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Broadway's longest running shows
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In approaching "Oh! Calcutta!" today, it's hard not to react with a "What! Really?!?" This is a show, that between the original production and its revival, had more than 7,200 performances on Broadway. Really? Full of nudity and bawdy - but also mostly bad - comedy, the popularity of this show is truly dumbfounding. And when dealing with something I have trouble understanding, I often turn to my very wise friend, Dr. Jesse Rabinowitz, for insight and a reality check. Dr. J provides that and m...
Happy Halloween! We have the perfect show to dig into for spooky season - mostly because it's downright scary how bad this musical is! Frank Wildhorn's "Jekyll & Hyde" is a musical that, if there was a just theater god, would be forever relegated to the dustbin of Broadway history. There are many musicals I don't like but this is one I actively despise, partially for its innate flaws but also for its utter failure to achieve anything close to what it was aspiring for. Despite this -...
It's one of the most famous and beloved titles in musical theater. Because of its iconic mismatched lovers storyline and nostalgia evocation of the 1950s, "Grease" has been performed in high schools, colleges and regional theaters across the country for decades. The movie version with Travolta and Newton-John was the highest grossing movie musical of all time when it came out. With all of that history, there seems like maybe not much else could be said about "Grease" but, thanks to my awesome...
"School of Rock" opened on Broadway just a few years after "Billy Elliot" closed but, even though the shows have some surface-level similarities, it's hard to think of two more different stories. The earlier show was a rough-and-tumble look at a working class young boy's potential escape from his impoverished life; the latter was about adults who act like children and very posh adolescents learning to shed some of their rich-kid stuffiness. Both shows were handicapped in their long runs becau...
Fifteen years ago, "Billy Elliot: The Musical" was all the rage on Broadway. It was a show where hot button social issues -- from labor relations to social mobility to questions about gender expression -- mixed with a searing family drama, plus there was a LOT of really great dancing. Tack on a score co-composed by Elton John and there was little doubt this was going to be a hit. What's curious is that this story seemed to fade from view in the subsequent years, even though ALL of the social ...
Welcome to season 3 of "Chasing Phantom!" If this episode is any indication, it's going to be the best season yet. At a time when debate about Billy Joel, his music and his legacy, has enjoyed a surge of attention thanks to the HBO documentary, "And So It Goes," that debuted this past summer, I welcome Tony Award nominee and Astaire Award-winning dancer Elizabeth Parkinson to the podcast for a deep dive on the dance-musical "Movin' Out," developed by modern dance genius Twyla ...
Hey there, Phantom Chasers! I've been a lax podcaster during the languid summer months but I'm prepping some very cool, very fun episodes for September. In the meantime, this is a conversation with my friend Grace Todd, whose podcast "Didn't Read It" is a must-listen for those who love classic literature...and erudite, playful and thoughtful conversation. Grace was kind enough to invite me on her pod to talk about one of my favorite plays that has also gained critical cred as literature, "Wai...
Phil Crosby and I had such a good time talking about "Funny Girl" that we rambled on for another 15 minutes or so answering questions posed by our live audience at Richmond Triangle Players. You get some more background on Barbra (of course), Phil demonstrating his forecasting prowess in talking about the Tony Awards and a final slice of a story from Pat Vastano about her real-life experience at "Funny Girl." More bonus material next week before season 3 starts up on Sept. 3rd! In the meantim...
The highlight of "Chasing Phantom's" brief history happened in May 2025 with the recording of what I hope will be the first of many live podcast events. Phil Crosby, the executive director of Richmond Triangle Players, has been a guest 6 times before so, after many times inviting him over to my house to record, he returned the favor! As with the end of the first season, this is an episode largely about Barbra Streisand and there is no one I can think of better equipped to talk about her than ...
Is there a more iconic musical than “Guys and Dolls?” Probably not. That doesn’t mean it’s easy to do well and my guests for this episode are a testament to how to make a classic musical really sing. This is a show that can be dominated by its many engaging male characters, so I wanted to push aside the Guys for just a bit and talk to the Dolls. “Guys and Dolls” is never supposed to be realistic but there’s a danger in making it too broad for an audience to care about the characters. Adelaide...
Both me and my guest in this episode had the chance to see "Waitress" on Broadway and we chose not to. And boy, were we both sorry! It's not often with this podcast that we talk about a show you can see right now. But "Waitress" is one of those shows that had suddenly started appearing on regional stages all over the country so there's a pretty good chance it has, is or soon will be appearing somewhere near you. It's a feel-good story that also deals with a couple serious issues along t...
Art about other art is fascinating to me, and only one of the many reasons I love "Amadeus," a play about music. Of course, it's also about envy of another man's genius: the play cemented the image of Salieri in popular culture. But really, at its heart, it's a play about faith and Salieri's contentious battle with his own faith, and also, playwright Peter Schaffer's ongoing artistic conversation about faith. In the podcast, me and classical music expert and VCU professor Daniel Myssyk mostly...
Is it mime? Is it puppetry? Is it augmented sketch comedy? Rather than try to categorize "Mummenschanz," it seems best to just wonder at the inventiveness and enjoy the fun of the experience. That was certainly what people were doing in the 1970s and for many decades afterwards. "Mummenschanz" holds the record for longest running special on Broadway. Scheduled for a limited engagement after a successful national tour, the troupe proved too popular to shut down, drawing crowds for over 3 years...
Over the past 20 years or so, a handful of shows have revolutionized what can be done on Broadway. You could point to "Hamilton" as one of the biggest of those but that revolution actually started with "In the Heights," which remains my favorite of the two. Call me a traditionalist at heart but I love that it's a warmer and more personal show. And fantasizing about winning the lottery is simply more relatable that worrying about building a new nation. Speaking of warm, my guest for this conve...
Why is a conversation with Jordan Schildcrout always a good time? Because in the course of just 30 minutes chatting about the relatively obscure play “Cactus Flower,” you’ll hear about additionally fascinating plays like “Two for the Seesaw” and “The Sign in Sidney Brustein’s Window.” Jordan and I dig into both the weird and wonderful aspects of “Cactus Flower,” the show that brought Lauren Bacall back to Broadway. The movie version would win Goldie Hawn her only Oscar and feature a decent co...
Easter is this weekend and, while you might think I'm featuring the show "Sugar Babies" to make an allusion toward those sweet treats found in children's Easter baskets, well, you're right! BUT, thanks to my always incredibly knowledgeable guest, Phil Crosby, it came to light that this throwback vaudeville revue would also make sense to highlight because of Ann Miller's star turn in the movie "Easter Parade." Phil makes the astute point that Miller, who was the co-headliner of "Sugar Babies" ...
"Promises, Promises" had a dream team of talent, both backstage and onstage. Neil Simon, Hal David, and Burt Bacharach are the big three, but it was also directed by Robert Moore ("The Boys in the Band" off-Broadway, "Woman of the Year") and choreographed by Michael Bennett. It was also based on an incredible movie, "The Apartment." What could go wrong? Nothing did go wrong, really: the show was very popular and its best song, "Never Fall in Love Again," was a big radio hit. But it's another ...
It's about music, it's about race relations, but it's NOT about how to be a good radio disc jockey. In giving a very loose account of the rise and fall of true-life music pioneer Dewey Phillips, the musical "Memphis" amps up the conflicts - which you would expect - in part by making the Phillips surrogate, Huey Calhoun, kind of an asshole. Still, the story of a DJ breaking conventions of the 1950s by playing "race records" on white radio stations is very compelling, has great songs and downri...
Am I too on the nose here? Pretty much any time seems like a good time to reflect on the founding of the United States of America, but boy howdy, does this current time we're in seem like a specifically good time to do so. The musical "1776" is a not-quite-historically-correct dramatization of the drafting and ratification of the Declaration of Independence. It focuses on John Adams as the instigator, the leader who pushes a reluctant Continental Congress toward making a historic decision. Th...
Nope - I am definitely NOT making any kind of political statement by doing an episode on "Cabaret" at this specific moment. Nope, not at all. My delightful conversation with actor and director Doug Schneider steers clear of any chatter about what's happening in politics in America right now. But, that said, this is certainly a good show to revisit if you want a dramatic window into the insidious effects of the rise of right-wing political power. Doug played Herr Schultz in two different produ...
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