Phosphenes

Exaiphnes episode VIII: On violence and cancel culture Oskar Korsár, 2021

Exaiphnes episode VII: Internet backwards Oskar Korsár, 2021

Exaiphnes episode VI: Hugs and harm Oskar Korsár, 2021

Exaiphnes episode V: Is the magasin Art of the Working Class the 2021 version of the 1921 Black face Oskar Korsár, 2021

Exaiphnes episode IV: ”Ödlans ironi” med Henning (Nature without culture) Oskar Korsár, 2021

Exaiphnes episode III: Beauty at literature event contra beauty at art events Oskar Korsár, 2021

Exaiphnes episode II: The philosopher that forgot Oskar Korsár, 2021

Exaiphnes episode I: Interview with Bakka Bekkason The radio show that digs deep in the moment Oskar Korsár, 2021

Glasgow Short Film Festival, 2022 From the “Lunchtime” series by Dave Allen and Thomas Elovsson

”jag kan göra dig till en stjärna”, 2022 Hörspel av Elis Monteverde Burrau

SUN/GAZE/PAST/VAGUE/DRIPPING/SPECTRUM/TIME/SIRUPY/DREAM/SOMETHING/FLUORESCENT/SOFTNESS, 2022, voice Sarah Kim Nadine Byrne

Daniel Mårs - Lider djup avund, 2022

Dimen Abdulla, Avsked, 2022 

4-channel sound installation for water towers Hymn for a Dehydrated Spruce is the first piece in the SOLAR SONIC COMMUNITIES SERIES. It is a live work that I started working on in 2019. The work is a kind of study of drought and the effects of drought on the spruce habitat. It is based on a specific spruce that stands on the edge of my forest plot. The work began after the spruce's physical reaction after the dry summer of 2018; it began to produce a huge amount of pine cones. The spruce simply believed that it would die of dehydration and gathered its last strength to reproduce. I began to study the trees' intricate communication systems to better understand how trees respond to drought. The sound work explores an inner journey inside a thirsty spruce. It is based on scientific recordings and my own field recordings and close examination of and listening to the textures and sonic capacities of the organic materials  in the dry nature. The process led on to the work with UNDER.