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A Boston-based podcast that thrives in how we live. What we like to see, watch, taste, hear, feel and talk about. It’s an expansive look at our society through art, culture and entertainment. It’s a conversation about the seminal moments and sizable shocks that are driving the daily discourse. We’ll amplify local creatives and explore the homegrown arts and culture landscape and tap into the big talent that tours Boston along the way.
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Playwright Joshua Harmon joins us to talk about his new play, “We Had a World.” The work turns inward, following a playwright asked by his grandmother to write about their family — a request that opens up a fraught history of love, resentment, humor, and truth-telling across three generations. “We Had a World” is onstage at the Huntington Theatre Company from February 12 through March 15.Ball in the House is a Boston-based a cappella group working across R&B, soul, and pop. They’ve opened shows for artists including the Jonas Brothers, Fantasia, and Lionel Richie, and join us ahead of upcoming performances in Foxborough and Shirley. All five members stop by the studio to talk about touring, vocal music, and what’s next.A year ago, Philip Kennicott warned that President Trump’s takeover of the Kennedy Center threatened the independence of one of America’s most important cultural institutions. Now that warning is playing out: this week the administration announced plans to close the Kennedy Center for two years as part of what Trump calls a “complete rebuild,” following months of leadership upheaval, cancellations, and declining ticket sales. Kennicott joins The Culture Show to discuss how unprecedented this level of presidential control is — and what it could mean for the future of federal support for the arts. Philip Kennicott is a Pulitzer Prize-winning art and architecture critic for The Washington Post.
What do MBTA service alerts sound like as show tunes? “T: An MBTA Musical” turns the daily frustrations of riding Boston’s transit system — delays, shuttle buses, and all — into a two-act musical that’s equal parts satire and love letter to riders. Composer and lyricist Mel Carubia and Cassandra West , Executive Producer of Infinite Rotary Productions join us to talk about the show’s return, now onstage at the Boston Center for the Arts and The Rockwell.After ten years leading the Isabella Stewart Gardner Museum, Peggy Fogelman reflects on a decade of continuity and change at one of Boston’s most distinctive institutions. She joins us to talk about expanding contemporary exhibitions and performance, steering the museum through the pandemic, and what it means to lead a place so shaped by history, memory, and public expectation. To learn about all of the museum’s programming go here.A new production of William Shakespeare’s "A Midsummer Night's Dream" at the BrickBox Theater in Worcester is set in a 1980s nightclub called The Wood, awash in leather, glitter, and neon. Livy Scanlon, artistic director of The Hanover Theatre and Alan Seiffert, the new president and CEO of The Hanover Theatre and Conservatory for the Performing Arts join us for an overview. To learn more, go here.
1On this edition of The Culture Show, Jared Bowen, Lisa Simmons, and Edgar B. Herwick III go over the week’s top arts and culture headlines.First up, Catherine O’Hara, the Emmy and Golden Globe winning actress who starred in films including Home Alone, Beetlejuice and numerous collaborations with Christopher Guest, has passed at age 71.Then, protest music and cultural backlash. Bruce Springsteen released a new protest track taking aim at immigration raids, while the Dropkick Murphys reworked their 2005 song “Citizen CIA” into “Citizen ICE” for their upcoming album “New England Forever”. Neil Young also made a geopolitical gesture, offering free access to his music in Greenland amid rising political tensions.The reaction to the killing of Alex Pretti has rippled across culture and sports. At Sundance, filmmakers and actors spoke out against ICE, and the NBA postponed a Minnesota Timberwolves game as players grappled with the moment—underscoring how quickly politics and culture are colliding.Also in the headlines: the documentary “Melania” has struggled to find an audience despite a reported $75 million price tag, with some screenings selling zero tickets and one London show drawing just a single attendee.Plus, The Museum of Fine Arts is laying off dozens of employees amid financial strain, raising questions about sustainability even at major institutions. Meanwhile, three Bob Ross paintings Finally, it’s a week in preview, with the hosts offering their suggestions for arts and culture happenings to take in. Jared suggests “Some Like it Hot,” now onstage through February 8; Lisa Simmons is suggesting a screening of the documentary “Harm in the Water,” on February 5, and Edgar B. Herwick III offers a Kubrick film festival at the Harvard FIlm Archives.
Donald Nally, founder and conductor of The Crossing, a Grammy-winning ensemble dedicated almost entirely to new music, joins The Culture Show ahead of their performance at Symphony Hall. The Crossing is joining the Boston Symphony Orchestra for a program exploring sacred music in the 21st century. The concert pairs David Lang’s “poor hymnal” with the Boston premiere of Carlos Simon’s “Good News Mass”. To learn more about upcoming performances go here. Culture Show producer Max Chow-Gillette takes inside 25 hours of the 30th Moby-Dick marathon, an annual voyage at the New Bedford Whaling Museum where Melville enthusiasts read the entire novel aloud.Culture Show contributor Julia Swanson takes us downtown for a Public Service Arts Announcement, spotlighting Boston Bricks — bronze reliefs embedded in the sidewalks of Winthrop Lane. An award-winning photographer, multidisciplinary artist and founder of The Art Walk Project, Swanson guides us through this hidden gem of a public art installation that tells Boston’s story from the ground up.
Today we’re hitting the snooze button for our Wednesday Watch Party — the show where we revisit the movies that shaped us, and ask if they still hold up. This month Jared Bowen, Callie Crossley and Edgar B. Herwick III are stuck in a time loop with “Groundhog Day.” Released in 1993, the Bill Murray comedy starts as a small-town farce and turns into something stranger and deeper: a romantic comedy about repetition, self-improvement, and what it means to actually change. In 2026 our hosts ask: does it hold up today? And do we get more out of the movie every time we watch it?
Noelle Trent, President and CEO of the Museum of African American History in Boston and Nantucket, joins us as Black History Month marks its centennial—100 years since Carter G. Woodson launched Negro History Week. She joins us to discuss why this milestone matters now and to give an overview of the museum’s Black History Month programming. To learn more go here. Bass-baritone Davóne Tines joins us ahead of his Boston concert with early-music ensemble Ruckus, “What Is Your Hand in This?”—a genre-hopping exploration of Revolutionary-era hymns and ballads traced through American history. He reflects on his boundary-crossing career in opera and protest music, and how performance can become a form of cultural reckoning. To learn more about the upcoming concert go here.Bruno Carvalho, Harvard professor and co-director of the Harvard Mellon Urban Initiative, discusses his new book The Invention of the Future: A History of Cities in the Modern World. He traces how cities—from Rio to Paris to New York—have been shaped by art, politics, and competing visions of modern life, and what urban history reveals about the futures we’re building. You can catch him tonight at Harvard Book Store.
After the White House ordered a sweeping review of exhibitions and interpretive text at the Smithsonian Institution, historians launched an unprecedented public documentation effort. Citizen Historians for the Smithsonian recruits volunteers to photograph artifacts, wall labels, and explanatory text across museums—creating a time-stamped, independent archive they call a “Crowd to Cloud” record. Co-founder Chandra Manning joins us to explain how the project works, and why preserving the public record matters now. Chandra Manning is a Professor of U.S.History at Georgetown University, a best-selling author and a former National Park Service Ranger. Max Wolf Friedlich’s high-pressure play, “JOB” is set entirely inside a mandatory therapy session between a content moderator and a company-appointed counselor. Now in Boston. Friedlich joins us to unpack how “JOB” explores power, surveillance, and mental health in the modern workplace. “JOB” is presented by SpeakEasy Stage Company, onstage through Feb7 at Roberts Studio Theatre, Calderwood Pavilion, Boston Center for the Arts. To learn more go here.Who decides what makes a building beautiful—the jury, or the public? Voting is now open for the Boston Society for Architecture’s Harleston Parker People’s Choice Award, where the public weighs in on the same finalists considered for the historic Harleston Parker Medal. Paige Johnston, the BSA's Senior Director of Programs & Impact, joins us to talk about this year’s finalists and what they reveal about how Greater Boston thinks about design. To learn more go here.
On this edition of The Culture Show, Culture Show co-hosts Jared Bowen, Callie Crossley and Edgar B. Herwick III go over the latest headlines on our arts and culture week-in-review.First up, awards season. The Oscar race is underway, with “Sinners” leading with 16 nominations and major snubs including “Wicked: For Good” and stars Paul Mescal and George Clooney. The Razzies roasted flops like “Snow White” and “The Electric State,” while the Public Domain Film Remix Awards spotlighted artists reinventing newly public-domain classics from “All Quiet on the Western Front” to “Betty Boop” and “Nancy Drew.:And Williamstown Theatre Festival is taking a summer season off as it retools its artistic and financial model, with plans to move toward a biennial schedule. The pause raises broader questions about sustainability, funding, and the future of regional theater in the U.S.From there, Green Day is set to open the Super Bowl ceremony, bringing anti-establishment punk to one of the most mainstream stages in American television. Bad Bunny is also fueling Super Bowl buzz with a newly released trailer for his halftime show.Plus, the Songwriters Hall of Fame announced its 2026 inductees, including Taylor Swift, Alanis Morissette, and Kiss’s Gene Simmons, honoring the architects behind decades of hits across genres and generations.Finally, it’s our week in preview with host recommendations for the weekend. Jared’s pick is the movie “H is for Hawk,” Callie’s offering is Candlelight Concerts: The Best of Hans Zimmer.and Edgar recommends the “Beasts of Burren Rolling Stones tribute in honor of photographer, Charles Daniels” at The Burren.
Actress Claire Foy joins The Culture Show to talk about her latest film, “H Is for Hawk”, adapted from Helen Macdonald’s bestselling memoir. Known for performances defined by restraint and emotional precision, Foy reflects on inhabiting grief, solitude, and endurance in a story that unfolds through the training of a goshawk. “H is for Hawk” opens in Boston area theaters this Friday. Stephanie Thorassie is Executive Director of the Seal River Watershed Alliance, an Indigenous-led partnership of four First Nations working to protect the Seal River Watershed in northern Manitoba. She joins us to discuss the documentary We Are Made from the Land: Protecting the Seal River Watershed, screening this Saturday at the Peabody Essex Museum alongside the exhibition Knowing Nature: Stories of the Boreal Forest. To learn more go here.Mary Grant, President of Massachusetts College of Art and Design, joins us for our recurring segment AI: Actual Intelligence. We talk about shrinking attention spans, the impact of scrolling culture, and how practices like slow looking — drawn from art history and museums — may help restore focus, curiosity, and deeper ways of thinking.
Culture Show contributor Joyce Kulhawik joins us for Stage and Screen, with her latest picks for what to see in theaters and cinemas right now. An Emmy Award–winning arts and entertainment reporter and President of the Boston Theatre Critics Association, you can read Kulhawik’s reviews here.We continue our Michelin Guide series with Tracy Chang, chef and owner of PAGU in Central Square. Known for deeply personal cooking that blends Japanese technique, Spanish influence, and the flavors of her Taiwanese heritage, Chang reflects on what it means for a neighborhood restaurant to receive a Michelin Bib Gourmand — and how the honor fits into a career rooted in community and care. To learn more about PAGu go here.Every year the Associates of the Boston Public Library ask: of the books that were popular one hundred years ago, which one still resonates today? On Tuesday, February 10, that question fuels the Hundred-Year Book Debate of 1926, as “The Sun Also Rises,” “The Weary Blues,” and “Winnie-the-Pooh” go head-to-head-to-head— with the audience deciding. Lisa Fagin Davis, Board Member and Chair of the Hundred-Year Book Award Committee for the Associates of the Boston Public Library, joins us for an overview. To learn more about the debate go here.
Paul Salopek has spent more than a decade walking the globe on foot as part of the “Out of Eden Walk,” retracing ancient human migration routes from East Africa toward Tierra del Fuego. A two-time Pulitzer Prize winner and National Geographic Explorer, Salopek joins us from Alaska, where he’s pausing for the winter before continuing his journey through the Americas. To read all of his reporting go here.After twelve years as chief restaurant critic for “The New York Times,” Pete Wells stepped away from the role following a health reckoning brought on by the demands of professional eating. He joins us to discuss “Reset Your Appetite,” his month-long series about developing healthier habits. A new article appears each Monday this month. You can read the current series here: January 5, January 12, and January 19.Michael Nichols, president of the Downtown Boston Alliance, joins us to talk about Winteractive, the free public art program transforming downtown Boston this winter. From giant staring eyes to surreal sea creatures, the walkable exhibition invites passersby to look up — and see the city differently. To learn more go here.
Tracy K. Smith, former U.S. Poet Laureate discusses her book “Fear Less: Poetry in Perilous Times” — an invitation to listen, reflect, and let poetry guide us through uncertainty. Don Gillis and Ray Flynn join The Culture Show to discuss Gillis’ new book “The Battle for Boston: How Mayor Ray Flynn and Community Organizers Fought Racism and Downtown Power Brokers.” On June 5th at 6:00 Don Gillis will be at a book event at the Roslindale Public Library. To learn more go here.Pulitzer Prize–winning historian David McCullough spent decades helping Americans see their past in human terms. A new collection, “History Matters”, gathers his essays and speeches on why history endures — edited by his daughter Dorie McCullough Lawson and longtime collaborator Mike Hill. She joins us ahead of her American Ancestors Headquarters event today at 5 p.m. To learn more go here.
On this edition of The Culture Show, Culture Show co-hosts Jared Bowen, Callie Crossley and Edgar B. Herwick III go over the latest headlines on our arts and culture week-in-review.First up, inaugural poet Amanda Gorman, who wrote a new poem for Renée Good — a Minneapolis poet and mother killed by a federal ICE agent — refusing to let her be reduced to a headline. Gorman’s poem turns grief into public witness, calling out power and insisting on accountability.Then Boston’s food scene is losing two very different kinds of hangouts. Time Out Market in Fenway is closing January 23, while UNO is shrinking again in Massachusetts, with locations in Dedham, Braintree, and Revere shutting down.Plus we dig into the latest James Bond casting buzz — with Callum Turner’s name in the mix as a possible next 007. What makes a convincing Bond now, and why do these rumors catch fire so fast?And from superspy shake-ups to superhero succession: we talk about the speculation that Damson Idris could play the next T’Challa in Black Panther 3. What would that kind of recasting mean for the franchise — and for the character’s legacy?Finally, Jared, Callie and Edgar share their recommendations for arts and culture events to take in. Jared’s pick: Company One Theatre’s “The Great Privatin.” Callie is looking forward to exploring “WINTERACTIVE” and Edgar’s heading to Scullers for John Coltrane and Miles Davis centennial shows.
In “The First Eight: A Personal History of the Pioneering Black Congressmen Who Shaped a Nation,” Jim Clyburn revisits the lives of eight Black congressmen from South Carolina who served during Reconstruction, testing the meaning of representation in the aftermath of slavery. Drawing on history and his own decades in Congress, Clyburn reflects on their legislative ambitions, the backlash they faced, and why their brief moment in power still shapes American democracy today.Boston-based Celtic quintet Scottish Fish joins The Culture Show with music rooted in tradition and sharpened by years of playing together. Ahead of this year’s Boston Celtic Music Festival, the group talks about their shared history, their approach to arranging fiddles and cello, and what it means to be named the Brian O’Donovan Legacy Artist at this year’s BCMF. This festival is January 15–18, 2026. To learn more go here.Whitney Scharer is the co-founder of To Be Read (TBR), a new writing and publishing conference launching Saturday, January 17, at Lesley University in Cambridge. Co-founded with writer Sonya Larson, TBR brings writers together with agents, editors, booksellers, and publishing professionals for conversations about craft, careers, and the forces reshaping the literary world. Scharer also discusses Publishing Matchmaker, a new system designed to rethink how writers and literary agents connect by reversing the traditional submission process. Learn more here.
Now that the Michelin Guide has put Boston on the map, we’re kicking off a new series checking in with the restaurants on that list — to see what Michelin has meant for their kitchens, their dining rooms, and the city around them. Our first stop is South Boston with chef Karen Akunowicz. Her two Italian restaurants on West Broadway — Fox & the Knife and Bar Volpe — each earned Michelin’s Bib Gourmand designation, recognizing the caliber of cooking she’s been known for long before Michelin came to kick the tires on Boston’s restaurant scene. Karen Akunowicz is a James Beard Award–winning chef and “Top Chef” alum. Nonprofits across Boston are confronting rising costs, shrinking support, and tough decisions about which programs can survive. Ali Noorani, the new president of the Barr Foundation, talks with us about how philanthropy is shifting, what’s at stake for arts and education organizations, and how funding priorities can reshape the cultural life of an entire region.Mahesh Daas, president of Boston Architectural College, returns for our “AI: Actual Intelligence” segment to examine how urban design can restrict who gets to fully use public space. From benches outfitted with barriers to ledges lined with studs, he breaks down how hostile architecture works — and what it reveals about a city’s values. Daas also updates us on his creative work, including his graphic novella on artificial intelligence,”I, Nobot.”
PBS’s Breaking the Deadlock drops former politicians, judges, and veteran journalists into staged constitutional crises and asks them to work from the same facts, limits, and scenarios. Moderator Aaron Tang, a UC Davis law professor, joins us to talk about what these simulations reveal about civil discourse and the power of reasoning amid deep disagreement. Their forthcoming episode, “A Matter of Life and Death,” airs on January 20, 2026. To learn more about “Breaking the Deadlock,” go here. Tony Award–winning director Diane Paulus, Artistic Director of the American Repertory Theater, joins us to talk about “Masquerade,” an immersive reimagining of Andrew Lloyd Webber’s “The Phantom of the Opera.” Set in a five-story former department store on West 57th Street, the production turns the Paris Opera House into a candlelit maze of salons, staircases, and hidden rooms, bringing audiences in masks inches from the show’s spectacle and romance. To learn more go here.In our recurring feature “AI: Actual Intelligence,” independent curator and Culture Show contributor Pedro Alonzo takes us to Los Angeles by way of two museum exhibitions, The Brick’s Monuments and LACMA’s “Grounded.”
Damien Hoar de Galvan created one sculpture a day for an entire year, using discarded materials like scrap wood, jars, and household objects. His 365 works are now on view at the ICA, where he’s been awarded the 2025 Foster Prize. He joins us to talk about the project and why these everyday materials matter to him. The Foster Prize exhibition is on view through January 19. To learn more go here.“The Great Privation” spans two centuries to examine how Black Americans have been forced to survive systems built on taking — from labor to land to bodies. Summer L. Williams, Company One’s co-founder and Associate Artistic Director, joins us to discuss the production. “The Great Privation” is a co-production of Company One Theatre and Woolly Mammoth Theatre Company, now onstage through January 31. To learn more go here.As part of Countdown to 2026, we explore Paul Revere’s Sons of Liberty Bowl, crafted in 1768 to honor a Massachusetts vote rejecting new British taxes. Engraved with the names of lawmakers who opposed those measures, it’s a key artifact of early resistance. Ethan Lasser, Chief of Curatorial Affairs and Conservation at the Museum of Fine Arts, Boston, joins us for an overview. To learn more about the Sons of Liberty Bowl and the MFA’s exhibitions and programming go here.
On this edition of The Culture Show, Culture Show co-hosts Jared Bowen, Callie Crossley and Edgar B. Herwick III go over the latest headlines on our arts and culture week-in-review.First up, “Heated Rivalry,” the hockey romance that’s become an unexpected breakout hit. What began as a niche sports drama has grown into a word-of-mouth phenomenon, drawing praise for its explicit intimacy, emotional depth, and its nuanced take on masculinity, fame, and desire inside the high-pressure world of professional sports.Next, BTS is reuniting after completing South Korea’s mandatory military service. With all seven members back together for the first time in years, the group’s return marks a major moment not just for fans, but for the global pop industry — reigniting questions about longevity, fandom, and the scale of their cultural influence.And the British Museum is now hiring a specialist to help recover antiquities stolen from its own collection. The move follows a major internal security scandal and raises larger questions about how museums track objects once they disappear, and what it takes to recover cultural history in a global art market.Then we turn to Jim Beam. After more than two centuries as a pillar of Kentucky bourbon, the company is halting production at its flagship distillery amid changing consumer habits and ballooning stockpiles — a signal of broader shifts in the spirits industry.Finally, Jared, Callie and Edgar share their recommendations for arts and culture events to take in. Jared’s pick: the play “Is This a Room,” Presented by Apollinaire Theatre Company, Chelsea Theatre Works, 189 Winnisimmet St., Chelsea. Callie is looking forward to watching “Can This Love Be Translated?”, a new K-drama on Netflix, and Edgar is gearing up to watch the NFL Playoffs.
As part of our recurring segment AI: Actual Intelligence, Imari Paris Jeffries, President and CEO of Embrace Boston and a co-chair of Everyone 250 joins us.. Jeffries shared original, human-centered insights on civic memory, public history, and the work of shaping a more inclusive narrative as Massachusetts approaches its 250th anniversary.Photographer Amani Willett joins us to discuss his latest book, “Invisible Sun.” His most intimate project to date, Willett discusses how the book confronts his childhood medical trauma and explores what it means to carry personal history in the body. Willett is an Associate Professor of Photography at Massachusetts College of Art and Design. To learn more about “Invisible Sun” go here.We wrap up the show with cocktail authority Jackson Cannon, Beverage Director for ES Hospitality and a longtime force behind Boston’s modern cocktail revival. Cannon broke down the enduring appeal of the martini — from dry to dirty to Vesper — and previewed his upcoming Martini 2.0 cocktail class, a deep dive into the technique, history, and style behind one of America’s most iconic drinks. To learn more about this January 24th event go here.
Joyce Kulhawik joins The Culture Show with highlights from the annual voting of the Boston Society of Film Critics, following their marathon session at the Coolidge Corner Theatre, which could be an indicator of this year’s Oscar contenders. The Boston Society of Film Critics awards crowned Sinners, directed by Ryan Coogler, as Best Picture, alongside honors for standout performances, documentaries, animation, and the repertory screenings that kept Boston’s movie houses buzzing. Joyce Kulhawik is a Culture Show contributor, an Emmy-award winning arts and entertainment reporter and President of the Boston Theatre Critics Association. You can find her reviews at Joyce’s Choices.Salem’s inaugural Poet Laureate, J.D. Scrimgeour, discusses writing about the “other Salem” — the daily, lived-in city beyond witch-trial lore and Halloween tourism. As part of the Salem 400+ celebrations, he talks about his new book “Poet in High Street Park: Prose & Poetry for Modern Salem.” On January 11, he’ll be at the Peabody Essex Museum for a PEM Reads event, reading from and discussing his new book as part of the official Salem 400+ celebrations. To learn more go here.Boston-based sculptor Alison Croney Moses is one of four artists featured in this year’s Foster Prize exhibition at Institute of Contemporary Art, Boston, on view through January 19. She joins us to talk about her work, receiving the 2025 James and Audrey Foster Prize, and what it takes to carve out a life and career as an artist in Boston. To learn more about the James and Audrey Foster Prize and exhibition go here.
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