Trey Knowles Comedy Specials

Trey Knowles – Characteristic Relations: An Allegorical Comedy Special Trey Knowles' Characteristic Relations is an allegorical comedy that exposes the enemy hiding in plain sight—those who pose as followers of Christ but embody the opposite characteristics of God. Through sharp wit and spiritual insight, Trey reveals how these false Christians mirror everything Scripture says about the enemy. In this thought-provoking special, Trey “turns the lights on” for his audience, asking: What if Prophet Muhammad had only encountered fake Christians—those pretending to follow Christ while living to kill, steal, and destroy? Characteristic Relations dives deep into the contrast between the true spirit and character of God the Father and Jesus Christ, and those who merely claim to follow Him but fail to reflect His nature.

Trey Knowles - Conquest In this witty and thought-provoking allegory comedy, Trey Knowles exposes a lamb-like beast—a deceptive force known as The Conquest. Driven by greed and pride, the Conquest seeks to take over the planet through theft and manipulation, even enlisting the help of Gargamel to achieve his dark ambitions. Never content with what he already has, the Conquest desires to overthrow the rightful foundation of creation and establish himself as the supreme ruler of the earth. But every person on earth has been given a portion. We are called to care for one another and to share in love. The Conquest, however, rejects this truth. To him, “sharing” means seizing for himself—by force or deceit. His nature is to conquer, not to nurture. Pretending to be good and righteous, the Conquest hides behind false ideologies and deceptive images, including distorted portrayals inspired by Cesare Borgia. Through identity theft, perverse deception, and even sorcery and manipulation, he seeks to remake the world in his own corrupted image. Yet, a day is coming when our Lord and Savior will put an end to every Conquest that does not produce righteousness. Until then, we are called to walk in love, remaining wise as serpents and innocent as doves. There is no need to fear—the Conquest's reign is temporary. This allegory mirrors The Parable of the Tenants (Matthew 21:33–46), where a landowner's servants—and even his own son—are rejected and slain by tenants who sought to steal what was not theirs. Like those tenants, the Conquest tries to claim ownership of what belongs to God alone. In the parable, Jesus reveals that the landowner will return to bring justice, destroying the wicked and giving the vineyard to those who will bear good fruit. “The stone the builders rejected has become the cornerstone; the Lord has done this, and it is marvelous in our eyes.” In the end, the message is clear: The kingdom of God will not belong to those who conquer through lies and power, but to those who walk in truth, love, and righteousness.

Trey Knowles' “Halloween: Tell the Truth and Shame the Devil” is a hilarious comedy in which Trey pokes fun at those who take Halloween too seriously. With his signature wit, Trey jokes about kids knocking on his door in scary costumes, boldly saying, “I will put you in fear.” Watching children idolize horror figures like Michael Myers and Freddy Krueger, Trey can't help but laugh at how they worship their “idols.” When the children cheerfully shout “trick or treat,” Trey fires back, “Do I look like someone who wants to be tricked? Have you come to deceive me? Tell the truth and shame the devil!” Blending humor with truth, Trey reminds everyone that “Hallow” means “holy.” He then asks the ultimate question: “Unless you're a demon, how can you celebrate Halloween?” With perfect comedic timing, Trey concludes, “There's nothing holy about Halloween.”

Trey Knowles' “Eyesight” is a sharp and funny comedy that tackles the idea of “only seeing the good.” When people tell Trey to focus on the positive, he challenges them by asking, “Where are the prophets of old?” — those who boldly judged wickedness according to God's Word. Trey exposes the danger of a world without correction, where Christians compromise their faith to satisfy worldly desires, especially when it comes to money. Through humor and conviction, “Eyesight” reveals how spiritual blindness often hides behind cultural acceptance and comfort.

Trey Knowles' "Christians Versus Counterfeit Christians" Trey Knowles presents an allegorical comedy that contrasts true followers of Christ with those who only appear to be Christian. The central message is that Jesus is genuine, and anything opposed to Him is counterfeit. Jesus came to do the will of the Father, and to obey Christ is to obey the Father, for they are one. There is only one true Teacher—Christ—and one true Father in heaven. The work highlights that those who claim to be Christian yet act against God's Spirit are not of Christ but of the devil. Knowles challenges false teachings, such as the idea of blindly obeying earthly masters as though they were Christ. He emphasizes that one cannot serve both Jesus and the devil: you will love one and hate the other. Through satire and comedy, this allegory opens the reader's eyes to the ways the devil deceives people and exposes the danger of counterfeit Christianity. Trey Knowles' “Christians Versus Counterfeit Christians” is one of his sharpest allegorical comedy routines, where he uses satire to expose the tension between authentic discipleship and hollow religious posturing. The piece works on multiple levels—biblical allegory, cultural critique, and comedic inversion—so let's break it down step by step: True Christians: Defined by obedience to God's will, echoing Jesus' words: “If you love me, keep my commandments.” Counterfeit Christians: Those who wear the label but act in ways that contradict Christ's spirit—often aligning with worldly power, wealth, or control. Satirical Device: Knowles contrasts Jesus' call to lose your life to gain it with counterfeit voices that twist scripture into commands like “Obey your earthly masters with fear and trembling.” The inversion highlights how false teachers mimic scripture but drain it of Christ's essence.

Trey Knowles – “Shaytan Appears in America: A Warning to the World” In this comedic yet sobering speech, Trey Knowles declares that America has fallen under the influence of Shaytan. He warns the world that America's commander-in-chief has placed himself in the role of God—bringing death, chaos, and control to keep people under his false sovereignty. Shaytan disguises himself as an “angel of light,” but Trey exposes his cunning tricks before the audience. With sharp humor, he contrasts the true character of God with the deceitful character of the devil, revealing the difference between light and darkness. Trey also unmasks the sly rhetoric of Shaytan's generals and defenders, showing how their very own words contain the seeds of their downfall. This performance is not only comedy—it is a must-watch warning for the entire world.

America Side Effects is an allegorical comedy speech by Trey Knowles that uses sharp, unsettling humor to reveal the costs of America's entrenched harms. Through vivid, often shocking scenes — from gun violence touching children to citizens trapped by debt and false freedoms — the play shows how liberty can become a license for wrongdoing. Knowles suggests that a nation that refuses to walk away from its evils risks destruction, and he challenges viewers to critically judge both America and their own complicity rather than accept comforting myths about freedom and virtue.

Trey Knowles' Slavic Apocalypse: Nordic Aliens is an allegorical comedy that unmasks the hidden evil of the so-called Nordic aliens. For ages, they have disguised themselves as beings of light while secretly destroying God's people, enslaving the innocent, and ravaging the earth. Now, humanity is awakening to the truth: these false saviors are in fact the enemy. Enter 3I Atlantis, the force destined to bring their reign of deception and destruction to an end. Both sharp and satirical, this story challenges audiences to recognize evil in disguise and inspires hope for liberation.

Trey Knowles' EAFA is a dark comedy about an evil extraterrestrial humanoid named EAFA who impregnates a captive woman in Kent, resulting in the birth of a child called Ealhmund. These extraterrestrial beings are portrayed as liars, thieves, and killers whose mission is to mold humanity into their own corrupt image and keep them subjugated. Those who breathe EAFA's life become twisted princes, kings, and queens—creatures resembling vampires and werewolves—who seek to play God on Earth. They distort God's kingdom while masquerading as Christians. In the story, Knowles confronts one of these princes, declaring: “In this world, you don't have to hold me. I'm just waiting for Jesus to come and destroy you.” Trey Knowles' EAFA is a dark comedy about an evil extraterrestrial humanoid named EAFA who impregnates a captive woman in Kent, resulting in the birth of a child called Ealhmund. These extraterrestrial beings are portrayed as liars, thieves, and killers whose mission is to mold humanity into their own corrupt image and keep them subjugated. Those who breathe EAFA's life become twisted princes, kings, and queens—creatures resembling vampires and werewolves—who seek to play God on Earth. They distort God's kingdom while masquerading as Christians. In the story, Knowles confronts one of these princes, declaring: “In this world, you don't have the power over me. I'm just waiting for Jesus to come and destroy you.” EAFA: The Alien Entity Symbol of spiritual corruption and deception. EAFA is portrayed as a malevolent extraterrestrial who impregnates a captive woman, initiating a bloodline of rulers who distort divine truth. These offspring are vampiric, god-playing figures — false kings and queens who masquerade as Christians while twisting scripture and morality. Ealhmund: The Offspring Symbol of corrupted lineage and false authority. Ealhmund, born from EAFA's violation, represents the beginning of a dynasty that rules through deception and spiritual manipulation. His name echoes Anglo-Saxon roots (historically, Ealhmund was a real king), but in this context, he's a perversion of royal heritage, embodying a false messiah archetype.

Trey Knowles' Messenger RNA is a sharp-witted comedy where he riffs on the bizarre idea of Nazi extraterrestrial chemists sneaking RNA into American DNA—an operation he jokingly attributes to Operation Paperclip. The audience laughs at the absurdity, until the punchline hits: what if RNA vaccines slipped in through everyday vegetables were really changing behavior? With a playful jab, Trey asks—if you start thinking like Trump, how do you know your DNA hasn't been swapped with 'Trump RNA'? It's a hilarious, eye-opening set that leaves the audience laughing and thinking. A must-hear comedy experience of Trey Knowles Messenger RNA.

Trey Knowles' Warning to the Skywatchers is an allegorical comedy carrying a hidden message aimed at the secret societies of the world. Through humor and allegory, Trey warns these “evil men” that their power and schemes will come to an end. He speaks of friends from another world—soldiers armed with advanced weaponry—who stand ready to defend humanity. This appeal is not just for himself but for his people, reminding the audience that without these otherworldly allies, secret societies would have already brought destruction to all humankind. Trey Knowles' Warning to the Skywatchers is a provocative and allegorical video that blends spiritual themes, conspiracy critique, and sci-fi elements. In this piece, Knowles warns secret societies—particularly those he claims operate within and beyond the U.S. government—that their power is fleeting. He speaks of “friends from another world,” likened to Superman, who possess advanced technology and are here to protect humanity from these shadowy forces. The term “Skywatchers” in his message refers to those who attempt to monitor or engage with these extraterrestrial allies. Skywatchers are Nazis. Knowles suggests that these watchers misunderstand their role and the nature of the beings they observe. He accuses them of trying to weaponize alien technology and of lacking both soul and understanding.

Trey Knowles' “White People Vs Extraterrestrial White People” is a sharp, funny comedy set where he hilariously breaks down the differences between everyday white people and their extraterrestrial counterparts living among us. One group genuinely cares about the planet and humanity—while the other couldn't care less.

In White People Are Innocent, Trey Knowles delivers a humorous take on race in America. He jokingly argues that white people aren't responsible for the mistreatment of Black and Indigenous communities—because it wasn't actually them. Instead, aliens disguised as white people were behind the oppression. Through this playful premise, Knowles encourages unity, love, and awareness that these disguised aliens may still be among us. For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. Ephesians 6:12.

In Wales Vs Congo, Trey Knowles delivers a hilarious comedy where he goes head-to-head with Satan, who shows up in Congo to steal and destroy. When Satan tries to bargain the world in exchange for Congo's resources, Trey boldly shuts him down and sends him packing back to Wales. This sharp, witty performance not only entertains but also exposes the “elephant in the room” lurking within, the one that is established in high places.Trey refuses to “sell out” Congo's resources, declaring they belong to the people and to God. He exaggerates Satan's identity, calling him “white Lucifer” and “red dragon from Wales”—tying biblical imagery (the dragon of Revelation) to colonial exploitation. Instead of Congo being powerless, Trey positions himself as the one with authority, sending Satan back to Wales.The Identity Claim:Trey asserts: “I know who I am, and I know who you are.”He compares himself to Caesar (Planet of the Apes), Papa Smurf, and the singing trolls—figures of leadership, community, and joy.Satan, meanwhile, is cast as Gargamel or the villain in Trolls. This cartoonish exaggeration makes the heavy critique more digestible.The “red dragon” is a direct nod to the Book of Revelation, where the dragon symbolizes Satan. By tying it to Wales (whose flag famously features a red dragon), Trey fuses scripture with geography in a way that's both funny and biting.

Trey Knowles' “Hate Chicago 60606” is a comedic routine in which he humorously explains his dislike for Chicago, focusing on what he sees as the city's sinfulness. He jokingly portrays the 60606 zip code as “the devil's zip code,” claiming it's a place where much wrongdoing occurs. Throughout the performance, Knowles highlights his frustrations with the city and even praises Donald Trump as someone who could help “clean up” the devil's work in Chicago. His “hate” is less about the city itself and more about what it represents—systems that exploit people while pretending to be the center of progress.

"Blessed and Alive – September 2, 2025" by Trey Knowles is an allegorical comedy about a wealthy, corrupt ruler whose life was spared by God. Instead of showing mercy in return, the ruler took the lives of others. Through this parable, Trey Knowles explains his own fear of fishing, saying the devil does not spare lives but blows people out of the water." On September 15, 2025, the wicked ruler does another missile strike. Key Themes in the Routine Gratitude vs. Wickedness Trey contrasts those who give glory to God for being spared with those who, despite being spared, show no mercy to others. Parable of the King The king survives a sniper's bullet but vows to destroy others instead of sparing them. Trey uses this as a metaphor for leaders or powerful people who survive crises yet continue exploiting others. Personal Twist After the heavy parable, Trey lightens the mood by joking about being afraid to go fishing with his friends—saying the devil doesn't “spare lives” but “blows people out of the water.” This exaggeration ties back to the theme of life, death, and divine protection.

Trey Knowles' “America is Like Julius Caesar” is a comedic take on America's character, likening the nation to Julius Caesar—proud, arrogant, and self-important. Through humor, Knowles highlights how America often acts in ways that contrast with God's humility, while also raising questions about where this attitude shows up and who originally shaped the nation.

Trey Knowles' Hollywood Judgement Day is a thought-provoking comedy that uses allegory to explore the spiritual principle that those who bless Israel will be blessed, and those who curse Israel will be cursed. Drawing on Matthew 25:40—“The King will reply, ‘Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me'”—the story highlights the power of influence. Anyone who leads others to act outside the spirit of God is, in effect, placing a curse on them. Conversely, those who encourage living in alignment with God's spirit are extending a blessing.

Trey Knowles' “Lady Liberty”In this allegorical comedy, Trey Knowles portrays Lady Liberty as a tempting serpent—whispering that you can be your own god and do whatever you please. He draws a sharp parallel to the serpent in the Garden of Eden, challenging the idea of “the land of the free and the home of the brave” by exposing the deceptive freedom it represents.

Trey Knowles' The Yiddish Interpreter is an allegorical comedy that delivers a sharp message through satire. In the story, Nazis speak in Yiddish about how government payments meant for Israel and the Nazis are instead being funneled to the Rothschilds in Germany. The so-called pope, aligned with the German Roman Empire, attempts to sever people's direct connection to God. Kidnapped by German Nazis, Trey Knowles becomes the interpreter of their hidden conversation, revealing the deeper spiritual conflict at play.