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REVOLUTIONS PER MOVIE
REVOLUTIONS PER MOVIE
Author: Chris Slusarenko
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Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
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This week I am joined by the one and only Kid Congo Powers of The Gun Club, The Cramps, Nick Cave & The Bad Seeds, and Juanita & Juan (to just scratch the surface of his incredible career), who picked the iconic 1956 rock n' roll comedy classic The Girl Can't Help It!!!We discuss Kid running the Ramones fan club, sleeping outside for tickets, recording and performing as Juanita and Juan with his bandmate Alice Bag, his first time playing guitar with Lydia Lunch, faking your way through music, Jeffrey Lee Pierce taking acting classes at the Lee Strasberg studio, lying to get The Gun Club's first show with The Blasters, Kid playing his first show after only a month of having a guitar in his hands, joining The Cramps and recording Psychedelic Jungle with them, The Gun Club's The Las Vegas Story and unlocking the intro to 'Walking With The Beast', William Burroughs and cut-up technique, the art of collaboration, making blobs of sound, Kid discovering The Girl Can’t Help It with the help of The Screamers, the Nuggets comp, cheapo rock n' roll exploitation films like Carnival Rock & Rock Baby Rock It, the power of Deluxe color used in the film, John Waters’ obsessions and tributes to The Girl Can’t Help It, the mystique, power and performance of Jayne Mansfield, the newly formed concept of the teenager when this film came out, Lady In A Cage, director Frank Tashlin and his animation roots, Julie London, Little Richard's incredible performance (while seeming to stare out into space), the weird lesser-known bands in this film, The Chuckles in the film standing next to legends like Fats Domino, the dragging up of Jayne Mansfield, Jayne's legendary home- The Pink Palace- and its wall-to-ceiling carpeting, mob ties in the rock world, Kid seeing legends like Yma Sumac and Eartha Kitt perform, confronting the audience and so much more!So let's throw another jukebox out the window in this week's episode of Revolutions Per Movie!!! KID CONGO POWERS: officialkidcongopowers.com/@kidcongopowersjuanitajuan.bandcamp.com/album/jungle-cruiseREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an emergency BONUS episode of Revolutions Per Movie! Last week, while I was talking to Jackie and Jill from Target Video, they mentioned the doc We Were There To Be There, which focuses on Target filming The Cramps & The Mutants playing a show at Napa State, a psychiatric hospital in Northern California. So today, here is my conversation with Jason Willis & Mike Plante, who directed We Were There To Be There!!!We discuss how we each discovered Target Video VHS tapes and how it made us feel we weren't alone in our weirdness, the Flipside Video series, how goofy Black Flag was in their videos with Target, Repo Man, fanzines, Greg Turkington (Neil Hamburger) in the crowd of a Target Video shoot for the Meat Puppets, how the film changed its focus during the research phase, tracking down Target Video head Joe Rees in the wilderness, the legal and ethical concerns that arise while making a documentary, the surprising conservatism of San Francisco in this era, the doc’s explanation of how The Cramps ended up playing Napa State and the history of the hospital, how Reagan destroyed the inner works of Napa State, the NEA, the footage of The Mutants playing The School For The Deaf, Flipper, Desolation Center, the importance of LSD in the early days of the punk music scene, how the lines between the audience and the bands performing at Napa State were completely shattered, Bryan Gregory’s performance, the lost Mutants footage discovered after 40 years and where they found it, The Punk Media Research Collection Archive, Scopitones, Eerie publications, straight edge punk and so much more!Watch WE WERE THERE TO BE THERE:https://www.youtube.com/watch?v=KwwRQVgW-0gBLU-RAY with additional Mutants doc and Napa State performance:https://grasshopperfilm.myshopify.com/collections/new-releases/products/the-cramps-and-the-mutants-the-napa-state-tapes-blu-rayREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guests this week are two absolute legends, Jackie Sharp and Jill Hoffman-Kowal of the punk rock video team Target Video (who documented hundreds of incredible live performances by Iggy Pop, The Screamers, Black Flag, Throbbing Gristle, minutemen, The Cramps, Hüsker Dü, Survival Research Laboratories, Bauhaus, Dead Kennedys, Lydia Lunch, and Young Marble Giants to name just a few). They are lifelong friends to this day… so get ready for jaw-dropping stories galore!We discuss Target Video’s origin story & meeting head honcho Joe Rees, how they got their first old-school video camera at the time, Joe's unusual approach to documenting bands, the origin story of The Mutants, their initial cable TV show, how their first color shoot was filming the iconic performance of The Screamers, how they shot The Cramps at the Napa State Mental Hospital, Glenn O’Brien’s TV Party, Jello Biafra staying in fancy hotel rooms in the UK, crashing on the floor of The Members, The Stray Cats playing the UK for the first time, how Jackie and Jill gained the trust of bands to film them in an era when bands were suspicious of being filmed, how the SF punk scene changed when Circle Jerks first came up from LA to play there, using fake addresses to keep the cops away from the Target headquarters, having eight-hour viewing parties in Paris, touring Europe with Dead Kennedys, the powerful footage of Throbbing Gristle playing a basketball court, CRIME playing San Quentin, Black Flag being nerds in the studio and making comedy videos with Target, shooting the TV PARTY music video, Target documenting rarely seen tours by Devo and Iggy Pop, being P.I.L.’s tour guides in NYC, Target video reunion shows, hooking up your VHS player to your stereo and more!So let's fly the Target flag high and play this episode loud on this week's episode of Revolutions Per Movie!TARGET VIDEO: targetvideo.blogspot.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it and keep it going is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we continue our conversation with musician David Pajo (Slint, Papa M, Gang Of Four) as we start to delve into his music-film pick: the Louisville, Kentucky indie-music narrative film Half-Cocked, in which he also appears!We discuss David meeting filmmakers Suki Hawley & Michael Galinsky, the legendary Rocket House in Louisville where most of the musicians who acted in the film lived, Tara Jane O’ Neil's amazing performance in the film, Slint, Ruby Falls and Rodan, The Grifters being cast as wise sages of the underground music world, the fake bands in the movie including The Guiloteens (starring Ian Svenonius, James Canty and Michelle Mae of The Make Up & David himself), not knowing what your friends did for work back then, Cathy Irwin from Freakwater’s beautiful acoustic song in the film, the economics of making films vs. music in the 90s, Jon Cook of Crane and Ian’s suggestions to the filmmakers for the plot of the film, why David’s character was named Waldo in the film, David’s first tour with his band Maurice opening for Samhain, Die Kreuzen starving on tour, Soviet France, how skinheads almost destroyed both of our initial music scenes, where we think the characters in the film ended up in real life, and more. DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is musician David Pajo (Slint, Papa M, Gang Of Four), who picked the Louisville, Kentucky indie music film Half-Cocked to discuss. BUT…there was so much to talk about that this is only part one of the conversation before we even got to talking about the film! We discussed his Papa M compositions, how Slint songs were made to sound like they were improvised but were actually meticulous in their structure, how his new album was all one-take performances done without a computer, needing a cheat sheet for Slint reunion songs, the concept of "through" composing, the humor within Slint, Andy Gill of Gang Of Four playing his guitar without touching it, joining GO4 and how it opened him up as a live performer, the challenges of learning and playing the song "He’d Send In The Army", is the guitar a friend/foe/tool, Big Black, the Slint documentary Breadcrumb Trail, breaking your parents’ will using the Butthole Surfers, David playing in Stereolab & Interpol, aging in indie rock, and David asks me questions about my wild times in Guided By Voices.So let's play with our backs to the audience on this episode of Revolutions Per Movie.DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey! Ho! Let's Go! Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! The incredible Craig Finn on the amazing Ramones' cult film Rock 'N' Roll High School...what more can I say, Principal Togar...this episode rules...enjoy!(Episode 51 originally aired on August 24th, 2024).Original Show Notes:This week, we talk to CRAIG FINN of THE HOLD STEADY & ’That’s How I Remember It’ podcast about the legendary cult classic ROCK ’N’ ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person’s game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX’s KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante’s script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band’s song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let’s tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is comedian/writer/actor Jon Gabrus (High & Mighty, 101 Places To Party Before You Die TV Series & Staying Alive podcast w/ Adam Pally), who chose to discuss the Mike White/Richard Linklater/Jack Black force of nature School Of Rock.We discuss Jon’s surprising new health show with Adam Pally (his partner in debauchery), Jon and Adam visiting Portland for their TV series 101 Places To Party Before You Die, the best health advice he’s gotten so far, the music action films Miami Connection and Stunt Rock, the never ending inspiration that is American Movie, how easy it is to forget that School Of Rock was written by Mike White (The White Lotus) and directed by Richard Linkletter (Dazed & Confused), Jon being a stunt double for Jack Black, our first memories of seeing Jack Black, the Jack Black backlash in the 2010s, Mike White as an actor, how musicians, comedians and athletes all pine for each others’ careers, when did musicians start doing stage banter, Pulp, did either of us have cool teachers growing up, the experience of performing in front of your parents, long form improv, Jack Black begging Led Zepplin to use "Immigrant Song" in the movie, selling out as an artist, how Jack Black was originally going to write the music for the film, pre-show rituals and much more!So let's raise our goblets to the gods of rock on this week's episode of Revolutions Per Movie!JON GABRUS: gabrus.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by comedian/podcaster/director Scott Aukerman (Comedy Bang Bang, Between Two Ferns, R U Talkin' R.E.M. RE: ME? w/ Adam Scott) as we delve into the recent David Bowie documentary, Moonage Daydream.We also discuss Scott’s parents searching his teenage room for dangerous music, Frankie Goes To Hollywood and Prince, Scott’s divisive (but beloved) U2 and R.E.M. podcasts with Adam Scott (Parks And Recreation; Severance), when we've felt like an artist has spat in our face, Dick Cavett, R.E.M.'s Dead Letter Office, The Dead Milkmen, meeting Bono, how we both first got obsessed with Bowie, getting scammed by compilations and bootlegs, the interview style of David Bowie, chaos in Scott's work, watching Bowie on endless escalators, The Sparks Brothers doc, the jaw-dropping performance of "Cracked Actor" in this film, seeing Bowie live, Nine Inch Nails, Bowie’s feelings on the Let’s Dance era of his life, The Glass Spider tour, Bowie's final album Blackstar, the occasional difficulties in continuing to follow an artist when they want to change artistically and more!So let's watch in awe as David drinks milk in the back of a Rolls-Royce on this week's episode of Revolutions Per MovieSCOTT AUKERMAN:comedybangbangworld.comBETWEEN TWO FERNS:youtube.com/watch?v=UnW3xkHxIEQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an Encore Presentation of one of my favorite episodes ever of Revolutions Per Movie, where I got to discuss the documentary Desolation Center with the creators of these legendary events (who else would put the Minutemen on a barge or Einsturzende Neubauten in the desert). Plus, I love it whenever I get to surprise my guests with more guests to create the whole picture from the inside out. Enjoy!(Episode 33 originally aired on April 25th, 2024).The original show notes:This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids. We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we’re also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week’s Revolutions Per Movie.DESOLATION CENTER:www.desolationcenter.com/STUART SWEZEY:www.amokbooks.com/SAVAGE REPUBLIC: www.independentprojectrecords.com/savage-republicREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by author/photographer Pat Blashill (Texas Is The Reason; Someday All The Parents Will Die) to talk about the Texas punk community he documented, including Scratch Acid, Butthole Surfers & Big Boys, as well as the 2014 documentary The Dicks From Texas.We also discuss punks living in Texas and how the bands from there pushed back hard against it, was Cheap Trick punk rock, which music freaked us out when we were younger, DEVO making your friends cry in fear, Pat getting invited to his first punk show by Big Boys in 1979 when he started taking photos of the scene that night, Pat’s artistic influences, The Huns riot, early bands like Sharon Tate’s Baby, the band Terminal Mind getting mad at people for dancing to their music, singing with a British accent, Raul's being the centerpiece club of the punk scene, Buxf of The Dicks, Sister Double Happiness, Gary Floyd’s singular vocals in punk, The Torn Panties, how Gary upstaged Lou Reed, Poison 13, Pat befriending David Yow and David Sims before they started Scratch Acid, Jesus Lizard, watching the evolution of Butthole Surfers and their work ethic, Pat being at the Rembrant Pussyhorse recordings, The Residents’ Hardy Fox, Kurt Cobain, Big Boys playing the Austin Chronicle Award Show and the fight that ensued, Flipside VHS Tapes, the lack of local press support for punk rock, IRS's The Cutting Edge coming to Austin, Daniel Johnson and more.So let's get lost in the pit together on this episode of Revolutions Per Movie!PAT BLASHILL: patblashill.comTEXAS IS THE REASON book: www.bazillionpoints.com/books/texasSOMEDAY ALL THE PARENTS WILL DIE book: utpress.utexas.edu/9781477332474THE DICKS FROM TEXAS doc: www.youtube.com/watch?v=GYSNWLY5iEMBIG BOYS live: https://www.youtube.com/watch?v=HsVjMx0JDHMBUTTHOLE SURFERS live film: www.youtube.com/watch?v=BW0mXU2mkgoSCRATCH ACID live: https://www.youtube.com/watch?v=ZdG1OALNSFIREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is graphic novelist/artist/musician Leela Corman (Victory Parade, Unterzakhn), who chose to discuss the 1980 midnight movie classic Forbidden Zone.We also talk about how Leela creates her long-form graphic novels, the difficulties and joys of making her masterwork Victory Parade, how Einstürzende Neubauten's album Lament helped her create her art, how watercolor is the noise guitar of paints, Leela's use of Busby Berkeley imagery, growing up in the 80s surrounded by transgressive art, Sonic Youth & Big Black, Raw Magazine, Lisa Suckdog, Forced Exposure, RE/SEARCH, how divisive the Forbidden Zone film can be, director Richard Elfman and his creation of The Mystic Knights of the Oingo Boingo troupe (later taken over by his brother, Danny Elfman), how we each discovered the film, how Leela puts a line from Forbidden Zone into every one of her books, Night Flight, the acting of Hervé Villechaize and Susan Tyrrell in the film, how the film spoke to Leela because of its use of Yiddish and ‘Yinglish’, how Richard Elfman went broke making the film, its incredible musical sequences, Josephine Baker, Leela working with The Mountain Goats, the legendary performance art of The Kipper Kids in the film, midnight movies and so much more!So let's jump into the mouth in the wall and ride through the intestine on this week's episode of Revolutions Per Movie!!!Leela Corman:http://www.leelacorman.com/Forbidden Zone:https://richardelfman.com/films/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an Encore Presentation of the first episode ever of Revolutions Per Movie...It had to start somewhere...and of course I had to begin with 'Dig' the Dandy Warhols/Brian Jonestown Massacre documentary! I was so happy that my first discussion already had a surprise guest to dismantle the film from the inside. Oh, the youth of us all...ha! (Episode 1 originally aired on Sept. 14th 2023).The original show notes:Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.I’m your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.For our inaugural episode, we talk with author/musician Ryan H. Walsh, who chose the Brian Jonestown Massacre/Dandy Warhols documentary film “Dig!” to discuss. We are also joined later by a surprise guest from the Brian Jonestown Massacre camp, Travis Snyder, who was the band’s tour manager for almost 20 years. We talk about how the film was initially commissioned to be a reality series by MTV, how bands in the 90s navigated the major label-feeding frenzy, the unhealthy lifestyle of band life, and how this documentary really did not tell the whole truth.So listen in as we discuss the revolution that never happened on this episode, Revolutions Per Movie. Ryan H. Walsh:www.astralweeks.net/aboutwww.hallelujahthehills.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is author, musician, journalist DAVE BIDINI (member of Canada's longest running indie band--Rheostatics, Editor-In-Chief at West End Phoenix, author of 12 books including Around The World In 57 1/2 Gigs) who picked one of the most fought-over titles to discuss on Revolutions Per Movie, Ron Howard's TV Movie Of The Week, COTTON CANDY!!!We also discuss entering competitions when you're a kid, how Rheostatics have changed over their 45-year history and how the geography of Canada shaped their music, Dave's parents talking to him about the evils of Punk Rock, Stompin' Tom Conners, how Canadian record labels want bands to strip the Canadian aspects from them, the film/book/lp Whale Music, signing to Sire Records and working with Seymour Stein, Dave watching Cotton Candy when it first aired on TV, Charles Martin Smith and Clint Howard’s amazingly honest nerdy turns in this film, Kiss Meets The Phantom, how TV started competing with films in the late 70s, the pacing of a made-for-TV movie, old teenagers in films, teenage rejection and self-sabotage, being "PUNK" on TV, having a band logo before you even have a band, the brand of Power Pop in this film, dancing in movie theater aisles, the uncomfortable strip poker scene, building bands’ mythology in your head, music that scared you as a kid, being hypnotized by commercials as a kid, Ron Howard's directing style, a great story about Frank Sinatra & The Cramps and more! So let's head to the mall to play in the battle of the bands on this week's Revolutions Per Movie!DAVE BIDINI: https://www.penguinrandomhouse.ca/authors/2290/dave-bidiniRHEOSTATICS: https://www.sixshooterrecords.com/artists/rheostaticsWEST END PHOENIX: https://www.westendphoenix.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by IRA ROBBINS (Editor & Co-Founder of TROUSER PRESS magazine) as we end the year with the 1959 U.K. cult classic EXPRESSO BONGO!!!We discuss how Ira's influential magazine was started on a whim, and how as outsiders they wanted a different approach to rock journalism, how they got a long-form interview with Jimmy Page, how the magazine made me feel smarter by reading it, the wild highs and lows of publishing Trouser Press, making mistakes in journalism, writing a letter to Pete Townshend and the reply that came back in the mail, how 70s rock journalism still held power in the culture of the time, the Devo/William Burroughs interview, how they got difficult interviewees to open up to their writers, how the magazine become an obligation rather than an opportunity over the years, the hardcore punk movement, how and why the magazine stopped publication, MTV's influence on music journalism, Laurence Harvey’s strange and powerful performance in Expresso Bongo, how young Cliff Richard was in this film, the incredible opening title sequence of the film, how the film pushes the cultural boundaries for young people in the late 50s, the British kitchen-sink drama movement, how the film was originally a West End musical and the differences between the two, how sleazy and risqué the film is for its time, The Shadows, how exploitative the British rock management world was, the threat of the 50s teenager, the alternate ending of the film and so much more.So let's spin in circles while shattering our espresso cups on the ground on this week's episode of Revolutions Per Movie!!TROUSER PRESS BOOKS (you can read the entire Trouser Press Magazine run in their archives!):trouserpressbooks.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!This was a special one...director Ryan Worsley had just finished the film at the time of this recording and was publicly screening it along with Negativland performing live afterwards. Not only was it the best Negativland performance I had ever seen, but it was also one of the most powerful (upsetting and darkly funny) shows I'd ever witnessed. A band that is notoriously difficult to pin down was explored beautifully with Stand By For Failure, so I was excited to get into the weeds (and we do!).(EPISODE 55 originally aired Sept 26th 2024)ORIGINAL SHOW NOTES:This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland’s current live show We Can Really Feel LIke We’re Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce’s ashes after his passing, can you still culture jam today, plunderphonics, how Negativland’s perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents’ recording studio in the film, the Christianity Is Stupid murder myth, how artist’s are still getting ripped off, what it’s like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.Is there any escape from noise? Find out on this week’s episode of Revolutions Per Movie!!!RYAN WORSLEY:http://pool-food.com/failure/NEGATIVLAND:https://negativland.com/https://negativland.com/negativland-documentaryREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, I’m joined by David Longsreth (of Dirty Projectors and musical collaborator with David Byrne, Bjork, Solange, and Rihanna) to talk about his life in music, and the experience of composing his first soundtrack for A24's The Legend of Ochi.We discuss the head-bending Dirty Projector’s take on the Black Flag Damaged LP, punk rock mix tapes, touring with Xiu Xiu and going 'method' on that tour, David making his early records in basement bedrooms on 4-track cassette recorders, embarrassing imperfections in music, an early eureka moment while opening for Broken Social Scene, working solo vs. collaborating with others, the different modes of Neil Young, John Cale’s touch and attack, how they did the vocal gymnastics live with Bjork, Einstein On The Beach and Phillip Glass, slowing down songs to half speed, being fans of people you collaborate with, the soundtrack to Rumblefish, David's early work on Ochi and the film's 10-year gestation period, vocal hocketing, creating the creatures’ voices in the film, how it feels to hear your music played by an orchestra, my video store colliding with David creating his 1st record while sleeping in a hallway in Portland, and more...So come find out if I put a bag over my head for asking naive questions on this episode of Revolutions Per Movie!!!DAVID LONGSTRETH/DIRTY PROJECTORS:https://www.davidlongstreth.com/https://www.dirtyprojectors.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I talk to Beth Harrington, Emmy-winning/Grammy-nominated director of The Winding Stream: The Carters, The Cashes and the Course of Country Music, the upcoming Duplex Planet documentary, and a recording/touring member of Jonathan Richman & The Modern Lovers, about her amazing documentary, Welcome To The Club: The Women Of Rockabilly.We also discuss Beth’s incredible origin story working with Jonathan Richman and her time in The Modern Lovers during which she suddenly quit her job for a life in music, touring with Jonathan, the story of Chris working with Jonathan Richman for a charity album/documentary, what her upcoming Duplex Planet documentary will be like, the blessing and curse of doing a hour-long doc for PBS, rockabilly influences in the punk underground, how Beth puts her films together, Beth working with Wanda Jackson, The Collins Kids, Brenda Lee & Janice Martin (The Female Elvis), the stage mom factor within the Rockabilly music scene, how Beth gets her candid interviews, Jack White, Robert Oermann & Mary Bufwack's excitable interviews about Rockabilly in the doc, The Sing Along With Mitch albums, how Brenda Lee tried to get Columbia Records to sign The Beatles, the incredible stories of Big Al Dowling (piano player with Wanda Jackson who had one of the first integrated bands in the U.S.), the gender fluidity of many of the rockabilly artists, how documentary filmmaking has changed for Beth over the years and so much more.So come shake a chicken in the middle of the room on this week's Revolutions Per Movie!WELCOME TO THE CLUB--THE WOMEN OF ROCKABILLY: https://www.youtube.com/watch?v=nihZl9Ni-Fw&t=856sBETH HARRINGTON: https://www.bethharrington.com/DUPLEX PLANET DOC: https://www.beyondduplexplanet.com/BETH W/ JONATHAN RICHMAN: https://www.youtube.com/watch?v=gf4NSNw_U4I&list=PLE9wKImo1JY6wdkL_W_aZmqutEs-ZSSr4&index=7REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
Hello and welcome to a special holiday bonus episode of Revolutions Per Movie!!!! I'm delighted to be joined by film critic/author Alonso Duralde (Hollywood Pride: A Celebration of LGBTQ+ Representation in Film & Have Yourself A Movie Little Christmas) to discuss one of the greatest holiday feasts of all time: PEE-WEE'S CHRISTMAS SPECIAL!!!!We also discuss whether or not it's easy to truly love holiday movies, the pain behind the awful Christmas film Santa And The Ice Cream Bunny, what Bowie or Zappa were thinking when they played the Florida amusement park Pirates World (where Iron Butterfly also filmed their film Musical Mutiny), Blast Of Silence, how Pee-Wee scored prime time appearances by Grace Jones and KD Lang while also convincing Cher & Little Richard not to sing, joining the Pee-Wee fan club, David Letterman, the new Pee-Wee doc, how people like Diana Shore were in on the joke by appearing on the special, the incredible pacing of a typical Pee-Wee episode, John Waters, how we love when Pee-Wee was just an asshole, which member of the playhouse would we want to hang out with, David Bowie & Bing Crosby’s rendition of Little Drummer Boy, TV crap and variety shows feeding our 10 year old brains in the 70s, the verdict on Christmas carols, having "verse blindness" with music, top dollar Santas and more!So please come join me at my Revolutions Per Movie holiday party...the cups of instant coffee are on the floor...so help yourself!ALONSO DURALDE:instagram.com/alonso.duraldehttps://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-presshttps://www.bloomsbury.com/us/have-yourself-a-movie-little-christmas-9781493087440/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is Doug Gillard (Guided By Voices, Nada Surf, Death Of Samantha), who picked the film, Ghost On The Highway: A Portrait of Jeffrey Lee Pierce & The Gun Club, to discuss.We also talk about our experiences recording for Guided By Voices, the night GBV played Austin City Limits, Doug’s first songs he wrote when he was 5 years old, the influence of cartoon/bubble gum rock on Doug, the TV shows Night Flight and Pop Clips, Doug's Homestead Records band Death of Samantha, Dream Syndicate, the Ohio rock trait of putting on a show bigger than your actual audience size, out-weirding each other in the late 80s music scene, how The Gun Club were the authentic sound of Americana, singing in the key of Jeffrey Lee Pierce, guitarist Kid Congo Powers, filmmaker Alison Anders, how this doc never could get a proper release and can’t use The Gun Club music in it, the trauma underlining the doc, Doug’s experience opening for The Gun Club, Jeffrey playing the trumpet backwards, touring with Brian Jonestown Massacre, Peter Case, joining fanclubs, The Cramps, guitarist Ward Dotson, Yo La Tengo, The Liquor Giants, the iconic cover artwork of the band, Debby Harry singing with The Gun Club, how the members of the band kept getting pulled back into the band over and over again, drummer Terry Graham escaping the band while on tour in the middle off the night through a window, writing record reviews for Slash Magazine, why Lemmy from Motorhead is in this documentary and more!So let's walk with the beast on this week's episode of Revolutions Per Movie!!!DOUG GILLARD:douggillard.bandcamp.comguidedbyvoices.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
How better to ring in the start of the holiday season than with two of my favorite music film obsessives, musician Chaki (The Funk Wizard) & comedy writer/artist/filmmaker Rachel Lichtman of Programme 4, who brought to my attention the 1970 TV spectacular The 5th Dimension Special: An Odyssey In The Cosmic Universe Of Peter Max.We discuss how this special got on Rachel’s radar, Chaki seeing a restored version of this in a theater with the members of The 5th Dimension in atttendance, what’s the story behind The Glass Industries sponsorship of this special and how they created a ‘real band,' The Glass Bottle, the PBS ‘fake band’ Mulligan Stew, what it was like being a groovy extra in tv/movies during the hippie days, hippies in advertising, Dickie Goodman of Mr. Shark fame writing the music for The Glass Bottle, Rachel’s The 5th Dimension crime show on Programme 4, Dionne Warwick, the obsession within The 5th Dimension to get their vocal harmonies absolutely right, Marilyn McCoo & Solid Gold, the Bee Gee’s Idea TV Special, the steady hand of director John Moffitt (who also directed Mr. Show episodes), how the special was shot in studio 8H in NYC and not in Burbank, Peter Max’s brand of psychedelic art--where art and commerce meet, the weird vibe of Peter Max’s acting in this special, how the Laugh-In writers did not hit the psychedelic needs of this special, Artie Johnson’s problematic and offensive comedy characters in this special, Glen Campbell and Flip Wilson’s much needed energetic turns in this special, the song and the performance of 'Puppet Man', why the children in this special freak us out, the haunting littering commercials made for this special, Chris’s first time seeing the musical Hair, the legendary arrangement of 'Aquarius' banging into 'Let The Sun Shine In. Also, Rachel gives a massive update regarding the future of Programme 4, and Chaki hints at his new collaboration with El Vez entitled “Fuck Ice”. THE 5th DIMENSION SPECIAL:Obsolete Video: https://www.youtube.com/watch?v=mjC3xB7egmY&t=3292sRACHEL LICHTMAN:https://www.programme4.tv/contactCHAKI:https://chaki.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Hosted on Acast. See acast.com/privacy for more information.





Excellent 💖