Music News Tracker

Hey listeners, Lenny Vaughn here, spinning the raw truth on the music world from my vinyl-stacked bunker. In the last 24 hours, Billboard's Hot 100 chart dropped some heat—Olivia Dean holds strong at number two with "Man I Need," while Bruno Mars climbs to four with "I Just Might," scoring the biggest airplay gain. Don Toliver floods the lower ranks with fresh drops like "Secondhand" featuring Rema and "Rendezvous" with Yeat, both debuting at 29 and 30. Morgan Wallen stays country king with "I Got Better" at 23, but tracks from Myles Smith, KATSEYE, and even Prince's "Purple Rain" tumbled out.New Music Friday exploded yesterday—Charli XCX unleashes "Wuthering Heights" soundtrack vibes alongside her single "Always Everywhere," Brent Faiyaz drops "Icon" and "Other Side," and Central Cee freestyles "Iceman." Bleachers teases their May album with the soaring "you and forever," MUNA shares "Dancing on the Wall" from their upcoming LP, and Cold War Kids return with two fresh cuts. Albums like Angel Du$t's "COLD 2 THE TOUCH" and Worm's "Necropalace" hit Bandcamp hard, blending hardcore grit with melodic twists. The Indy Review shouts out Gogol Bordello, Hiss Golden Messenger, and They Might Be Giants blaming it on "Wu-Tang."Industry buzz? Bad Bunny re-signs with Rimas Entertainment per New Industry Focus, Britney Spears reportedly sells her catalog to Primary Wave, and UMG inks a global licensing deal with ClicknClear for choreographed sports tracks. AI chatter ramps up—Suno spars with Universal over licensing, Spotify eyes AI remixes amid deepfake drama, Jack Righteous reports. Deezer just launched Flow Tuner for hyper-personalized recs, and hires shake things up with NIVA and peermusic promotions.Looking ahead, Metacritic teases Charli XCX's full "Wuthering Heights," Chet Faker's "A Love For Strangers," and Bruno Mars' "The Romantic" next week. From punk revivals to pop anthems, the spirit's alive beyond the algorithms.Thanks for tuning in, listeners—subscribe to keep the vinyl soul burning. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey listeners, Lenny Vaughn here, your bridge from dusty vinyl grooves to today's digital storm, preaching the raw soul of music over algorithm slop. It's New Music Friday, February 13th, and the drops are hitting hard across the board. Boolin Tunes hails Showing Teeth's blistering tech-metalcore single "Rip," with Addison's screams backed by Periphery drummer Matt Halpern and Zach Munowitz—pure chaos for the pit crowd. Knocked Loose unleashes "Hive Mind" featuring Denzel Curry on Pure Noise, while Angel Du$t goes cold on their post-hardcore album Cold 2 the Touch via Run For Cover. Over in pop-electronic territory, Charli XCX drops her Wuthering Heights soundtrack, Ásgeir's Julia, and Chet Faker's A Love For Strangers, as Metacritic's release calendar lights up. Converge's Love Is Not Enough pounds for the grind faithful, and Official Charts spotlights Cruz Beckham's tour-teasing "For Your Love," Perrie's valentines-ready "Woman In Love," and Jodie Harsh's euphoric "The Night Is Yours."Industry ripples: Spotify's ballooned to 750 million monthly users and 530,000 video podcasts, per Alan Cross, but King Gizzard's frontman Stu Mackenzie rips the platform on Galaxy Brain, yanking their catalog amid AI floods and "diet music" choking real art. UK electronic scene powers a £2.47 billion boom, Record of the Day reports, with free parties surging but mid-tier venues crumbling—North leading 93% growth. Fresh off Grammys glow on Feb 1, where Kendrick Lamar swept five including Best Rap Album for GNX, Bad Bunny nabbed Album of the Year for his Spanish-language stunner DeBÍ TiRAR MáS FOToS, and Olivia Dean took Best New Artist, per The Elm.No major blowups today, but eyes on upcoming heat like Mumford & Sons' Prizefighter and BlackPink's Deadline mini-album. Dig into these crates before the bots do.Thanks for tuning in, listeners—subscribe for more unfiltered fire. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey, listeners, Lenny Vaughn here, spinning the raw truth from vinyl grooves to digital streams, bridging the gaps where algorithms fear to tread. In the past 24 hours, Broadway's buzzing with Michael Arden directing the world premiere of Sara Bareilles and Sarah Ruhl's musical The Interestings at Berkeley Rep, while The Lost Boys cast dropped videos of "If We Make It Through The Night" and a mashup of "Lose Yourself/Have To Have You." Over in the West End, Richard Kind joins The Producers for seven weeks, and Schmigadoon! adds McKenzie Kurtz, Isabelle McCalla, and Brad Oscar to its Broadway run. Raj Kapoor, Sarah Levine Hall, and Jack Sussman are set to produce the 79th Tony Awards, keeping theater's heartbeat strong.K-pop's February lineup explodes with BLACKPINK's 3rd mini-album DEADLINE, IVE's REVIVE+, ATEEZ, NCT subunits, and RIIZE's Japanese release, fueling global playlists. Neo-soul shines as Eric Roberson unleashes "Sweeter Than You" featuring Avery*Sunshine from his album Beautifully All Over The Place, a Valentine's vibe straight from the heart.RIAA gold and platinum certs rained down February 11: Bad Bunny's "Mia" feat. Drake hits gold, Moneybagg Yo sweeps with singles like "Wat3va I'm Wit," "Keep It Low" feat. Future, his album Hard To Love, and collabs with Glorilla, J. Cole, and Morgan Wallen; plus The Cure's "Boys Don't Cry" certified anew.Industry shakes include Spotify's $11 billion payout to creators, demonetizing 2 billion fraudulent streams last year per Apple Music's VP, and Sound Royalties funding $135 million in creator contracts for 2025. But turbulence hits: KCRW lays off DJ legends Jeremy Sole and Jason Kramer amid funding cuts, hiring new blood like John Tejada and Peanut Butter Wolf to pivot toward AI-era discovery. Wasserman Music bleeds talent—Bethany Cosentino, Chappell Roan, Orville Peck bolt after CEO Casey Wasserman's Ghislaine Maxwell ties surface in DOJ files. AI battles rage, from Universal vs. Suno to the industry's flood of synthetic tracks.Rock fans savor February's reissues and live sets, while publishers sue Anthropic for $3 billion over piracy. Listeners, in this algorithm swamp, chase the real—raw voices, fresh cuts, live sparks.Thanks for tuning in, subscribe for more unfiltered spins. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Well folks, welcome back. I'm Lenny Vaughn, and we've got quite a bit brewing in the music world right now, so let's dive straight in.The Black Keys are back and they mean business. The legendary blues-rock duo just announced their Peaches 'n Kream World Tour, kicking off April 24th in Fort Lauderdale. This is in support of their forthcoming album Peaches, dropping May 1st via Easy Eye Sound and Warner Records. According to Vice and The Rock Revival, the band is hitting major cities across North America, Europe, and beyond through October. What's particularly interesting here is that the album was born from real struggle—Dan Auerbach was dealing with his father's esophageal cancer diagnosis when they headed into the studio. The result is what Auerbach describes as their most natural record since their 2002 debut, The Big Come Up. They recorded it live in one room with minimal overdubs, mixing it themselves for the first time since Magic Potion in 2006. The album features ten tracks including the single You Got To Lose, and supporting acts vary by city, all coming from Auerbach's Easy Eye Sound label roster.Now, shifting gears to the darker side of the industry. Multiple artists including Chappell Roan, Sylvan Esso, and Wednesday have announced they're leaving Wasserman Music following revelations that the agency's CEO Casey Wasserman exchanged emails with Ghislaine Maxwell, the convicted associate of Jeffrey Epstein. According to Exclaim, this has sent shockwaves through the talent management world. What's particularly telling is that some artists want to leave but feel trapped by industry mechanics—they're bound to booking agents and realize these massive agencies control access to venues and streaming partnerships. Sleigh Bells and Automatic both acknowledged the impossibility of ethical choices in a system owned by what they called greedy, perverted power brokers.On the technology front, Spotify just reported record growth with 751 million monthly active users, marking their largest net gain in company history. The LA Times reports they gained 38 million monthly active users in 2025, and their Wrapped campaign engaged 300 million people globally with 630 million shares across 56 languages.Meanwhile, the California Copyright Conference is hosting a panel titled Is Sync Dead, exploring how fewer placement opportunities and AI music tools are reshaping the licensing landscape that independent artists once relied on as their golden ticket.That's what's moving in the music world right now. Thank you so much for tuning in. Make sure you subscribe for more industry insights and artist deep dives. This has been a Quiet Please production. For more, check out quietplease dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Well listeners, Lenny Vaughn here, and we've got quite the week unfolding in the music world. Let me walk you through what's been shaking across the industry.Sony Music just reported some seriously impressive double-digit revenue growth for the fourth quarter of 2025, and this matters because it signals something profound. We're seeing a resurgence in how people connect with music as tangible experience. Physical formats, merchandise, music publishing, all of it's surging. In an era where everything's streaming and algorithmic, there's something beautiful about listeners choosing to own their music again, to hold liner notes in their hands.Speaking of new music, February is absolutely packed. The country world is experiencing what you might call a golden moment with releases from Zach Bryan, Eric Church, and Megan Moroney all hitting shelves this month. But the really massive story is Bruno Mars making his grand return on February 27th with a full album after a decade away from solo work. The man's released a single already that's being called a ten out of ten, so expectations are sky high. You've also got Harry Styles and BTS dropping albums in March, marking BTS's return as a complete group after exploring solo ventures. That's the kind of cultural moment that transcends music.On the performance side, Bad Bunny's Super Bowl halftime show has gotten people talking, and not always gently. Jon Stewart took a humorous swing at the criticism, and honestly, it highlights something we keep seeing: music as battleground for broader conversations about representation and identity in America. That's the real power of performance.Meanwhile, the industry itself is celebrating milestones. Broken Bow Records just hit their 50th number one hit, and there's been a real emphasis on honoring female artists who've shaped country music, with 26 women being recognized for their impact on the genre. That recognition matters deeply.John Carter Cash is unveiling his first visual art exhibition called Dark Hallways on February 13th in Tennessee, reminding us that artistry doesn't stop at one medium. The Country Music Cruise raised nearly 58,000 dollars for the Country Music Hall of Fame, which speaks to how this community still values preserving and celebrating its history.What strikes me most about this moment is the balance we're seeing. We've got algorithmic dominance and streaming ubiquity, sure, but there's genuine hunger for substance, for ownership, for connection. Whether it's Sony's physical format resurgence or artists returning after years away or festivals raising money to preserve musical history, listeners are saying something clear: they want depth, legacy, and authenticity.That's the landscape right now, and it's one worth paying attention to.Thank you so much for tuning in. Make sure to subscribe so you don't miss what's coming next in the music world. This has been Quiet Please production. For more, check out quietplease dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey, listeners, it's Lenny Vaughn here, your bridge between the dusty grooves of vinyl and the endless scroll of today's beats, digging through the crates to keep the raw soul of music alive. In the last 24 hours, the indie scene exploded with fresh drops from From the Strait's Rundown—MissCore's "Domino" out of Poland crushes with soaring female vocals, ferocious growls, and a brutal takedown of societal illusions via razor riffs and pounding grooves. Germany's Quiet Girl unleashes "No Means No," a punk-metal ripper on consent and boundaries from their EP Don't Be Quiet, while Kamikaze's "X Me Out" brings riot grrrl energy with distorted guitars and dark synths off their debut The End. Canada's SquareHead goes "Petty In Pink" in alt rock flair, Switzerland's Mary Middlefield screams "Wake Up!" with thunderous drums and jagged indie bite, and Allegories deliver bleak shoegaze despair in "The Next Life," staring down nihilism without mercy.Over in albums, Omaha Buzz hails Ratboys' Singin' to an Empty Chair as a 2026 must-listen, poised to rocket them to indie stardom after The Window, joining Dry Cleaning and Mary Lattimore-Julianna Barwick elites. John Craigie's I Swam Here blends mellow Americana, folk, and jazz vibes, perfect for soulful drifts like Charley Crockett fans. Daphni's electronic Butterfly satisfies Four Tet cravings, Tigran Hamasyan's progressive jazz swings wild, and Mandy, Indiana's Urgh glitches into noisy extremes.Industry heat simmers as Observer spotlights Spotify's chokehold—Los Campesinos! reveal just 0.29p per stream on their 9.5m-streamed All Hell, dwarfed by Spotify bosses cashing £932m, demonetizing 88% of tracks under 1,000 plays, and flooding "lean-back" muzak to cut payouts while majors feast.Bad Bunny's Super Bowl LX hype surges per Apple Music data, with Shazam spikes and radio spins peaking ahead of his halftime domination post-Grammys. Papa Roach kicks 2026 vulnerable with "Wake Up Calling" via Muskoka Radio.Thanks for tuning in, listeners—subscribe to stay spun on the real sounds cutting through the algorithm noise. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Well friends, we've got ourselves a week of music that reminds us why this industry still matters. Let me walk you through what's been shaking in the world of sound.The biggest story rolling into your Sunday is Bad Bunny taking the Super Bowl halftime stage at Levi Stadium in just hours. This Puerto Rican sensation made history last weekend when his album DeBÍ TiRAR MáS FOToS became the first fully Spanish-language project to win Grammy album of the year. At a press conference, Bad Bunny kept things cool and collected, saying he's just trying to enjoy the moment. The NFL stood firm in their selection despite some conservative backlash, with commissioner Roger Goodell calling him one of the great artists in the world. This performance marks a turning point for Spanish-language music on mainstream stages.Now let's talk about loss. Brad Arnold, the voice of 3 Doors Down, passed away this week at 47 years old. The Grammy-nominated rock band's frontman left us far too soon, and the music world is feeling that absence deeply.On the release front, there's real momentum happening across genres. Daniel Lanois, the legendary producer who shaped the sound of U2, Bob Dylan, and Peter Gabriel, just announced a new partnership with Warner Music. His first new track under the deal is Grace, an ambient rework of a timeless hymn featuring Brian Blade on drums and Aaron Neville's unmistakable voice. Beck's dropping Everybody's Gotta Learn Sometime, a collection of covers from soundtracks and compilations over the years, mixing Elvis Presley and Hank Williams alongside previously unreleased material. A vinyl edition hits stores next Friday.Bruce Hornsby continues proving that 70 is just a number, releasing the title track from his upcoming album Indigo Park. The full record arrives April 3rd and features collaborations with Bonnie Raitt and Ezra Koenig from Vampire Weekend. Peter Gabriel's sharing new material from his forthcoming album with Put The Bucket Down, while Joe Jackson's second single from Hope and Fury is making waves this spring.For the socially conscious listeners out there, Chuck D and Flavor Flav reimagined He Got Game as She Got Game, an anthem for women's sports empowerment. They've assembled powerful female artists including bassist Blu DeTiger and drummer Cindy Blackman Santana, with proceeds going to the Women's Sports Foundation and the Black Music Action Coalition's Female Fund.The Format just released bonus material from sessions with producer Brendan O'Brien, donating proceeds to immigrant support organizations, while a tribute album of Blink-182's Enema of the State covered entirely by trans female artists is raising funds for Trans Lifeline.The Grammy Awards also recognized The 8-Bit Big Band's Super Mario Praise Break, a jazzy orchestral meditation that picked up Best Arrangement at last weekend's ceremony.Thank you for tuning in. Make sure you subscribe for more conversations about the music that moves us. This has been a quiet please production, for more check out quiet please dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey, listeners, Lenny Vaughn here, your bridge from dusty vinyl grooves to the digital deluge, preaching the gospel of raw sounds in an algo-overloaded world. Yesterday's music scene exploded with February 6 drops that span electronic euphoria to black metal fury. Illenium unleashed Odyssey, a melodic house odyssey for the festival faithful, while Norwegian black metal legends Mayhem clawed back with Liturgy of Death, their first in seven years. J. Cole finally served The Fall-Off, his long-teased magnum opus that's got hip-hop heads calling it peak Cole. Indie rockers Silversun Pickups dropped Tenterhooks, Ratboys hit Singin’ to an Empty Chair, and Daphni fluttered in with Butterfly on the electronic front. Prog rockers Big Big Train carved out Woodcut, KMFDM raged with Enemy—their 24th album after 42 years—and The Black Keys went primal with Peaches!, dropping the filthy single You Got To Lose. Steven Wilson announced live album Impossible Tightrope, no physicals, just hi-res digital bliss.Live wires are buzzing too: ZAYN and Noah Kahan slated massive stadium tours, BTS teamed with Netflix for a comeback concert stream, and Deep Purple books a one-off at London's Royal Albert Hall. Bad Bunny's stoking fires ahead of his Super Bowl halftime slot, riling up the MAGA crowd while partnering with iHeartMedia for Latino podcasts on My Cultura, hosted first by MLB's Ronald Acuña Jr.Industry shakes include Avex Music tapping The Orchard for global distro, kicking off with Justin Bieber’s backing band's release; LabelWorx launching a per-track publishing arm; Ticketek unveiling TEG Live with new hires; and AI audio outfit ElevenLabs hauling in $500 million funding. Drama brews as Martin Shkreli battles over Wu-Tang Clan's Once Upon a Time in Shaolin copyrights. TikTok's overhauling artist pay for 2026—good news for creators—and Live Nation's Mindful Nation pushes sober well-being initiatives.From punk anthems like Mandy, Indiana's Urgh to iHeart adds like Nick Jonas's Sweet To Me and ATEEZ's Adrenaline, it's a genre buffet begging for your crate-digging soul.Thanks for tuning in, listeners—subscribe to keep the spirit alive. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Welcome back, listeners. This is Lenny Vaughn, and we're diving into what's shaping up to be quite the week in music. The algorithms are spinning overtime, but real artistry is still breaking through.Let's start with the heavy hitters. Joji just dropped his fourth studio album Pss in the Wind, a 21-track journey that expands his melancholic pop and R&B sound into more experimental territory. That's the kind of artist evolution that reminds us why discovery still matters. Meanwhile, ZAYN is making moves with his new project Konnakol, leading with the single Die For Me and scheduling the full album for April. Nick Jonas brought Sunday Best to the table, and honestly, there's something refreshing about artists who refuse to be boxed in by their past.But here's where it gets interesting. Taylor Swift just announced that her music video for Opalite will premiere on Spotify Premium and Apple Music tomorrow morning at eight AM ET, with the YouTube release coming February eighth. That's the kind of strategic rollout that still generates genuine anticipation in a world drowning in content. Sometimes the old playbook still works best.Looking at the broader landscape, we're seeing some beautiful collaborations emerging. Tame Impala linked up with JENNIE on a Dracula remix, blending genres in ways that would've seemed impossible a decade ago. Calvin Harris and Kasabian joined forces on Release The Pressure, mixing electronic production with rock energy. These are the kinds of unexpected pairings that keep music vital.The industry itself is grappling with big questions right now. According to industry reports, the Grammy leadership is raising serious concerns about artificial intelligence transforming music production. Meanwhile, Spotify just launched a new feature called About the Song in beta mode, designed to bring stories and context directly into the listening experience. That's actually something worth celebrating because it honors the liner notes and context that made music discovery so rewarding in the physical era.From the protest music front, Bruce Springsteen's Streets of Minneapolis debuted at number one on Billboard's digital music sales chart. There's still hunger for artists willing to speak truth to power.Looking ahead, we've got Mitski dropping her second single I Will Change For You from her forthcoming album Nothing's About to Happen to Me, arriving February twenty-seventh. And J. Cole just released The Fall-Off today, which means hip hop listeners have something substantial to dig into this weekend.The real lesson here is that even as algorithms try to predict what we want, artists are still finding ways to surprise us, collaborate unexpectedly, and push boundaries. That's the spirit that keeps music alive.Thanks for tuning in, listeners. Make sure to subscribe so you don't miss what's coming next. This has been a Quiet Please production. For more, check out quietplease dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey listeners, Lenny Vaughn here, spinning the raw threads of music's soul from vinyl grooves to streaming chaos. In the last 24 hours, the industry's buzzing with tomorrow's massive drop on February 6—Official Charts rounds up New Music Friday headliners like ZAYN's brooding "Die For Me" teasing his pop-forward album KONNAKOL, sombr's GRAMMY-fresh "homewrecker" with its star-studded video, and Niall Horan's collab with Myles Smith on "Drive Safe." Joji aims for chart glory with Piss In The Wind, Nick Jonas serves Sunday Best featuring "Gut Punch," while Ratboys deliver indie rock via Singin' to an Empty Chair and Daphni drops electronic Butterfly. Across genres, Illenium's Odyssey lights up EDM, Mayhem unleashes black metal fury, Laura Pausini reinterprets classics, Karnivool returns for prog metal heads, and Americana fans get John Craigie's luminous I Swam Here plus Big Richard's Pet.Industry-wise, Music Business Worldwide spotlights Romania's Global Records crushing it with 40 billion streams and $75 million in 2025 revenues, forecasting double-digit growth in 2026—they're expanding via Believe's 25% stake, Honua Music buys, and mega-fest Beach Please! drawing 500,000 for Travis Scott and A$AP Rocky. SPIN's Now Hear This hails emerging acts like Butterfly Vendetta's alt-punk sear and kazaizen's psych-soul.Historically, February 5 echoes loud—Backstage Country recalls Willie Nelson's 2023 GRAMMY wins for "Live Forever," Shania Twain's heart event strut, and Dan + Shay's "From the Ground Up" peak, while Hot 969 Boston notes hip-hop milestones like Cardi B's "Up" No. 1 and Beyoncé's GRAMMY fire. Tragically, A Journal of Musical Things reports Three Dog Night co-founder Chuck Negron passed at 83.From black metal riffs to indie whispers, the spirit endures beyond algorithms. Thanks for tuning in, listeners—subscribe for more unfiltered vibes. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey listeners, Lenny Vaughn here, spinning the threads from vinyl grooves to streaming chaos, bridging the generations in this algorithm-overloaded world. Kicking off February 2026 with a country explosion—Ella Langley drops her free-spirited "Dandelion," the title track from her sophomore album hitting April 10 via SAWGOD/Columbia, all classic storytelling and groove. HARDY teams with legends Tim McGraw, Eric Church, and Morgan Wallen on "McArthur," a generational tale produced by Jay Joyce, according to Rutherford Source. ERNEST sails into "Lorelei," a breezy island hook, while rising star NORA. unleashes her debut EP Just Words, blending indie pop with folk and Americana aches. Ana Cristina Cash's bilingual The Sunshine State, cut at the Cash Cabin, flexes her vocal range, and Patrick Murphy revs up "Slow Song Fast Car" with piano-driven maturity. Josh Ross confesses deeper feels in "Bar And Back," Jenna Paulette expands Horseback (Deluxe) with duets like "The Dirt" feat. John Morgan, and Ian Munsick conquers love fears in "Geronimo." Whiskey Riff rounds up 30 more radar-worthy tracks like John R. Miller's "A World Away" and Brit Taylor's "Warning You Whiskey."Over in dance, John Summit's "Lights Go Out" and Lenny Fontana's "Stay With Me All Night" pulse fresh, per Massive Dance. But the Grammys last night stole the show—Bad Bunny grabs Album of the Year for his Spanish-language triumph, a first, while Kendrick Lamar and SZA snag Record of the Year for "Luther," with Lamar sweeping five including Rap categories, as Toronto CityNews and MusicRadar report. Billie Eilish and Finneas claim Song of the Year for "Wildflower," Lady Gaga takes Pop Vocal Album for "Mayhem," and Clipse brings snowy rap nostalgia. Tributes flow for D’Angelo and the late Brian Wilson, per LA Times live chat.Industry wise, Bandcamp bans AI-generated artists to champion human soul, amid streaming booms and vinyl revivals, though indies face ecosystem squeezes, Xavier Boscher notes. Avril Lavigne yanks her Nicki Minaj collab "Dumb Blonde" from streams over political vibes, A Journal of Musical Things says. Gorillaz teases The Mountain album this month.Thanks for tuning in, listeners—subscribe for more raw discovery. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Well listeners, we've hit the final day of January and the music world is absolutely buzzing with momentum heading into February. Let me walk you through what's happening across the industry right now.Michael Jackson continues to dominate the charts as we close out the month. According to MJ Charts Weekly, Thriller is holding strong at number 96 on the Billboard 200 Albums, while The Essential Michael Jackson has claimed the number 10 spot in the UK Top 100 Albums. His classic videos are still racking up incredible view counts on YouTube, with Billie Jean sitting at over two billion views. The anticipation around an upcoming biopic is only fueling this renaissance, and Jackson's music proves that true artistry never really goes out of style.On the new music front, the Colorado underground is making serious noise. Westword highlights several bands pushing boundaries this month, from Acid Sentence's debut EP Thrash N Burn to Eyes of Salt's double single featuring Melt and No Greater Truth. The metallic hardcore scene is particularly vibrant right now, with bands like Degreaser and Definer showing that heavy music still has plenty of room for innovation and raw energy.Meanwhile, artificial intelligence is no longer lurking at the edges of the music business. According to Billboard's recent industry analysis, companies like Suno and Udio are fundamentally reshaping how music gets created and distributed. Suno lets users generate complete songs from text prompts while Udio, founded by former Google DeepMind researchers, is gaining serious traction among creators experimenting with AI-assisted songwriting. On the licensing side, Klay Vision is taking a licensed-first approach, working directly with major record labels to ensure artists get proper compensation. It's a significant shift that moves AI from theoretical threat to practical tool embedded in everyday workflows.The Grammys are almost upon us. The 68th Annual Grammy Awards take place tomorrow at Crypto.com Arena in Los Angeles, and industry predictions are pouring in. According to the Daily Illini, all Best New Artist nominees are TikTok stars, which speaks volumes about how platform algorithms are shaping breakthrough talent discovery. Bad Bunny is being predicted to take Album of the Year for DeBí TiRaR MáS FOToS, while Kendrick Lamar and SZA's luther looks positioned to dominate Record of the Year.Across the broader music landscape, listeners are discovering everything from Noah Kahan's latest single to Bruce Springsteen's protest material. The industry continues to balance respect for legacy acts with enthusiasm for emerging voices finding audiences through digital platforms.That's your snapshot of what's moving through the music world right now. Thank you for tuning in with me today. Make sure you subscribe so you don't miss what's coming next. This has been a Quiet Please production. For more, check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Welcome back, listeners. It's been quite a week in the music world, and I want to take you through what's been happening right now.We're in the thick of New Music Friday, and the landscape is beautifully diverse. A fresh wave of pop is arriving with MEEK, a South London singer-songwriter who's just dropped her debut single Fabulous—a bold statement of self-belief that announces her arrival with real confidence. Meanwhile, December 10, a boy band formed on Netflix's Simon Cowell talent show, is making their debut with Run My Way, and they're bringing genuine joy to their craft.On the rock and alternative side, things are particularly interesting. The Molotovs, a London duo of siblings, are releasing their first full-length record Wasted On Youth. Over in the punk world, the Buzzcocks are still going strong with Attitude Adjustment, proving that the spirit that made them one of the Big Five punk bands back in 1975 hasn't dimmed. Kula Shaker is back with their eighth album Wormslayer, and listeners who remember when they were mentioned alongside Oasis and Blur should take note—the band's been quietly making excellent music.Several major artists are preparing significant releases. Noah Kahan has announced his album The Great Divide coming in April, with the title track out now as the first single. Tom Misch returns with the touching single Sisters With Me, previewing his record Full Circle arriving in March. Don Toliver is dropping his fifth studio album OCTANE, while Labrinth returns with Cosmic Opera Act I. Cast, the Liverpool rockers, are delivering their eighth album Yeah Yeah Yeah.One particularly intriguing moment comes from A*Teens, the Swedish pop four-piece, who are returning with new material for the first time in twenty-two years. Their track Iconic could represent Sweden at Eurovision in Vienna this May, marking a significant moment for a group that shaped pop music for an entire generation.The industry itself continues to evolve. The NAMM Show just wrapped up in Anaheim after five packed days, drawing more than sixty thousand attendees from one hundred twenty-two countries. Nearly four hundred brands unveiled new gear and software, with the Electronic Press Kit tripling in size compared to last year. This is where vision becomes reality in real time.Meanwhile, as we approach Sunday's sixty-eighth Grammy Awards, Interscope Capitol is celebrating thirteen high-level nominations, with Lady Gaga's Mayhem and Kendrick Lamar's GNX competing for album of the year alongside Bad Bunny's Debí Tirar Más Fotos.What strikes me about this moment is how alive music still is—how artists across every generation and genre are creating work that matters. That's what keeps me coming back.Thank you for tuning in, listeners. Please subscribe for more. This has been a Quiet Please production. For more, check out quietplease dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey listeners, Lenny Vaughn here, spinning the raw truth from vinyl grooves to digital streams, bridging the gaps where algorithms fear to tread. In the last 24 hours, the music industry's buzzing with deals that echo through generations. New Industry Focus reports Sony Music Publishing Nashville and Domain Capital Group snapped up Miranda Lambert's full catalog, including hits like White Liar and Bluebird, with a forward-publishing deal and a Hulu project in the works—country royalty secured for the ages. Over in Brazil, Primary Wave and Nas Nuvens acquired Gilberto Gil's legendary six-decade span of 60-plus albums, preserving tropicália's fire.Live scenes are heating up too: Goldenvoice partnered with the San Francisco Giants for Club Darc, a seasonal electronic music hub in the Bay Area, while Wasserman Music welcomed Myles Schalet as Senior VP Agent. Tech ripples include Sonic Intelligence Academy launching the world's first AI music charts to gauge generated tracks' impact, and Opendate's $14M Series A for live event upgrades. But shadows loom—Wixen sued Meta for allegedly bullying songwriters into low royalties via AI replacements, and Neptunes' Chad Hugo claims Pharrell owes him $1M in royalties.Streaming giant Spotify announced a record $11B payout to the industry in 2025 per their newsroom, driving growth with indie artists claiming half, and eyes on 2026 tools like SongDNA for deeper discoveries. Chappell Roan-backed Backline Care debuted the B-LINE mental health hotline for artists, sponsored by Spotify, Live Nation, and AEG—vital support in these grind times. Physical's roaring back, with experts calling vinyl a core revenue play, not a sideshow.Fresh sounds whisper too: A$AP Rocky's long-awaited Don't Be Dumb dropped mid-month, blending hip-hop psychedelia, while hidden gems like Delaney Bailey's Concave and Jill Scott's Don't Play preview soulful comebacks.Thanks for tuning in, listeners—subscribe to keep the spirit alive. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey listeners, Lenny Vaughn here, spinning the raw truth across generations—from dusty vinyl grooves to the digital deluge. In the last 24 hours, rock thrashers Megadeth dropped jaws with "Let There Be Shred" from their 2026 swan song album, a headbanging riff-fest channeling AC/DC's fire that Lana Teramae calls a total shred fest on her blog. The Black Crowes teased more grit, announcing A Pound of Feathers for March 13, led by the chaotic, Stones-soaked single "Profane Prophecy," straight from Lana's January favorites.K-Pop surged with EXO's REVERXE album via The Krazemag, spotlighting the hypnotic R&B of "Moonlight Shadows" despite member disputes, while ONEUS's "When you’re close to me" from Origin offers heavenly serenity. R&B newcomers LNGSHOT stormed Jay Park's MORE VISION label with debut EP SHOT CALLERS, "FaceTime" nailing nostalgic vibes.Industry heat's boiling over AI: Hypebot reports the Human Artistry Campaign launched "Musicians ‘Stealing Isn’t Innovation’" with stars like Jason Aldean and Cyndi Lauper pushing back, echoed by Bandcamp's fresh ban on generative AI tracks per JD Supra. New Industry Focus notes UMG's Twitch channel Universal Music Live for event highlights, Celine Joshua's BMG promo to EVP Global Marketing and Streaming, and Bella Figura Music snagging Jeepster catalog stakes with Belle and Sebastian gems. Policy fires up as Kid Rock preps Senate testimony on ticketing bots January 28.Spotify's rolling out Prompted Playlists beta for Premium users in the US and Canada, blending AI with your moods. Looking ahead, Harry Styles locked a massive global residency tour hitting Madison Square Garden 30 nights, per New Industry Focus.That's your raw cut of the music world's pulse, listeners—stay digging beyond the algorithms. Thanks for tuning in, subscribe for more vinyl soul. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey, listeners, this is Lenny Vaughn, your bridge between the golden eras of vinyl scratches and today's streaming haze, digging into the raw pulse of music. Yesterday's New Music Friday on January 23 exploded with fire across genres—indie rockers The Format dropped Boycott Heaven, a long-lost gem reunion packed with emotional hooks that feel like flipping through faded liner notes. Ari Lennox poured soul into R&B stunner Vacancy, blending vulnerability with silky grooves, while Roc Marciano's hip-hop opus 656 crafts cinematic beats for the deep thinkers. NPR Music's picks spotlight Lucinda Williams' World's Gone Wrong, a rootsy gut-punch echoing Gillian Welch, and the Carolina Chocolate Drops' 15th anniversary reissue of Genuine Negro Jig, reviving old-time string magic. Rock heads, grab Megadeth's self-titled thrash return and Van Morrison's sly Somebody Tried to Sell Me a Bridge. Don't sleep on Delaney Bailey's intimate Concave or Julian Lage's jazz gem Scenes From Above.Industry's buzzing too—Spotify rolled out Prompted Playlists in the US and Canada after New Zealand tests, letting you AI-curate vibes on demand. Duetti snagged $200 million for indie catalog buys, and Live Nation's eyeing Peru with Bizarro promoter. AI's creeping deeper: Liza Minnelli and Art Garfunkel linked with ElevenLabs for "co-created" tracks, while Udio inked deals with Merlin after UMG and Warner settlements. Def Jam's planting roots in China's hip-hop hub Chengdu.Marking history on this day, Central Cee unleashed Can't Rush Greatness last year with Lil Durk and 21 Savage, and PARTYNEXTDOOR's Resentment hit Gold. Echoes of Cass Elliot breaking free and Diana Ross topping charts remind us music's always evolving.Thanks for tuning in, listeners—subscribe to keep the spirit alive. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey listeners, Lenny Vaughn here, spinning the threads that connect dusty vinyl grooves to today's digital pulse. In the last 24 hours, the music world's buzzing with fresh drops and bold moves across the board. Harry Styles kicked things off with Aperture, the shimmering first single from his upcoming album Kiss All the Time. Disco., out March 6, while teasing his 2026 Together, Together residency tour hitting seven cities. His One Direction bandmate Louis Tomlinson dropped his full album How Did I Get Here?, spotlighting Imposter as the third single after Lemonade and Palaces. Over in pop, MIKA's Hyperlove arrived as his seventh studio set, bursting with emotional brightness, and Taylor Swift released Opalite, the second single from The Life of a Showgirl. Thrash metal legends Megadeth unleashed their self-titled swan song—their 17th and final album after 42 years, with Puppet Parade calling out dead-end lives. Arctic Monkeys resurfaced with Opening Night, leading a War Child charity comp HELP(2) packed with Fontaines DC, Damon Albarn, and more, due March 6.Industry ripples hit hard too: Taylor Swift made history as the youngest woman inducted into the 2026 Songwriters Hall of Fame, joining Alanis Morissette, Kenny Loggins, and KISS's Gene Simmons and Paul Stanley. UK BRIT Award noms crowned rising stars Olivia Dean and Lola Young as frontrunners, signaling a youth quake. Drama brewed as Kim Petras demanded her label drop her over endless delays, backed by Kesha, fueling talks on artist independence amid TikTok dominance and AI debates. Tenacious D confirmed their comeback post-controversy, proving fan love rebounds fast. Indies flexed with Too Lost projecting nine-figure revenue for 2026 after doubling streams and signing 100,000 new artists last year. Geese preps for SNL with Cobra, and reissues like The Power Station's 40th anniversary deluxe keep classics alive.From disco revivals to metal farewells, this drop proves music's raw heart still beats louder than any algorithm. Thanks for tuning in, listeners—subscribe to stay in the groove. This has been a Quiet Please production, for more check out quietplease.ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Hey there, it's Lenny Vaughn, and we've got a lot happening in the music world right now, so let's dive straight in.First up, the vinyl community is buzzing about January 23rd—that's this Friday—when we're getting a treasure trove of releases. Megadeth's dropping their 17th studio album, which is a big deal for metal heads. We're also seeing reissues that matter: Panic at the Disco's "A Fever You Can't Sweat Out," Toni Braxton's "Secrets," and Erykah Badu's "Mama's Gun" are all hitting vinyl. For the crate diggers, there's classic jazz too—Art Blakey, Joe Henderson, and the Red Garland Quintet are getting fresh pressings. This is what real discovery looks like, listeners.Meanwhile, the streaming side is moving fast. According to industry reports today, an independent music financing platform called Pipeline just launched, positioning itself as the largest funder of independent music globally. That's significant because it means artists might have alternatives to traditional label structures. On the corporate front, NetEase Cloud Music and Universal Music Group struck a multi-year China licensing deal with artist-centric provisions around AI—a sign that the industry is finally grappling with how artificial intelligence affects creators.Speaking of artists making noise, Grammy winner Kim Petras publicly asked Republic Records to drop her, claiming the label has refused to schedule her completed album "Detour" and hasn't paid collaborators. That's a bold move and signals real tension between artists and major labels right now.In live music, Peso Pluma just announced a massive U.S. arena tour for 2026 called the "Dinastía by Peso Pluma & Friends Tour," tied to his collaborative album with his cousin Tito Double P blending corridos with modern production. Tickets went on sale today, and that's momentum you can feel.On Broadway, the Metropolitan Opera announced cost-cutting measures including layoffs and reduced programming as it battles financial strain. Meanwhile, "Merrily We Roll Along" is now streaming after its Tony-winning run, bringing that revival to a wider audience. "Magic Mike Live" is heading to New York this fall, and several new musicals are in development including an industry reading for "Wild About You" coming in March.The Recording Academy and IBM are partnering to create AI-driven digital experiences for the Grammy Awards, leveraging music industry data across all genres. It's the future colliding with tradition.What we're seeing across the board is transition: vinyl thriving alongside streaming, independent creators finding new funding paths, and artists demanding better treatment from legacy structures. That's the real story this week.Thanks for tuning in, listeners. Make sure you subscribe for more on what's happening in music. This has been a quiet please production, for more check out quiet please dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Look, it's a special Monday afternoon and the music world is absolutely buzzing with energy. We're talking about genuine moments that remind us why we fell in love with this industry in the first place.Dolly Parton just turned eighty, and instead of just blowing out candles, she dropped a powerful rendition of "Light of a Clear Blue Morning" featuring Lainey Wilson, Miley Cyrus, Queen Latifah, and Reba McEntire. According to Williamson Source, this marks the fiftieth anniversary of when Dolly originally wrote the song, and the new version includes David Foster on piano with The Christ Church Choir backing it all. That's the kind of milestone that matters, listeners. When an icon celebrates eight decades by bringing together generations of women in country music, you know something sacred is happening.The country scene is absolutely thriving right now. Braxton Keith, one of those rising stars everybody's been whispering about, just released "I Ain't Tryin'" describing it as good old country music like a pair of jeans that never goes out of style. Chase Matthew continues building his reputation as an authentic new voice with his latest single "Holdin' It Down." Sterling Elza is gearing up for a March release of his EP "Bag of Bones," but he's got us something special now with "Pick Your Reason." Maddox Batson, just sixteen years old from Nashville, is mixing roots rhythm and blues into his debut of the year with "Any Other Night," exploring what it's like when your crush matters more than hanging with the crew. Grammy-nominated Midland returned with "Marlboro Man," a soaring ballad reflecting on twelve years of touring and the landscape of regrets mixed with the endless road ahead.Beyond country, the diversity keeps expanding. According to Omaha Buzz's album roundup, we've got A$AP Rocky delivering hip-hop that even us old folks can enjoy with his album "Don't Be More Dumb." Jana Horn is serving post-folk territory with intricate compositions that reveal themselves over multiple listens. Experimental outfit Xiu Xiu dropped a covers album featuring The Talking Heads, Soft Cell, and even GloRilla.The industry itself is shifting too. Music labels are boldly entering film production, moving beyond soundtracks into actual content creation to diversify revenue streams. Mac Martin has been named host for the twenty twenty-six Juno Awards. Meanwhile, Megan Moroney is preparing listeners for her third studio album "Cloud 9" arriving February twentieth, with her latest anthem "Wish I Didn't" featuring Dylan Efron in the music video.This is what keeps the music alive, listeners. The intersection of legacy and discovery, of artists honoring what came before while pushing toward what's next. Thank you so much for tuning in and please do subscribe for more of this. This has been a quiet please production, for more check out quiet please dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Well listeners, it's been quite a week in the music world, and there's plenty to unpack as we settle into January 2026.Let's start with something that's got the entire industry talking. An AI-generated Afro Soul rendition of Stromae's "Papaoutai" just debuted at number 168 on the global Spotify chart with over 1.29 million streams in its first week alone. Now, this isn't just a technical curiosity—it's sparked real outrage among fans because of how personal the original song is to Stromae himself. The situation reveals something troubling: according to recent studies, 97 percent of listeners can't actually distinguish between AI music and human-created music. Every single day, approximately 20,000 AI-generated tracks get uploaded to streaming platforms. Meanwhile, nearly half of streaming users are actively asking for filters to block AI content entirely. It's the great tension of our time—technology advancing faster than our ability to grapple with its implications.On the brighter side of things, K-pop is absolutely exploding right now with January 2026 bringing an enormous wave of comebacks and debuts. We're talking ENHYPEN, EXO, SEVENTEEN, CHUU, and dozens of others flooding the market with fresh material. It's a golden age for anyone who loves that genre's relentless creativity and polish.Over in the charts, Bruno Mars is making serious waves with his lead single "I Just Might" from his upcoming fourth album. It's vintage Bruno—that polished retro soul pastiche that he's perfected over the years. Meanwhile, Zach Bryan's "Plastic Cigarette" is climbing steady, and Olivia Dean's album "The Art of Loving" continues its reign atop the album chart after five weeks at number one.Looking back at this particular day in music history, we've got some genuinely massive moments to celebrate. The Beatles first hit the American charts on this day back in 1964 with "I Want to Hold Your Hand," debuting at number 45 before climbing to number one just two weeks later. That same date gave us the formation of Bad Company in 1974, when Paul Rodgers and Simon Kirke from Free joined forces with Mick Ralphs and Boz Burrell to create a supergroup that would eventually sell over 40 million records worldwide.The country music world has had its share of notable January 18ths too—Blake Shelton and Carrie Underwood both took home major awards at the People's Choice Awards back in 2017, and we lost the legendary session guitarist Reggie Young in 2019, a man who'd backed everyone from Elvis to Willie Nelson to Waylon Jennings.That's your snapshot of what's happening in music right now, listeners. The future's being written in real time, whether through algorithms or pure human creativity. Thank you for tuning in and please subscribe for more of what's happening across all genres and generations.This has been a Quiet Please production. For more, check out quietplease dot ai.For great Music dealshttps://amzn.to/3BPL8A7Or check out these podcasts http://quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI