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Popcorn Culture

Author: BFM Media

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Talking apes and Jedi Knights are cool, but how do they impact Hollywood as a whole? That's the kind of stuff we talk about on Popcorn Culture - a mixed-bag-exploration of the movies, TV shows, and pop culture buzz that we love, as well as the ones we love (slightly) less.

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Description: Terbang is the latest film by Chiu Keng Guan, the Malaysian filmmaker behind The Journey and Ola Bola. Loosely inspired by the story of Karamjit Singh, the legendary Malaysian rally driver known as the “Flying Sikh”, the film follows Ajeet as he navigates the world of motorsport and makes a dramatic comeback after a horrific rally accident. Starring Irfan Zaini, Zizan Razak, Jack Tan and Nam Ron, the film marks Chiu’s return to the big screen with another Malaysian sports story. We review the film and discuss how it holds up against Chiu's other films. We also review another Malaysian film, The Fox King, by Woo Ming Jin. A Malaysian-Indonesian co-production that premiered at the Toronto International Film Festival in 2025, the film is a coming-of-age drama involving two students and their teacher, starring Indonesian actress Dian Sastrowardoyo alongside Idan Aedan and Hadi Putra. Finally, we look at the second season of The Paper, the comedy series by Greg Daniels andMichael Koman, set in the same universe as The Office. This time, the crew leaves Dunder Mifflin behind to follow the staff of The Truth Teller, a struggling historic newspaper in Toledo, Ohio, as its publisher attempts to revive the publication.Image Credit: IMDBSee omnystudio.com/listener for privacy information.
Na Hong Jin's Hope

Na Hong Jin's Hope

2026-09-1122:07

A small border town in South Korea. An alien invasion and a rollicking rampage. Carnage and mayhem. That's the premise and promise of Hope, Na Hong-Jin's latest cinematic release, since 2016's The Wailing. Since its debut at Cannes, Hope generated headlines, and wildly varied ones at that. While some reviews celebrated its exhilarating action and ambitious scope, others were less enthused about its meandering story and wobbly CGI. It's since undergone significant edits ahead of its wider release - so we break down whether the movie works as a whole, whether it's lived up to its initial hype, and if it's worth a watch on the big screen.Image credit: IMDBSee omnystudio.com/listener for privacy information.
Train to Busan turns 10 this year, and the South Korean zombie thriller is returning to cinemas in a new 4K restoration. We revisit the story of passengers fighting to survive a zombie outbreak aboard a high-speed train from Seoul to Busan, and ask whether it still holds up a decade later.Meanwhile, Ted Lasso is back for a fourth season, and this time, Ted is back to coach the AFC Richmond's newly formed women's football team. We're halfway through the new season, so, is Apple TV+'s revival recapturing the charm of the original, or has the show lost its way?See omnystudio.com/listener for privacy information.
This week, we pay tribute to two iconic performers who left an indelible mark on the screen and in our childhoods. We look back at the memorable careers of Tim Curry and Peter Cullen and the characters that made them household names. After that, ahead of the long Merdeka weekend, the timing felt right to throw it back to a couple of films that celebrate Malaysia and Malaysianness. So we start off by discussing Yasmin Ahmad’s bittersweet final movie, Talentime (2009), and the love story and acknowledgement of multiculturalism at its heart. Then, we continue on to recommend Ola Bola (2016), a film inspired by the highs of the Malaysian football team that successfully got into the 1980 Summer Olympics. Image Credit: IMDb, Peter Cullen (Facebook)See omnystudio.com/listener for privacy information.
The End of Oak Street was marketed as the next IMAX summer tentpole film after The Odyssey and Spiderman: Brand New Day, but the sci-fi dinosaur thriller hasn't lived up to expectations, either at the box office or with audiences, who've given it middling ratings. The film also marks David Robert Mitchell's return to the director's chair for the first time in eight years since Under the Silver Lake polarised festivalgoers at the Cannes Film Festival in 2018. We discuss the prehistoric set pieces, the high-calibre cast of Anne Hathaway and Ewan McGregor, and why the film might be struggling to find audiences. Image Credit: IMDbSee omnystudio.com/listener for privacy information.
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