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Two Movies. Two Beers. Every Week.
390 Episodes
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Clearly, we’ve been inspired by the completely bonkers ending of 28 Years Later: The Bone Temple as we wind down the podcast — and this episode follows suit. Things spiral fast, and you really should be listening to what happens after the episodes in After Hours as it all comes to an end: https://www.patreon.com/beerandamoviepodcast
How did it all get so out of control? Blame guest Josh Deleon, director Nia DaCosta, and David’s Magic Sack of Beer. We finally tackle 28 Years Later: Bone Temple alongside DaCosta’s 2025 release Hedda, and like Bone Temple’s Iron Maiden-blasting, upside-down-cross finale, the show is a blast.
The beers choose violence. We crack the brand-new Saint Arnold Brewing Eclipse IPA, then make a historically reckless decision by opening a 12-year cellared Firestone Walker XVIII Anniversary Ale. From there, responsibility exits the building. Notes get poetic. Memories unlock.
By the end, the episode is gloriously off the rails — late-run BaaM chaos earned after hundreds of films and nearly a decade of bad decisions. And somehow, it still isn’t the wild part. That honor belongs to this week’s After Hours.
The end is coming for Beer and a Movie, but we’re not fading out. We’re going full blast — Iron Maiden screaming, vintage beer flowing, daring the credits to roll. 🍺🎬
Well, here’s some big news: Beer and a Movie is ENDING, and we talk all about it at the top of this week’s episode.
But don’t panic just yet — there are 13 episodes left, and we’d love for you to join us as we close up shop as we go out the only way we know how: talking movies, drinking great beer, and probably getting a little unhinged.
This week, Anthony Zoccolillo joins us to dive into Park Chan-wook, tackling his latest awards-buzzy thriller No Other Choice alongside his all-time WTF masterpiece, Oldboy. We talk vengeance, obsession, craftsmanship, and why Park remains one of the most singular filmmakers working today.
On the beer side, we crack open Independence Brewing’s Be/Rad IPA, then follow it up with a true unicorn: a 2017-bottled Bourbon County Brand Barleywine, aged, boozy, and absolutely worth the wait.
The countdown has officially begun. Grab a beer, hit play, and stick with us till the credits roll. 🍺🎬
Two movies. Two comedians. Two very big beers.
This week on Beer and a Movie, Dave and Joe bring on comedian Uncle Sam to dig deep into comedy on film with Bradley Cooper's newest, Is This Thing On?, and Bob Fosse's 1974 Lenny Bruce biopic, Lenny—two very different looks at life onstage, offstage, and the price of being funny. One film captures the awkward grind and personal fallout of chasing laughs, while the other revisits the myth, brilliance, and self-destruction of a Mt. Rushmore comic who changed the rules by breaking all of them.
On the beer side, things get dangerously boozy. The guys start with Martin House Brewing’s Death by Chocolate Cake (a casual 12% ABV) before escalating to the heavyweight main event: Bourbon County Brand Stout 2025, clocking in at a staggering 14.6% ABV. It’s a lot of beer, a lot of alcohol, and maybe not the best idea—but definitely the right one.
High-proof stouts, iconic comedians, and two comics trying to keep it together long enough to finish the episode. What could possibly go wrong? 🍺🎤
No guest this week — just Joe and Dave doing what they do best: watching something bleak, talking about relationships, and washing it down with absurdly fun beer.
The main feature is We Bury the Dead, a zombie-adjacent horror film that’s less about the end of the world and more about what’s left when love, grief, and obligation refuse to die.
We also finally circle back to a 2025 horror movie we somehow missed on the show: Together (2025). Another relationship-forward horror story, Together explores intimacy, dependency, and emotional rot with a very different tone, giving us the perfect excuse to compare how modern horror keeps turning romance into the real monster.
Beer-wise, things get significantly less depressing. We crack open a mixed four-pack from Martin House Brewing, featuring their Extra Creamy Peanut Butter Blonde and Extra Crunchy Peanut Butter Stout. Naturally, this leads to experimentation, irresponsible mixing, and the accidental creation of our own peanut butter monstrosity — possibly the happiest horror creation of the episode.
Two horror films about relationships falling apart. Two peanut butter beers pushed past their limits. What could go wrong?
This week on Beer and a Movie, we go full anxiety mode with a Safdie Brothers double feature, diving into Marty Supreme and Good Time with returning guest Rachel Clow. One film is raw, chaotic, and relentless; the other somehow manages to be even more stressful—because that’s the Safdie promise. We talk obsession, desperation, handheld panic attacks, and why these movies feel like they’re yelling at you on purpose.
On the beer side, it’s all first-timers. We crack into Künstler Brewing out of San Antonio with their Black Swan Black IPA, then close it out strong with Great Divide Brewing’s Yeti Imperial Stout—a heavyweight beer for heavyweight vibes.
Indie films, bold brews, and enough tension to make you need another drink. 🍺🎬
This episode of Beer and a Movie goes full James Cameron—twice.
Joined by comedian Connor Stewart, we dive into Avatar: Fire and Ash and the sci-fi horror classic Aliens. One is a sequel for the ages. One… frankly, isn’t. We break down blue aliens, big budgets, space marines, flamethrowers, and Cameron’s lifelong obsession with raising the stakes—sometimes brilliantly, sometimes questionably. Along the way, we compare how his storytelling, action, and world-building evolved across decades, and which franchise actually earned its legacy.
Then we crack open Lagunitas Brewing's Little Sumpin’ Sumpin’ and Saint Arnold's Christmas Ale, pairing hop-forward chaos and holiday nostalgia with Cameron’s cinematic excess. Expect strong opinions, beer-fueled tangents, and Connor Stewart doing what he does best—calling it like he sees it.
Grab a beer, pick a side, and stay frosty—because in space, no one can hear you crack open a Christmas ale. 🍺🎬
Hark! A New BaaM Episode Appeareth
This week on Beer and a Movie, we are joined by Emily Suggs, our most learned and oft-returning guest, for a thoughtful dip into Hamnet—a most modern tale and fictionalized accounting of the writing of Hamlet, now strutting about the awards circuit in fine hose.
But lo, Shakespeare hath been borrowed from before. Thus, we turn our gaze unto Shakespeare in Love, and discourse upon inspiration, grief, creation, and the eternal question: what if the bard was, in fact, very horny?
Our cups run dry of alcohol this fortnight, yet not of flavor, as we quaff Brooklyn Brewery’s Special Effects Grapefruit IPA alongside Best Day Brewing’s Galaxy Ripple Imperial IPA—our first parley with Best Day.
Same keen analysis. Same merry disputation.
Just NA beers, gentlefolk.
🎧 Attend thee now, wherever podcasts be heard.
This week, we hit a double feature of Netflix’s latest mood-soaked meditations, Jay Kelly and Train Dreams, with guest Adam Beam. Both films lean hard into lush cinematography, sweeping landscapes, and the quiet poetry of a life unfolding… but they take those ingredients to two very different destinations.
To pair with all that visual beauty, the guys crack open a couple of beers with complicated pasts. First up: Magnetic Disturbance from Roughtail Brewing—an IPA Joe grabbed last week without peeking at the bottom of the can: It's two and a half years old. (Whoops. Not all art ages gracefully.) Fortunately, redemption comes in the form of a 2024 Goose Island Bourbon County Macaroon Stout, a beer that absolutely benefits from a year of patience and barrel-kissed maturity.
Thoughtful films, adventurous beers, and a blunt verdict from Dave and Joe: See Train Dreams NOW.
This week, we’re following the yellow brick road straight into an Oz double feature—Wicked: For Good and Return to Oz. Two films, decades apart, both proving that no matter how far you wander, you can’t escape those ruby-slippered roots.
To keep our courage up, we crack open two high-octane potions from Lagunitas: the Maximus Colossal IPA and the Shugga Original Recipe—big, bold brews with enough ABV to make even the Cowardly Lion roar. Let’s just say there’s no place like foam.
Joining us is returning guest Adam Beam, who chatted with us about the original Wicked: Part One. He’s back to help us untangle this Emerald-City-sized tapestry of witches, Wheelers, wizardry, claymation fever dreams, and questionable Kansas parenting.
We ease on down the cinematic road, talk sequels that aren’t really sequels, prequels that might be sequels, and why Return to Oz still feels like the dark and stormy night Dorothy really needed a therapist for. If you’re into green girls, Gump gliders, and stories stitched together with a whole lot of heart, this episode is over the rainbow and then some.
Grab a Maximus, click those heels, and join us—because this week, it’s Oz or nothing.
Guest Blake Trevino returns to Beer and a Movie for a two-lager, two-Edgar Wright film kind of episode. First up is The Running Man (2025), a fresh new take that still carries some of Wright’s kinetic fingerprints—though two of us liked it and one of us walked away a little underwhelmed.
Then the trio dives into Scott Pilgrim vs. the World, the purest expression of Wright’s comic-book pop energy, where smash-cuts become punchlines and the emotional core shines through all the visual fireworks.
To keep the conversation crisp, we crack open a Sierra Nevada Premium Pils and Tupps Beer Ease Side Lager, two clean, classic lagers that pair perfectly with Wright’s ability to make even the most chaotic scenes feel smooth, deliberate, and unmistakably his.
It’s a tale of two Frankensteins! After years of dreaming, Guillermo del Toro has finally unleashed his version of Frankenstein — deeply human, and visually stunning. Then we dig into Andy Warhol’s Frankenstein, a depraved, gleefully grotesque art experiment that feels like it was stitched together in a neon nightmare. Same story, two wildly different visions of creation and chaos.
And, fittingly, we’ve got two very different IPAs to go with them — Lagunitas’ Beast of Both Worlds, a bold hybrid with bite, and Fast Friends Brewing’s Matamata New Zealand Hazy IPA, a smooth newcomer full of unexpected character.
Two Frankensteins, two beers, and one electrified conversation about what it means to make a monster.
#BeerAndAMovie #Frankenstein #DelToro #Warhol #FilmPodcast #CraftBeer #Cinema #Horror
All Horror October is behind us, but we’re diving right back into the weird and the wonderful. This week, we tackle Bugonia — the latest mind-bender from Yorgos Lanthimos — and the South Korean cult classic that inspired it, Save the Green Planet! Two films that share a premise but couldn’t be more different in tone, heart, or execution.
Our guest Adam Beam returns as we pair the discussion with brews from Celestial Brewing and Japas Cervejaria. It’s a rare spoiler alert episode — and with these two films, trust us, you’ll want to heed it.
It’s the chilling conclusion of All Horror October, and we’re going out with a bilingual scream! This week, we plunge into Spanish-language horror, where ghosts cry, kids see too much, and grief has subtitles. Joining us at the haunted roundtable is Josh Deleon, who helps us navigate two haunting modern classics: Tigers Are Not Afraid (2017) — the grim fairy tale that’ll punch you right in the feels — and La Llorona (2019), not to be confused with The Curse of La Llorona (also 2019)… because this one’s actually good.
We toast the end of spooky season with one last Oktoberfest — the malty, magical brew from Ayinger — before cracking open not one, but two Pumpkinators from Saint Arnold Brewing: the 2024 original and the 2025 Bourbon Barrel-Aged beast. It’s a pumpkin showdown so rich and boozy, you might start crying “¡Ay, mi hígado!”
So light a candle, say a prayer, and pour yourself something dark and haunted. This week’s Beer and a Movie has everything — political ghosts, streetwise orphans, and the kind of beer lineup that’ll make the undead jealous.
🕯️ This is it, folks. The final sip of All Horror October. Salud, mis amigos del miedo. 🍻👻
All Horror October rolls into Week 4 with guest Adam Beam joining us for our 2025/New Releases episode. We dive into two very different theatrical horrors—The Black Phone 2, which expands the supernatural dread of the original, and Good Boy, a haunting new vision told through the eyes of a dog.
There's plenty of debate on these two movies' merits as we crack open an Oktoberfest from 5x5 Brewing and a crisp Prodigal Pils from Lazarus Brewing.
Fresh pours, and plenty of Halloween-season chills as All Horror October nears its finale.
OG co-host Carlos Cooper is back for All Horror October, and this week we’re diving into Japanese horror with two wildly different films. First, Tetsuo: The Iron Man throws us into a nightmarish, industrial spiral as a man begins transforming into a grotesque fusion of flesh and metal. Then, Cure (1997) takes a slower, chilling turn, following a detective unraveling a string of murders connected by a mysterious, untraceable figure.
On the beer side, we stick with our tradition of enjoying one Oktoberfest each week during All Horror October, starting with Odell Brewing’s Oktoberfest. We also visit Lazarus Brewing for the first time to enjoy their Black Pearl and their Rice Lager with Maqaw Peppercorns.
All Horror October rolls on! This week we tackle “gateway horror” — the movies that first lured us into the world of scares, or the ones you’d put in front of a horror-curious kid today. Guest Garrett Wieland helps unpack the just-scary-enough that defines this subgenre.
First up is Poltergeist (1982), Tobe Hooper’s haunted-house classic that terrified a generation while still managing to be PG-rated. From cursed televisions to suburban dread, the guys dig into why this film remains a rite of passage for budding horror fans. Then the conversation shifts to The Monster Squad (1987), the cult favorite that mashed together classic Universal monsters with ‘80s kid adventure vibes, creating a bridge between nostalgia and nightmare fuel.
As tradition dictates, we pop another oktoberfest — this time from Alstadt Brewing, delivering malty, fall-friendly comfort with every sip. And it's Beer and a Movie’s first taste of Zilker Brewing, adding a fresh Austin flavor to the mix.
Whether you grew up sneaking VHS tapes or you’re looking for the perfect spooky-season introduction for the next generation, this gateway horror episode offers plenty of scares, laughs, and beers to go around
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BONUS Episode – One Battle After Another
October is usually wall-to-wall horror, but when Paul Thomas Anderson drops a new film, you make an exception. One Battle After Another is the latest from PTA, and joining us is die-hard fan (and returning guest) Roland Alaniz to help unpack the chaos, the craft, and whether this one belongs in the top tier of Anderson’s filmography.
🍺 Bonus Beer: Real Ale Brewing’s Texas Hill Country Bock – a smooth, malty throwback lager that fuels our deep-dive and pairs nicely with the film’s unrelenting confrontations.
It’s All Horror October, and we love this time of year. The first entrée in our month-long horrorthon is a dive into Hammer Horror, the British studio that redefined gothic chills in the mid-20th century with lush sets, vivid color, and a young Christopher Lee baring his fangs. Adam Beam joins us to talk through Horror of Dracula (1958), Lee’s first outing as the Count, and The Vampire Lovers (1970), Hammer’s more sensual, blood-drenched take on the vampire myth—where David, true to form, falls head over heels for the lead lady vampire.
This month we’re pairing every fright with an Oktoberfest, starting with Yuengling’s Oktoberfest. For the second half, we switch it up with Martin House Brewing’s Saint Gria, a bloody-red beer with a bite.
Are Ya Ready for some FOOOTBAALLLLL?!?!
Guest Adam Beam returns for a football-packed double feature. First up is Him—the new Jordan Peele–produced thriller that puts America’s favorite pastime under a very different kind of spotlight. Then we hit rewind with Oliver Stone’s late-90s fever dream, Any Given Sunday—a kitchen-sink collision of locker room politics, sweaty machismo, and eyeball-popping monologues.
To keep pace with the gridiron chaos, we’re cracking open a Real Ale Brewing TXPA and cooling off with Turning Point Brewing’s Sportz, a fruit-punch Gatorade–inspired brew that feels like halftime in a can.
This week, we’re diving headfirst into the loud, the proud, and the occasionally ridiculous world of rock when comedian Miguel(ito) makes his long-awaited BaaM debut!
Our main feature is Spinal Tap II: The End Continues — the long-awaited sequel that begs the question: can they recapture the lightning in a bottle from the original, or is it a comfortable revisit of our favorite band? We pair it with The Decline of Western Civilization II: The Metal Years, Penelope Spheeris’s legendary documentary that captured the teased hair, spandex dreams, and existential dread of ‘80s metal culture.
To keep our lighters raised, we’re sipping Texas Light Beer from Real Ale Brewing and Lager Fermented Cold IPA from Saint Arnold Brewing — two very different spins on easy-drinking beers for headbanging sessions.
It’s rock parody meets real-life parody, and the only thing heavier than the riffs are the laughs. 🤘
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