Radulich in Broadcasting

Tron: Ares (stylized as TRON: Ares) is a 2025 American science fiction action film that is the third installment in the Tron series, following Tron: Legacy (2010). Directed by Joachim Rønning, it features an ensemble cast including Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, and Gillian Anderson, with Jeff Bridges reprising his role as Kevin Flynn from the previous films.Development of a sequel to Tron: Legacy began in October 2010 by franchise creator Steven Lisberger. In March 2017, Walt Disney Pictures shifted plans toward a soft reboot with Leto playing a new character. Garth Davis was set as director in August 2020 when Wigutow was working on the script, but stepped down in January 2023. Rønning replaced him a month later. Production was expected to begin in August 2023 but was delayed by the 2023 Writers Guild of America and SAG-AFTRA strikes. Filming ultimately began in January 2024 in Vancouver and wrapped in May. By August, industrial rock band Nine Inch Nails was announced to be composing the score. The band's members, Trent Reznor and Atticus Ross, served as executive producers on the film, alongside Legacy director Joseph Kosinski.Tron: Ares premiered in Los Angeles on October 6 and was released in the United States by Walt Disney Studios Motion Pictures on October 10, 2025. The film grossed $60.5 million worldwide and received mixed reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Anne Rice's Interview with the Vampire, or simply Interview with the Vampire, is an American gothic horror television series developed by Rolin Jones for AMC, based on The Vampire Chronicles by Anne Rice, named after the first book. Starring Jacob Anderson as Louis de Pointe du Lac and Sam Reid as Lestat de Lioncourt, it begins with the vampire Louis recounting his past and tumultuous relationship with the vampire Lestat.The series embraces the queer elements of Rice's work, which are only insinuated in the 1994 film adaptation, and deals with themes such as race and abuse. It is the first series set in the Immortal Universe, a shared universe based on Rice's novels. A series order was made in June 2021, after AMC Networks purchased the rights to intellectual property encompassing 18 of Rice's novels in 2020.The series premiered on October 2, 2022, with the first two seasons covering the events of the novel.The series was renewed for a third season in June 2024 and is slated to return in 2026 with the title The Vampire Lestat, covering the second book in the novel series. The series received positive reviews, with praise for its writing, costumes, soundtrack, production design, lead performances and their chemistry. It has received nominations at the Critics' Choice Television Awards and GLAAD Media Awards among others.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Maximum Overdrive is a 1986 American horror film written and directed by Stephen King, in his only directorial effort. The film stars Emilio Estevez, Pat Hingle, Laura Harrington, John Short, Yeardley Smith and Christopher Murney. The screenplay was inspired by and loosely based on King's short story "Trucks", which was included in the author's first collection of short stories, Night Shift, and follows the events after all machines (including trucks, radios, arcade games, vending machines, etc.) become sentient when Earth crosses the tail of a comet, initiating a worldwide killing spree.The film is King's only directorial effort, though dozens of films have been based on his novels or short stories. It contained black humor elements and a generally campy tone, which contrasts with King's somber subject matter in books. The film has a mid-1980s hard rock soundtrack composed entirely by the group AC/DC (King's favorite band), whose album Who Made Who was released as the Maximum Overdrive soundtrack. It includes the best-selling singles "Who Made Who", "You Shook Me All Night Long", and "Hells Bells".Maximum Overdrive was theatrically released on July 25, 1986, to critical and commercial failure. It was nominated for two Golden Raspberry Awards including Worst Director for King and Worst Actor for Estevez in 1987, but both lost to Prince for Under the Cherry Moon. King disowned the film, describing it as a "moron movie", and considered the process a learning experience, after which he intended never to direct again.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Monster: The Ed Gein Story is the third season of the American biographical crime drama anthology series Monster, created by Ian Brennan for Netflix. The season focuses on convicted murderer, graverobber, and suspected serial killer Ed Gein (Charlie Hunnam). The cast also includes Suzanna Son, Vicky Krieps, Laurie Metcalf, and Tom Hollander. The season incorporates meta commentary on the cultural obsession with true crime, exploring Gein's influence on Hollywood and pop culture.It is the third installment in the Monster anthology series, following Dahmer – Monster: The Jeffrey Dahmer Story (2022) and Monsters: The Lyle and Erik Menendez Story (2024). A season based on Ed Gein was announced to be in development on September 14, 2024. It is the first season not helmed by Ryan Murphy, with Brennan serving as the sole creator and writer.Upon its premiere on October 3, 2025, the season received negative reviews and was deemed inferior to its predecessors, with critics panning its meta commentary, subplots, runtime, excessive graphic violence, and factual inaccuracies, while opinions on Hunnam's performance were divided.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The Smashing Machine is a 2025 American biographical sports drama film written, directed, co-produced, and edited by Benny Safdie. Based on the 2002 documentary The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr, it stars Dwayne Johnson as former amateur wrestler and MMA fighter Mark Kerr, alongside Emily Blunt as Kerr's girlfriend Dawn Staples, with Ryan Bader, Bas Rutten and Oleksandr Usyk in supporting roles.The film had its world premiere in the main competition of the 82nd Venice International Film Festival on September 1, 2025, where it won the Silver Lion. It was released in the United States by A24 on October 3, 2025. The film received generally positive reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

When TRON: Legacy hit theaters in December 2010, Disney wasn’t just reviving an old IP—they were resurrecting one of the strangest, most ambitious sci-fi concepts ever made. The original TRON from 1982 was a groundbreaking attempt to visualize the inside of a computer at a time when most people hadn’t even touched one. It imagined programs as people, code as architecture, and morality as circuitry. It was visionary—and it bombed.By the 2000s, though, culture had caught up. The Matrix had turned cyberpunk into mainstream mythology, and the neon-noir look of Blade Runner had become visual shorthand for the future. Enter Joseph Kosinski—a former architect with a designer’s precision—who re-engineered TRON not as a hacker fantasy, but as a digital myth about creation, perfection, and control.Garrett Hedlund plays Sam Flynn, son of Kevin Flynn, the hero from the first film, who vanished decades earlier. Sam follows a mysterious signal and is pulled into the Grid—his father’s virtual world, now ruled by CLU, a digital clone obsessed with “perfection.” Within minutes, we’re deep in a story that mirrors Star Wars: the fallen apprentice turned tyrant, the exiled master, the reluctant heir, and a world that must be remade. Kevin Flynn is both Obi-Wan and Yoda—haunted and withdrawn. CLU is his Darth Vader, a creation corrupted by its maker’s arrogance.But the movie also borrows Matrix DNA. The Grid works like a virtual prison where sentient programs fight and dream of freedom. Quorra, played by Olivia Wilde, is the last of the “isomorphic algorithms,” lifeforms that evolved on their own—straight out of Ghost in the Shell’s questions about digital souls. The film isn’t about coding; it’s about consciousness.Kosinski builds this world like a cathedral. Production designer Darren Gilford fills it with clean geometry and luminous voids. The suits by Michael Wilkinson and Christine Bieselin Clark refine Syd Mead’s 1982 designs into sculpted futurism. And Daft Punk’s score—half orchestra, half circuitry—turns the film into an electronic symphony. Even those who forgot the plot still remember that sound.Critics complained it was cold, that the script sounded like it was written by people who’d never heard of Google. My son Jonas nailed it: “This sounds like nobody who wrote it had heard of the internet.” And he’s right. The film imagines computers as isolated kingdoms, not the networked web we actually live in. It’s a pre-internet vision dressed in post-Matrix clothing.Yet that’s what makes it fascinating. TRON: Legacy isn’t really about technology—it’s about fathers, sons, and the danger of mistaking perfection for love. Kevin Flynn’s failure isn’t technical; it’s paternal. He built a world in his image and abandoned it. CLU inherited his father’s obsession with order, and Sam inherited his resentment. The conflict isn’t between man and machine—it’s between generations.Kosinski would revisit that theme in Oblivion and Top Gun: Maverick: the architect of the system confronting the cost of control. TRON: Legacy is the prototype—a meditation on beauty, regret, and the limits of design.Fifteen years later, it feels almost prophetic. CLU’s dream of a flawless system sounds uncomfortably close to the rhetoric of Silicon Valley. The movie’s warning—that perfection becomes tyranny—lands harder in an age of algorithms, A.I., and curated identities. Its message is simple: imperfection is the only thing that makes us human.So tonight, as we gear up for TRON: Ares, we’re putting Legacy on trial—not as a sequel that glitched, but as a digital myth that might’ve been too early for its own time. It’s Star Wars rewritten by a coder, The Matrix without the leather, and Ghost in the Shell with a heartbeat.Load the disc. Power up the light cycles. Let’s head back to the Grid.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight’s Triple Feature is a director spotlight on Michael Mann, a filmmaker who has built his career around professionals under pressure and the costs of living by codes.We begin with Ferrari (2023) — a film Mann spent decades trying to make. Starring Adam Driver as Enzo Ferrari, the movie takes place in the summer of 1957, when Ferrari’s company was facing bankruptcy, his marriage was crumbling, and the infamous Mille Miglia race loomed large. It’s not just a biopic but a portrait of obsession: the relentless drive to build something lasting, even as personal and public tragedies pile up.From there we move to Heat (1995), Mann’s defining crime epic. Al Pacino plays Vincent Hanna, an LAPD detective, while Robert De Niro plays Neil McCauley, a career thief. Both men are at the top of their respective crafts, and both are consumed by their work to the point of personal ruin. The film’s legacy is monumental—praised for its authenticity, its attention to detail in portraying criminal life, and of course, the first face-to-face meeting of Pacino and De Niro on screen.Finally, we close with Collateral (2004), a lean, modern thriller shot largely on digital cameras when that technology was still new. Tom Cruise plays Vincent, a contract killer who hires Jamie Foxx’s cab driver, Max, to ferry him around Los Angeles during a night of assassinations. It’s a film about chance encounters, moral choices, and the ways ordinary lives are disrupted by the professional ruthlessness of others.Together, these films illustrate Mann’s enduring obsessions: characters defined by their craft, stories where professionalism is both armor and curse, and worlds where the pursuit of excellence isolates people from human connection. Whether it’s a race car mogul, a master thief, or a contract killer, Michael Mann’s protagonists live—and often die—by the codes they set for themselves.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Upload is an American science fiction comedy drama television series created by Greg Daniels for Amazon Prime Video. The first season premiered on May 1, 2020, and consists of ten episodes. In May 2020, the series was renewed for a second season, which premiered on March 11, 2022, and consists of seven episodes. In May 2022, the series was renewed for a third season, which premiered on October 20, 2023, and consists of eight episodes. In March 2024, the series was renewed for a fourth and final season, which premiered August 25, 2025, and consists of four episodes.In 2033, humans can "upload" themselves into a virtual afterlife of their choosing. When computer programmer Nathan Brown dies prematurely, he is uploaded to the very expensive Lakeview, but then finds himself under the thumb of his possessive, still-living girlfriend Ingrid. As Nathan adjusts to the pros and cons of digital heaven, he bonds with Nora, his living customer service rep. Nora struggles with the pressures of her job, her dying father who does not want to be uploaded, and her growing feelings for Nathan while slowly coming to believe that Nathan was murdered.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

One Battle After Another is a 2025 American action thriller film co-produced, written, and directed by Paul Thomas Anderson, inspired by the 1990 novel Vineland by Thomas Pynchon. It stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti, and follows an ex-revolutionary who must rescue his daughter from a corrupt military official.One Battle After Another had its world premiere in Los Angeles on September 8, 2025. It was theatrically released in the United States by Warner Bros. Pictures on September 26. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Welcome, everyone, to tonight’s episode. We’re diving into A Simple Favor and its sequel Another Simple Favor — two stylish, twisty thrillers that sit at the intersection of dark comedy, mystery, and melodrama. But behind the glamour and plot turns lies an interesting story of studio strategy, financial risk, and evolving distribution models.Let’s start with the original. A Simple Favor (2018) is directed by Paul Feig, from a screenplay by Jessica Sharzer, and stars Anna Kendrick as Stephanie and Blake Lively as Emily. The film is based on the 2017 novel by Darcey Bell. Its budget was modest — around 20 million dollars — and it went on to gross nearly 98 million worldwide. Critics generally responded well, with a Metacritic score in the high 60s and audiences giving it a CinemaScore of B+. Rotten Tomatoes praised it as “twisty, twisted, and above all simply fun.” Part of the allure is the tone: it plays like a “mommy noir” — elegant, sharp, with sharply drawn characters and unpredictable turns. It was a strong showing for a midtier studio film, and helped cement A Simple Favor as a cult favorite in the thriller and women-driven mystery niche.Fast forward to 2025, and we have Another Simple Favor. This sequel is not based on a book — unlike the original, it’s an original screenplay by Jessica Sharzer and Laeta Kalogridis. The production is a co-venture: Lionsgate still participates, but distribution shifted. Another Simple Favor was released on Amazon Prime Video rather than in theaters, with Amazon MGM handling distribution. Filming took place in 2024, in locations like Capri and the Villa Adriana in Italy. Critically, the sequel has earned mixed reviews. Some praise Lively’s magnetic presence, gorgeous costumes, and the ambition of the story's escalation. But others argue it feels overstuffed, that pacing sags in parts, and that it lacks some of the tightness or novelty of the first film. One reviewer summed it up: “It works better when its characters are just allowed to be marvelous instead of mysterious.” It also premiered at SXSW in March 2025 before its streaming release on May 1. The fact that its home is Prime Video, rather than a theatrical run, signals some of the shifting business realities behind studio films — especially for sequels that may carry higher risk.These two films provide an ideal case study in how creative ambition, risk, and studio strategy collide. The first film was a midbudget gamble that paid off. The second gives us lessons in modern distribution, content partnerships, and the pressures on midsize studios to share risk or cede control with streaming giants.Tonight, we’re going to compare the narratives, the characters, the successes and stumbles — but also look behind the curtain: how studios like Lionsgate are navigating a volatile business environment, why a sequel would skip theaters, and whether the shift in approach gives Another Simple Favor an edge or a handicap.So grab your martini, or mocktail — let’s get into A Simple Favor and Another Simple Favor.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The second season of the science fiction television series Stranger Things, marketed as Stranger Things 2, was released worldwide on the streaming service Netflix on October 27, 2017. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy, Dan Cohen and Iain Paterson.This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Dacre Montgomery, Cara Buono, Sean Astin and Paul Reiser. Brett Gelman, Linnea Berthelsen, Matthew Modine, and Priah Ferguson also appear in recurring roles. The season received highly positive reviews, particularly for its story, character development, production values, visual effects, performances (particularly those of Harbour, Brown, Schnapp, Keery, and Astin), and darker tone compared to the previous season.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The Long Walk is a 2025 American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner. It is based on the 1979 novel of the same name by Stephen King (under his pseudonym Richard Bachman). The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Joshua Odjick, Judy Greer, and Mark Hamill.The Long Walk was released in the United States by Lionsgate on September 12, 2025. The film received generally positive reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Triple Feature, we peel back more than just plot—this episode explores how each film was built, the bold choices behind them, and what makes them tick both on screen and in the cutting room.First, Sinners, the ambitious 2025 hybrid of Southern Gothic horror, musical, and supernatural thriller from Ryan Coogler. Coogler not only directed but wrote and produced, putting this deeply personal project through his Proximity Media banner. It was rumored to have sparked a fierce studio bidding war early on. The film was shot over spring and summer 2024 on location in Louisiana, and it pushed technical boundaries by being shot on 65 mm film—including IMAX 15-perf and Ultra Panavision 70 formats—allowing Coogler and cinematographer Autumn Durald Arkapaw to shift between widescreen and immersive aspect ratios. Coogler also consulted real-life twins to help Michael B. Jordan ground his dual roles—Smoke and Stack—with distinct emotional and physical nuances. The production even reused costumes originally designed for Blade after that project shifted direction, thanks to designer Ruth E. Carter.Sinners is more than a genre film: it’s built with weight, history, and intention, demanding you think about racially charged myth, redemption, and community as much as it scares you.Next up is Drop, directed by Christopher Landon and co-written by Jillian Jacobs & Chris Roach. On paper, it’s a taut thriller: a widowed mother on her first date in years suddenly receives chilling anonymous messages via “DigiDrop” threatening the lives of her son and sister unless she follows orders—including committing murder. But behind that premise, the film draws from a real-life anxiety: the idea of unexpected AirDrops in public spaces. Production began in Ireland in April 2024, and the movie’s contained setting (almost entirely within a restaurant and tied intimately to a digital device) turned constraint into tension. The director even explained that the final act’s identity reveal and pivot underwent dramatic changes deep into post-production. The villain behind “Let’s Play” commands the narrative with digital terror—a modern twist on classic “phone call from nowhere” horror tactics.Lastly, Echo Valley brings us out of the city and into Pennsylvania farmland, where Julianne Moore plays a horse trainer whose life becomes entwined with the state of her daughter, played by Sydney Sweeney. The screenplay, penned by Brad Ingelsby, layers in addiction, familial secrets, and the quiet violence that festers in isolated communities. Moore anchors the emotional ground, imbuing her character with both grief and steely resolve, while Sweeney provides the restless, volatile counterpart. The tension in Echo Valley often breathes through landscape and silence—what’s not said becomes as dangerous as what is. The film has been praised for allowing Moore and Sweeney to take the emotional reins and carry scenes with minimal exposition, trusting the actors and the visuals to convey the weight.Three films. Three different modes of storytelling: Sinners with its genre-bending ambition and technical daring; Drop with its high-concept, digital-age suspense and careful spatial design; Echo Valley with its character-driven brood and sense of place. All three ask us to lean in—not just watch, but feel the mechanics behind them. Strap in.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on The IndySiders, we’re taking a closer look at WWE Wrestlepalooza — the Premium Live Event that aired last Saturday on ESPN — and then shifting gears for our indie spotlight on Beyond Wrestling’s Americanrana.Wrestlepalooza marked WWE’s first major show on the ESPN platform, held at Gainbridge Fieldhouse in Indianapolis. John Cena vs. Brock Lesnar opened the card, with Lesnar dominating in a ruthless return. In tag action, Bron Breakker & Bronson Reed — The Vision — took down the reunited Usos, with guest ref LA Knight playing a role in the outcome. Stephanie Vaquer edged out Iyo SKY to capture the Women’s World Title, while AJ Lee made her long-awaited return, teaming with CM Punk to defeat Seth Rollins & Becky Lynch in a mixed tag. The night closed with Cody Rhodes retaining the Undisputed WWE Championship over Drew McIntyre, though the match drew criticism for being short and feeling more like a TV main event than a PLE closer.Critical reception was mixed. Some fans praised the historic ESPN debut and Vaquer’s title win, while others saw the card as underwhelming, with only a few standout moments.So, was Wrestlepalooza the triumphant ESPN debut WWE hoped for — or a misstep in execution? We’ll unpack that in tonight’s review. Then we’ll contrast it with Americanrana, where indie wrestling thrives on long-term storytelling, rising stars, and match-driven narratives.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Him is a 2025 American horror film directed by Justin Tipping, co-written by Skip Bronkie, Zack Akers, and Tipping, and produced by Jordan Peele's Monkeypaw Productions. The film stars Marlon Wayans, Tyriq Withers, Julia Fox, and Tim Heidecker. Its plot follows the trials of a young up-and-coming football player (Withers) training at the isolated compound of an aging, nearly retired quarterback (Wayans).Him was first released in Mexico on September 18, 2025, and was released in the United States by Universal Pictures on September 19, 2025. The film received generally negative reviews from critics and has grossed $13.9 million worldwide.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Paradise Lost formed in Halifax, England, back in 1988, and from the start they carved out a reputation as pioneers of the death-doom sound. Their second record, Gothic, released in 1991, reshaped heavy music by weaving melody, keyboards, and gothic atmosphere into the slower, heavier framework of doom metal. That album set the stage for an entire subgenre, and over the next three decades Paradise Lost would keep evolving—sometimes experimenting with electronic elements, sometimes returning to pure heaviness, but always circling around the same dark, melancholy gravity. Their mid-nineties high point, albums like Draconian Times, showed how their knack for blending soaring melody with bleak subject matter could reach both critics and a wider audience. Through lineup changes and shifts in the metal scene, the core of Nick Holmes, Gregor Mackintosh, Aaron Aedy, and Steve Edmondson has stayed intact, giving the band remarkable stability over nearly forty years. With more than two million albums sold worldwide, their influence runs deep across doom, gothic, and extreme metal.That long history sets the stage for Ascension, the band’s seventeenth studio album, released September 19th, 2025, on Nuclear Blast Records. It’s their first collection of new material since Obsidian in 2020, making this the longest wait between original albums in their career. The release also marks a turning point, as it is the final record with drummer Guido Montanarini, who departed earlier in the year. Produced by guitarist Gregor Mackintosh and mixed and mastered by Lawrence Mackrory, the album was recorded at Black Planet Studios in Yorkshire and in Swedish studios for drums and vocals. The cover art is The Court of Death by George Frederic Watts, a Victorian painting steeped in allegory, perfectly in line with the album’s themes of mortality and despair.Ascension offers ten tracks, beginning with “Serpent on the Cross” and including “Tyrants Serenade,” “Lay a Wreath Upon the World,” and the lead single “Silence Like the Grave.” It balances crushing riffs and dense atmospheres with gothic grandeur, delivering what Paradise Lost have always done best. Critics across the board have praised the record. Tuonela Magazine called it one of the strongest in their catalogue, while Angry Metal Guy highlighted the consistency and lack of weak songs, even if “Sirens” didn’t land as powerfully as the rest. GhostCult singled out Nick Holmes’ performance and the sheer force of the rhythm section. Most agree the band hasn’t reinvented themselves here, but instead delivered a refined, cohesive statement of what Paradise Lost represent in 2025.The significance of Ascension is that it feels less like a radical new chapter and more like a powerful reaffirmation. After almost four decades, Paradise Lost remain vital. They don’t need to chase trends or reinvent themselves; they simply have to continue walking the path they created in the first place. With Ascension, they prove they’re still doing it with conviction, consistency, and the same bleak sense of grandeur that has kept their music resonant for so long.Videoshttps://www.youtube.com/watch?v=2M1yG0qmT0QAt The Gates - Blinded by FearCooperhttps://www.youtube.com/watch?v=GpxFUo7oxWMPowerwolf - We Drink Your BloodMikhttps://www.youtube.com/watch?v=JvuCvGUpFpARoyal Republic - Stayin' Alive (Official Video)Jesse Starcherhttps://www.youtube.com/watch?v=17lFxyH4YE0Fra Diavlo - Every Irish Song EverMarkhttps://www.youtube.com/watch?v=C1_kMRiyt5wPARADISE LOST - Tyrants SerenadeDisclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present out review of Star Trek - Strange New Worlds (season 3)!The third season of the American television series Star Trek: Strange New Worlds follows Captain Christopher Pike and the crew of the starship Enterprise in the 23rd century as they explore new worlds and carry out missions during the decade before Star Trek: The Original Series (1966–1969). The season was produced by CBS Studios in association with Secret Hideout, Weed Road Pictures, H M R X Productions, and Roddenberry Entertainment, with Akiva Goldsman and Henry Alonso Myers as showrunners.Anson Mount, Ethan Peck, and Rebecca Romijn respectively star as Pike, Spock, and Number One, along with Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia, Martin Quinn, and Babs Olusanmokun. Many of the regular actors and several guest stars portray younger versions of characters from The Original Series. Planning for a third season of Strange New Worlds began by June 2022, and it was officially announced in March 2023 ahead of an intended filming start that May. Production was delayed by the 2023 Hollywood labor disputes and instead started in December 2023. Filming took place at CBS Stages Canada in Mississauga, Ontario, until May 2024. The showrunners continued the series' episodic storytelling approach, giving each episode a different genre and tone.The season premiered on the streaming service Paramount+ on July 17, 2025, with its first two episodes. The rest of the 10-episode run was released weekly until September 11. A fourth season was ordered in April 2024.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight’s Triple Feature brings together three wildly different but thematically connected films: Happy Gilmore 2, Heads of State, and The Thursday Murder Club. Netflix leads with Happy Gilmore 2, directed by Craig Gillespie (I, Tonya) and marking Adam Sandler’s return to his most iconic role in a sequel that blends nostalgia with heart. Amazon Prime counters with Heads of State, an action-comedy from Ilya Naishuller (Nobody) starring John Cena and Idris Elba as unlikely political partners, mixing campaign satire with explosive buddy-movie energy. Rounding things out is Netflix’s adaptation of Richard Osman’s bestseller The Thursday Murder Club, helmed by Chris Columbus and headlined by Helen Mirren, Pierce Brosnan, and Ben Kingsley in what looks to be the start of a cozy-crime franchise. Critics call Happy Gilmore 2 a fun if uneven revival, Heads of State a brash but entertaining streaming-era crowd-pleaser, and The Thursday Murder Club charming and faithful, if leisurely paced. Together, these films explore the comedy and drama of second chances and reinvention—whether it’s Sandler’s aging golfer taking another swing, Cena and Elba finding common ground in chaos, or a group of retirees proving that friendship and wit never go out of style.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our reviews of Nimona the comic and the movie!Nimona is a science fantasy graphic novel by American cartoonist ND Stevenson. The story follows the title character, a shapeshifter who joins the disgraced knight Ballister Blackheart in his plans to destroy the over-controlling Institute. Blackheart's intent to operate under his code of ethics contrasts with Nimona's natural impulsivity.Stevenson began working on Nimona while attending the Maryland Institute College of Art, revisiting a character he had created in high school. Stevenson published Nimona as a webcomic from 2012 through 2014, initially through Tumblr, developing the story and the art style as time progressed. The finished work ultimately doubled as his senior thesis. After an agent reached out to Stevenson, HarperCollins released Nimona in print form in 2015. It has been translated into at least 16 other languages and adapted into an audiobook.Nimona's accolades include an Eisner Award, a Cybils Award, and a Cartoonist Studio Prize. Reviews and academic analyses have highlighted themes of queerness and fluidity of identity and how they oppose and subvert traditional controlling institutions and exclusionary systems.Nimona is a 2023 American animated science fantasy action-adventure film directed by Nick Bruno and Troy Quane from a screenplay by Robert L. Baird and Lloyd Taylor, based on the 2015 graphic novel of the same name by ND Stevenson. Set in a medieval-futuristic kingdom, the film features the voices of Chloë Grace Moretz as the eponymous shapeshifting character and Riz Ahmed as her boss and former knight Ballister, with Eugene Lee Yang and Frances Conroy voicing supporting roles.Originally a production of Blue Sky Studios, it was set to be directed by Patrick Osborne, with an initial release date of 2020. Following the Walt Disney Company's acquisition of 21st Century Fox, the parent company of Blue Sky, it was delayed multiple times before being canceled due to Blue Sky's closure in April 2021. However, Annapurna Pictures revived the project the following year, with Bruno and Quane announced as directors, DNEG Animation providing animation, and Netflix acquiring worldwide distribution. Christophe Beck was hired to compose the film's rock-inspired score.Nimona had its world premiere at the Annecy International Animation Film Festival on June 14, 2023, was released in select cinemas on June 23, and made its streaming debut on June 30. The film received critical acclaim and was nominated for Best Animated Feature at the Critics' Choice, Annie Awards and Academy Awards.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Steel Magnolias is a 1989 American comedy drama film directed by Herbert Ross and starring Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis, and Julia Roberts. The screenplay by Robert Harling is based on his 1987 play of the same name about the bond a group of women share in a small-town Southern community, and how they cope with the death of one of their own. The supporting cast features Tom Skerritt, Dylan McDermott, Kevin J. O'Connor, and Sam Shepard. Harling based the story in part on his sister, Susan Harling Robinson, who died in 1985 of complications from type 1 diabetes. In the film, Roberts plays Shelby, the character based on Susan.The film was released on November 15, 1989, and received mixed reviews from critics, who praised the humor and performances but criticized its portrayal of the South. Roberts, Field and MacLaine earned nominations for their performances; Roberts (who won Best Supporting Actress) and Field at the 47th Golden Globe Awards and MacLaine at the 44th British Academy Film Awards. At the 62nd Academy Awards, Roberts earned a nomination for Best Supporting Actress (her career-first nomination)Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59