The Run-Through with Vogue

Today in Milan, Jil Sander Creative Director Simone Bellotti will show his second collection. Two weeks out from the show he was in New York – not to finalize the collection, which he says was largely locked a month ago, but to introduce the brand's new campaign alongside model Guinevere van Seenus. Van Seenus opened Bellotti's debut show and was the star of the Craig McDean campaigns that defined Jil Sander in the nineties. He’s looking back on those days as he prepares for the new collection.“It’s a brand that you really have to study,” he told Nicole Phelps.For fall, Bellotti’s mood board is organized around the idea of home—not as sanctuary, but as something more ambivalent. He's been watching Rainer Werner Fassbinder films and exploring the way the director used interiors to create tension and unease, to make the familiar feel threatening. He’s also shifting his approach for the new collection: where his first show was about reduction, this one is about addition. “I love this idea of contradiction,” he said. Jil Sander once described the mood of her collections like a “clear glass of water” or a “glass of red wine.” When asked to describe the mood of his fall collection: Bellotti didn't miss a beat: it's the olive in a martini. “It’s this extra thing that is apparently superfluous,” he said, “But it makes the cocktail perfect.” Learn about your ad choices: dovetail.prx.org/ad-choices

Earlier this week, designer Erdem Moralioglu debuted his latest collection in London at his 20th anniversary show. Titled “The Imaginary Conversation” this show was less a retrospective (a term he shied away from) and more an embrace of his many historic and current muses in imagined conversation with one another. Dame Kristin Scott Thomas joined the legendary designer on the podcast during his big week who has been her friend for over a decade, since he designed an outfit for her to wear to the palace for her damehood appointment. At the time, his working space was above a movie theater and “everything smelled of popcorn” Moralioglu recounted to Chioma in Vogue’s London studio. The pair of friends also recalled with some fondness and a twinge of horror the infamous nail polish incident of 2018 at the Met Gala—one can imagine where that story is headed—and all the other moments along the way when the Dame has phoned her dear friend with fashion emergencies. Scott Thomas also took advantage of her moment in front of the microphone to ask Erdem one of her own questions about his process of pattern cutting which was even informative for our resident fashion savant Chioma. As he looks back on the last 20 years, Moralioglu lingers on a sentiment he expressed in his Erdem book—that simultaneously everything has changed and nothing has changed. “I can look back at my graduate collection and at sketchbooks from when I was 21 and still see a connection between who I was then and who I am now,” he told the podcast.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Since landing the role of Carolyn Bessette Kennedy in the new FX series Love Story: John F. Kennedy Jr. & Carolyn Bessette, actress Sarah Pidgeon has had to undergo a full transformation. Not only did she dye her dark brown hair blonde (which she says is here to stay, at least for now!), but she also worked with a movement coach to nail down CBK’s mannerisms. “I was really focused on my eyes and I was thinking about taking all this information from these books and interviews that I had sort of gathered,” Pidgeon told Chloe Wednesday afternoon in Vogue’s podcast studio. With less than a minute of recorded video of Carolyn to work off of, Sarah found that listening to Elizabeth Beller’s book Once Upon A Time on repeat was the best way to prepare. Beyond her transformation, Sarah discussed her strategy for red carpet dressing, telling the story behind her feather dress and pant look she work to the show’s premiere. And she dives into all of the clothes she actually was able to steal from set!Earlier in the show, Chioma tells Choe how the Gisele Pelicot digital cover story came to be. She also runs through her London Fashion Week schedule (with Tolu Coker and Chopova Lowena as two highlights) and Chloe discusses how she came up with her new newsletter Malle Wear.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Rachel Scott, the founder of Diotima and the Creative Director of Proenza Schouler, put on two major shows in five days at New York Fashion Week. Her debut at Proenza Schouler was among the most anticipated shows of the week, with fellow designers like Maria Cornejo and Raul Lopez of Luar supporting from the front row.“There was a lot of my soul that I poured out in one week,” Scott told Nicole Phelps. “I'd say it's the hardest thing I've ever done.”At her Diotima show on Sunday, Scott collaborated with the estate of Wilfredo Lam, the late Cuban artist and current subject of a Museum of Modern Art retrospective. Scott has long admired Lam, and she found inspiration not only in the aesthetic beauty of his canvases but also the strong anti-imperialist statements in his work.Scott felt compelled to make her own political statement this season, given the many crises here in the U.S. and the world. “ICE out, number one,” she said. “We need to really think about what borders are. It's a statement against the repressive forces of colonialism and imperialism.”She also shared stories from her childhood growing up in Jamaica, her early fashion memories and career trajectory, and her favorite memories from her internship at Vogue.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

On Sunday afternoon—just hours before the Super Bowl—members of the Vogue Book Club gathered at the SVA Theatre in Chelsea for a special preview screening of Wuthering Heights, followed by an insightful conversation between director Emerald Fennell and Chloe for The Run-Through.Drawing on literary scholarship and her own teenage memories of the book, Fennell chose to lean into its sadomasochistic undercurrents. As she explained, “There’s a quote from Daphne du Maurier in which she describes Wuthering Heights as a kind of sexless book. But I’ve never experienced it that way. That’s part of the novel’s magic—everyone who reads it takes away something slightly different. For me, the sexual power dynamics are extremely explicit.”Fennell’s version makes several notable departures from the classic text. Isabella Linton (played by Alison Oliver) emerges as a more dynamic character (Fennell joked that she herself is “more of an Isabella than a Cathy”), and the adaptation omits both Nelly’s first-person narration and the novel’s second half (William Wyler did it first!). Perhaps the most memorable addition, however, is the motif of crushed eggs beneath bed sheets—an inside joke between Heathcliff and Cathy. Fennell revealed that she volunteered to sit on the eggs herself during filming.Earlier in the episode, Chloe and Chioma catch up on their two iconic covers released this week: powerhouse pop star Rosalía (Chloe’s first print issue for Vogue) and Bhavitha Mandava, the latest model taking over the fashion industry. Chloe also previews the NYFW schedule, highlighting Rachel Scott’s Proenza Schouler show as one to watch, while Chioma recounts her morning, which included breakfast with Jill Biden.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

If the 2026 Olympics has a breakout star from the winter games, America’s own Ilia Malinin would certainly be among them. The 21-year-old figure skater—who has earned the nickname “Quad God,” for being the only athlete to ever land a quadruple axel during competition—has been having quite the week to celebrate: On Sunday, Malinin helped Team USA secure a gold medal on Sunday, while he also earned earned the top spot in the men's singles short program last night.Malinin—who has been a rising star in the skating world, and started hitting the ice around six-years-old—is the prodigy child of Olympic figure skaters Tatiana Malinina and Roman Skorniakov. This Olympics, he has been capturing the hearts of sports spectators around the globe, thanks to his distinctive music choices, glitzy wardrobe, and impressive backflips. For new and longtime fans of the pro, you are in even more luck: Shortly before heading to Milan earlier this month, Malinin stopped by The Run- Through for a special bonus episode.On the docket of our conversation? Malinin shared a close glimpse into what exactly goes into training for a spectacle like the Olympics. “I just think about how I want to perform my best,” Malinin told Vogue co-hosts Christian Allaire and Arden Fanning Andrews. “I try not to give myself unnecessary pressure—I take it as I would prepare for any other competition.” Even so, the athlete did share a sneak peek into what goes into his Olympian wellness routine: He does abstain from caffeine when training, but does always allow himself to partake in a cheeky pre-skate chocolate bar. (Hershey’s, in case you are wondering.) The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Rosalía was already a star, but with her widely acclaimed fourth studio album, Lux, she’s become undeniable. Now, ahead of her next world tour—and Season 3 of Euphoria, in which she has a role—Rosalía is also gracing the cover of Vogue’s Spring 2026 issue, the first under the aegis of Chloe Malle.For today’s episode of The Run-Through, Chloe tells Chioma all about how her first print issue came together. You’ll hear from some of the people behind it, like Vogue’s newly appointed contributing style director, Carlos Nazario, and Vogue’s fashion market director, Naomi Elizée. You’ll also learn how the team was able to snag Rosalía’s cover look—an amazing Dior couture dress—before it hit the runway, why shooting on the beach is no a simple feat, and about the shoot’s secret weapon: a mule named Twinkie. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

This Friday on The Run-Through, Academy Award-winning actor Halle Berry chats with Vogue’s Kiana Murden and Margaux Anbouba about Crime 101, her new thriller out on February 13. In it, Berry—appearing alongside Chris Hemsworth and Mark Ruffalo—plays Sharon Colvin, an insurance broker involved in a high-stakes heist.Berry calls the shoot “one of the best experiences, I think, of my 30 years,” due to the great energy and professionalism on set. She also shares the stories behind some of her most iconic red carpet looks, including her custom LaQuan Smith gown for last year’s Met Gala. As for what she’s excited to wear next? Berry says that she’s a “Dior girl.”Berry also talks about how a misdiagnosis led to her activism in the women’s health space and the launch of her healthcare startup, Respin. And on the subject of menopause, she says: “It’s nothing to be afraid of. You are your best self at this time. We’re smarter, we’re wiser. We’re like turbo versions of ourselves. That’s what I want women to know and to look forward to this time of life.” The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Fresh off the world premiere of her new film Wuthering Heights, Margot Robbie joins Chloe and British Vogue’s Film and Culture Editor Radhika Seth to discuss the spectacular press-tour looks she conceived alongside her stylist, Andrew Mukamel. “Andrew—he’s a history major, so he really does his research,” Margot explains, referencing the Taj Mahal diamond necklace she wore, once owned by Elizabeth Taylor—a fitting nod to the film’s romantic and gothic themes.Robbie, who plays Cathy Earnshaw, is not only starring in the highly anticipated romantic drama opposite Jacob Elordi—out Valentine’s Day weekend (February 13)—but also serves as a producer, marking her third collaboration with Emerald Fennell. Reflecting on the film’s ambitious scope, Margot praised Fennell’s ingenuity: “What she did with the budget she had—the producer in me couldn’t help but be in awe. I kept thinking, this is impossible that she’s pulled off all of this with what we had.” She pointed to the visually stunning set design by Suzie Davies and the riveting score by pop icon Charli xcx as standout examples of the all-star team Fennell assembled.In the latter half of the episode, iconic costume designer Jacqueline Durran hops on the call to reveal how she created more than 50 looks for Cathy Earnshaw, and why she and Margot ultimately decided not to take a single piece from the set.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

It’s mailbag time on The Run-Through! Chloe Malle and Chioma Nnadi are back once again to answer your delightful questions. But first, Chioma reports back from a whirlwind couture trip to Paris, where Jonathan Anderson staged an upside-down garden fantasy and Chanel delivered an Alice in Wonderland-inspired set complete with giant mushrooms. They discuss standout front-row moments (Rihanna! Jennifer Lawrence!), the new lightness in couture, and why some details only make sense IRL.Back in New York, Chloe debriefs a major snowstorm, snow-boot styling, and awards-season buzz—from Grammys predictions to the BAFTAs. Plus, the Vogue Book Club reckons with the very un-romantic reality of Wuthering Heights.In the mailbag: Is fur back? Do Vogue editors get clothing allowances? Biggest fashion splurges? How to make a simple outfit feel stylish and hot? The hosts also share career advice for breaking into fashion, and tell us which designer bags are currently in heavy rotation. Couture, culture, and closet confessions—consider this your chicest group chat.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Last week, the fashion world lost a giant. Valentino Garavani, the Roman couturier who launched his label in 1960, died at 93. Alessandro Michele, the Creative Director of the maison, recalled Valentino as “almost a mythical figure.”Michele joined Nicole Phelps last year on The Run-Through for a formidable conversation about his new life chez Valentino, just ahead of his Haute Couture debut.  Michele previously spent 21 years at Gucci, the last eight as creative director, where his maximalist, egalitarian vision of beauty was culture-shifting.He talks about his approach to creativity, why he styles his own collections, how he seeks and keeps joy in the world, and why he thinks “fashion can build a better, dreamy place.”Plus, Paris Couture Week is in full swing! Nicole and Vogue’s Senior Beauty Editor (and The Run-Through regular) Margaux Anbouba share on-the-ground dispatches. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

From sculptural updos, like those worn at the Golden Globes by KPop Demon Hunters singer EJAE, to the joyful, bright eye looks musician Zara Larsson has been embracing, exciting beauty trends are already emerging in 2026. With awards season just ramping up, Vogue beauty editors Margaux Anbouba and Arden Fanning Andrews joined Chioma on The Run-Through this week to share what they anticipate seeing on red carpets in the months ahead. When it comes to predictions, Arden is leaning into what she calls “romantic beauty”— soft makeup and windswept hair — inspired by the return of period dramas this year, including Wuthering Heights (don’t forget to join the book club!), Sense and Sensibility, set for release in September, and Netflix’s forthcoming Pride and Prejudice series. Margaux thinks we will be opting for “imperfect beauty,” meaning leaning into messier aesthetics online as a pushback against the rise of AI. Both editors (who happen to sport bobs themselves) once again said bobs are a trend to stay, even though they both plan to grow out their hair this year.Earlier in the episode, Vogue Business U.S. editor Maddie Schulz breaks down what’s really going on behind the Saks Fifth Avenue bankruptcy and what fashion’s “reset” may actually look like. Plus, Chloe and Chioma share their takes on the menswear shows so far and reflect on the passing of the legendary Valentino Garavani.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

We’re right in the middle of the Fall/Winter 2026 Menswear shows in Milan and Paris, so it’s only right that GQ’s Global Fashion Correspondent Samuel Hine joins us on The Run-Through!Sam is a fixture on the menswear scene and writes the popular GQ newsletter Show Notes.. He shared all the trends, red carpet looks and shows he’s most excited about just before heading to Milan.Other highlights on the Milan schedule include Prada, Zegna and Armani. Plus, 2025 LVMH Prize Winner Soshi Otsuki and designer Shinya Kozuka, who showed at Pitti Uomo in Florence.The Menswear shows coincide with several major awards shows, and there have already been lots of looks that went from the runway to the red carpet this year. With the Oscars and Grammys coming up, we’re sure to see more runway looks on our favorite celebs.In Paris, all eyes are once again on Jonathan Anderson’s Dior.Hine told Phelps he expects to see a continued exploration of the “preppy classicism" we saw in Anderson’s Dior Men’s debut in June.Another milestone of the Fall Menswear shows will be Véronique Nichanian’s final show for Hermès after 37 years as artistic director.Hine said he is keeping a close eye on which shows the Heated Rivalry guys end up attending – Hudson Williams opening DSquared2 was major!He also shared a bit about what’s coming next for GQ now that Will Welch, Global Editorial Director at GQ, announced he’s leaving the magazine on February 15th, and hinted at what to expect from this year’s GQ Bowl.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Fresh off a flight from LA, Vogue’s cover star, Amanda Seyfried is back in New York and on The Run Through to talk about award season!“I will say my favorite part … was being at the A24 party at the Chateau,” says Seyfried reflecting on the Golden Globes that happened Sunday evening.  “I was just on the couch with a bunch of people that I like and don't ever see except at award shows.” Seyfried says she was surprised when a conversation in the Golden Globes ballroom with Jennifer Lawrence was picked up by cameras. “There are still moments when I forget that people are watching it,” says Seyfried. “It was a little bit unnerving when I saw that because I just believed, I guess, stupidly that it was a private conversation.” Seyfried was a two-time nominee at the ceremony for her roles in the Testament on Ann Lee and the television series Long Bright River. With award season in full swing, she’s been working closely with her stylist Elizabeth Stewart to make sure she is red carpet ready. “We've been wearing a lot of Prada and we decided to wear a Versace [to the Golden Globes], which is always trusted and beautiful and classic as well. Away from Hollywood, Seyfried’s wardrobe is much more casual as she cares for 52 animals on her farm upstate. “I'll wear the big tall muck boots,” says Seyfried. “The ones you can't drive a car in 'cause your foot can't reach the pedal.” Her animals include peacocks, chickens, goats, horses, donkeys and a new rescue rabbit named Bugsy that is a bit stand-offish. “He could be 37 years-old.” says Seyfried. “ I have absolutely no idea. He's got a droopy wet eye. But he's very nice it seems.”  In The Testament of Ann Lee directed by Mona Fastvold, Seyfried plays the titular character who is credited with creating the Shaker religious community in the mid-18th century. “The Shakers worshiped through song and dance,” says Seyfried on the challenge of undertaking the role as their leader.“The singing had to be second nature.” says Seyfried on her performance. “But with singing, I've always been judging myself as I've been doing it. Even in Les Mis, I wasn't present the way I was. So I had to let go of that very early on. And the key to that was she's human and I need to feel it. It's not about how it sounds. It's about how it feels. And I need the audience to become a Shaker for two and a half hours.”While promoting the film, Seyfried’s 8 year-old daughter Nina was introduced to one of her mother’s earlier roles in the cult classic Mean Girls. “She said that she didn't think it was that funny,” recalls Seyfried. “but she really loved my role. That was Nina's critique of Mean Girls at age eight.”The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

The time has come for The Run-Through’s annual Golden Globes recap—and let’s just say, this one delivered. Not only did friend of the podcast Nikki Glaser return to the stage as the hostess with the mostest (with jokes Vogue deputy editor Taylor Antrim couldn’t get enough of), but we were also treated to a truly cheeky look from Teyana Taylor (Vogue predicts: the Year of the Buttcrack is officially here) and a standout awards-season red carpet debut from two of the most talked-about boys of the moment, Hudson Williams and Connor Storrie of Heated Rivalry.Reporting early to share highlights from the night, Chloe, Chioma, deputy editor Taylor Antrim, and senior fashion and style writer Christian Allaire broke down the looks that won the evening. Bright colors emerged as a surprising trend, with Wunmi Mosaku’s bold yellow look—paired with a pregnancy reveal—standing out as a major highlight. Other memorable moments included Odessa A’zion in self-styled archival Dolce & Gabbana, Tessa Thompson in Balenciaga (serving real mermaid vibes, according to Chloe), and Colman Domingo in Valentino, complete with an abundance of brooches.The group wrapped up by sharing their favorite wins of the night, with unanimous agreement that One Battle After Another is likely to be a frontrunner heading into the Oscars—and that Timothée Chalamet is a shoo-in for Best Actor. Plus, Chloe makes the case for why Zootopia 2 deserved a little more love. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

For someone who’s done a lot of horror movies, Rebecca Hall admits she’s a bit squeamish. That, however, didn’t stop her from taking on a role in the newest body horror series, The Beauty, which is set to premiere January 21st on FX.Rebecca first learned of the series when she grabbed breakfast at Buvette in the West Village with Ryan Murphy (who created the show Matthew Hodgson) who enticed her with three things: a fun premise (an STD that makes you so hot that you explode, sign Rebecca up!), great clothes (The Row to be specific, and who could say no to that?) plus a list of fabulous filming locations: Rome, Paris, and Venice all making the list.“He [Ryan] was very open to me. One of the joys for me of this job was that not many people asked me to just be myself for a character.” Rebecca told Senior Features Editor Marley Marius and Fashion Writer Hannah Jackson on Wednesday afternoon. This openness and collaborative spirit Ryan gives to his actors is what enticed Rebecca about working with him again on his series Monster, where she will play Lizzie Borden in which she called “entering her villain era” which was a lot of fun for her.When Rebecca is not on the job, she finds great joy in painting (many of her works have been either sold or exhibited), watching The Real Housewives of Salt Lake City (for which her husband is getting around to understanding), and dressing up in “crazy outfits” in her day-to-day quiet upstate life.Earlier in the episode, Chioma fills Chloe in about the behind-the-scenes of the new fabulous British Vogue cover with Jessie Buckley. They also chat what they are looking forward to about awards season and give a farewell to Will Welch who announced he is departing from GQ earlier this week. Learn about your ad choices: dovetail.prx.org/ad-choices

HBO’s Industry is back this week and we couldn’t be more excited! Myha’la Herrold joins senior editor Marley Marius and fashion writer Hannah Jackson on Vogue’s podcast to bring us up to speed on what her character Harper Stern is in for in season four. “The end of season three is very much her being like, “I'm gonna be my own boss.” This is the time when she truly breaks away,” says Myha’la. Each season of the show, Myha’la works with the showrunners Konrad Kay and Mickey Down to use Harper’s hair to tell a story of where the character  is at in her life and this season is no different. “She's at the top of her game and she's going harder than she's ever gone before. And I was like, well obviously it's gotta be the micro braids with the human hair,” says Myhala on her season four look. "It's gotta be the most expensive, probably the most high maintenance, the most difficult thing and the most elevated version of Harper.”  Great care went into creating Harper’s wardrobe this season as Costume Designer Laura K. Smith created a power suit to set the tone for the character.  “We always trade boards like I was sending her pictures of Celine and YSL," reflects Myha’la.“That first shot that we see Harper is in a gray three-piece suit. It is a custom designed and custom made suit by Laura for Harper,” says Myha’la. “[Laura] was like, I want this to be like the hero piece for her closet and for her to be able to mix and match.”Myha’la takes a trip down memory lane and talks about fronting a Christian rock-band in high school and talks about her love of musicals and her dream role of playing Elle Woods in Legally Blonde on Broadway. “I'm manifesting.” says Myha’la. “I sing everything but my favorite genre is definitely musical theater. If anyone is looking for a five foot one, available, black baddie who lives in New York, cast me!” Learn about your ad choices: dovetail.prx.org/ad-choices

Millie Bobby Brown is in a moment of transition. After nearly a decade of playing Eleven on Netflix’s hit series Stranger Things, that chapter of her life is coming to a close. Now, she’s turning her focus to simpler joys: caring for the twenty-five farm animals on her Georgia property and settling into motherhood with her baby girl, whom she recently adopted with her husband, Jake Bongiovi.“I will never live in L.A. It just isn’t for me,” Brown told Chioma a few weeks ahead of the Stranger Things finale, premiering December 31 and set to screen in select theaters. “If I can do anything for my daughter, it will be to give her a home base.” It’s a sense of stability the actress says she lacked growing up, having moved frequently as a child before eventually relocating to Atlanta to film the series.Beyond reflecting on family life, Brown also opens up about the friendship she’s been building with singer Raye, who also appeared on the cover of British Vogue in 2025 and performed at her wedding. She also discusses navigating criticism, her evolving relationship with her hair, and the emotional moment when her Stranger Things co-star Noah Schnapp met her baby for the first time.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Zoe Saldaña first stepped into the role of Avatar’s Neytiri when she was 24 years-old. Now, the 47 year-old is back for the third film of the James Cameron franchise Avatar: Fire and Ash. "This installment of Avatar [is about] how a family can be resilient and learn to smile and love again after experiencing great loss," Saldaña told Vogue’s Deputy Editor Taylor Antrim and Global Director of Social Sam Sussman ahead of the film's release in US theatres on December 19. "I get really lost into the world of Pandora," says Saldaña about reprising her role. “I really care for the characters that I play. I create a solid backstory for them, so I live more in that reality.” It’s been a big year for Saldaña. On top of Avatar, she is currently Vogue Mexico’s December cover star, she won an Oscar for her role in Emilia Pérez, is currently in production for season 3 of Lioness and also met Pope Leo while in Italy with her three sons. "They were so hyper," reflects Saldaña. "They're like typical 10 and eight year olds and can't focus... And the moment comes and we're right in front of him –  you can see that picture, they're gleaming."Zoe Saldaña has the distinction for being the first actor to star in four films that grossed over $2 billion at the box office. She’s taken part in some of the largest franchises such as the Avengers, Avatar, Star Trek and the Pirates of the Caribbean. But now more than ever, Saldaña told Vogue that immersing herself in her personal life is the biggest priority."For a long time, I was afraid to stop," she confessed to Ramón Barreto in her cover story . "I feared that if I did, something wouldn't be right. But now, I understand that pausing is also part of the movement."The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

On Monday afternoon, Hugh Jackman and Kate Hudson stopped by the Vogue offices for a live conversation about their new film, Song Sung Blue which comes out Christmas Day. The project, inspired by the real-life story of Mike and Claire Sardinia—a Wisconsin couple who form a Neil Diamond tribute band is based on the documentary of the same name, which director Craig Brewer first encountered at a festival and later adapted for the screen. “I realized that everyone is living an extraordinary life,” Jackman shared to Chloe and Vogue’s Deputy editory Taylor when reflecting on why he chose to take the role of Mike.After earning a Golden Globe nomination for her role as Claire, Kate speaks candidly about rediscovering her voice, crediting Sia (who she worked with on the film Music) with inspiring her to sing more freely. She recalls being pushed onto the microphone at her 16th birthday by her mother, Goldie Hawn, to perform “That’s What Friends Are For,” with Quincy Jones in attendance. “He told me to get into the studio,” Hudson remembers.Plus, Hugh and Kate discuss what it’s been like singing at bars across the world, what their tribute band would be (hint: Fleetwood Mac mentioned!), and answer a fun question from none other than Anna Wintour about whether or not they should adapt this film as a theater production.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices