00s Dance Music Classics by Party Favorz

Play Pause DonateDownload var srp_player_params_68d7f20f848d3 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f848d3 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f848d3"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f848d3"); } Happy Friday everyone! Party Favorz is back with the third and final installment of BackSpin [2011–2012]. This edition wraps up our journey through the Electro House classics and millennial dance hits that defined this two-year period. This set brings the energy with unforgettable anthems that shaped the era. This set include era-defining songs like “Hello” by Martin Solveig and Dragonette, “We Found Love” by Rihanna and Calvin Harris, “Party Rock Anthem” by LMFAO, and “Save the World” by Swedish House Mafia—a group that probably deserves their own Legacy entry in the near future. Of course, no mix from this period would be complete without David Guetta. His collaborations with powerhouse vocalists dominated clubs worldwide. From “Turn Me On” with Nicki Minaj to “Titanium” with Sia, Guetta proved unstoppable. Titanium in particular became the defining anthem of the decade, pairing raw emotion with a drop that still gives chills. https://www.youtube.com/watch?app=desktop&v=JRfuAukYTKg&t=50 Spectrum: From Indie Roots to Electro House Anthem Another standout is “Spectrum (Say My Name)” by Florence + The Machine. Originally produced by Paul Epworth for the band’s 2011 album Ceremonials, the track was already an international hit thanks to Florence Welch’s soaring vocals and the band’s signature art-pop drama. It was only later that Calvin Harris stepped in with his remix, transforming it into a club juggernaut. His reimagined version climbed to the top of the UK Singles Chart and became a festival favorite, bridging the gap between indie and EDM. More than a decade later, the song continues to evolve with new Afro House reworks and a recent Morgan Seatree remix, proving just how enduring its core melody and vocals are. https://www.youtube.com/watch?v=O4-6Y_91v5I Party Rockers and Dancefloor Mayhem While the big-room anthems carried the charts, some of the most infectious energy came from unexpected corners. One of our favorite party tracks from this period is “Loca People (What the F*)” by Sak Noel**. The original and its accompanying remixes were stellar in their own right, but it was the bootleg mashup by DJs From Mars that really lit dancefloors. In particular, DJs From Mars—in one of their earliest appearances—delivered a mashup that still turns heads. By blending Sak Noel’s banger with Bingo Players and a familiar riff from The White Stripes, they created a genre-bending track that sent crowds into hysteria. If you were on the dancefloor when this dropped, you know the chaos it unleashed. Their version wasn't just a remix; it was a reinvention, taking an already memorable song and pushing it into next-level territory. https://www.

Relive the peak of EDM with Top Electro House classics and club anthems from 2011–2012 in BackSpin Vol. 10, featuring Guetta, Harris, SHM, and Tiësto.

Play Pause DonateDownload var srp_player_params_68d7f20f8554b = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f8554b = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f8554b"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f8554b"); } Party Favorz is back with the latest installment of our BackSpin series, spotlighting the Electro House and crossover dance hits that ignited 2011–2012. These two whirlwind years marked EDM’s jump from niche festival staple to mainstream juggernaut, thanks to headline makers like David Guetta and Swedish House Mafia. Their success opened the floodgates for pop stars who craved festival-sized drops—and fans who wanted club energy in their earbuds. Guetta, SHM & the EDM Gold Rush David Guetta’s hit-factory formula primed radio for four-on-the-floor beats, but it was Swedish House Mafia’s stadium-grade anthem “Don’t You Worry Child” that proved big-room hooks could rule the Hot 100. Released in September 2012, the track scaled charts on both sides of the Atlantic, cementing Electro House as a pop force and setting a template today’s producers still chase. Rihanna & Calvin Harris: Lightning in a Bottle When Rihanna paired with Calvin Harris on “We Found Love”, the song detonated—ten weeks at No. 1 on the Hot 100 and endless DJ spins. Harris stayed in her orbit with “Where Have You Been,” keeping the singer on dance-floor rotation while boosting his own superstar status. Their combo of emotive vocals and festival-ready synths became EDM’s new blueprint for crossover success. Katy Perry & Ke$ha: Pop Royalty Goes Electro Katy Perry’s Teenage Dream era technically started in 2010, yet its remix packages stretched well into 2012. dancefloor makeovers of “Firework”, The One That Got Away, and “Last Friday Night” guaranteed Perry prime placement in every peak-hour set. Meanwhile, Ke$ha fed party animals with brat-pop bangers like “Blow” and 2012’s “Die Young,” each armed with remix bundles that slammed straight into the dance-charts. Lady Gaga: An Enduring LGBTQ Anthem With “Born This Way”, Gaga delivered a universal call-to-arms wrapped in Electro House armor. Remixers—from Chew Fu and Bimbo Jones to Manhattan Clique and Michael Woods—ensured every LGBTQ+ sub-scene had a tailored version. The result? A gay anthem that moved from Pride parades to prime-time radio without losing an ounce of edge, while becoming a staple in every subsequent Gay Pride celebration. J.Lo Reinvents, Pitbull Dominates Dropped by Epic, Jennifer Lopez landed at Island Def Jam and roared back with “On the Floor”—No. 1 in 30-plus countries. Follow-ups “I’m Into You” and “Papi” proved she wasn’t done. Even Epic tried to cash in on her newfound success, dusting off “Dance Again” from her vault, and yes, it’s still a gem.During the same stretch, Pitbull attached his Miami swagger to every chart contender. “Give Me Everything” with Ne-Yo defined 2011’s summer and turned Mr.

Play Pause DonateDownload var srp_player_params_68d7f20f85df1 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f85df1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f85df1"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f85df1"); } Album : BackSpin [2009 — 2010] Volume 8Genre : Electro House, Funky HouseYear : 2025Total Time : 2:57:35 Kelly Clarkson - My Life Would Suck Without You (Chriss Ortega Club Mix) Jordin Sparks - Battlefield (Bimbo Jones Remix) Katy Perry feat. Snoop Dogg - California Gurls (Liam Keegan Electro Remix) Pussycat Dolls - Bottle Pop (Dave Audé Club Mix) Kelis - Acapella (Dave Audé Club Mix) The Temper Trap - Sweet Disposition (Mark Picchiotti's Dirty South Extended Club Edit) Janet - Make Me (Dave Audé Club Mix) Oceana - Body Rock (Dave Audé Vocal Mix) Jipsta - I Want Your Sex (Mike Rizzo M2 Original Club Mix) Kaci Battaglia with Ludiacris - Body Shots (Wawa Extended Mix) Katy Perry - Peacock (Reynaldo Klawa Club Remix) Rihanna - Rude Boy (Wideboys Stadium Club Mix) Madonna - Celebration (Oakenfold Remix) Black Eyed Peas - I Gotta Feelin' (David Guetta Remix) Kelly Rowland feat. David Guetta - Commander (Extended Mix) Tiesto & Sneaky Sound System - I Will Be Here (Wolfgang Gartner Remix) Train - Hey Soul Sister (Karmatronic Club Mix) Robyn - Dancing On My Own (Buzz Junkies Club Mix) Ke$ha - Your Love Is My Drug (Dave Audé Club Mix) Pussycat Dolls - Hush Hush (I Will Survive) (Dave Audé Extended Mix) Macy Gray - Beauty In The World (Cutmore Extended Remix) Jason Derülo - Whatcha Say (Johnny Vicious Club Mix) Wynter Gordon - Dirty Talk (Chew Fu Extended Mix) Rihanna - Russian Roulette (Chew Fu Black Russian Club Mix) Wildboyz feat. Ameerah - The Sound Of Missing You (Extended Mix) David Guetta feat. Kelly Rowland - When Love Takes Over (Original Mix) Katy Perry - Last Friday Night (T.G.I.F.) (Almighty Club Mix) Scissor Sisters - Fire With Fire (Digital Dog Club Mix) Miami Starfish feat. Jermaine Stewart - Clothes Off (Soul Seekerz Club Mix) The Ian Carey Project - Get Shaky (Ian Carey Original Mix) Richard Vission & Static Revenger feat. Luciana - I Like That (Dave Audé Club Remix) Avicii & Sebastien Drums - My Feelings For You (Original Mix)

Play Pause DonateDownload var srp_player_params_68d7f20f865d2 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f865d2 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f865d2"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f865d2"); } Just when you thought we’d emptied the vault of bangers from this era, BackSpin Volume 7 comes stomping in with another round of club anthems that defined the dancefloors of 2009 and 2010. This was not a chill period in dance music—it was a full-throttle takeover. These weren’t just tracks you heard in the club; they were the soundtracks to pre-games, afterparties, breakups, hookups, and everything in between. By this point, Electro House had become the default language of clubland. It didn’t matter if the artist was an underground favorite or a Disney Channel graduate—everyone wanted in on the energy. And with remixers like Dave Audé, Mike Rizzo, Jody den Broeder, and Jump Smokers consistently delivering top-shelf work, the line between pop and club music completely vanished. Remix Culture Was King Let’s be real—some of these tracks hit harder in their remixed versions than the originals ever could. Usher’s “DJ Got Us Fallin’ In Love” was already slick, but Jump Smokers cranked it up with a glammed-up club version that dominated summer playlists. Christina Aguilera’s “Not Myself Tonight” might’ve been polarizing on radio, but Jody den Broeder turned it into a pulsing floor-filler with an edge. Black Eyed Peas continued their chart domination with “Imma Be” and “Meet Me Halfway,” both of which got remixed within an inch of their lives—one dirty, one dreamy, and both undeniable. And let’s talk about Lady Gaga, who basically lived on the dance charts during this period. You’ll find three of her biggest tracks here—“Bad Romance,” “Paparazzi,” and “Love Game”—all reworked by Dave Audé into high-energy triumphs that left no corner of the dancefloor untouched. https://www.youtube.com/watch?v=Kszwg8u9--w The Rise of Selena Gomez One of the most fascinating shifts during this period was the arrival of Selena Gomez—best known at the time as a squeaky-clean Disney princess. But her early releases with The Scene were smart, polished pop that lent themselves surprisingly well to club remixes. “Round & Round” and “A Year Without Rain” became club favorites thanks to 7th Heaven and Dave Audé, respectively, who transformed them into soaring dance tracks without stripping away her youthful charm. Selena’s transition from Disney darling to legitimate pop artist began here, and the clubs were ready to embrace her. Ke$ha’s Party Nation Also bursting into the scene like a glitter bomb was Ke$ha, whose breakout hit “TiK ToK” became a global party anthem. Fred Falke’s remix gave it just enough disco-drenched sophistication while keeping its messy, rebellious spirit intact. Ke$ha’s arrival signaled a new wave of club pop—raucous, unfiltered,

Play Pause DonateDownload var srp_player_params_68d7f20f86e36 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f86e36 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f86e36"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f86e36"); } It’s time once again to rewind the clock and fire up your favorite dance memories with Volume 6 of our BackSpin series, spotlighting the electric surge of Electro House and other club-defining hits from the early millennium. This installment zeroes in on 2009–2010—two powerhouse years that marked a massive turning point for electronic dance music and the global club scene. By this point, the shimmering dominance of the big room anthems helmed by remix legends like Thunderpuss, Hex Hector, and Victor Calderone had begun to fade. Their reign throughout the late '90s and early 2000s had set the standard for peak-hour energy, but by 2009, a new breed of producers began rewriting the rulebook. The Electro House Revolution This was the moment when Electro House officially took center stage. David Guetta broke into the U.S. mainstream and never looked back, while the Swedish House Mafia began building their empire brick by brick. Artists like Bimbo Jones, Jody den Broeder, Wideboys, Jump Smokers, Mike Rizzo, and Wawa steadily made names for themselves by turning pop into gold—remixing everything from the obvious club fodder to unexpected chart-toppers. Their influence was unmistakable. If their names were attached to a remix, you knew you were in for something massive. What made this shift so monumental is that the remixers became just as famous—if not more so—than the original artists. Guetta and Swedish House Mafia didn’t just fill clubs; they packed stadiums and headlined the very festivals that were just beginning to explode in North America. Electronic music wasn’t just for the underground anymore—it was pop. Commercial Kings of the Club Charts Yet, while Guetta and SHM were scaling the highest heights, others carved out their own niche—less flashy but no less effective. Remix powerhouses like Cahill, Moto Blanco, and Dave Audé were hitting hard and consistently. Their mixes dominated Billboard's Dance Club charts and brought just the right balance of commercial accessibility and dancefloor credibility. Moto Blanco leaned heavily into Disco House—reinventing the genre with crisp, soulful vocals over chugging basslines and glittery synths. Meanwhile, Cahill and Dave Audé turned pop tracks into pure club fuel, often elevating songs far beyond their original versions. These guys weren’t interested in the spotlight—they were all about the sound. And club DJs and promoters knew: if you needed a floor-filler, you grabbed a remix from one of them. Pop Royalty Ascends This stretch also marked a major shift in pop culture, with a new generation of women dominating both the charts and the dancefloor. Rihanna was rising like a phoenix,

Play Pause DonateDownload var srp_player_params_68d7f20f878c8 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f878c8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f878c8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f878c8"); } This post was updated to include U + Ur Hand (Bimbo Jones Explicit Mix) by P!nk. Party Favorz is back with Volume 5 of our BackSpin series, spotlighting standout cuts from the golden age of Dance Club Songs. This edition focuses squarely on the biggest dance and club hits from 2007 to 2008—an era that bridged the raw energy of Electro House with the tail end of the millennium’s peak clubbing scene. If you were anywhere near a dancefloor during this time, chances are you’ll recognize most—if not all—of the tracks included here. Each one dominated the Billboard Dance Club Songs chart and captured the diverse pulse of the scene. From euphoric anthems to deep, soulful grooves, this was a period where musical experimentation met mainstream success. A Deep Cut That Still Resonates One of the undeniable standouts in this set is The Cure & The Cause by Fish Go Deep featuring Tracey K. While the original release had multiple remixes, it was DJ Meme’s version that truly left its mark. Known for channeling the Salsoul era with real string sections and deep, disco-rooted energy, Meme’s remix paid tribute to the late ‘70s underground—offering something completely unique in a sea of Electro House and Big Room soundscapes. Its lush arrangement made it a refreshing outlier, a reminder of the artistry that once dominated dance floors way back in the day. Extended Mixes That Kept Us Moving Another thing that sets this era apart? The length of these tracks. Seriously—they were long. We’re talking 8 to 10-minute versions that DJs could ride for ages, keeping the energy high and the transitions smooth. The early Electro House movement embraced this approach, making sure partygoers stayed glued to the dancefloor for extended stretches. While we aimed to preserve the integrity of the originals, we also made a few light edits for the sake of flow. For example, The Cure & The Cause originally clocked in at a full 10 minutes. A more accessible 6+ minute edit was released later, and that’s the version featured in this volume. How Streaming Changed the Club Mix As streaming platforms took off in the late 2000s, track lengths shrank. The push for more plays led to songs being chopped down to under three minutes—great for radio-style streaming, but awful for club DJs. This unfortunate trend carried over to remix culture. While we’ve bounced back a bit, with the average remix now hovering around five minutes, it’s still not quite where it used to be. The reality is, shorter edits limit a DJ’s flexibility. When you’re forced to use effects or create unnatural transitions just to make a mix work, it can pull the listener out of the experience. Ideally,

Play Pause DonateDownload var srp_player_params_68d7f20f883bf = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68d7f20f883bf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68d7f20f883bf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68d7f20f883bf"); } This post was updated to include In Your Arms (Bimbo Jones Extended Mix) by Plumb, and Just Dance (HCCR's Bambossa Main Mix) by Lady Gaga Party Favorz is back with another round of our BackSpin series, this time moving into the transformative era of 2007 to 2008—an especially meaningful period as it marks the birth of this very podcast. These were the years that saw dance music shifting dramatically, with the big room circuit style starting to cool off just as Electro House began rising from the underground and taking over mainstream dance floors. But the evolution wasn’t one-dimensional. This era ushered in a diverse set of trends that helped shape the sound of modern dance. It was the rise of remix royalty like Freemasons, Moto Blanco, and Cahill. Each brought their own distinct flair to the genre. Freemasons blended traditional House with Electro influences, Moto Blanco leaned deep into shimmering Disco House, and Cahill straddled both worlds with a clean, pop-forward edge. Their remixes were everywhere—especially for big-name artists. Back then, the bigger the artist, the more labels were willing to shell out for high-profile remixers. That is, until budgets began shrinking and labels stopped cutting those massive checks. Fast-forward 15 years, and platforms like SoundCloud changed the game again. Suddenly, bootleg remixes became marketing tools, not just club exclusives. DJs had to hustle to make a name for themselves—often remixing tracks for free in the hopes of being discovered or landing a record deal. A Remix Renaissance During this same stretch, a powerhouse of remixers emerged and defined the dancefloor. Bimbo Jones, Seamus Haji, Soul Seekerz, Wideboys, Dave Audé, Jody den Broeder, and a revitalized StoneBridge (whose roots go back to the ’90s) were dropping fire left and right. Meanwhile, some of the biggest names from the big room era still held their ground. Chris Cox (post-Thunderpuss), Ralphi Rosario, Tony Moran, Johnny Vicious, and DJ Escape kept delivering heavy, floor-shaking anthems that balanced out the sleeker, more polished productions coming from the Electro and Disco House scenes. This blend of sounds made for one of the most diverse periods in dance music—something we haven’t quite seen repeated since. A Pop Diva Takeover The pop landscape at the time wasn’t sitting quietly either. Britney Spears was staging a massive comeback, Beyoncé and Rihanna were dominating charts globally, and Robyn was redefining what electro-pop could be. Their tracks became essential remix material and ruled dance floors from coast to coast. We've packed both volumes of this series with heavy doses of these queens because, frankly,

Party Favorz is back with Volume 3 of our BackSpin series, bringing you Electro House classics along with a mix of Millennial dance club hits from 2005-2006. I hadn’t realized just how dominant the Rock Dance influence was during this time...

At long last, Party Favorz is back with our latest BackSpin, featuring Electro House classics and other dance hits from the early millennium. This set specifically focuses on 2005-2006. Electro House had already been bubbling up from the unde...

Have you been scrolling through TikTok lately, searching for the next big thing in club music? You might be encountering a surge of tracks labeled "Afro House." But hold on a minute – isn't that what Progressive House used to be called? Thi...

Dive into the captivating era of dance music with Party Favorz's final volume of the 'Top 2000s Dance Music Classics' series, covering iconic tunes from 2003 to 2004. This collection showcases some of the biggest dance hits and hidden treasures ...

Get ready to immerse yourself in the golden era of dance music with Party Favorz's Volume 2 of the 'Top 2000s Dance Music Classics'. A rich compilation of some of the biggest dance hits from 2003 to 2004, this offering is a must for any dance mu...

Are you ready to go back in time to the early 2000s when DJs ruled the dance scene? Party Favorz is back with the long-awaited continuation of our Top 2000s Dance Music Classics series, featuring some of the biggest hits from 2003 to 2004. Ge...

Welcome to another exciting Saturday with Party Favorz, as we present Volume 2 of the 'Top 2000s Dance Music Classics' series, featuring some of the most popular dance anthems from 1999 to 2002. In our previous post for Volume 1, we discussed...

Party Favorz is back with one of our bucket list items that move us from the Ultimate 90s House Classics into the millennium with the Top 2000s Dance Music Classics. I took a different approach to this series, which immediately becomes obvious w...

I was going to post a fifth volume of Happy House Classics from the Millennium but decided to update an older Diva Hall of Fame entry for the ailing Aretha Franklin. The woman is an icon and one of the greatest female singers of all time. While ...

Album: Happy House Classics vol. 3Genre: Funky, Soulful, House MusicYear: 2018Total Time: 02:24:38 1. Ron Gelfer feat. Tiger Lily - Your Beat Sounds Like (Disco Lips Remix) 2. Laurent Wolf feat. Soni Dee - Sunshine Paradise (Hott 22 Club M...

To be honest, I created the Happy House Classics for myself and was using it as a stop-gap between posts. However, the traffic numbers on the volume 1 episode are through the roof! I look at Google traffic, Podbean, Apple Music, and Google Play ...

When I first sat down to compile the tracklist and then create Happy House Classics, I was more than pleased with the final output. When I went back and listened to it, I realized that I had created yet another Pride Classics set which heavily o...