Radulich in Broadcasting

28 Years Later: The Bone Temple is a 2026 post-apocalyptic horror film directed by Nia DaCosta and written by Alex Garland. It was shot back-to-back with its predecessor 28 Years Later (2025), and serves as the fourth installment overall in the 28 Days Later film series. The film stars Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, and Chi Lewis-Parry.28 Years Later: The Bone Temple was released by Sony Pictures Releasing through its Columbia Pictures label in the United Kingdom on 13 January 2026, as part of a double bill with its predecessor, with the film being individually released the following day on 14 January. It was released in the United States on 16 January 2026, and received generally positive reviews from critics. The film has grossed $31.2 million worldwide, making it the second-highest-grossing film of 2026.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on On Trial, Mark Radulich and Jesse Starcher put two divorces in the dock: Danny DeVito’s The War of the Roses (1989) vs. Jay Roach’s pseudo-remake The Roses (2025). DeVito’s film—adapted from Warren Adler’s 1981 novel, scripted by Michael J. Leeson and produced by James L. Brooks and Arnon Milchan—reunites Romancing the Stone stars Michael Douglas and Kathleen Turner, with DeVito as the couple’s lawyer. A pitch-black farce of marital escalation, it cost about $26M and grossed about $160M worldwide. Roach and writer Tony McNamara retool the premise for modern resentment: Benedict Cumberbatch and Olivia Colman, plus Allison Janney, Kate McKinnon, Andy Samberg, and Ncuti Gatwa, as careers invert and the gloves come off. Released Aug. 29, 2025, it opened around $6.3M domestically and has earned about $15.3M in the U.S./Canada on an estimated $35M budget. We break down what each version keeps, what it softens, and whether satire or therapy-era realism lands harder in 2026Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Bamboozled is a 2000 American satirical black comedy-drama film written and directed by Spike Lee about a modern televised minstrel show featuring black actors donning blackface makeup and the resulting violent fallout from the show's success. It features an ensemble cast including Damon Wayans, Jada Pinkett Smith, Savion Glover, Tommy Davidson, and Michael Rapaport.The film was given a limited release by New Line Cinema during the fall of 2000 and was released on DVD the following year. Critical reception was mixed,[3][4] and the film was unsuccessful financially, becoming a box office bomb. Despite its initial reception, Bamboozled later achieved cult film status for its satirical look at stereotypical depictions of black people in both historical and contemporary American film and television productions, and, in 2023, was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Sports Night is an American half-hour comedy-drama centered on a fictional cable sports news program of the same name. Season 1 premiered on ABC on September 22, 1998, following the creative staff as they navigate friendships, romantic entanglements, and ethical dilemmas while producing a nightly broadcast under constant network pressure. Created by Aaron Sorkin and produced by Imagine Television and Touchstone Television, the first season established the show’s fast, dialogue-driven style and tension between journalistic integrity and ratings demands.The ensemble cast includes Robert Guillaume as managing editor Isaac Jaffe, Felicity Huffman as executive producer Dana Whitaker, Peter Krause as anchor Casey McCall, Josh Charles as co-anchor Dan Rydell, Sabrina Lloyd as senior associate producer Natalie Hurley, and Joshua Malina as associate producer Jeremy Goodwin. Recurring guest roles in season one featured William H. Macy as ratings consultant Sam Donovan and Brenda Strong as rival producer Sally Sasser.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This week’s Triple Feature explores obsession, mythmaking, and the stories we tell ourselves to survive meaning. In Bugonia, Yorgos Lanthimos pushes paranoia and control to absurd extremes, turning conspiracy thinking into a darkly comic examination of power, belief, and the human need for order. Marty Supreme reframes the sports biopic as myth, using a fictionalized portrait to explore masculinity, performance, and the cost of obsession rather than historical accuracy. And Hamnet strips narrative down to grief itself, focusing not on Shakespeare’s legacy, but on the quiet emotional devastation that precedes it. Together, these films interrogate how identity is constructed — through delusion, ambition, or loss — and ask whether meaning is something we uncover, invent, or cling to when reality refuses to cooperate.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

White House Plumbers is an American satirical political drama television miniseries created and written by Alex Gregory and Peter Huyck and directed by David Mandel, based on the 2007 book Integrity by Egil Krogh and Matthew Krogh. The series stars Woody Harrelson, Justin Theroux, Domhnall Gleeson, Kiernan Shipka, and Lena Headey and it premiered on HBO on May 1, 2023.Watergate masterminds and President Richard Nixon's political operatives E. Howard Hunt and G. Gordon Liddy are part of the "White House Plumbers". Charged with plugging press leaks by any means necessary, they accidentally overturned the Presidency they were trying to protect.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight’s Triple Feature looks at John Hughes from three angles, across three years, and three very different fantasies of adolescence. We begin with Weird Science, a fairy tale disguised as a teen sex comedy, where a mythical helper arrives not to grant wishes, but to correct insecurity and force growth. From there we move to Sixteen Candles, Hughes’ most raw and uncomfortable film, where neglect, entitlement, and boomer blind spots collide in a story that often loses sight of its supposed protagonist. We close with Ferris Bueller’s Day Off, Hughes’ most polished and mature work of the trio—a mythic daydream about escape, rebellion, and consequence, where Ferris is the fantasy but Cameron carries the emotional weight. Together, these films chart Hughes’ evolution as a writer, his complicated relationship with authority, and his shifting ideas about what it means to grow up. Whether you see Ferris as liberator, Lisa as guardian spirit, or Hughes himself as an unresolved boomer working through old wounds, this triple feature gives us plenty to unpack.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Wake Up Dead Man (marketed as Wake Up Dead Man: A Knives Out Mystery) is a 2025 American mystery film written and directed by Rian Johnson. It is the third film in the Knives Out series. It stars Daniel Craig, who reprises his role as master detective Benoit Blanc. The ensemble cast also includes Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.The film had its world premiere at the Toronto International Film Festival on September 6, 2025, and was released in select theaters on November 26, before streaming on Netflix on December 12. Like its predecessors, it received generally positive reviews, with most praise for the performances, in particular those of Craig and O'Connor.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Damn You Hollywood, we close the book on 2025 with our annual Year in Review — the good, the bad, and the animated. We count down our Top 10 films of the year, endure our Bottom 5 cinematic disasters, and spotlight the Best 5 Animated Films, where craft, imagination, and risk still seem to matter.Once the autopsy is complete, we turn our attention forward. What does 2026 look like on paper? Which projects feel like genuine events, which smell like studio obligation, and which are quietly flying under the radar? We sort through the release calendar, argue about hype versus substance, and lock in the films we’ll be reviewing next year.Awards season positioning, franchise fatigue, original swings, animation’s quiet resurgence — it’s all on the table. One last look back, one clear-eyed look ahead, and absolutely no mercy for bad movies.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight’s triple feature looks at a very specific corner of modern prestige filmmaking: Netflix as patron of adult drama, literary seriousness as cover, and awards viability as the quiet horizon. Jay Kelly, Train Dreams, and A House of Dynamite aren’t united by genre or tone—they’re united by intent.Train Dreams, adapted from Denis Johnson’s novella, arrives pre-validated by literature, favoring memory, mood, and interiority over conventional narrative drive. Its restraint, casting choices, and visual language are calibrated for seriousness, festivals first and awards second. Jay Kelly occupies the character-study lane—films built around lived-in performances and social environments rather than plot mechanics, relying on actors who can suggest entire lives with minimal exposition. A House of Dynamite fits Netflix’s newer pattern: ambiguity as a feature, not a bug—projects that provoke discussion without ideological hand-holding, often breaking through via critics’ groups or screenplay recognition.The through-line is simple: Netflix is betting that seriousness still carries cultural capital. These films aren’t chasing mass audiences—they’re chasing legitimacy. Whether that turns into Oscar nominations isn’t just about quality; it’s a test of whether the awards ecosystem still recognizes quiet ambition in a noise-driven industry.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on TV Party Tonight, Jesse and I take a full look back at Legit, the short-lived but deeply personal sitcom created by and starring Jim Jefferies. Born out of a real stand-up story about helping a friend with muscular dystrophy experience adult independence, Legit begins as a blunt, profane experiment in empathy and gradually expands into a messy, humane portrait of a found family: Jim, Billy, and Steve. We break down the show’s development, casting choices (including the decision to cast DJ Qualls as Billy), how Season 2 broadened the scope beyond disability narratives, and why the move from FX to FXX ultimately sealed its fate. We also talk about where Legit fits in Jefferies’ career arc—what it clarified about his voice, what it cost him, and why it remains the project he’s said he’s most proud of, despite its early cancellation.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Avatar: Fire and Ash is a 2025 American epic science fiction film directed by James Cameron, who co-wrote the screenplay with Rick Jaffa and Amanda Silver from a story the trio wrote with Josh Friedman and Shane Salerno. Distributed by 20th Century Studios and produced by Lightstorm Entertainment, it is the sequel to Avatar: The Way of Water (2022) and the third installment in the Avatar franchise. Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, and Kate Winslet reprise their roles from the previous films.Cameron, who had stated in mid-2006 that he would like to make sequels to Avatar (2009) if it was successful, announced the first two sequels in early 2010 following the success of the first film, with the then-untitled Avatar 3 aiming for a December 2015 release. However, the addition of two more sequels (four in total), and the development of new technology required to film performance capture scenes underwater, a feat never accomplished before, led to significant delays to allow the crew more time to work on the writing, pre-production, and visual effects. Avatar: Fire and Ash started shooting simultaneously with The Way of Water in New Zealand on September 25, 2017; filming completed in late December 2020, after over three years of shooting. With an estimated budget of over $400 million, it is one of the most expensive films ever made. The film is dedicated to editor John Refoua, who died in 2023, and producer Jon Landau, who died in 2024.Avatar: Fire and Ash had its world premiere at Dolby Theatre, Hollywood, on December 1, 2025, and was released theatrically in the United States on December 19, and has grossed $347.3 million. Critics praised the visuals, characters, performances, and action sequences, though many were divided on the plot, screenplay, and runtime.[b] Two additional sequels, Avatar 4 and Avatar 5, are in various stages of production and are scheduled to be released in 2029 and 2031, respectively.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This episode features a streaming-era Christmas triple feature examining how modern holiday films handle conflict, resentment, and emotional labor: Oh. What. Fun., A Merry Little Ex-Mas, and Jingle Bell Heist.Oh. What. Fun. was released by Prime Video in 2024 as a holiday comedy aimed at adult audiences, with a cast led by established, middle-aged performers and a narrative centered on maternal burnout and invisible labor. Critical reception was mixed to negative, with reviewers divided on tone, though some praised its willingness to depict flawed, resentful characters.A Merry Little Ex-Mas, a 2024 Netflix original rom-com, targets millennial and Gen Z viewers fluent in therapy culture, featuring a recognizable streaming-friendly cast and a Christmas setting built around emotional reconciliation. Critics largely noted its heavy reliance on therapy-speak and safe conflict resolution, resulting in lukewarm aggregate scores.Jingle Bell Heist, also released by Netflix in 2024, leans into the holiday caper genre, combining romance with a Christmas Eve robbery plot and a younger, internationally marketable cast. Reviews were mixed but slightly more favorable than typical seasonal filler, and the film performed well in Netflix’s global streaming charts despite modest critic scores.Together, these films offer a snapshot of how streaming platforms shape modern holiday storytelling.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Scrooged (1988) is an American Christmas fantasy black comedy directed by Richard Donner and written by Mitch Glazer and Michael O’Donoghue. Inspired by Charles Dickens’ A Christmas Carol, it offers a metafictional modern retelling starring Bill Murray as Frank Cross, a cynical TV executive preparing a live broadcast of A Christmas Carol who is visited by ghosts on Christmas Eve. The supporting cast includes Karen Allen, John Forsythe, Bobcat Goldthwait, Carol Kane, Robert Mitchum, Michael J. Pollard, and Alfre Woodard.Produced on a $32 million budget and filmed in New York City and Hollywood from December 1987 to March 1988, the film marked Murray’s return after a four-year hiatus following Ghostbusters. Production was turbulent due to creative clashes between Murray and Donner, though the film featured numerous celebrity cameos, including Murray’s brothers. Marketed heavily around Murray’s ghost-themed persona, Scrooged was released November 23, 1988, grossed over $100 million worldwide, and earned an Oscar nomination for Best Makeup. Though critics were mixed, it has since become a Christmastime staple and is often cited as an unconventional or ahead-of-its-time holiday classic.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, with Mia Goth and Christoph Waltz in supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Del Toro had long imagined a faithful Frankenstein film as a "dream project". This was initially in development for Universal Pictures, with del Toro casting frequent collaborator Doug Jones as the Creature, and Bernie Wrightson being considered for the monster's design. However, Universal suspended the project in relation to its planned Dark Universe franchise. Netflix revived the project in 2023, with Elordi instead portraying the Creature. Filming took place from February to September 2024. Wrightson had died in 2017, and the illustrated compilation Bernie Wrightson's Frankenstein was a key inspiration for the film's look.Frankenstein premiered at the 82nd Venice International Film Festival on August 30, 2025. It had a limited theatrical release in the United States from October 17 and was globally released on November 7 on Netflix. The film received generally positive reviews from critics. Both the National Board of Review and the American Film Institute named it as one of the top ten films of 2025. It received five nominations at the 83rd Golden Globe Awards, including Best Motion Picture – Drama.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The Ghosts of Christmas Eve is a 1999 made-for-television film showcasing a Christmas music performance by Trans-Siberian Orchestra, starring Ossie Davis and Allie Sheridan. Guest performers included Michael Crawford and Jewel. Other performers include Bob Kinkel, Al Pitrelli, Chris Caffery, Johnny Lee Middleton, Jeff Plate, Tony Gaynor, Daryl Pediford and Tommy Farese. The film premiered on Fox Family Channel on December 14, 1999.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight’s triple feature embraces the exact kind of weird that makes cinema fun. We open with Christmas Chaos! — a meta-documentary about the fictional StabaClaus franchise, built from chaotic behind-the-scenes lore and cast interviews. We’re doing it at Kathleen Benton’s request since she appears in the film, and if someone you know is in a piece of indie Christmas madness, you screen it.From there, we dive straight into Troma: Tromeo and Juliet and Frankenhooker. These aren’t just cult films — they’re punk cinema at full blast. Gleeful, grotesque, DIY to the bone, and totally uninterested in prestige respectability.Together, the three films form an accidental masterclass in joyful trash: fake slasher mythology, Shakespeare rewritten by lunatics, and a man who builds the perfect woman out of spare parts. A perfect Troma Christmas.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Five Nights at Freddy's 2 is a 2025 American supernatural horror film based on the video game series Five Nights at Freddy's created by Scott Cawthon and the sequel to the 2023 film adaptation. The film was directed by Emma Tammi and written by Cawthon. Josh Hutcherson, Elizabeth Lail, Piper Rubio, Theodus Crane, and Matthew Lillard reprise their roles from the previous film, with Freddy Carter, Skeet Ulrich, Wayne Knight, Mckenna Grace, and Teo Briones joining the cast. Set a year after the previous film, it follows Abby Schmidt (Rubio) as she reconnects with her animatronic friends, leading to events that reveal the origins of Freddy Fazbear's Pizza.Cawthon stated in August 2018 that there could be a second Five Nights at Freddy's film, based on the events of the series' second video game, if the first film were successful. Hutcherson revealed the development of a sequel in January 2024, with Blumhouse Productions confirming it three months later. Principal photography began in November 2024 and concluded in February 2025 in New Orleans and surrounding communities.Five Nights at Freddy's 2 premiered at the TCL Chinese Theater on December 2, 2025, and was released in the United States by Universal Pictures on December 5. The film received negative reviews from critics and was a commercial success, grossing $111 million worldwide against a budget between $36–51 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

In this episode of Comic Stripped, we dive into one of the wildest comic-to-film gaps ever: Victor Santos’ silent, minimalist noir Polar: It Came From the Cold and Netflix’s loud, neon-soaked action flick Polar starring Mads Mikkelsen. The comic is all style and silence—sharp lines, stark colors, and a cold assassin drifting through a dying world. The movie throws that out for explosive violence, cartoon villains, and a full John Wick makeover. We break down how the same character becomes two completely different stories, why the adaptation swings so hard away from the source, and what this says about Hollywood’s obsession with recreating Wick-style hits without understanding what makes them work.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The first event, titled The Era of Honor Begins, took place on February 23, 2002, in Philadelphia, the former home area of ECW. It featured nine matches, including a match between Eddy Guerrero and Super Crazy for the IWA Intercontinental Heavyweight Championship and a triple threat match between Christopher Daniels, Bryan Danielson, and Low Ki (who would become known as the "founding fathers of ROH"). In its first year of operation, Ring of Honor confined itself to staging live events in a limited number of venues and cities – primarily in the northeastern United States. Ten shows ran in Philadelphia, two in Wakefield, Massachusetts; one in metro Pittsburgh, Pennsylvania; and, one in Queens, New York.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59