Page&Stage Podcast

In this episode, I sit down with Jennifer Blackmer and Meg Crane to discuss the fascinating story behind the invention of the home pregnancy test. Meg shares her journey from working as a graphic designer and illustrator to developing a prototype that would empower women with the ability to test for pregnancy at home. Despite initial resistance and skepticism from (all male) executives, Meg’s determination and innovative thinking led to a groundbreaking product that changed the landscape of women’s health. Jennifer, the playwright of PREDICTOR, adds depth to the conversation by exploring how she adapted Meg’s story into a stage production, highlighting the intersection of art and science.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Meg and Jen’s LinksCheck out Jen’s website: jenniferblackmer.comVisit Meg Crane on Facebook.Get tix to PREDICTOR!Here’s the original article that inspired the play.Meg and Jen’s BiosJennifer Blackmer’s award-winning plays include Predictor, I Carry Your Heart with Me, Margaret Atwood’s Alias Grace, Borrowed Babies, Delicate Particle Logic, Human Terrain, and Unraveled. She was recently honored with the 2024 Harold and Mimi Steinberg Charitable Trust/ATCA Citation, which recognizes the best new plays produced outside of New York, the PEN/Laura Pels International Foundation for Theatre Award for Emerging American Playwright, the Alfred P. Sloan Foundation Tribeca Film Institute prize, the Indiana Authors Award, the Joseph Jefferson Award for Best Adaptation, the David Mark Cohen Playwriting Award, and the Gold Medallion from the Kennedy Center American College Theatre Festival. Jennifer is a Professor of Theatre at Ball State University, where she teaches classes in playwriting, storytelling, science on stage, feminist theatre and directing.Meg Crane founded Ponzi & Weill Inc. advertising and design company in 1968 with her late partner, Ira Sturtevant. Prior to that, she was Creative Director at Intec Laboratories (Organon) where she coordinated projects with four advertising agencies assigned to Intec’s new cosmetic’s department. Before joining Intec, she worked at Harpers Bazaar Magazine and at Gene Murray Advertising. Meg is the inventor of the first home pregnancy diagnostic test, 1967, for which she holds two patents: 3,579,306 and DES.215.774. In June, 2015, her prototype for the test was acquired by The Smithsonian Museum along with one of the original marketed products. Now retired, Meg participates in panels and conferences, and consults on upcoming films, stage plays, and book projects about her work on the original home pregnancy test. At this moment in time, she is most concerned about the state of reproductive rights in the United States.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

In this episode, I interview Jim Sorensen, exploring his diverse journey through theater, boxing, and a new career in financial services. Jim shares his experiences in acting, the challenges of portraying complex characters, and the importance of storytelling in both theater and life. He discusses his love for radio theater and his unique adaptation of A Christmas Carol. He also reflects on the lessons learned throughout his career, emphasizing the need for financial literacy among artists. The conversation highlights the interconnectedness of creativity and practicality in the arts.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.CORRECTIONAfter recording, Jim emailed saying he had misspoken. While talking about his work in the boxing industry—and that’s pugilism, not cardboard—Jim mentioned a recent bout that his buddy Paulie Malignaggi had fought in. In our interview, Jim mistakenly implied that Paulie had lost, but in fact, Paulie won! So if you run into Paulie, be sure to congratulate him. And if you run into Jim, forgive him. Jim’s Links* Learn all about Jim and his work at his website: jimsoren.com* Info and tix for A CHRISTMAS CAROL: A LIVE RADIO PLAY* Learn more about Tampa Repertory Theatre* Visit Jim at Instagram and FacebookJim’s BioJim Sorensen has been an actor, singer, administrator, designer, director, and all-around theatre practitioner for over 30 years. Onstage credits include: Off-Broadway/New York: THE BODY BEAUTIFUL, PLAIN & FANCY (York), MIRACLE ON 34TH STREET (Engeman), PLAGUED: A LOVE STORY (NYMF). Regional: BEAUTIFUL (Reagle Music Theatre), THE 39 STEPS, A FEW GOOD MEN (Flat Rock Playhouse), INTO THE WOODS, THOROUGHLY MODERN MILLIE (Fulton), LES MISERABLES (Arts Center of Coastal Carolina). Florida: BAKERSFIELD MIST (The Off-Central), NEXT TO NORMAL, STRAIGHT WHITE MEN (TampaRep), MAMMA MIA!, THE PRODUCERS, MUCH ADO ABOUT NOTHING, IT’S A WONDERFUL LIFE, THE ROCKY HORROR SHOW (American Stage), WEBB’S CITY (Palladium), BUTLER (Florida Studio), SOUTH PACIFIC, 1776 (Asolo), TIME STANDS STILL (Banyan), THE BUFFALO KINGS, CABARET, THE NORMAL HEART, BECKY SHAW, THE BURNT PART BOYS (freeFall), THE BLUE ROOM (Stageworks). A multiple award-winning actor, Jim was also founding Managing Director of freeFall Theatre, served as Managing Director at American Stage, and is currently the Managing Artistic Producer at Tampa Repertory Theatre. After three years with ProBox TV, producing live boxing events - and occasionally appearing as Ring Announcer - Jim is on the setting out on his next big adventure: serving as a Financial Advisor with Edward Jones.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

In this episode, I’m joined by playwright Jackie Goldfinger, actor L. James, and director Sue Wolf. We explore the multifaceted world of theater, focusing on the importance of storytelling, the challenges of playwriting, and the unique experiences of military veterans in the arts. We discuss the development of the one-person show BACKWARDS, FORWARDS, BACK, highlighting the role of virtual reality in modern storytelling and the impact of PTSD on both characters and audiences. Our conversation emphasizes the need for trust between directors and actors, the significance of compelling characters, and vital support organizations for veterans.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Guest’s Links* Get tickets to BACKWARDS, FORWARDS, BACK at United Solo on November 14 HERE.* Learn more about Jackie and all her plays HERE.* Get Jackie’s book, PLAYWRITING WITH PURPOSE, HERE.* Learn more about L. and all his projects HERE.* Visit L. on Instagram HERE. * Learn more about Sue and all her projects HERE.* Learn more about Sue’s amazing non-profit to help foster kids—Foster Your Dreams—HERE. * Learn more about Operation Warrior Resolution HERE. * Learn more about VoteVets HERE. Guest’s BiosL. James (Performer) is a proud native of Paterson, New Jersey and US Army Veteran. He received his BA in Theater at Ramapo College of New Jersey and an MFA in Fine Arts from Florida State University. Since graduating, he has been seen in TV/Flim such projects as Law & Order, CBS’ FBI, The Zombie Wedding, The Mooch. He’s performed at regional theaters along the east coast, Asolo Rep., Shakespeare & Co, ASC, FreeFall Theatre and more. He also has shared his in voice in voiceovers, audiobooks and announcements for local companies. L. is a proud veteran and an accomplished performer whose work centers on themes of resilience, healing, and the complexities of military life. He brings lived experience and authenticity to this acclaimed role.Sue Wolf (Director) began her career on Broadway... as an usher. Tired of reciting the alphabet backwards, she started directing plays and musicals. She eventually moved to Los Angeles, where she lived in her car in Beverly Hills, ‘showered’ in a doctor’s office, and landed a job in the casting department for Norman Lear. She played alto sax at The Central on Sunset Boulevard (Viper Room now) by night and by day she was a writer’s assistant on “All In The Family.” Ultimately after working every job in production and writing for Weekly and Daily Variety Newspaper, Sue became a producer and director for stand-up and sketch comedy shows and documentaries. Her TV shows are on Comedy Central, MTV, Disney, Lifetime, CBS, ABC, TBS, UPN and has over 50 shows on HBO with seven Cable Ace nominations and two wins! In addition to co-creating the classic award-winning series “One Night Stand,” she produced the first (almost all black) stand-up show for Eddie Murphy TV called “Uptown Comedy Express,” and the first all-female stand-up HBO show called “Women of the Night.” Sue produced and/or directed specials with Robin Williams, Billy Crystal, Chris Rock, Ellen DeGeneres, Martin Short, Paul Rodriguez, Martin Mull, Denis Leary, Joy Behar and many more. Her films include documentaries “Iroquois Art,” Richard Pryor’s “I Ain’t Dead Yet Mutherf*cker”, and “Rodney Dangerfield.” Narratives: Markus Wolf for Paramount (script Jim Webb produced with Larry Brezner and a film called “Zombie Wedding.” She is proud of her community work which includes serving on the board of NYRep, starting FosterYourDream.org, a 501c3 that makes dreams come true for foster kids, serving on the Friends Committee of Hollywood Beautification Team (a non-profit that paints out 2 million miles of graffiti and ‘greens’ L.A.), serving on Eric Garcetti’s Gang Safety Commission, serving as Lemon Grove Park’s Board President, and receiving two citations from Mayor Garcetti for rolling up her sleeves and getting involved. She plans to live to 150.Jacqueline Goldfinger (Playwright) is a playwright, poet, and librettist whose work has been produced in the U.S. and around the world. Her book, Playwriting with Purpose: A Guide and Workbook for Playwrights, is taught at colleges and universities around the country. Her plays have been produced by The Kennedy Center, United Solo (Off-Broadway), Court Theatre (New Zealand), École nationale de théâtre (Canada), Urbanite Theatre, Contemporary American Theatre Festival, Theatre Exile, Vortex Rep, Perseverance Theatre, among others. Her work has been developed at Maryland Opera Studio, the National Theater (UK), New Georges, La Mama, Disquiet (Portugal), Drama League, Lark Playwrights Week, National New Play Network, among others. Her work has been supported by organizations including Yaddo, National Endowment for the Arts, Millay Colony, Sloan Foundation, and the Orchard Project. Her opera, choral and art song libretti have been performed at Sydney Opera House (Australia), Opera Columbus, Resonance Works, BBC Radio 3 (UK), Voces8 (UK), Oberlin Opera, Chor Leoni (Canada), Chiesa di Ognissanti (Italy), San Diego Opera/Without Walls Festival, and others. The filmed version of her short opera, Letter to Our Children, with Composer Justine F. Chen has screened at film festivals around the world. Her plays have won the Yale Prize, Generations Award, Smith Prize,among others. Her plays and libretti have been published by Yale Press, Theatrical Rights Worldwide, Concord Theatricals, Dramatists Play Service, Edition Peters, and others. Her poetry has been published by literary magazines including American Poetry Review, Poetry Wales, and Beyond Queer Words Poetry Anthology. As a dramaturg, she specializes in new work and has worked with La Jolla Playhouse, Philadelphia Theatre Company, Arden Theatre, and others. As an educator, she has taught playwriting and dramaturgy at University of Pennsylvania, UC Davis, and others. Education: BA English Literature-Theatre at Agnes Scott College. MFA Screenwriting at University of Southern California.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Inspirational speaker, memoirist, and igniter of dreams Risa August shares her incredible journey from being a successful athlete to facing a life-altering diagnosis of a brain tumor. She discusses her experiences with Ironman competitions, the challenges of her diagnosis, and the transformative bike ride from Canada to Mexico that followed. Risa also delves into her writing process, the importance of storytelling, and her exploration of Gestalt therapy. Throughout the conversation, she emphasizes the power of resilience, authenticity, and the lessons learned from her experiences.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Guest’s LinksVisit Risa’s website: RisaAugust.comBuy Risa’s book: The Road UnpavedGuest’s BioAward-winning author, Speaker, Gestalt Practitioner, and Patient Advocate, Risa August has been living with a pituitary tumor and rare disease for over a decade. Risa shares her insights and perspectives on stage, offering words of inspiration to audiences. Additionally, Risa works one-on-one with clients, guiding them through the many roadblocks of life and toward living more fully inspired.A girl with sparkles in her hair and once an Ironman athlete, Risa still has a passion for her bike and barbells. With her genuine curiosity and love for trying new (and old) things, you may find Risa taking Bollywood or Hip-Hop dance lessons, trying a silks aerialist or boxing class, going indoor skydiving, and guiding inspirational workshops in creativity.Through her personal transformation, Risa has learned and practiced removing limiting beliefs, shifting her perspective, and embracing an expansive life…a life unleashed.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Lee Gundersheimer joins me to share his remarkable journey through the theater world—as actor, director, playwright, and educator. From formative lessons with Uta Hagen to reinvention in Winona’s vibrant arts community, Lee reflects on the power of reputation, the wisdom gained from both success and failure, and the enduring joy of collaboration. With insights on showing up, staying curious, and the nature of theater itself, this inspiring conversation celebrates a life devoted to storytelling and connection.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Lee’s LinksWebsite: LeeGunder.comLee’s BioA multi-faceted theatre professional, Lee has worked as an actor, director, playwright, producer, administrator and designer. He has built and run two separate theater spaces in Manhattan, managed many new play workshops, directed over eighty plays, performed in countless theaters in NYC, and worked as a teacher of acting, directing, and playwriting for five major universities. He is a founding member of two local theatres: Treefort and The Hat. As a playwright, his play Incommunicado was produced off Broadway and nominated for two Adeulco Awards. His play Pas De Deux won Best New American Play on Theatre Row in NYC. Before moving back to Florida where he was raised, he spent some time in the Midwest where he was Managing Director of The Great River Shakespeare Festival and the Arts and Culture Coordinator for the City of Winona, MN.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Steve Hoffman joins me to discuss his journey from inspired audience member to influential story broker at the Norton Center for the Arts. We explore the power of storytelling to heal, build community, and spark connection. Steve shares how he curates seasons, fosters collaboration, and makes the arts more relevant and accessible. From community engagement to the impact of productions like Last Out, this episode is a tribute to the transformative role of the arts in our lives.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Steve’s Links* LinkedIn — Essential Engagement: Connecting Communities Through Cultural Programming* Steve’s personal Instagram page featuring his photography from his farm and its animals* Norton Center for the ArtsSteve’s BioSteve Hoffman has curated, produced and presented arts and humanities programs, events, exhibitions, festivals and seasons for over 30 years. Since 2010, he has served as Executive Director of Centre College’s Norton Center for the Arts. Highlights include receiving the 2023 Arts Organization of the Year by the Arts Commission of Danville-County; a 2017 Kentucky Governor’s Award in the Arts; curating numerous arts and humanities-based exhibitions; creating and implementing community engagement activities with professional artists including Yo-Yo Ma, Bobby McFerrin, Ben Vereen, and Sphinx Virtuosi; and his involvement with the 2012 U.S. Vice Presidential Debate and Debate Festival.Since 2011, Steve has also served on the faculty of the University of Kentucky Department of Arts Administration graduate program and has mentored international, professional, classical musicians since 2013 through the national Young Professionals Career Advancement program. Previously, Steve was President and CEO of the National Steinbeck Center, in Monterey, California, and was the founding CEO of the Washington Pavilion of Arts and Science, in Sioux Falls, South Dakota.Steve currently is chair of the Kentucky Presenters Network, immediate past board president of The Gladys Project, and a board member of the Danville-Boyle County Chamber of Commerce. Since living in Kentucky, Steve has also served on boards and/or committees for the Heart of Danville, Leadership Boyle County, The Art Center of the Bluegrass, United Way of the Bluegrass, Clayton Center for the Arts at Maryville College (Maryville, TN), Folk Alliance International, and the Association of Performing Arts Professionals.Steve is also currently in the process of publishing a handbook to serve the professional and academic arts, humanities and cultural administration industries.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. I do my absolute best to respond to every comment. Let’s get into a fun conversation!And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Emmy and Oscar-winning producer Milton Justice joins me to share the remarkable, chance-driven path of his life in theater and film. From studying with Stella Adler to teaching his own philosophy of acting, Milton offers profound insights on craft, career, and the power of saying “yes.” Packed with wisdom, humor, and stories from a legendary journey, this inspiring episode is a must-listen for anyone passionate about the arts.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.* Visit Milton at his WEBSITE.* Check out his BOOK.* Listen to his PODCAST.And here is his full bio:Academy Award and Emmy Award-winning producer Milton Justice began his career as an assistant director at the New York Shakespeare Festival and has moved between academia and film, television and theatre throughout his career.On Broadway he produced Tennessee Williams’ Vieux Carre. Off-Broadway he produced Jack Heifner’s Vanities (which became the longest running play in off-Bway history and co-starred the then unknown Kathy Bates) and Das Luscitania Songspiel (written by and starring Sigourney Weaver and Christopher Durang) which was selected as one of the year’s best plays by the New York Times. Most recently he has taught master acting classes in Marseille, Bucharest, Prague, Stockholm, and Berlin.Milton was mentored by the legendary Stella Adler and after asking him to teach at her school, she appointed him Artistic Director of her theater company in Los Angeles. With the Stella Adler Company, he directed Eugene O’Neill’s Long Day’s Journey Into Night (with the then unknown Mark Ruffalo), Shaw’s Misalliance, Vaclav Havel’s A Private View, Joe Orton’s Entertaining Mr. Sloane, and Samuel Beckett’s Waiting for Godot (also starring Mark Ruffalo). The Company’s efforts were rewarded with seventeen local critics’ awards. In 1995 he was invited by New York University to teach as part of their acting program. He has also taught at Yale University, Unitec in Auckland, New Zealand, given classes in London, Stockholm, Berlin and Sydney, and was the Dean of the Institute for Creative Arts in Seoul, Korea. In 2016 Justice presented a workshop at the International Stanislavsky Symposium in Prague.As an acting teacher he has had the privilege of coaching, teaching, and directing a wide range of actors including Mark Ruffalo, Margo Martindale, Sean Astin, Kyra Sedgwick, Bryce Dallas Howard, Chris Carmack, Chris Messina, Maura Tierney, and Patrick Stewart. For his work in film and television, Justice received an Academy Award, an Emmy Award, and two Golden Globe nominations. His most recent film producing venture Losing Chase (directed by Kevin Bacon and starring Helen Mirren and Kyra Sedgwick) for Showtime, premiered at the Sundance Film Festival and won a Golden Globe award for Helen Mirren, as well as a Cable Ace award for the writer. In the fall of 2022, he directed The Glass Menagerie for the 30th Anniversary of the Tennessee Williams Festival. His book, I Don’t Need An Acting Class, was published in November of 2021 and his podcast, also called I Don’t Need An Acting Class, was recently listed as Number 3 on an international list of The Thirty Best Acting Podcasts.If you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click this link to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. I do my absolute best to respond to every comment. Let’s get into a fun conversation!And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Alice Manning joins me to explore the healing power of storytelling and the role of empathy in both art and life. She shares her journey from early influences to self-producing solo shows, highlighting how humor often springs from tragedy. Alice also discusses her transformative work leading storytelling workshops in prisons, fostering healing and connection among inmates. This inspiring conversation showcases Alice’s passion for using performance as a tool for personal growth and social change.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.* AliceManning.com* Freedom to Choose Project* Your Story on FilmIf you enjoy or find value in this podcast, I’d like to ask you a quick favor.Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show.So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. I do my absolute best to respond to every comment. Let’s get into a fun conversation!And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Seth Gordon joins me to explore the power of imagination, empathy, and community in the evolving world of American theater. We discuss the post-pandemic landscape, the role of nonprofit theater, and insights from Seth’s upcoming book, Crossroads in the American Theater. Seth shares wisdom on new play development, teaching directing, and building meaningful audience connections. Packed with personal stories and hard-earned lessons, this episode offers inspiration and guidance for anyone passionate about the future of theater.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Check out Seth’s bio and show at the University of OklahomaStay tuned for his book, Crossroads in the American Theater: New Leaders in a New Age. I will update this page send you all a direct link once it drops later this summer.If you’re enjoying Page&Stage, I’d be much obliged if you told at least one other person. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Talent agent and author Dr. Albert Bramante joins me to explore the emotional and psychological terrain of the acting world. From his early love of theatre to his PhD research on self-sabotage, Albert shares powerful insights on rejection, resilience, and mental health in the industry. We discuss ethical representation, relationship-building, and how actors can leave lasting impressions. A must-listen for anyone navigating showbiz or chasing creative goals—with practical advice drawn from Albert’s book, RISE ABOVE THE SCRIPT.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.* Check out Albert’s book, RISE ABOVE THE SCRIPT: Confronting Self Doubt and Mastering Self Sabotage for Performing Artists* Learn more about his talent agency at Bramante Artists* Say hi to Albert on Facebook or InstagramIf you’re enjoying Page&Stage, I’d be much obliged if you told at least one other person. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Legendary Broadway producer Albert Poland shares his journey from a young fan of Judy Garland to a prominent figure in the theater world. He discusses his transition from performing to producing, the evolution of Off-Broadway, and the importance of storytelling in theater. Poland reflects on his memoir, STAGES, and the process of writing it, as well as his experiences managing productions and collaborating with talented artists. He offers insights into the art of general management and shares anecdotes from his career, emphasizing the significance of passion in the performing arts.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Check out Albert’s memoir, STAGES.And say hello to Albert over on Facebook.Photo of Albert by Jackie Rudin.If you’re enjoying Page&Stage, I’d be much obliged if you told at least one other person. Thank you!I use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

Will Luera and Maria Schaedler-Luera join me to discuss their new roles as co-executive producers of Lifeline Productions and their deeply personal project, ENTANGLED. They explore how improvisation and theater support mental health, the power of vulnerability in storytelling, and the balance of family, creativity, and leadership. From the origins of ENTANGLED to advice for aspiring artists, this episode offers an inspiring look at how art, connection, and courage intertwine on and off the stage.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Check out Maria and Will’s websites, and grab tickets to ENTANGLED, running May 15-25.* Lifeline Productions (and tickets to ENTANGLED!)* Atomica ArtsI use an incredible online app, Riverside.fm, to produce this podcast.If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough.Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm myself!)If you’re enjoying Page&Stage, I’d be much obliged if you told at least one other person. Thank you!.A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

New York Times bestselling author Julie Metz joins host Jason Cannon to explore the power of memoir, the healing nature of storytelling, and the writer’s journey from tragedy to transformation. They dive into the challenges of historical research, the importance of honesty and dialogue, and the delicate balance of being both journalist and subject. Julie also shares lessons from teaching, book clubs, and a surprising literary death match. A rich, honest conversation about writing, memory, and meaning.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Word of mouth has always been and will always be the best marketing tool in the world. If you’re enjoying Page&Stage, I’d be much obliged if you told at least one other person. Thank you!.Check out Julie’s website, books, Substack, and also some of her favorite reads!* JulieMetz.com* Consider the Spider* Grief is for People by Sloane Crosley* A Supposedly Fun Thing I’ll Never Do Again by David Foster Wallace* Howard’s End by E.M. Forster* Persuasion by Jane Austen* Literary Death Match!!A quick shout out to Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

In this compelling podcast episode, host Jason Cannon explores the multifaceted life of Rebecca Gummere, an award-winning author and former pastor. From her early days in a corporate family's ever-changing landscape to the profound personal losses that shaped her faith journey, Rebecca shares how her pursuit of meaning and wonder ultimately guided her to writing. Inspiring and deeply human, Rebecca's tale underscores themes of grief, spirituality, and creativity, offering listeners an intimate understanding of her search for divine mystery and narrative expression.You can listen on the Substack App, and all episodes are also available on Apple or Spotify.Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube.Word of mouth has always been and will always be the best marketing tool in the world. If you’re enjoying Page&Stage, I’d be much obliged if you told at least one other person. Thank you!Use these links to connect with Rebecca and read her work!* RebeccaGummere.com* Rebecca’s Substack: Mystery, Memoir, and Meaning* For social media, search @rgummere* Brian Doyle’s One Long River of Song (which Rebecca mentioned a couple times during the episode) And here is Rebecca’s proprietary Kale Salad Recipe!* INGREDIENTS:* 5-6 leaves of curly kale, washed and patted dry (Lacinato/Dino Kale doesn't work for this)* 1 clove garlic* 6 tbsp good EVOO* 1 tbsp red wine vinegar* 1 tbsp white vinegar* juice of half a medium-sized lemon* 1 tsp. dijon mustard* pinch of kosher salt* 1/4 c. grated Parm Regg* 1/4 c. raw pumpkin seeds* INSTRUCTIONS:* Strip kale off of the stems and do a rough chop. Set aside.* Dry-toast the pumpkin seeds in a hot skillet till browned, fragrant, and popping. Set aside on a plate to cool.* Peel and mince the garlic clove, then use the edge of a sharp knife to mash (doesn't have to become paste, just enough to break up the minced pieces) and place in a large bowl. Add the olive oil, vinegars, lemon juice, mustard, and salt and whisk until the dressing is emulsified.* Whisk the dressing again and add chopped kale and toss until all the leaves are coated. Add grated parm and toss again. Top with toasted pumpkin seeds, toss, serve, and enjoy.A quick shout out to  Ievgen Poltavskyi from Pixabay for the musical underscoring! Get full access to Page&Stage at www.pageandstage.art/subscribe

In this episode of the Page and Stage Podcast, host Jason Cannon interviews Kevin McClatchy, an esteemed actor, director, and associate professor at The Ohio State University. Kevin shares insights into his innovative work with the Shakespeare and Autism Project as well as the Shakespeare and Veterans Initiative. Reflecting on his unexpected journey from journalism and sports marketing to acting, Kevin discusses the formative experiences that led to his artistic career. Jason and Kevin also touch upon serendipitous encounters and memorable performances that have defined Kevin's remarkable career in the arts.Check out Kevin’s huuuuuge IMDB page.Here’s his page on the OSU website (including his email!)Judi Dench’s Shakespeare: The Man Who Pays the Rent, which Kevin mentioned he was reading and loving And here’s more about the Hunter Heartbeat Method. Get full access to Page&Stage at www.pageandstage.art/subscribe

In this episode of the Page&Stage Podcast, host Jason Cannon interviews Sheree Greco, the Production Manager and Stage Management Advisor at The Ohio State University. Sheree shares her journey from working in television production on popular shows like CSI and Modern Family to her current role in academia. She emphasizes the importance of emotional intelligence and people skills in stage management, likening it to an art form that blends logistics and empathy. Sheree also discusses her teaching approach, focusing on training undergraduate students to manage the complexities of theater production with confidence and compassion.Check out Sheree’s incredible list of credits at IMDB.Here’s Sheree’s page over at OSU.And here you can learn all about the theatre program at OSU. If you’re in Columbus, catch a show! Get full access to Page&Stage at www.pageandstage.art/subscribe

In this episode of the Page&Stage Podcast, host Jason Cannon dives into the creative journeys of Diana de Avila, a digital artist who discovered her passion after a traumatic brain injury, and her collaborator Wilma Davidson, a communication consultant. The duo met at Sarasota Pen Women, a prestigious organization supporting female artists, writers, and composers. Together, they discuss their unique paths, the history of the Pen Women, and the upcoming Art and Found event. Listeners are invited to explore how creativity can emerge in unexpected ways and the power of artistic collaboration.Learn more about Wilma and Diana, and check out their work!Wilma Davidson websiteDiana de Avila websiteArt and Found Day!Soldier Sister SavantSarasota Pen Women Get full access to Page&Stage at www.pageandstage.art/subscribe

Michael Broderick's journey is an extraordinary testament to embracing diverse life experiences. From serving four years in the Marines to pursuing punk rock dreams in New York City during the '90s, Michael has embraced a journey of constant transformation. His dedication to acting drew him to Los Angeles, securing roles in major TV series, while his ongoing involvement with military veteran organizations underscores his commitment to service beyond personal ambition. This podcast episode illuminates Michael's personal and professional growth, and offers insight into the courage it takes to pursue diverse passions across different life stages.Check out all of Michael’s credits and reels at IMDB.Visit Michael on Instagram @thatbroderickGallantFew.orgVeterans in Media and EntertainmentAnd here’s that Bryan Cranston video Michael talks about in our conversation! Get full access to Page&Stage at www.pageandstage.art/subscribe

In this episode, Emmy-winning writer Lisa Seidman shares how Star Trek inspired her journey into the television industry, writing for popular shows like Dallas and Murder She Wrote. She talks about her unexpected path to learning Russian and how it played a part in her writing a historical soap for Russian television. She also gives insights into the difference between daytime and prime-time writing, and how naming characters after real people in your life can have unexpected consequences.Check out Lisa’s book, KILLER RATINGSHere’s Lisa’s historic Russian soap, POOR ANASTASIADig up all of Lisa’s TV episodes on IMDB Get full access to Page&Stage at www.pageandstage.art/subscribe

From a young boy full of fear to a man destined to influence arts advocacy, Cedric Hameed's journey has seen him engage in significant soul-searching, especially about his relationship with art. He chats about the thrill of playing basketball with legendary NBA stars and how he transitioned from athletics to spoken word poetry, influencing lives and shaping futures along the way. He also talks about the creation of his first published book of poetry, BALANCE, and the power of self-expression for poets and non-poets alike.Check out Cedric’s collection of poetry, BALANCE Get full access to Page&Stage at www.pageandstage.art/subscribe