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Bringing you recent lectures, classes, and programs from the Hadar Institute, Ta Shma is where you get to listen in on the beit midrash. Come and listen on the go, at home, or wherever you are. Hosted by Rabbi Avi Killip of the Hadar Institute.
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The style and content of Parashat Kedoshim remind us immediately of an earlier reading: Parashat Mishpatim—back in the Book of Exodus, just after the revelation. Both parashiyyot are composed almost entirely of dense legal code: one law after another, for chapter after chapter. And both open with a framing statement naming a value category that characterizes the laws that follow.With this structural similarity, the Torah places the two primary values named by the two codes—justice and holiness—into dialogue with one another. We see this in our parashah, whose initial focus is on holiness, but very quickly veers into justice. But the reverse process we can already see in Parashat Mishpatim, which begins with principles of justice, but eventually turns to holiness, with language that will anticipate Parashat Kedoshim.
For many of us, the past six months have been an education in powerlessness. From where I sit in America, I felt powerless hearing about the brutality and depravity of October 7. I felt powerless sitting comfortably in my home while day after day people were held hostage in underground darkness, uncared for and unseen. I felt powerless as the death toll of Palestinians civilians rose and Gaza’s population fell into immense suffering. I could do my one minute a day to call my representatives to demand an immediate release of those held hostage. I could check in with friends and family in Israel with messages of love. I could donate to organizations getting aid to Palestinian civilians in Gaza. But, at the end of the day, what power do I have to stop a war, free the hostages, and end the suffering of so many people? I feel powerless.
With the mishkan operational and the priesthood now in place, Parashat Aharei Mot begins with a description of the service that will be the pinnacle of that system: the Yom Kippur Avodah.
We Jews, who have been perennial outcasts, ought to read the Torah’s account of the leper with particular care.“Leper,” we should note from the outset, is not really an accurate rendering of the Hebrew, מצורע (metzora). The biblical affliction of tza’arat is clearly different from what we today call “leprosy,” most obviously so because it can only be fully cured by spiritual means. Yet the King James translation is helpful in its way, not only because it reminds us of similar symptoms, but also because it gives us a familiar historical point of comparison.Toward the end of last week’s parashah, Tazria, the Torah begins to catalog all manner of skin afflictions and finally comes upon tzara’at—what we’ll call leprosy for the time being. Then, in Parashat Metzora, we move to the process for curing the leper.
Ever wondered why we have to drink four cups of wine at our Seders? This class explores the history and the symbolism of this idea and how it transforms from something more functional to the framing around the entirety of Seder night. Fittingly, there are at least four different ways to think about these cups! Recorded on 4/10/24. Source sheet: https://mechonhadar.s3.amazonaws.com/mh_torah_source_sheets/Tabick4Cups2024.pdf
From the very beginning, the Torah imbues certain numbers with great significance. The first chapter of Genesis carefully divides Creation into seven days. Seven then becomes the most significant number in nearly all Jewish time rituals—not just Shabbat, but Pesah, Shavuot, Sukkot, as well as the seventh month, the seventh year, the seven cycles of seven years—all of which are then imprinted with the themes of that first seven: creation, rest, and rejuvenation.An awareness of the Torah’s “numbers of distinction” and their significance can help us decode the complex structure of the birth ritual that opens Parashat Tazria, and the mysterious set of numbers it contains:
There's a catchy song that tells us what we're supposed to do during the Seder and when (Kaddeish Urhatz). But when you dig a little deeper, the song is a little simplistic for the actual Seder structure. How can the giant Maggid section be covered by a single word? And why is Hallel actually split into two? Rav Elie discusses the overall structure of the Seder. Recorded in March 2022 and available as part of a video series on the Haggadah (https://hadar.org/torah-tefillah/resources/seder-really-so-ordered) and our YouTube channel (https://www.youtube.com/watch?v=2H4xWZqaeIg).
Throughout our history, one of the central institutions of a Jewish community has been the mikveh. Immersion in this ritual bath was required in Temple times in order to purify oneself after coming into contact with various types of tumah (ritual impurity). Since then, the practical need for a mikveh has been relegated primarily to the laws of sex and conversion. Yet the mikveh has taken on a greater significance in Jewish life than its specific halakhic applications would suggest.
In this panel discussion given at the February Learning Seminar 2024, Hadar’s rashei yeshiva, R. Ethan Tucker and R. Aviva Richman, reflect on their approach to Jewish law and how our quest for God can be lived through the details of our halakhic lives.
For the most part, Parashat Tzav repeats much of what we learned last week in Parashat Vayikra. Again, the Torah details the choreography of the sacrificial system—only this time from the perspective of the priest. All of the offerings from last week show up again. But there is at least one thing that is unique to Tzav: a shalshelet.
To what extent is Jewish law “fake” or “real”? Is halakhah a game where you can say whatever you want, or does a ruling, once issued, create a new reality? What are the underlying principles of kashrut and Jewish food laws? Recorded live at Hadar's Manger Winter Learning Seminar in January 2024. Source sheet available here: https://mechonhadar.s3.amazonaws.com/mh_torah_source_sheets/RosenbergInsensibleFoodLaws2024.pdf
The laws of Leviticus appear to be entirely separate from the narrative and themes of the Torah so far. Exodus, by contrast, picks up directly from the narrative of Genesis, and—as we have seen—even the case laws in Exodus sometimes make subtle references to earlier stories. But when we enter Leviticus, we feel ourselves to be in another kind of book entirely. There is no narrative at all in here the first parashah. Instead, the book opens by listing the various types of korbanot (sacrificial offerings), and the precise details involved in their ritual preparation. Speaking directly to the priest, absorbed in the procedural realm of the mishkan (tabernacle), it is as if this middle book of the Torah is detached from the world that has come before it.
As someone who longs to feel God’s presence in my life in a clear and direct manner, I have always been struck by the fact that God is noticeably absent from Megillat Esther. In a story that is about the near demise and heroic salvation of the Jewish people, it is not God’s hand that is featured in this story as the saving force, but rather the human hands of Queen Esther and her uncle Mordechai. What is Megillat Esther teaching us about living in a world in which, as in our own, God’s presence is unseen?
There is something hidden in the mishkan. A story of creation.Nehama Leibowitz, the great 20th century compiler of Torah commentary, calls our attention to a group of modern scholars who sensitized us to the use of repetition as a rhetorical device in the description of the building of the mishkan. She cites a list of the greats: Buber, Rosenzweig, Benno Jacob, Cassuto, Meir Weiss, and others, who all highlight the way key phrases in our text echo an earlier story in the Torah—the earliest, in fact.
From one perspective, pregnancy is a miracle. But from another, pregnancy is a nightmare. In her essay that won the Ateret Zvi Prize in Hiddushei Torah, Rabbanit Leah Sarna argues that the Jewish tradition makes space for both of these stories about pregnancy. This presentation and conversation with Rabbi Tali Adler is from February 2024.
Is there meaning in a measurement? Two great masters of midrashically-styled Torah commentary—both writing in 14th century Spain—will offer two very different interpretations of a particular form of measurement that appears frequently in this week’s Torah reading: the half.
Shabbat is described in the Talmud as a "good gift." But aren’t all gifts supposedly good? What makes Shabbat a gift that is uniquely positive in contrast to other gifts which do not receive this stamp of goodness? The Ohev Yisrael explores.Transcript and source sheet: https://mechonhadar.s3.amazonaws.com/mh_torah_source_sheets/WeissTisch5-5.pdf“Mitteler Rebbe,” "Ach L'elokim," and “Hu Elokeinu” from RAZA Kapelya (2023) by Chana Raskin. Produced by Joey Weisenberg and Chana Raskin for Hadar’s Rising Song Records
The person recovering from the biblical disease tzara'at has to bring, in addition to their offering, a piece of cedar wood and a piece of hyssop. The Ohev Yisrael tells us that these items are symbolic for the two character traits we need in order to do true teshuvah: pride and humility.Transcript and source sheet: https://mechonhadar.s3.amazonaws.com/mh_torah_source_sheets/WeissTisch5-4.pdf. “Mitteler Rebbe,” "Ach L'elokim," and “Keyli Ata” from RAZA Kapelya (2023) by Chana Raskin. Produced by Joey Weisenberg and Chana Raskin for Hadar’s Rising Song Records.
Parashat Ki Tissa makes repeated reference to God’s “face” when describing Moshe’s communication with God. But what exactly did Moshe see when he looked into the face of God? A comparison to Moshe’s own use of parallel imagery later in the Torah gives us a fuller sense of the visual experience of revelation.
According to the Ohev Yisrael, the Israelites preferred to live under physical oppression in Egypt than to live in a state of spiritual indebtedness to God. How could this be? What is this teaching us about spiritual labor? Transcript and source sheet: https://mechonhadar.s3.amazonaws.com/mh_torah_source_sheets/WeissTisch5-3.pdf. “Mitteler Rebbe,” "Ach L'elokim," and “Ki Anu Amecha” from RAZA Kapelya (2023) by Chana Raskin. Produced by Joey Weisenberg and Chana Raskin for Hadar’s Rising Song Records.
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Magnificent and deeply moving, contributed greatly to this Rosh Hashanah. Thank you so much.
I love this site. A constant source of inspiration and learning. One request--during live events it's difficult to hear audience comments, if they could be miked this would be perfect.