Seeing Them Live

In this episode of "Seeing Them Live," host Charles welcomes back Paul Peterson, a retired technology manager and lifelong audiophile who hosts the podcast 'An Avid Listener.' Together, Charles and Paul explore the complex world of bands performing with significantly changed lineups. The conversation was sparked by Paul's recent concert experiences, including seeing Alan Parsons and the Doobie Brothers with almost entirely new members, which led him to question what makes a band authentic and what concertgoers are really seeking when they buy tickets based on a famous name.Charles and Paul examine numerous examples of lineup changes with varying outcomes. They contrast successful transitions like AC/DC replacing Bon Scott with Brian Johnson and Iron Maiden swapping Paul Di'Anno for Bruce Dickinson, with more questionable situations like Grand Funk Railroad touring without Mark Farner, the Beach Boys performing with only Mike Love, and Queen continuing with Adam Lambert. The discussion reveals how fans often purchase tickets unaware of major personnel changes, raising questions about transparency and the power of brand names in the music industry.Paul encourages listeners to research bands before attending concerts and seek experiences that offer more than nostalgia. He emphasizes the value of artists sharing stories and offering unique performances rather than simply recreating studio recordings, praising innovative approaches like Steely Dan performing entire albums in sequence and intimate acoustic sets from aging rockers. While lineup changes are inevitable, the key is transparency and delivering an experience that justifies the ticket price—whether through musical excellence, storytelling, unique venues, or discovering new bands at smaller, more intimate settings.BANDS: AC/DC, Alan Parsons, Beach Boys, Beatles, Black Sabbath, BoDeans, Brian Auger, Doobie Brothers, Duke Tomato and the All Stars, Eagles, Emerson Lake and Palmer, Flaming Lips, Fleetwood Mac, Gov't Mule, Grand Funk Railroad, Grateful Dead, Heart, Iron Maiden, James Gang, Johnny Reno and the Sax Maniacs, Led Zeppelin, Led Zeppelin Two, Motley Crue, Pink Floyd, Queen, Rolling Stones, Scorpions, Steely Dan, Super Tramp, The Doors, The Who, Toto.VENUES: Arcadia, Auditorium Theater, Candlestick Park, Chicago Stadium, City Winery, Empty Bottle, Fitzgerald's, Hollywood Bowl, House of Blues, Living Room, Riot Fest, Shea Stadium, The Sphere. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Welcome to Part 2 of the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests share their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including Andy, Jessica, Steve, and superfan Dawn Fontaine to discuss the most memorable live music experiences of 2025.Dawn shares highlights from her incredible 55-show year, including intimate performances by New York punk bands The Lousekateers and Typhoid Rosie at JJ's Tavern in Florence, Massachusetts, and her milestone 50th Soraia show at Music Fest in Bethlehem, Pennsylvania. The conversation takes an extraordinary turn when Dawn recounts her once-in-a-lifetime experience winning a contest in 2002 that put her on the Rolling Stones' private jet, where she met and chatted with Mick Jagger, Keith Richards, Ronnie Wood, and the late Charlie Watts. The band even played her favorite song, "Can't You Hear Me Knocking," at the Denver show the next night. Dawn also discusses her new role booking shows for Soraia, turning her passion for the band into a dream job that allows her to be part of their team.Steve brings the star power with his account of seeing Lady Gaga at T-Mobile Arena in Las Vegas, which he ranks in his top 10 concerts of all time despite not being a superfan. He describes the show as mind-blowing, with incredible choreography, costume changes, and an intimate piano performance of "Die With a Smile" that transformed the energy of the 18,000-person venue. Steve also highlights seeing St. Vincent at the Tabernacle in Atlanta, praising her guitar skills and stage presence influenced by David Byrne, as well as catching Joan Jett with Alanis Morissette and being amazed at how Joan's voice hasn't changed over the decades. His Vegas weekend also included the Psychedelic Furs at House of Blues and Adele at Caesars Palace, making for an unforgettable concert trip.Andy rounds out the episode with his diverse concert year, starting with the mesmerizing guitar work of Mdou Moctar at The Space and a spontaneous third-row experience seeing Los Lobos and Los Lonely Boys at Hard Rock Gary. His spring break trip to Vegas delivered a surprise highlight when he caught Joe Russo's Almost Dead at Brooklyn Bowl, calling it his surprise concert of the year with their incredible double guitar attack. Andy also shares his Bonnaroo experience, seeing Neil Young perform his new song "Crime in the White House" at Meigs Field (where they unknowingly appeared in the music video), and attending Riot Fest to see Jack White and the Beach Boys with John Stamos. The episode wraps with the group discussing their most anticipated 2026 shows, including Iron Maiden, Radiohead, Guns N' Roses with Public Enemy and Ice Cube, and the long-awaited Rush reunion.BANDS: Adele, Alanis Morissette, Ashley Gavin (comedian), Beach Boys, The, Beaches, The, Billy Idol, Black Crows, The, Buddy Guy, Cocktail Slippers, The, Cure, The, Dead & Company, Dogs in a Pile, Florence and the Machine, Gary Numan, Grunge Worthy, Guns N' Roses, Ice Cube, Idiot Kids, The, Iron Maiden, Jesus and Mary Chain, Joan Jett and the Blackhearts, Joe Russo's Almost Dead, Lady Gaga, Lamp, Los Lobos, Los Lonely Boys, Lousekateers, The, Luke Combs, Marcus King, Mdou Moctar, Mighty Suicide Squirrels, The, Mogwai, Neil Young, Nine Inch Nails, Nirvana, Otis and the Elevators, Pretenders, The, Psychedelic Furs, The, Public Enemy, Radiohead, Rolling Stones, The, Rush, Rush Tribute Project, Soraia, Sonic Youth, St. Vincent, Talking Heads, Typhoid Rosie, Yeah Yeah Yeahs.VENUES: Aragon Ballroom, Bonnaroo, Brooklyn Bowl, Caesars Palace, Crypto Center, Douglas Park, FM Kirby Center, Foxborough Stadium (Patriots Stadium), Garcia's, Hard Rock (Gary, Indiana), Hotel Figueroa, House of Blues (Las Vegas), JJ's Tavern (Florence, Massachusetts), Meigs Field, Metro, The, Music Fest (Bethlehem, Pennsylvania), Redwood Bar (Redwood Grill), Riot Fest, Salt Shed, The, Soldier Field, Space, The, Sphere, The, Tabernacle, The, T-Mobile Arena, United Center, Vic, The, World Music Theater, Zinzenplatz stage (at Music Fest). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Welcome to the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests shares their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including award-winning documentary filmmaker Eric Green, podcast host Jessica Catena, nurse practitioner Summer, antique shop owner Art Gregg, executive assistant Dawn Fontaine, accountant Steve Pothel, high school teacher Andy, and producer Doug Flozak to discuss the concerts that defined their year.Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode Charles interviews the core members of the Chicago-based punk band Horace Pinker, consisting of guitarist and vocalist Scott Eastman, drummer Bryan Jones, and bassist and vocalist Greg Mytych. Charles delves into the history of the band, which was originally formed in Tempe, Arizona. Horace Pinker has toured extensively, performing in over 20 countries and sharing stages with renowned acts such as Green Day, The Offspring, and Blink 182. They have released eight studio albums, including their latest, 'Now and the Future.'The interview touches upon their musical journey, personal concert experiences, and the influence they had on other bands and their fanbase. Bryan recounts a memorable story of loading in gear for the band MDC, while Scott shares his experience of seeing Bad Brains live in the late '80s. The band members also discuss some of their weirdest and most disappointing shows, including an incident involving a ceiling fan in Germany and a lackluster performance by Texas is the Reason.The highlight of the interview is when Bryan describes the time, he had dinner with David Grohl of Foo Fighters and John Paul Jones of Led Zeppelin but missed an opportunity to start a conversation with John Paul Jones.The conversation also highlights the impact of their music, with accounts of fans reaching out and young musicians covering their songs. They reflect on the longevity of their career, the experience of touring, and their continued passion for music. The episode concludes with the band expressing their gratitude to fans and mentioning that more information can be found by Googling 'Horace Pinker.'BANDS: Agent Orange, All Systems Go, At the Drive-In, Bad Brains, Bad Religion, Blink-182, Bulimia Banquet, Butthole Surfers, Dag Nasty, Descendents, DI, Doughboys, Duran Duran, Firehose, Fugazi, GBH, Green Day, Guns N’ Roses, Horace Pinker, Hüsker Dü, Jawbreaker, Jimmy Eat World, KISS, Led Zeppelin, MDC, Meat Puppets, Metallica, Minutemen, Monster Magnet, NOFX, NRA, Queens of the Stone Age, Seven Seconds, SNFU, Texas Is the Reason, Them Crooked Vultures, The Cult, The Offspring, Yellowcard.VENUES: Aragon, Boat on the Rhine River (festival performance in Cologne, Germany), Bobby’s Eastside, Burlington, Fireside Bowl, Fitzgerald’s, House of Blues, Living Room, Reggie's, Riot Fest, Riviera, Silver Dollar Club, UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, Charles and Doug welcome back Andy, a school teacher and avid live music fan, to share his an After Show Report on the 2025 Bonnaroo Music Festival. Despite carefully planning his trip with his friend Teddy and driving nine hours to the festival, Andy faced a series of unexpected challenges and adventures. The trip kicks off with a tense interaction with law enforcement when they are pulled over by a Kentucky State Trooper, escalating as a K-9 unit arrives. Fortunately, they are allowed to proceed to Bonnaroo without any legal troubles.Upon arrival, Andy and Teddy set up their elaborate campsite, which included modern amenities like a solar generator and 42-inch TV. The first night involved acclimatizing to the youthful crowd and loud electronic dance music that played until the early hours. Things took a dramatic turn when Teddy experienced a sudden medical emergency and had to leave, promising to return later to pick Andy up. Later, a severe storm brought torrential rains and flooding, leading to the cancellation of the entire festival due to infrastructural failure. Despite disappointment, Andy encountered numerous acts of kindness from fellow festival-goers and eventually managed to get back home safely, albeit with a vivid, unforgettable experience.BANDS: Dogs in a Pile, Eurythmics, Foster the People, Goose, Insane Clown Posse, King Gizzard and the Lizard Wizard, Lemon Twigs, Luke Combs, Marcus King, Miranda Lambert, Parisi.VENUES: 2025 Bonnaroo Music Festival. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of 'Seeing Them Live,' Charles and Doug explore the intersection of True Crime and Rock and Roll with guest Jim Berkenstadt, also known as the Rock and Roll Detective. Berkenstadt has a worldwide reputation for uncovering the hidden histories and mysteries within popular music. His exhaustive investigative works span from serving as a historical consultant on several high-profile documentaries to publishing award-winning books that delve into the enigmatic corners of rock history. Berkenstadt recounts his initial foray into rock investigation during eighth grade when he explored the 'Paul is Dead' conspiracy surrounding Paul McCartney. This early experience sparked his lifelong passion for becoming a rock detective, leading to a prolific career that has seen him solving many mysteries in the music world involving elements of True Crime. Jim shares stories about attending memorable concerts, including a terrifying but exhilarating Wings concert in 1976 where pyrotechnics blew him and his friend off their chairs. He also recalls sneaking into a sold-out George Harrison concert and the emotional tribute concert for George Harrison organized by Eric Clapton.Berkenstadt discusses his book 'Mysteries in the Music: Case Closed,' which tackles complex topics such as the FBI's extensive and somewhat absurd investigation into alleged obscene lyrics in the song 'Louie Louie,' the CIA’s possible involvement in Bob Marley’s death, and the Beach Boys' interactions with Charles Manson.Additionally, Berkenstadt's book 'The Beatle Who Vanished' narrates the incredible yet true story of Jimmy Nichol, a drummer who substituted for Ringo Starr during a Beatles tour, only to mysteriously disappear from the public eye. The discussion also covers Berkenstadt's involvement in music documentaries like 'George Harrison: Living in the Material World' and his upcoming work on Nirvana's Nevermind album. Through a combination of rock legends, government intrigue, True Crime, and lost histories, Jim Berkenstadt brings to life the dramatic and captivating interplay of True Crime and rock and roll.BANDS: Billy Preston, Buddy Guy, Eric Clapton, Foo Fighters, Garbage, Green Day, Jeff Lynne, Monty Python's Flying Circus, Muddy Waters, Nirvana, Ravi Shankar, Ringo Starr, Smashing Pumpkins, The Beatles, The Euphorics, The Quarry Men, The Rainbows, The Rolling Stones, The Spotnicks, The Traveling Wilburys, Tom Petty, Traffic, Wings.VENUES: Chicago Stadium, Edgewater Hotel, Royal Albert Hall, Soldier Field, Sunset Marquee, The Checkerboard Lounge. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode of Seeing Them Lives features an engaging conversation with Matt Carmichael, a seasoned live music fan and concert photographer, known for his long-term association with Poi Dog Pondering. The discussion delves into Carmichael's early concert experiences, starting with seeing the Jackson 5 at the Silver Dome in 1984. Matt shares intriguing anecdotes about the first concert he attended with his dad and reflects on the evolving context of that experience over time. He also recounts the unexpected presence of Paula Abdul as choreographer and a juggler named Chris Bliss opening the Jackson 5 performances, adding intriguing details to his music journey. The discussion explores Carmichael's storied career, highlighting his time as the house photographer for various iconic Chicago venues and his ongoing contributions to the band Poi Dog Pondering. He narrates the captivating story of how he built and managed the band's first website in 1994, leading to a cherished relationship with its members, characterized by unique moments and extraordinary access to the band. Stories of notable concert photographs, nurturing artist relationships, and dealing with fame punctuate the narrative, demonstrating Carmichael's passion and dedication to his craft. A substantial part of the conversation shifts to Carmichael's memorable experiences photographing famous bands like the Rolling Stones, where the planned and professional approach of the band stands out in contrast to other gigs. He shares stories about his work featured in Swedish postage stamps and meeting various musicians over the years.He details heart-pounding moments with Mooney Suzuki and Gogo Bordello, where bands took risky performances. Additionally, Matt discusses his long-standing website, RocknRoll.net and discusses his latest project—a book compiling fascinating stories of meeting and working with iconic musicians and heroes. His work combines his love for music, photography, and personal narratives to create a rich tapestry of rock history and personal growth.BANDS: Blind Melon, Poi Dog Pondering, Sahara Hot Nights, The Rolling Stones,  Zoe Keating.VENUES: The Vic (Chicago), Metro (Chicago), Grant Park (Chicago). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this special anniversary episode of 'Seeing Them Live,' producer and co-host Doug takes the helm to celebrate the podcast's third year. With Charles on a break, Doug guides listeners through a curated selection of some of the most compelling and memorable moments from their library of 44 episodes. The journey begins by acknowledging the podcast's inception, inspired by Charles's book 'Ticket Stub Stories,' and how the team aimed to capture and chronicle concert experiences from various perspectives, ranging from professional musicians to average concertgoers.Doug introduces listeners to a diverse array of guests, from Tom Fitzer, who recounts his wild antics at concerts, to Roger Merlot, a 70-year-old live music superfan who holds records for attending consecutive gigs. The episode takes an emotional turn with Dawn Fontaine's powerful story about how music, specifically from the band Soraia, helped her navigate the darkest period of her life following a personal loss.Adding another layer of excitement, Doug reveals download statistics, showcasing the global reach of the podcast, with fans in over 30 countries. Additional clips feature tales like Rudy Childs' chaotic encounter with Sharon Osborne during an Ozzy Osborne concert, and Emma, an 8-year-old concert photographer capturing big acts like Joan Jett and Duran Duran. This anniversary special encapsulates the essence of 'Seeing Them Live,' celebrating the joy, chaos, and transformative power of live music experiences. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode on Seeing Them Live, Charles shares one of his ticket stub stories taken from the pages of his book, Ticket Stub Stories:  A Memoir of Live Music’. This story details his experience at a Nirvana concert in October 1993. Charles recounts the second show of a Nirvana concert he attended where the band, upset by a critical review in the Chicago Tribune, did not perform their hit 'Smells Like Teen Spirit.' Discover how Kurt Cobain's frustration led to a memorable, albeit puzzling, night for fans, and learn how an intriguing interview with the Greg Kot of the Chicago Tribune, may have subtly influenced Kurt Cobain's behavior and actions at the concert.BANDS: MEGG, Nirvana, The Used, U2VENUES: Aragon Ballroom, Chicago PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of 'Seeing Them Live,' Charles interviews Zach Paradis, a Cleveland-born artist now based in Los Angeles, known for blending pop, hip hop, and R&B influences. Zach discusses the overwhelming success of a viral video he did with Crash Adams, which garnered millions of views across various platforms like YouTube, TikTok, and Instagram. He delves into his early music experiences, including his first concert at a music festival called Alive and his best concert experience seeing Allen Stone at the Grog Shop in Cleveland.Zach also recounts his career beginnings at Reach Records in Atlanta, working as a recording engineer, and how that shaped his musical journey. He reveals that he transitioned from attempting to rap to finding his true voice in singing, which he has been developing since. Zach mentions various collaborations with other artists and highlights how these partnerships have significantly influenced his career.He discusses his recent release 'Hurricane,' a song that explores the idea of finding calm amidst life's chaos. Zach reflects on the different interpretations of the song by listeners, highlighting the subjective nature of music. Finally, Zach talks about his current tour, his upcoming debut album, and his plans to continue producing and releasing new music.BANDS: Alive, Allen Stone, Benny, Chris Jameson, Crash Adams, Drake, Future, Jalen Sean, Kevin Chung, Migos, Roy Woods, Tadashi, WHATUPRG.VENUES:  Clay's Park, Grog Shop, Hotel Cafe, Phillips Arena, Shuba's Tavern, Subterranean. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this interview episode of Seeing Them Live, Charles interviews singer BB from BB & The Honey. BB is an American singer and songwriter who has been an integral part of the Chicago music scene for 20 years.  Audiences say her voice is a blend of Brandy Carlisle, Janice Joplin, Patsy Klein, Stevie Nicks, and Amelda May. Her powerful interpretations range from blues, funk, soul, classic country to jazz, rockabilly, and classic rock. BB & the Honey have released a new EP of original songs called Reckless Heart, which is available on all major streaming platforms.BB reminisces about her first concert at age five, seeing Sean Cassidy at Navy Pier in Chicago, and shares memorable concert experiences with Mumford and Sons, contrasting them with a lackluster performance by Bob Dylan she attended in the early 90s. She discusses a formative experience in her music career when she and a friend were invited to join Arise Records after singing 'Amazing Grace' in a Chicago subway. This fortuitous event laid the groundwork for BB's extensive music journey, performing with various bands and writing a wide range of musical genres from blues, funk, soul, classic country, to jazz and rock. The episode also dives into BB’s musical projects, from her early involvement with hip hop group Schmoov and the Family to later bands like Super D, The Jesters, and Seeking Wonderland. BB elaborates on how she transitioned into learning the piano during the COVID-19 pandemic, which allowed her to contribute more dynamically to her current band. BB & The Honey recently released a new EP called 'Reckless Heart,' comprising four original songs. The interview touches on the practicalities of their live performances, noting the flexibility in band size depending on the venue. BB delves into the recording process of the EP, aiming to capture the live energy of their performances. The episode wraps up with BB talking about their upcoming release party, their ongoing music journey, and where fans can find their music and live performance updates.BANDS: BB & the Honey, Bob Dylan, C&C Music Factory, Chicago, Full Moon Vixen, Groove X, Kris Kross, Lucinda Williams, Modern Day Romeos, Mumford and Sons, Poi Dog Pondering, Santana, Sean Cassidy, Seeking Wonderland, Stock Boy, Super D, The Dead, The Jesters, ZZ TopVENUES: Abbey Pub, Alpine Valley, Bacon Fest, beer fest in Kenosha, Baker House, Crystal Lake, Dole Mansion, Double Door, Goose Island, Hard Rock Cafe, Lake Como, Lou's Lounge, Mars Resort, Naperville, Navy Pier, Riviera, Riviera in Chicago, Ryman, Ryman Theater, Ryman Theatre, Sean Cassidy concert, Subterranean, Tinley Park, Walworth County Fair PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode features an interview with the artist MEGG, who combines her love for pop music with her punk rock background to create a unique sound for a diverse audience of tomboys, romantics, and misfits. Born and raised in LA's South Bay, MEGG has achieved significant milestones such as performing at Dodgers Stadium, headlining at Saint Rocke Music Venue, and opening for bands like The Used. This summer, she will be playing at Van's Warp Tour in Long Beach, California.The conversation begins with MEGG recalling her first concert experience, a Madonna show, attended with her parents and a friend, which left a lasting impression on her as a child. They discuss various best concerts she has attended, including performances by Beyonce, Alicia Keys, and Missy Elliot. This inspires MEGG to share how these experiences shaped her musical career, leading her to attend the Los Angeles County High School for the Arts and later the University of Southern California's Popular Music Performance Program.MEGG recounts forming several bands along the way, including Runway MMC with her friends, supported by her mother's visionary clothing line idea, and Party for One, a pop-punk band she started with her buddies from USC. MEGG's career took significant turns with these projects, growing from performing at college parties to headline venues like Saint Rocke. MEGG delves further into pivotal moments such as playing the Musink Tattoo Music Festival, opening for The Used, and the journey to secure a spot at Warped Tour 2025. MEGG's experiences exhibit her resilience and dedication to her craft amidst various challenges and the evolving music industry landscape. Towards the end of the interview, MEGG discusses her musical influences, her recent single releases, and plans for upcoming projects, such as an EP to be released in the fall following her performances at Warped Tour. She emphasizes the importance of staying true to her musical style while being versatile across different genres. As an added treat, the interview includes a live acoustic rendition of MEGG’s 'The Hangover Song.'BANDS: Blink 182, Every Time I Die, Fleetwood Mac, Guns N Roses, Hot Water Music, Mumford and Sons, Nirvana, No Doubt, Paramore, Pennywise, Pennywise, Spice Girls, Sum 41, Taking Back Sunday, The Used, Tomorrow's Bad Seeds, Tomorrow's Bad SeedsVENUES: Break Room, Dodger Stadium, Forum, Musink Tattoo Music Festival, Redwood Bar, Saint Rocke, Staples Center, Warped Tour. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode features Benny, a musician and producer who performs under the name Muted Circus. Benny, originally from Orange County, California, is currently based in Brooklyn, New York. He spent seven years in Tokyo, Japan, and attended the prestigious Berklee College of Music in Boston. The discussion starts with Benny sharing the story of his first rock concert at the age of 13, where he saw The Get Up Kids in a small, intimate venue in his hometown. This concert sparked his lifelong passion for live music, leading him to attend concerts frequently, including during his college years and time in Japan. Benny reminisces about the DIY music scene of Orange County in the '90s and shares anecdotes about attending shows with his older brother and friends. He also recalls a memorable yet disappointing encounter with Dave Mustaine from Megadeth during a concert in Tokyo, juxtaposing it with a positive experience meeting Marty Friedman, a former Megadeth guitarist.The conversation then shifts towards Benny's musical project, Muted Circus, a deeply personal undertaking inspired by the death of his father. The project comprises 10 EPs with 50 songs, each featuring his father's visual artwork on the covers. Benny explains how creating this music helped him process his grief and reflect on his relationship with his father. He delves into the themes explored in his music, often revolving around the impact of his parents on his life. Benny shares the challenges and emotional journey of writing and recording these songs over several years. He also introspects on the nuances of live vs. recorded music and the emotional resonance that well-produced music can often deliver.During the interview, Benny performs 'Disconnection,' a song from his final EP in the Muted Circus series. The song captures the sentiment of final phone calls with a loved one and reflects Benny's extensive relationship with his father through daily check-ins on the phone. The episode concludes with Benny discussing his future plans for more music releases under different projects and emphasizing the therapeutic power of music in processing complex emotions. Listeners can explore Benny's work on platforms like Bandcamp, Spotify, Apple Music, and YouTube.BANDS: No Doubt, The Get Up Kids, Jimmy Eat World, Real Big Fish, Gwen and Eric Stefani, Megadeth, NSYNC, Metallica, Slayer, Marty Friedman, Dave Mustaine.VENUES: Makuhari Messe (Japan), Koos Cafe, The Chain Reaction, Madison Square Garden. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse’s walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse’s mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, we are thrilled to have Jose Rivera, founder, manager, and lead vocalist of the band Five Guys Named Moe. Jose shares his extraordinary journey from a budding musician to a prolific performer. He narrates how his fascination with the trumpet began in his early childhood and flourished during his time as a section leader and soloist for the United States Marine Corps. Jose describes his experiences performing before U.S. Presidents and numerous heads of state from 1972 to 1977.He shares captivating anecdotes about sharing stages with trumpet legends like Doc Severinsen and Al Hirt, and his early inspirations such as Herb Alpert & The Tijuana Brass, and Bill Chase. One particularly memorable story includes a chance encounter with Chase the night before he left for Marine Corps basic training, which solidified his passion for high register trumpet playing. Jose also talks about the devastating impact of the plane crash in 1974 that tragically ended the lives of several members of the band Chase, and the emotional 40-year reunion concert that followed, filled with nostalgia and respect for the members who were lost. Jose reflects on his post-Marine Corps life and the formation of Five Guys Named Moe in 1988. The band quickly gained popularity with their unique style and vibrant performances, playing at numerous gigs across the Midwest every year. Jose's attention to professionalism and the importance of band dynamics and promotions are evident as he speaks about managing the band over the years. The impact of the Moe Heads, the band's loyal fans, is also a testament to their ongoing success. Jose underscores the hard work, dedication, and strategic planning required to sustain a band’s longevity in the competitive music industry. As an experienced musician, he offers valuable insights about balancing artistic integrity with crowd-pleasing performances and the reciprocal importance of venue support in promoting events. By mingling with fans and maintaining a professional band practice, Jose ensures that Five Guys Named Moe remains a staple of vibrant live music in the Midwest.BANDS: Al Hirt, Bill Chase, Blood, Sweat, and Tears, Blues Brothers, Chicago, Chase, Doc Severinsen, Five Guys Named Moe, Herb Alpert & The Tijuana Brass, Lovecraft, The Kind, United States Marine CorpsVENUES: CD and Me, Cousins, North and Maple, Tailgaters, Ballydoyle, Buddy Pals, Q Bar, Poplar Creek, Superdome PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Jamie James, guitarist, singer, and songwriter, joins Charles on Seeing Them Live to discuss his musical journey and new album Straight Up, released on Oglio Records.Jamie reflects on his early musical influences, growing up in Woodstock, Ontario, and his transition from aspiring hockey player to musician after a knee injury. He shares how he taught himself guitar on a damaged acoustic and recalls receiving his first real guitar as a Christmas gift in 1966. The conversation turns to Jamie’s formative concert experiences, including seeing Tommy James and the Shondells, Deep Purple, Sly and the Family Stone, The Who, and an early performance by Queen in a small London club. Jamie describes how these shows influenced his approach to live performance. He recounts his time in the 1970s rock scene, playing with various bands before joining the New Steppenwolf in 1977. After leaving the New Steppenwolf, Jamie formed The Kingbees, an ‘80s rockabilly trio that gained a cult following.A favorable review in LA Weekly helped them gain popularity, attracting large crowds to their shows. He discusses their unique rockabilly-inspired style, which predated the Stray Cats and MTV, and his personal shift toward a Buddy Holly-influenced guitar approach. Jamie also shares anecdotes about the LA music scene, recalling interactions with The Blasters and Blackie Dammett, father of Anthony Kiedis, who became an informal emcee for The Kingbees. Additionally, he recounts signing with RSO Records in 1980, initially seeing little success until their song My Mistake gained radio traction in Detroit. This newfound exposure led to major performance opportunities, including a replacement slot at the Toledo Speedway Jam alongside ZZ Top, AC/DC, and Sammy Hagar; a wild gig that took an unexpected turn involving a whiskey bottle that injured an audience member.After the Kingbees disbanded in 1981, Jamie pursued a solo career, but his EP failed to resonate with him. A chance encounter with actor Harry Dean Stanton at a July 4th gathering led to a close friendship and musical collaboration that lasted for years. Jamie formed a band with Stanton, regularly performing at The Lighthouse and The Mint. Later, he connected with actor Dennis Quaid, leading to the formation of The Sharks, a band that endured for nearly 20 years.A severe health scare in 2020 prompted Jamie to recommit to songwriting, leading to the creation of new music during the Covid pandemic. Despite financial challenges, his bandmates were eventually drawn in by the strength of his songs, paving the way for his latest album, Ain’t No Big Thing (https://oglio.com/).Jamie’s story is one of resilience, reinvention, and an enduring love for making music. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this conversation, John Dominguez, co-founder and chief strategist of Songbird Collective, discusses his extensive background in music and his initiative within the Metaverse aimed at creating immersive and collaborative environments for artists. Songbird Collective has facilitated over 1000 live concerts in the Metaverse, allowing artists to showcase their work, even during the pandemic when live music was largely inaccessible. The initiative has also opened new revenue streams for musicians through NFTs and virtual performances, providing a unique and innovative way to engage with global audiences. He recalls the exciting early days of music exploration via the internet in the mid-90s, highlighting moments when he discovered influential music essays and participated in emerging online music communities. One of his notable memories includes attending his first concert, an NWA show in 1989, where he experienced both the thrill and cultural impact of live hip-hop music. He reminisces about various concert experiences, including attending Kings of Leon at Johnny Depp's Viper Room and the Troubadour in Los Angeles, and describes the unique atmosphere of historical music venues. He also recalls his experience attending the Tibetan Freedom Concert in 1996.Dominguez also values personal interactions with musicians, sharing stories about his early online exchanges and meetings with avant-garde musicians Nels Cline and Joe Baiza. Despite the modern shift towards digital music consumption, Dominguez advocates for the irreplaceable magic of live performances and encourages music enthusiasts to support local independent shows. In wrapping up, he stresses how vital it is for fans to support smaller live music venues, highlighting how these spaces provide essential platforms for artists and memorable experiences for audiences. Dominguez's dedication to music culture and innovation through Songbird Collective exemplifies the evolving landscape of live music and virtual experiences.BANDS: Aerosmith, Beastie Boys, Ben Steller, Creeper Lagoon, Dr. Dre, Fontaine's DC, Ice Cube, Jet, John Lee Hooker, Killers, Kings of Leon, Mud Honey, New Jack's Swing, No Doubt, NWA, Oasis, On the Speakers, Ornette Coleman, Pavement, Pixies, Porno for Pyros, Rage Against the Machine, Smashing Pumpkins, Sonic Youth, Stooges, Tribe Called QuestVENUES: Celebrity Theater, Constellation Room, Castaic Lake, El Rancho Grande, Johnny Depp's Viper Room, Observatory, Rainbow, Roxy, Salt Shed, Troubadour, Mr. T's Bowl PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode of Seeing Them Live features an in-depth and in-person conversation with Ray the Roadie and Hollywood Mike, hosts of the Rock and Roll Chicago podcast. Joined by producer and co-host Doug Florzak, the episode was recorded inside the Illinois Rock and Roll Museum on Route 66 in downtown Joliet, Illinois, where the Rock and Roll Chicago podcast is also recorded. The Rock and Roll Chicago podcast provides a platform for bands and musicians from the Chicago area, delving into the history of rock and roll in Chicago and Illinois, the current scene, and the challenges and opportunities for musicians today. Mike and Ray share humorous anecdotes, such as Mike jokingly proposing 'The Procrastinators' as a name for his next punk band, and Mike mentioning his varied musical activities, including performing with bands like Cadillac Groove and Mike and the Stillmasters, and his solo work. Mike also uncovers a rich musical heritage after meeting a cousin who fronts a Zydeco band in Louisiana, leading him to discover his extended family’s significant contributions to various facets of the entertainment industry. Ray recounts his multifaceted career journey, involving roadie work, being a firefighter for 28 years, and later diving back into music and podcasting post-retirement. Personal anecdotes include Ray’s memories of his first concert, seeing Chicago Transit Authority, and his best concert experience with ZZ Top, where he enjoyed backstage access and partied with the band. Mike fondly recalls his first concert, a Billy Squire show with Def Leppard as the opener, and his best concert experience, which was a transformative Buddy Guy performance that inspired him to become a musician. The episode concludes with Ray and Mike previewing their plans for upcoming podcast episodes and discussing the Illinois Rock and Roll Museum’s ongoing development and various exhibits, including guitars from Buddy Guy, and its status as a non-profit organization reliant on donations and memberships for support.BANDS: 4 Non-Blondes, Alison Krauss, Billy Joel, Billy Squire, Buddy Guy, Cadillac Groove, Def Leppard, Flat Cats, Iron Maiden, Joker, Led Zeppelin, Lynyrd Skynyrd, Mabel's, Mike and the Still Masters, Outlaws, Rage Against A Machine, REO Speedwagon, REM, Robert Plant, Stevie Ray Vaughan, Train, Vulgar Boatmen, Wrought Iron Soul, ZZ Top.VENUES:  Alpine Valley, Chicago Theater, El Macomber, Illinois Rock and Roll Museum, Illinois Rock and Roll Museum on Route 66, International Amphitheater, Mabel's, Ravinia, Rialto Square Theater, Rosemount Horizon, Route 66, Taste of Westmont, The Amphitheater, The Flat Cats, The Forge, The Riviera Theater. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this interview on Seeing Them Live, the guest, Ben Apatow, shares his insights and experiences in the music world. Ben is an accomplished author of the books Metallica, the $24.95 Book, and Body Count, part of the Bloomsbury 33 1/3 series. Ben's writing has been featured in various well-known music publications. He begins by recounting his first concert experience, seeing Bob Dylan and the Grateful Dead at RFK Stadium in 1995, a formative event for him. He also highlights memorable concerts, including two Prince shows at Madison Square Garden, citing Prince as an extraordinary performer. However, he also shares his most disappointing concerts: Bad Brains and a recent Jane's Addiction show, noting specific incidences that led to his disappointment with these performances. The Jane's Addiction show, in particular, was tarnished by Perry Farrell's visible struggle, which affected the overall performance quality and led to tour cancellations shortly after.Transitioning to his literary works, Ben discusses the events around his book Body Count, which covers Body Count's controversial debut album featuring the song Cop Killer. The song elicited backlash from police unions, the Senate, and even the President, leading to its removal from the album after only three months. Ben details the dichotomy of the intense reactions to Cop Killer and the larger issues of censorship and societal fears in the early 1990s.Regarding his book on Metallica, Ben describes its comprehensive coverage, spanning the band's history, individual members, concerts, and broader cultural impact. He also delves into the influence of punk and metal within their music. Ben emphasizes the significance of word-of-mouth and live performances in Metallica's rise to popularity and reflects on how their approach to live shows continues to engage and expand their fan base. He concludes by expressing his enthusiasm for writing these books and outlining potential future projects, including collaborations and new biographies.BANDS: AC/DC, Bob Dylan, Body Count, Fiona Apple, Fishbone, Iron Maiden, Living Color, Metallica, Patti Smith, Prince, Slayer, Suicidal Tendencies, The Grateful Dead, The Kinks, The Ramones, Ultimate Classic Rock, Velvet Underground.VENUES:RFK Stadium, Madison Square Garden, Alpine Valley, Navy Pier, Salt Shed, Lollapalooza. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708