DiscoverTheatre Tech Talks: Artificial Intelligence, Science, and Biomedia in Theatre
Theatre Tech Talks: Artificial Intelligence, Science, and Biomedia in Theatre
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Theatre Tech Talks: Artificial Intelligence, Science, and Biomedia in Theatre

Author: Tjaša Ferme, HowlRound Theatre Commons

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Theatre Tech Talks: Artificial Intelligence, Science, and Biomedia in Theatre is a podcast hosted by Tjaša Ferme exploring new forms of theatre interwoven with high tech. In the interviews, Tjaša probes at the “why”s and “how”s to demystify the intricate connection between the biological and artificial, as well as explore the innate wisdom of the body and how new tech can help us get a peek inside of our brains, bodies, and souls.


21 Episodes
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Host Tjaša Ferme chats with playwright Chisa Hutchinson about her play, Bleeding Class. Chisa was aiming to write a wacky satire about a global pandemic, but then everything came true. She says she’s not clairvoyant, but has always been just a bit before her time!
Host Tjaša Ferme has an inspired conversation with the creative team of The 7th Voyage of Egon Tichy. Creators go deep into demystifying the beautiful cohabitation of theatre and cinema in the piece, the inability to move the camera even a millimeter, and creating an obstacle course as a gift to the audience.
Host Tjaša Ferme chats with David Cote and Hai-Ting Chinn about their opera, Meltdown. This is an adventurous episode about arctic expeditions, drilling ice cores, what monodrama really means, and creating unique experiences mixing operatic tragedy with funny ukulele songs about pee bottles.
Host Tjaša Ferme talks to multimedia artist Sister Sylvester about Drinking Brecht/Good Genes, which cautions how simplistic readings of genetics have always led to fascism. Join a label-defying conversation about the absence of authority in theatre and becoming an amateur geneticist to read the DNA on Brecht’s hat.
Creative director and choreographer Brandon Powers takes host Tjaša Ferme on a deep exploration of the merging of extended reality (XR) with theatre. He explains how theatremakers’ knowledge as spatial creatures is exactly what the virtual reality (VR) world is looking for.
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