšteinas' "Bad Weather" (2017/2019) – "a performative sound-art event of a group of performers engaging with reconstructions of Baroque theater noise machines" (Bumšteinas)
In this episode, Ursula Kramer, Dorothea Volz, Peter Kiefer and Andrea Valle present and discuss: "From Archive to Museum? Sound in historical theatre productions and in theatre museums collections". The panel is hosted by Anna Ricke.
in this episode, Julia H. Schröder introduces the session and proceedings start with Anna Burzyńska's presentation on "Sound and sound machines in Kantor’s theatre and possibility of exhibition"
In this episode, Adrian, Duška and David talk to performance collaborators Persis Jadé Maravala and Jorge Lopes Ramos from ZU-UK (London) and sound-designer Gareth Fry (London) about the notion of collaboration and the specific process of design and creative development they engage with.
In this episode we discuss the audio papers that were presented over the last few episodes on the role of collaboration in sound design and music composition for theatre by our esteems contributors: Alyson Campbell (Melbourne) and Meta Cohen (Melbourne), Paul Clark (London), Victoria Deiorio (Chicago), Jimmy Eadie (Dublin), Maciej Guzy (Krakow), Melanie Wilson (London), Demetris Zavros (Liverpool).
In this episode, David introduces the final two audio papers, which were submitted to the conference and subsequently discussed at a panel on collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
In this episode, David introduces three more of the seven audio papers that were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
In this episode, David introduces two of the seven audio papers, which were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
The recent wave of interdisciplinary scholarship on/through voice has moved decisively away from perceptions of voice as singular, solipsistic or as tied to selfhood in one-directional or indexical ways. Voice (or rather: voicing or vocality) is now understood and practised as multiple, plural, and emergent. This curated panel seeks to embrace this approach and, in light of the symposium’s thematic remit, addresses vocal practice as a material or component of theatrical collaboration. Also, and crucially, it proposes a rethinking of theatre voice as collaboration. This part of the session consists of invited talks and demonstrations by artists that work with/through voice: Francesco Bentivegna, Alex Nowitz and Cathy van Eck.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 3 of the opening session of the conference with a talk from Dan Scott.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 2 of the opening session of the conference with a talk from Rebecca Applin.
Over the next weeks, proceedings of the conference "Theatre Sound (as) Collaboration" (13-15 Sept, Munich) will be published as podcast episodes. This week, you can hear part 1 of the opening session of the conference with a talk from SK Shlomo.
In this episode I talk to the composer David Rimsky-Korsakow about his path to becoming a theatre musician and a three-day workshop he gave in Munich as part of the "Theatre Sound" project, which was hosted by the Center for Advanced Studies (LMU Munich), The workshop was realized in collaboration with the theatre department at LMU Munch and the Theaterakademie August Everding, to whom I owe huge thanks!
in this episode, David talks to Anna Ricke about her research on sound and music in Gothic Plays and Melodrama and to Julia H. Schröder on historical handbooks on magic performances and what they reveal about the significance of sound effects on/off stage.
In this episode David talks to two artist/scholars, who create and research sound-led forms of performance: Julie Rose Bower and Yaron Shyldkrot. The conversation addresses their creative work, aspects of theatre in the dark, Foley work, sound as touch, ASMR, and the ethics of sound design.
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