Radulich in Broadcasting

We're heading into the Upside Down one last time to discuss the final season of the hit Netflix series, "Stranger Things". Grab your flare gun, your Peanut Butter Boppers, and join Alexis Hejna from Honeysuckle Rose Creations and Jesse Starcher to get ready for the ultimate showdown!Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Feel up for a trip to Vegas? Hope you're ready to fight Legionnaires, Deathclaws, and Elvis Impersonators! Alexis Hejna from Honeysuckle Rose Creations leads a discussion with Andrew Orozco and Kat Scott about season 2 of the hit Amazon show adapted from the post-apocalyptic video game series. Grab an ice-cold Nuka Cola and enjoy!Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

It's time for another quest! Join Alexis Hejna from Honeysuckle Rose Creations and Sean Comer as they look at the second season of the hit adaptation of Rick Riordan's young-adult series. Let's talk cyclopses, guinea pigs, and whether or not fighting in the Streaming Wars puts you on the same level as an Argonaut.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Grab a pint of cider and ready your shield, we're headed back to Westeros! Join Alexis Hejna from Honeysuckle Rose Creations, along with Andrew Orozco, as they look at the latest outing from George RR Martin and HBOMax. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

They say 'it' comes up every 27 years to feast on the fear of those in Derry, Maine. So let's take a trip back before the 2017 film, back to 1962, as we watch a new batch of kids try to survive Pennywise the Dancing Clown. Alexis Hejna from Honeysuckle Rose Creations joins Jesse Starcher and Benjamin Colon as they look at the HBO series that acts as a love letter to everything we love about Stephen King.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The hunt for the One Piece continues! David Wright joins Alexis Hejna from Honeysuckle Rose Creations as they look at Netflix's live-action adaptation of the popular manga from Eiichiro Oda.Day and night to our delightThe voyage never ends!Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Project Hail Mary is a 2026 American science fiction adventure film produced and directed by Phil Lord and Christopher Miller, and written by Drew Goddard, based on the 2021 novel by Andy Weir. It stars Ryan Gosling (who also produced the film), Sandra Hüller, James Ortiz, and Lionel Boyce. The film follows the story of Ryland Grace, a man who awakens on an interstellar spacecraft with no memory of how he came to be there.Project Hail Mary premiered in London on March 9, 2026, and was released in the United States by Amazon MGM Studios on March 20, 2026. The film received positive reviews and has grossed $141 million, becoming the ninth highest-grossing film of 2026.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Before he was a brand, Rob Zombie came up through White Zombie, where albums like La Sexorcisto (1992) and Astro-Creep: 2000 (1995) balanced groove, structure, and horror aesthetics into actual songs. That discipline carried into Hellbilly Deluxe (1998), but as the solo run continued—The Sinister Urge (2001), Educated Horses (2006), Hellbilly Deluxe 2 (2010), Venomous Rat Regeneration Vendor (2013), The Electric Warlock… (2016), and The Lunar Injection… (2021)—the balance shifted. More samples, looser structure, less editing. He didn’t lose the idea—he lost the filter. The result is a catalog that drifts between fun, hooky chaos and half-formed collage.Now we get The Great Satan (2026), produced by Zeuss, marketed as a heavier return to form with familiar collaborators and a tighter runtime. Reviews split: some call it energized and back-to-basics, others say it’s more of the same—loud, fast, and unfocused. It’s not reinvention. It’s recalibration. So the question tonight is simple: is this the version where the chaos finally locks into something great—or just another spill?Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

On this episode of Sessions, we take our Planet Hulk discussion and push it through the machine—turning a long-form comic breakdown into a tight, synth-driven song. We strip the story down to its core: a monster exiled by people who feared him, only to become something bigger, louder, and impossible to ignore. Along the way, we pull from our own takes—the irony of the Illuminati’s failure, the wrestling logic of forcing an unstoppable force to suffer, and the tragedy of a character who never wanted the crown in the first place. From arena battles to found family to betrayal from within, we translate conversation into rhythm, theme into hook, and analysis into something you can actually hear. This isn’t just a recap—it’s adaptation.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Robert Winfree joins Alexis Hejna from Honeysuckle Rose Creations to discuss one of the newest, and most unique, horror films to come out of A24 films. Let's listen very...very... carefully.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Here comes the bride... and there goes the audience. Alexis Hejna from Honeysuckle Rose Creations, Kat Scott, and Robert Winfree take a look at a modern-day adaptation of 'Bride of Frankenstein', mixed with a dash of 'Bonnie & Clyde', a dollop of 'Metropolis', and a heaping handful of sheer boredom (plus a look at the 2026 Oscars and our team's predictions). Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

German director Roland Emmerich built his reputation on spectacle—massive visual effects, global destruction, and mythic storytelling about the collapse and rebirth of civilizations. On this episode we examine Emmerich’s career through three defining films: The Patriot, The Day After Tomorrow, and 2012. The Patriot cast Mel Gibson and Heath Ledger in a Revolutionary War epic developed after the success of Emmerich’s 1990s blockbusters, combining large-scale battle production with historical drama and earning strong box office and Oscar attention. The Day After Tomorrow, starring Dennis Quaid and Jake Gyllenhaal, turned climate catastrophe into one of the 2000s’ biggest disaster spectacles, grossing over $500 million worldwide. Emmerich doubled down with 2012, featuring John Cusack, Chiwetel Ejiofor, and Woody Harrelson, a massive $200 million production inspired by Mayan calendar apocalypse fears that earned nearly $800 million globally. Together these films show how Emmerich refined the modern disaster blockbuster—combining cutting-edge effects, global stakes, and mythic storytelling into a cinematic brand that still shapes big-budget spectacle today.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Hoppers (2026) is an animated science-fiction comedy from Pixar Animation Studios and Walt Disney Pictures. Directed by Daniel Chong and written by Jesse Andrews, the film features voice performances from Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco. The story centers on Mabel Tanaka, an animal lover whose mind is transferred into a lifelike robotic beaver so she can communicate with wildlife and stop the destruction of their habitat—accidentally sparking an animal uprising in the process. Chong began developing the project at Pixar in late 2020, with the film officially announced in August 2024 after six years of development. The score was composed by Mark Mothersbaugh, and SZA wrote and performed the end-credits song “Save the Day.” Hoppers premiered at the El Capitan Theatre on February 23, 2026, screened at the New York International Children's Film Festival on February 28, and opened in U.S. theaters on March 6. The film received positive reviews and has earned about $88 million worldwide, making it one of the year’s top-grossing releases.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Damn You Hollywood, we turn our attention to the biggest night in movies with our annual Oscars Best Picture Survey. We’ll break down all of this year’s Best Picture nominees, looking at their development, performances, themes, and the industry momentum that carried them to the Academy’s biggest category. Along the way, we’ll talk about the films and performances that were left on the outside looking in, highlight the biggest surprises and snubs, and examine how studio politics, awards campaigns, and box office narratives shape the race. Finally, we’ll put our reputations on the line and make our predictions across every major category—from acting and directing to screenplay, technical awards, and of course Best Picture. Who has the momentum, who’s the dark horse, and which film will ultimately take home Oscar gold? Tune in as we break down the race before Hollywood crowns its winners.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Scream 7 (2026) is the seventh installment in the long-running slasher franchise and a direct sequel to Scream VI (2023). Directed by Kevin Williamson, who co-wrote the screenplay with Guy Busick from a story by Busick and James Vanderbilt, the film sees Neve Campbell return as Sidney Prescott alongside Jasmin Savoy Brown, Mason Gooding, David Arquette, Matthew Lillard, and Courteney Cox. New cast members include Isabel May, Anna Camp, Mckenna Grace, and Joel McHale. The story centers on a new Ghostface killer targeting Sidney’s daughter.Originally set to be directed by Matt Bettinelli-Olpin and Tyler Gillett’s successor Christopher Landon, the film underwent major creative changes following the departures of Melissa Barrera and Jenna Ortega. Williamson ultimately stepped in as director. Filming ran from January to March 2025. Released February 27, 2026, by Paramount Pictures, the film drew negative reviews but delivered the franchise’s biggest opening weekend.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Robert Townsend is a filmmaker, actor, and independent architect of late-20th-century Black cinema who proved you didn’t have to wait for permission from Hollywood to tell your own story. Frustrated by typecasting, he financed and co-wrote Hollywood Shuffle (1987) on credit cards, building a sketch-structured satire that exposed casting as economic coercion. Featuring early appearances from comedians like Keenen Ivory Wayans, it became a blueprint for media self-critique. With The Five Heartbeats (1991), Townsend shifted to music melodrama, chronicling the rise and exploitation of an R&B group; though modest at the box office, it became a generational cult classic about contracts, ego, and ownership. Then came The Meteor Man (1993), one of the first Black-directed superhero films, centering community empowerment over lone-wolf dominance. Across genres, Townsend’s legacy is infrastructural: independence, authorship, and the fight to control the image.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Denzel Washington’s rise to cultural dominance can be traced through three defining performances that showcase his evolution as both actor and box-office draw. In Glory (1989), directed by Edward Zwick, Washington’s portrayal of Trip earned him the Academy Award for Best Supporting Actor and introduced him as a performer of raw intensity and emotional gravity. The film grossed over $26 million domestically on a modest budget and became a prestige historical staple. Just one year later, in Spike Lee’s Mo’ Better Blues (1990), Washington headlined opposite Wesley Snipes, anchoring a jazz drama aimed at adult urban audiences; while its box office was modest, it reinforced his leading-man charisma within Black cinema. By the time John Q (2002) arrived, Washington was a certified star. The film opened at number one and grossed over $100 million worldwide, tapping into working-class anxieties around healthcare. Across genres—historical epic, auteur drama, populist thriller—Washington proved bankable, award-winning, and culturally resonant, cementing his legacy as one of Hollywood’s most durable and influential leading men.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Sessions, Radulich in Broadcasting Network steps away from film analysis and into confession. “Living Is the Sentence” was born from our deep dive into moral accountability and consequence — not as abstract theory, but as lived reality. Inspired by our review discussion of BoJack Horseman, this stripped-down recording explores what happens when self-awareness doesn’t equal change, when survival isn’t mercy, and when redemption never arrives. Performed in a late-era American folk style — sparse, intimate, and unflinching — this session leans into gravity over spectacle. No satire. No irony. Just testimony. This is Sessions: one voice, one guitar, and the weight of living long enough to answer for it.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Psycho Killer is a 2026 horror-thriller film directed by Gavin Polone in his feature directorial debut, and written by Andrew Kevin Walker. The film stars Georgina Campbell, James Preston Rogers, and Malcolm McDowell. The story follows a police officer on her mission to take down a serial killer known as "the Satanic Slasher" after he murdered her state trooper husband.Psycho Killer was released theatrically in the United States by 20th Century Studios on February 20, 2026. The film received negative reviews from critics and grossed $250,000 in its first day against a budget of less than $10 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Released between 2023 and 2024, The Book of Clarence, The American Society of Magical Negroes, and They Cloned Tyrone reflect a new wave of Black genre satire aimed squarely at millennial and Gen Z audiences fluent in trope critique and systemic analysis. Jeymes Samuel’s The Book of Clarence, starring LaKeith Stanfield, reimagines biblical epic through a hustler’s lens, blending hip-hop aesthetics with religious spectacle, though it struggled at the box office despite its ambition. Kobi Libii’s Magical Negroes, led by Justice Smith, emerged from Sundance development and skewered corporate assimilation culture, generating more online debate than ticket sales. Meanwhile, Juel Taylor’s They Cloned Tyrone, starring John Boyega, Teyonah Parris, and Jamie Foxx, found success on Netflix, merging Blaxploitation homage with paranoid sci-fi. Collectively, these films signal a cultural pivot: Black cinema interrogating myth, stereotype, and systemic control from within the genre machine itself.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59