Heart Banter by David Gittlin

A movie studio commissioned a composer to write "Everything I Do" for Kevin Costner's Film, "Prince of Thieves." Bryan Adams, with his producer Mutt Lange, wrote the lyrics, bridge, arrangement, and outro. Adams used a line from the movie for the song title. The studio did not like the instrumentation in the finished product. They buried it midway in the credits, not anticipating what a huge hit the song would become. "Everything I Do" is one of the most successful singles of all time, selling over 3 million copies. It was #1 for 16 weeks in England and seven weeks in the United States. Please enjoy my cover with background instrumentation by Giovanni Egusquiza.  Chapters (00:00:12) - "Everything I Do, I Do It For You"

If you missed the vocal and guitar cover of "Heaven," here it is again with a rocking digital enhancement. Chapters (00:00:07) - God's Love Songs For People In Heaven

"How Can I Tell You" with digital instrumentation. Chapters (00:00:23) - "Always Thinking of You"

Previous to this writing, I had never heard of Bryan Adams. I am in the minority because Adams has created a number of beautiful, chart-topping hits that most people besides me are familiar with. “Heaven” is another song that came into my mind from someplace I can’t define. When I heard Boyce Avenue’s stirring performance of it, I fell in love with the song immediately. On July 15, 1985, “Heaven” reached #1 on the Billboard Chart. Paradoxically, it was written for a movie that flopped. Bryan Guy Adams was born in 1959. As a teenager, he played in bands and in local studios.  In 1978, he met drummer and songwriter Jim Vallance, and together they formed a partnership that lasted for decades.  Their early collaboration helped Adams strike a deal with A&M Records for a reported one dollar.  His debut album was released when the folk-rock genre exploded in the early eighties.  The album was good enough to earn Adams a second one with A&M. It helped establish Adams as an artist on the rise.  His third album, 1983’s Cuts Like a Knife, proved to be the singer-songwriter’s breakthrough effort, including three Top 40 hits. Later that year, while working on his fourth studio album, Reckless, Adams considered including “Heaven” on it, but initially felt it didn’t live up to the quality of the rest of the album. At the last minute, however, Adams changed his mind and added “Heaven” to the Reckless tracklist. Reckless went on to sell 12 million copies worldwide, becoming the most successful album of Adam’s career. Here’s my cover of “Heaven.”  Chapters (00:00:06) - Baby, You're All That I Want In Heaven

Here’s another song, written by Paul Kennerly and made famous by Emmylou Harris, called “Heaven Only Knows.” The song was released on Emmylou’s 1989 album, “Bluebird.” The song reached #16 on the Hot Country Music Chart. Since I’m a newcomer to the Country Music Scene, I’d never heard of Paul Kennerly before. He’s an Englishman who has written 30 published Country Music songs. (I guess there are stranger things that abound in our world). I don’t recall Kennerly’s name being mentioned in connection with any of the songs I’ve covered here. Be that as it may, he has written two powerful songs that Emmylou Harris has brought to my attention. I covered the other song, “Born to Run,” in my previous blog. “Heaven Only Knows,” as performed by Emmylou and her band, features a driving beat, compelling lyrics, and the recording artist’s beautiful, singular voice. Digital Backup by Joaquin Masch Here’s my cover. Chapters (00:00:08) - Why Loving You Should Make Me Cry

“Long May You Run” is written by Neil Young. The song came alive for me when I heard Emmylou Harris and her band perform it. Now in her seventies, Emmylou is still beautiful and sings like an angel, as attested to in the video I’ve included. After hearing Miss Harris’ version of the song, I began listening to many of her other reels on YouTube. She is a consummate, unique performer, not to mention beautiful. Emmylou’s music has remained consistently excellent throughout her forty-year career. Willie Nelson is quoted as saying, “There are two types of people in this world…those who love Emmylou and those who have not met her.” Harris has released more than twenty-five albums. She was inducted into the Country Music Hall of Fame in 2008 and earned a Lifetime Achievement Award in 2018. Here’s my cover.

Here’s another song, written by Paul Kennerly and made famous by Emmylou Harris, called “Heaven Only Knows.” The song was released on Emmylou’s 1989 album, “Bluebird.” The song reached #16 on the Hot Country Music Chart. Since I’m a newcomer to the Country Music Scene, I’d never heard of Paul Kennerly before. He’s an Englishman who has written 30 published Country Music songs. (I guess there are stranger things that abound in our world). I don’t recall Kennerly’s name being mentioned in connection with any of the songs I’ve covered here. Be that as it may, he has written two powerful songs that Emmylou Harris has brought to my attention. I covered the other song, “Born to Run,” in my previous blog. “Heaven Only Knows,” as performed by Emmylou and her band, features a driving beat, compelling lyrics, and the recording artist’s beautiful, singular voice. Here’s my cover. Chapters (00:00:08) - Heaven Only Knows Just Why Loving You Should Make Me Cry

While searching for a video of Bruce Springsteen playing his iconic hit “Born to Run,” I stumbled upon a video of Emmylou Harris singing “Born to Run.” Now, here’s the fascinating surprise: Emmylou is singing an entirely different song written by Paul Kennerly. And this song really rocks. Released in 1982 as the second single from Harris’ album Cimarron, “Born to Run” reached number 3 on the Billboard Hot Country Singles & Tracks chart. Emmylou Harris sings like an Angel. She is a Country Music Hall of Fame inductee. I put Emmylou into my Hall of Fame alongside other Angels by the names of Eva Cassidy, Nanci Griffith, Linda Ronstadt, and Kate Wolf. Here’s my cover of Paul Kennerly’s “Born to Run.” Chapters (00:00:11) - Well I Was Born To Run

“Long May You Run” is written by Neil Young. The song came alive for me when I heard Emmylou Harris and her band perform it. Now in her seventies, Emmylou is still beautiful and sings like an angel, as attested to in the video I’ve included. After hearing Miss Harris’ version of the song, I began listening to many of her other reels on YouTube. She is a consummate, unique performer, not to mention beautiful. Emmylou’s music has remained consistently excellent throughout her forty-year career. Willie Nelson is quoted as saying, "There are two types of people in this world...those who love Emmylou and those who have not met her." Harris has released more than twenty-five albums. She was inducted into the Country Music Hall of Fame in 2008 and earned a Lifetime Achievement Award in 2018. Here’s my cover. Chapters (00:00:07) - Long May You Run

The Beatles have produced a motherload of work in the thirteen* albums they released. Within their massive discography, there are bound to be songs that the band members liked or disliked in varying degrees. Lennon and McCartney wrote “It’s Only Love” in 1965. The song is about a complex relationship that is ultimately worth it because, after all, “It’s Only Love,” and that’s the way it often goes. I was surprised to learn that John Lennon thought the song was “pure rubbish,” meaning that it was only a filler song created to feed the hounds of commerce. Paul McCartney had a more optimistic view: “Sometimes we didn’t fight it if the lyric came out rather bland on some of those filler songs like ‘It's Only Love.’ If a lyric was really bad, we'd edit it, but we weren't that fussy about it because it’s only a rock ‘n’ roll song. I mean, this is not literature.” Most fans, like myself, can relate to the song, finding the lyrics acceptable and the melody beautiful. Here’s my cover.

Jackson Browne has always been a brilliant lyricist, singer, guitarist, and songwriter. I have enjoyed playing many of his songs on this blog. All of them are my favorites, and “Enough of the Night” is no exception. Written when he was turning forty, Browne originally thought he was writing about someone else, until he realized that “Enough of the Night” was about himself. He had grown tired of a destructive lifestyle that mostly involved drugs (Cocaine). He decided the time had come for a change, and Browne writes about it poignantly in his lyrics. Listen closely, and you’ll see what I mean. “Enough of the Night” is also reminiscent of Jackson’s sister, but that’s another story entirely. Here’s my cover. Chapters (00:00:08) - Enough for the Night

The Jackson Browne song “You Love the Thunder” is about a musician and a lover who joins him on tour, a thread that underlies many of the songs on Browne’s album, Running on Empty. The album explores life on the road from performances, to backstage, hotel rooms, and relationships with band members and audiences. The lyrics of “You Love the Thunder” suggest that while Browne’s lover may not always enjoy the difficult aspects of a musician’s life on the road, they are irresistibly drawn to the excitement of the lifestyle and the passion that runs through it like a vein of valuable ore. The line, “To be a woman in love with a man in search of the flame,” exemplifies the central meaning of the song: the enduring, though sometimes challenging, love for someone driven by a passionate, and likely spiritual quest. Chapters (00:00:04) - You Love the Thunder and You Love the Rain

When the Eagles were a struggling group in Los Angeles, they noticed many beautiful women married to older, successful men. It posed the question: Were these women happy or unhappy? One night, while drinking in their favorite bar, they spotted a beautiful young woman. Alongside her, a fat, old, rich guy sat drinking. They were chatting, and apparently a couple. Glen Frey, the group’s leader, commented, “Look at her. She can’t hide those lying eyes.” The Eagles realized they had a great idea for a new song. They began to write the lyrics of "lyin Eyes" right then and there. The song tells an in-depth story about women who have taken the easy way out by marrying for money alone. While the song is entirely fictional, it has an incontrovertible ring of truth. Maybe that’s why Lyin’ Eyes reached number 8 on the Country Chart. It is the only Eagles song to become a top 10 Country hit. Here’s my cover. Chapters (00:00:15) - There Ain't No Way to Hide Your Lion Eyes

When the Eagles were a struggling group in Los Angeles, they noticed many beautiful women married to older, successful men. It posed the question: Were these women happy or unhappy? One night, while drinking in their favorite bar, they spotted a beautiful young woman. Alongside her, a fat, old, rich guy sat drinking. They were chatting, and apparently a couple. Glen Frey, the group’s leader, commented, “Look at her. She can’t hide those lying eyes.” The Eagles realized they had a great idea for a new song. They began to write the lyrics right then and there. The song tells an in-depth story about women who have taken the easy way out by marrying for money alone. While the song is entirely fictional, it has an incontrovertible ring of truth. Maybe that’s why Lyin’ Eyes reached number 8 on the Country Chart. It is the only Eagles song to become a top 10 Country hit. Here’s my cover.

“Glenn Frey and Don Henley wrote this song together, and Frey sang lead. Along with “Desperado,” it was one of two songs they came up with in the first week that they started writing together. The songs formed the basis of the Eagles’ second album, with Frey and Henley comparing the life of a cowboy to that of a musician. “Tequila Sunrise” shows the transient nature of each lifestyle, as the singer falls for a woman who just wants to use him and move on. The theme didn’t immediately connect with the buying public, but the songs and the album stood the test of time.”*  *Excerpted from Songfacts® Chapters (00:00:19) - It's Another to Kill The Sunrise

Cat Stevens wrote “The First Cut Is The Deepest” when he was eighteen. At the time, he had no intention of becoming a worldwide star performer. He sold the song for thirty pounds to P.P. Arnold, a soul singer who lived near him in London. She released “The First Cut Is The Deepest” on her first album. It reached #18 on the U.K. charts in 1967. Eventually, Rod Stewart and Sheryl Crow covered the song, making it a major hit in America. Stevens released his version of the song on his debut album, New Masters. Because he never released “The First Cut Is the Deepest” as a single, the album went largely unnoticed. Despite his shyness, Stevens’ songwriting and singing burst through to make him an international star in the music industry. I’m using Stevens’ version in my cover.

In this song, I believe (Yusuf) Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens’ love is unattainable in the present. Yet, I further believe, that the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet her. In this sense, the song is hopeful rather than despairing. However one interprets “How Can I Tell you,” I feel that the song is filled with incredible beauty that shines through. And thank you, Yusuf Islam (Cat Stevens), for your always beautiful, wise, and inspiring music. Here's my cover. Chapters (00:00:23) - "How Can I Tell You That I Love You..."

Many of Yusuf/Cat Stevens’ songs convey underlying messages about childhood and the relationships between children and adults, such as ‘Father & Son’ and ‘Oh Very Young,’ to name a few. “Where Do the Children Play?” is no exception. It becomes increasingly timely with each passing day, given the environmental crisis we are facing. The song refers to the destruction of natural spaces caused by overdevelopment and industrialization. It asks a fundamental question: What future awaits our children when the spaces where they play are increasingly paved over and polluted?  “Where Do The Children Play” prompts us to consider the inherent features of the ‘progress’ we are making, as well as Humanity’s impact on planet Earth. Essentially, this beautiful and simple song begs for a balanced relationship between Human Beings and nature. Typical of a Cat Stevens song, the rhythm is quite unique. Here’s my cover.

"Father and Son" is a song about the age-old story where the father’s vision for his son does not align with his son’s dreams for the future. Cat Stevens refurbishes the story with his unique and beautiful phrasing in the lyrics and melody. It has taken me some time to warm up to this song due to the violent rift I had with my father regarding my future. My Dad passed away in 2006, and now, in my older years, I can see and appreciate the opportunities he gave me. I am at peace with the relationship, and I am inspired by my father's accomplishments. You might think this song pertains to Cat Stevens' struggles with his father, but that is not the case. His father owned a Greek restaurant, and like all fathers, wanted his son to join the business. Stevens, of course, had vastly different ideas. Wisely, his father never stood in the way of his son's dreams. Stevens wrote this song, imagining a Russian father and son differing about the son's future. "Father and Son" was originally planned as part of a stage play. The project never saw the light of day. Stevens eventually released the song on his "Tea for the Tillerman" album. Here's my cover.

Far from old age, Cat Stevens wrote “Oh Very Young” when he was twenty-five. The wisdom in the song surpasses Stevens’ chronology with lines like, “You’re only dancin’ on this Earth for a short while.” Stevens contracted tuberculosis when he was nineteen, and it almost killed him. After that experience, Stevens kept an eye on the Big Picture. Always the explorer, Stevens sought the meaning and purpose of life, as illustrated in his songs like “On the Road to Find Out.” He eventually converted to Islam in 1977. Around the same time, he permanently left the world stage as a singer and songwriter. In his relatively short career, Cat Stevens left us with a body of music that is still relevant today and, to millions around the world, extremely enjoyable. Originally, I played this song using a picking method, and then I switched to strumming. I watched a video of Stevens performing the song with a strumming method. I thought, I’ll never be able to play it that fast. To my amazement, I wound up playing the song as fast as Stevens when I strummed it. Interesting. Here’s my cover. Chapters (00:00:08) - Oh, Very Young What Will You Leave Us This Time?