Only Three Lads - Classic Alternative Music Podcast

We're gonna make you an offer you can't refuse...because this week, we go way back to discuss some of our favorite songs of 1972 with the marvelous Anne Richmond Boston from The Swimming Pool Q's! Possessing a crystalline voice, Anne's journey led her from church and high school choirs to the quirky new wave of the Swimming Pool Q's. Following their debut album The Deep End on DB Records in 1981, the Q's were one of the first Atlanta/Athens areas bands to be snapped up by a major label. For A&M, they recorded their self-titled second album (1984) and Blue Tomorrow (1986). A major tour with Lou Reed ensued, as did a major label makeover. Anne left the Q's in 1987, with her terrific solo debut, The Big House of Time (largely written by and recorded with then husband Rob Gal from The Coolies) following for DB in 1990. With such a promising start to her solo career, surely a second album was hot on its heels. Right??? Well, the intended follow up, I Should Be Happy, was recorded, roughly mixed, and then shelved for 30+ years for unknown reasons. Fortunately, the tapes were revitalized, revamped, and are at long last released! It's a beautiful song cycle about longing and loss, featuring a notable cast of musicians and singers. That should make us ALL happy! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the darkest, most spiteful O3L yet! Thanks to an expected guest standing us up at the last minute, after 322 episodes of musical positivity, this week it's all about pushing each other's musical hot buttons. We each curate a list of five songs that we believe the other will loathe. Detest. Hate. Which means you get more scorn. More disgust. More Uncle Gregg rants. More annoying Brett "grunge voice" imitations. Lucky...you!?!? Learn more about your ad choices. Visit megaphone.fm/adchoices

"The merit in action lies in finishing it to the end." - Genghis Khan Well, you'll definitely want to finish this six pack to the end, because this week it's all about Meritorio in action. That is, Meritorio Records, the splendid Madrid-based record label founded by Álvaro Lissón that has been connecting some of the finest indie pop/rock artists with worldwide audiences for nearly a decade. During this six pack, you'll hear the following recent tracks by a selection of Meritorio artists: 1) Prism Shores - "I Didn't Mean To Change My Mind" (from the upcoming LP Softest Attack) 2) Dancer - "Always Running" (from the LP More or Less) 3) The Maureens - "Me & My Friend" (from the forthcoming LP Don't Give Up) 4) The Kitchenettes - "Sunday Best" (single) 5) Rural France - "Lonely Heart Pyramid Scheme" (from the forthcoming LP Sloths) 6) Fort Not - "Careless Love" (from the LP You On Repeat) Support this great label and its roster at https://meritoriorec.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

What the world needs now...is O3L, sweet O3L! The lads are joined by guitarist/vocalist duo Eric McFadden and Kate Vargas — collectively known as Sgt. Splendor — to count down the top five songs this messed-up world needs right now. The conversation explores how music can heal, empower, and unite in difficult times. Guest Bios: Eric McFadden — A spellbinding guitarist with a catalog stretching back to the mid-'80s punk band Angry Babies. He's played with George Clinton & P-Funk All Stars, Eric Burdon & The Animals, Jackson Browne, Joe Strummer, Anders Osborne, Fishbone's Angelo Moore, among many others. Kate believes that Eric is one of the greatest guitarists of all time...and who are we to disagree? Kate Vargas — A singer-songwriter with five acclaimed solo albums, including Golden Hour in the House of Lugosi (2025). Known for her gritty voice and evocative storytelling. Eric believes that Kate belongs in an elite group of songwriters that include Bob Dylan, Tom Waits, and Leonard Cohen...and who are we to disagree? About Sgt. Splendor: Eric and Kate met at Pat McDonald's (of Timbuk 3 fame) Steel Bridge Song Fest at the Holiday Music Motel in Sturgeon Bay, Wisconsin. Their collaboration blends hard rock, riff blues, junkyard folk, desert psychedelia, alternative funk, and carnival-esque vibes. Their third album, Isotopia, is out now on Mother West. Other Topics Discussed: The Soil Dove immersive circus/dinner show featuring Joan Baez Eric's personal encounters with Joe Strummer The origin story of Sgt. Splendor at Steel Bridge Song Fest The making of Isotopia Their cover of Harvey Danger's "Flagpole Sitta" Uh...Lou Bega. Music Featured: Sergeant Splendor — "Brave, Rough, and Ready to Go" Sergeant Splendor — "Play On" Connect: sgtsplendor.com facebook.com/onlythreelads Learn more about your ad choices. Visit megaphone.fm/adchoices

BIFF! This week, we're focusing on Album 1-2 punches...that is, albums where the first two songs knock you out. BANG! Our Third Lad is Ben Crum from long-running Elephant 6 band Great Lakes. POW! More than 25 years and eight records on from Great Lakes' classic debut, Ben Crum returns with a fantastic new Great Lakes album, Don't Swim Too Close (HHBTM Records). The immediately accessible record draws from classic rock tradition, echoing both the Americana spirit of The Band and Neil Young and the proto-indie rock of Television and the Velvet Underground. Crum's dry humor bubbles up throughout, tempering heavy, earnest moments with wit. WHAMMO! This is very likely to be the only music podcast you listen to today that incorporates both boxing and Scuffy the Tugboat references. KO!! Thanks for Mike Turner from HHBTM Records for the introduction and coordination. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we’re covering bands who released one…and only one…proper album in their career.  Sometimes they say everything they need to say in one album long statement.  Sometimes, they attempt to chase the same feeling of the first album and can’t quite repeat the magic.  Sometimes they’re not given a chance.  Our Third Lad knows a little something about being in a "one and done" band.  Frank Boscoe’s great ‘90s indiepop band Wimp Factor 14 released exactly one proper album for Little Teddy Records, 1993’s Ankle Deep.  Fortunately, more music followed with his mid-to-late ‘90s band Vehicle Flips, 2000s group The Gazetteers, and this decade, The Ekphrastics.  Fortunately, The Ekphrastics were NOT "one and done," as they released their marvelous third album, All of a Sudden, Pow!, on Harriet Records in September 2025. Like the two albums that preceded it, it contains the kind of songwriting prowess that makes you marvel at how the songs can be so clever, so novel, so well researched, and yet so infectious and accessible.  For example, how about a song called “I’m Going to Read You the Riot Act” where he then ponders where the term came from, and then actually READS you the Riot Act as it was written in 1715 England?  Or how about  the wind chill factor?  Or journeyman first baseman John Jaso?. Experience short stories about aging marching bands, bee stings, COVID testing vans, money-laundering art galleries, rampageous hockey fans, who’s in the obituaries today, and unwritten pop songs.  You can get another glimpse into the mind of Mr. Boscoe in his sixth book of poetry, Tiny Delivery Robots All Over Campus.  Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Croon•er (n) ['kru:nər]: a singer, particularly a male one, who sings sentimental songs in a soft, low voice. Decades before Elvis, The Beatles, Michael Jackson, Justin Bieber, or Uncle Gregg captured the hearts, imaginations, and undergarments of a swooning audience, crooners ruled the earth. The term typically conjures up golden throated singers like Bing Crosby, Nat "King" Cole, Tony Bennett, and Mel Torme interpreting the timeless songs of Jerome Kern, Johnny Mercer, George Gershwin, Cole Porter, and Irving Berlin. But one crooner reigned supreme: Ol' Blue Eyes himself, Frank Sinatra. He was "The Voice," possessing an instrument of rare, pure, crystalline perfection, with a phrasing, tone, and ability to charge every word with such emotion that you can palpably sense his audience getting weak in the knees. Never has Sinatra's legendary 1940s performing career sounded as immaculately and pristinely alive as it does on the SING label's recent archival projects: At the Hollywood Bowl 1943-48; Christmas on the Air; and the 5-LP box set Long Ago, Far Away, all lovingly restored and mastered by an award winning team and featuring exquisitely detailed liner notes by no greater authority than record producer, historian, archivist, author of the acclaimed Sessions with Sinatra, and host of the weekly radio show Sinatra Standard Time, Chuck Granata. We are fortunate to have Chuck join us this week to chat about all things Sinatra: the innovative new sets, his important role in pop music's breakthrough, his classic and most underrated albums, and the use of AI for good. And, of course, because O3L is focused on classic alternative music, our lists cover some of our favorite singers who carried on crooning into the '70s, '80s & '90s. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we celebrate the life and music of Elliott Smith, tracing his journey from noisy indie rocker to lo-fi DIY troubadour to the reluctant voice of a generation. Elliott released three records with his band Heatmiser and five solo classics before his untimely passing at the age of 34 in 2003 (with two posthumous collections that followed), leaving a rich, beautiful, emotionally wrought catalogue of music that continues to influence artists today. We explore the complex, brilliant, funny, but ultimately tragic figure that was Elliott Smith, and we are fortunate to have a Third Lad who had a front row seat to his musical development - Lucas Ward from The Silver Snails. Lucas was a close friend of Elliott's (née Steven) in high school and college and shares an intimate portrait of the artist as a young man. But this episode has a dual purpose, as we also celebrate the release of the second Silver Snails album, Speed of Light. The Silver Snails are a glam rock space pop family band based in the wine country of Italy, consisting of Lucas, his wife Elisa Fantini, and aided and abetted by their three children. It's a cosmic delight of an album - a string of ten pearls lovingly crafted to uplift, inspire, and open the hearts of listeners. It draws from a stylistically diverse, spiritually enriched, globally connected palette. Oh, it also rocks and is a lot of fun! And if their cover and video of "Video Killed The Radio Star" doesn't have you smiling from ear to ear, consult a doctor immediately. Learn about Lucas's journey from Portland-raised Wall Street titan to Italian-dwelling psych-pop craftsman. Get a primer on Italian pop music. Laugh. Cry. Feel. Get reaffirmation that you are pretty. Be the faro d'amore. All this and more...only on O3L. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for six new tunes that hit the mark every single time! Speaking of bullseyes, this week we welcome the charming and talented Nicole Laurenne from "spooky kitten garagepunk" band The Darts and torch/soul/trip-hop project Black Viiolet to O3L! Learn about Nicole's fascinating journey, get a glimpse of her creative process, and marvel at a work ethic that has produced two great new albums in the first quarter of 2026 and a seemingly endless touring schedule throughout the rest of the year. The Darts: https://thedartsus.com Black Viiolet: https://blackviiolet.com In this six pack: 1) The Darts - "Apocalypse" (from the upcoming LP Halloween Love Songs) 2) Fake Friends - "Hyperconnection" (from the LP Let's Not Overthink This, Stomp Records) 3) Softjaw - "Pleased with Me" (from the forthcoming LP Softjaw, Dandy Boy Records / Bachelor Records) 4) Shapes Like People - "Lately" (from the upcoming LP Under The Rainbow, Jangleshop Records) 5) The Suncharms - "Midnight Train" (from the forthcoming LP Darkening Sky, Sunday Records) 6) Black Viiolet - "One" (from the LP Dark Blue, Adrenaline Fix Music) Learn more about your ad choices. Visit megaphone.fm/adchoices

Spice up your Valentine's Day weekend with six proverbial vials of Love Potion No. 9...it's a brand new O3L Weekend Six Pack! This "show within the show" spotlights six new songs that we think you need in your life! Brett chats with the wildly talented brothers Matheus and Thiago Khouri from Brazil's Banda AL9. Over the past few years, Banda AL9 has earned millions of social media followers, streams, and viral video views with their irresistible blend of Beatlesque songcraft, tight brotherly harmonies, and fun, infectious energy. Now it's time for American audiences to catch up with their upcoming album on Little Steven's Wicked Cool Records, Hey ! Hey! We're Banda AL9, due on July 17th. The first taste of the new album is their sublime cover of labelmate Kurt Baker's "She Can Do It All." Those of you fortunate enough to be in the New York area can check out the phenomenal pop combo live at the Cutting Room on February 19th! This six pack consists of: 1) Banda AL9 - "She Can Do It All" (from the forthcoming LP Hey! Hey! We're Banda AL9, Wicked Cool Records) 2) The Scarlet Goodbye - "She Is Fire" (The Label Group/Virgin) 3) Randy Klawon - "Spoonful Of Love" 4) Railcard - "Day Dream" (from the LP Railcard, Skep Wax Records) 5) Brighton Strangler - "Georgie Best" (from the forthcoming LP Moves Like Lovers) 6) The Blue Herons - "Willow" (from the forthcoming LP Demon Slayer, Shelflife Records) Learn more about your ad choices. Visit megaphone.fm/adchoices

Ramones. Blondie. Television. Talking Heads. Patti Smith. New York Dolls. Everyone knows the big names that made New York City THE epicenter of American punk rock in the 1970s. But that's only a part of the story... For every band that "made it" in some way, there were hundreds of bands who either faded into obscurity or never got the break they deserved. They shared the same stages at legendary clubs like CBGB and Max's Kansas City. And their stories are essential to the NYC punk revolution of the era. One of those bands was Manhattan's The Rousers, whose drummer, Jerid O'Connell, joins us as Third Lad today!  Rousers 1979 Sire Session is out now on Left For Dead Records on both black and translucent white individually numbered 12” LP vinyl and 2 x CD set (with bonus tracks). Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdi­vision Sire. But no one committed them to vinyl until their single “Party Boy” b/w “Don’t Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981.  This oversight is corrected with the release of the demos that the original Rousers lineup cut for Sire in the label’s basement studio on New York’s Upper West Side in 1979.  Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame’s Sire archives for decades, digitized and re­stored in 2024. This is not a footnote. It’s a rescue mission. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors.  We celebrate the true underground of NYC punk this week, including Jerid's incredible stories ranging from hanging out with Sid Vicious the week before his death to the Rousers' neighbor Madonna opening for them. Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a great frontman? A technically perfect voice? Good looks? Someone who can work the stage and crowd? Someone who oozes personality, charisma, and showmanship? Does your mind instantly go to classic frontmen like Mick Jagger, Roger Daltrey, or Robert Plant? This week, we look at some of those frontmen who carried the torch during the classic alternative era. One of those guys is this week's Third Lad, Adam Sherman, the frontman for Boston power-pop rockers Private Lightning, who released an excellent underrated self-titled album for A&M Records in 1980. Following Private Lightning, Adam was the lead singer and songwriter in Americana band The Souls and a member of Boston rock n' roll institution Nervous Eaters. Adam's song from the last Nervous Eaters album, "Don't Need To Make You Mine" was named as the "Coolest Song in the World" on Little Steven's Underground Garage in 2024. Adam has also released the acclaimed solo albums Songbird, River of Dreams, and Triangle Sky - with a brand new record, Sorrows And Smiles, due the week of this episode's release (Feburary 5, 2026). Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first Weekend Six Pack installment of 2026 - the "show within the show" where we spotlight six new tracks that have rocked our proverbial knickers off! Valentine's Day is coming a couple weeks early this year, because we've got two electrifying new tracks from Marc Valentine album bookending the show - the man who Vive Le Rock calls "the new king of British power pop". Both singles will feature on Marc's upcoming album Uncommon Side Effects, due April 10th from Wicked Cool Records. Better yet, Marc joins Brett to discuss the tunes! In this six pack: Marc Valentine - 'NY UAP' (from the upcoming LP Uncommon Side Effects, Wicked Cool Records) Blindness & Light - 'Fly Paper' (single, from their upcoming LP) Hauntees - 'All Over Again' (from the forthcoming LP Shadows Forming, Xonoring Records) The Legal Matters - 'Stuck With Me' (from the forthcoming LP Lost At Sea, Big Stir Records) Would-be-goods - 'Dr. Love' (from the forthcoming LP Tears Before Bedtime, Skep Wax Records) Marc Valentine - 'You Are The Jet' (from the upcoming LP Uncommon Side Effects, Wicked Cool Records) Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever since we were young lads, we played the silver ball. From Pacific Beach to Scottsdale, we must have played them all. But you ain't seen nothing like this in any podcast hall. This week, these lads sure talk a mean pinball! Many musicians have been honored with their own branded pinball tables - from The Beatles, The Stones, and Elton John to Iron Maiden, Rush, and Guns n' Roses. What are some other bands who are deserving of their own machine? This week's conversation is fueled by fantasy and fun, as we welcome one of the coolest couples in the world - Mike Felumlee (drummer for Smoking Popes) and Stephanie Wysocki. Mike & Steph have combined their shared passion of raw rock n' roll and pinball into Punk Rock Pinball. They co-host the wonderful podcast of the same name, and host tournaments and live shows at the Punk Rock Pinball HQ. The goal is to foster a scene that feels welcoming, fun,and DIY at any skill level...not intimidating or gatekept. On the fun-o-meter, this episode pretty much gets the high score. Take that, Tommy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ah, 1990...the year of acid washed jeans, Beverly Hills 90210, MC Hammer, Vanilla Ice, and Teenage Mutant Ninja Turtles. Oh, and lots of Bea Arthur. Of course, none of which we really talk about on this episode. Instead, we're focusing on the best (mostly) alternative albums to come out of that fantastic year. Returning to Third Lad-dom is power pop great Jim Basnight, a fixture on the scene since the late '70s. What has Jim been up to in the past two and a half years since his last appearance? Well, good thing you asked, because the answer is "plenty." For starters, his bands The Meice and The Moberlys were honored with tracks on the definitive Cherry Red box sets Looking For The Magic: American Power Pop in the Seventies and I Wanna Be a Teen Again: North American Power Pop of the '80s. He also released a steady stream of singles throughout 2025 that culminated in the full length album release of Under The Rock in December. As a blues devotee and expert, he's finished writing an exhaustive history of Sonny Boy Williamson, which will hopefully see a silver screen adaptation one day. All that, and he's still found the time to partake in his favorite pasttime - hanging out with O3L. Relive the fun, memories and music of this pivotal year. Plus, play along with the brand new O3L game "Ninety...or Nonsense?!?" It's the most fun you can have without telling someone to "eat my shorts, man!" Buy Jim's music at https://powerpopaholicproductions.bandcamp.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're not quite ready to say goodbye to 2025 yet. Join Uncle Gregg and Brett as they celebrate some of the year's finest LPs...with YOUR help! Oh, and by the way...you think you're Andy Warhol, but you're not. Learn more about your ad choices. Visit megaphone.fm/adchoices

2025: Was it a "Golden" year for songs or did it coast on the fumes of 2024's hits? This week, Uncle Gregg and Brett dive in to discuss their top songs of the year that was. Better yet, some of YOU chimed in with your opinions as well! Settle in as we recap the year's most listened-to songs, 2025 trends, discuss the future of physical media, give our 2026 predictions, and much more! Albums of 2025 episode coming soon. Happy New Year! Learn more about your ad choices. Visit megaphone.fm/adchoices

Think about your favourite records. Go ahead. Chances are, one of the first things that popped into your head was the album cover. And it makes sense...who hasn’t studied an album jacket while listening to a record?  Or scanned the track listing, or read the liner notes or credits?  How many of you have bought an album solely based on the cover art? The artwork colors how we hear the music, and, likewise, the music informs how we interpret the artwork.  Either way, when done effectively, the two are intertwined. But don’t take it from us.  This week, we have one of THE greatest creative art directors in music history joining as our Third Lad.  There's a near certainty that you have the iconic work of John Kosh sitting in your record collection - and it’s absolutely staggering list of credits since the late ‘60s.  For starters, how about his work as with The Beatles' Apple Records, like Abbey Road, Let It Be, or John & Yoko’s Wedding Album? Or how about Who's Next?  Get Your Ya-Ya’s Out?  Hotel California?  Out Of The Blue, featuring his familiar ELO spaceship logo?  In fact, he is the only Art Director to have worked with The Beatles, The Stones, and The Who.  That’s not enough for you?  Among the hundreds of album covers Kosh has designed, there are also familiar sleeves for Ringo Starr, Rod Stewart, Marvin Gaye, James Taylor, Jimmy Buffet, Donovan, Aerosmith, Family, The Moody Blues, Badfinger, 10,000 Maniacs, T. Rex, and so, so many more.  And, oh yeah, the four decade string of gorgeous covers he did for Linda Ronstadt, three of which have earned him Grammys. Aside from album covers, there’s artwork for singles, books, TV, film, posters, and billboards - like, for example, the simple but incredibly effective John & Yoko campaign declaring WAR IS OVER…if you want it.  Listen as Kosh recounts stories from his fabled career and discusses his Top 5 Album Covers (other than his own). This is living history, kids! Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for more petty arguments, hot takes and fisticuffs*, because we're back with more cover versions that we feel are better than the originals. Annie, are we OK? You betcha! Joining us for this discussion are two members of the iconic Seattle indie pop band Tullycraft, vocalist/songwriter/bassist Sean Tollefson and guitarist Chris Munford. For more than three decades, Tullycraft has married DIY punk ethos to tender twee pop songs featuring charming boy/girl vocals and clever songwriting filled with pop culture references. Appropriately enough, one of their early songs was the brilliantly titled "Pop Songs Your New Boyfriend's Too Stupid To Know About," which not only does a great job of summing up Tullycraft's career but is also the namesake of Sean's great Friday night radio show on Seattle's SPACE 101.1 FM that he hosts with his wife. Tullycraft practically defined the twee movement in the US, inspiring legions of bands, zines, and record labels. Their debut album, 1996's Old Traditions, New Standards, was named as one of Pitchfork's 25 Best Indie Pop Albums of the '90s. And, now they're back with their 8th album, Shoot The Point on HHBTM Records, which runs the full Tullycraft spectrum - from tender, heart squishing moments to full-throttle freakouts. It's fun. It's weird. It's very Tullycraft. Special thanks to Mike Turner from HHBTM for the introduction and coordination. *No podcasters or guests were actually harmed in the making of this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, it's all about personal growth with a side of nostalgia. We cover some of the albums that helped to shape or change our taste as music fans, consumers, and/or musicians with Derek Almstead (Of Montreal, Olivia Tremor Control, Elf Power, Marshmallow Coast, Circulatory System, Faster Circuits) and Emily Growden (Marshmallow Coast, Faster Circuits) from Elephant 6 band Giant Day. In October, the Elephant 6 Recording Company released Alarm, the second full-length album by Giant Day. Their first, 2024’s Glass Narcissus, bore a unique weight — it wasn’t just a debut album, it was the debut album by the first official Elephant 6 band in more than 15 years. With the 2023 wide-release of the documentary The Elephant 6 Recording Co. codifying the E6 “sound” for some and introducing it to others, what Giant Day conjured into being on Glass Narcissus was notably darker than the lysergic, sun-drenched pop associated with their former Athens, Georgia home.The word “former” is important to Giant Day’s origin story. In 2020, Almstead and Growden moved from Athens to rural Pennsylvania, where they became caretakers of a family farm. They converted the horse stables into a studio and continued to write and record music, but they were dislocated from their sense of the world, let alone anything resembling a “scene.” That lack of place — what Almstead and Growden refer to as the “dissonance” between the beauty of their new home and the reality of the world beyond it — crept into their songs, a desperate signal emanating from off the grid. On Alarm, that signal is stronger, more urgent. The alluring, paranoid throb underpinning their songs is keener now, more lived in, as if the veil between the fears of characters whose points of view Almstead had written from on Glass Narcissus and his own had dropped. Learn more about your ad choices. Visit megaphone.fm/adchoices