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Description
Troy Sennett and Matt Kistler talk music through the lens of their favorite artists’ discographies, one album at a time.
63 Episodes
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The Format's sophomore album, Dog Problems, is a triumph in every way, from its expansive pop songwriting to an independent release that defied expectations. This week, we discuss the album's concept and songs, our favorite B-sides, and the legacy of Dog Problems 20 years later.
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NF063
New year, new series! We're kicking off 2026 with a deep dive into the career of Nate Ruess, starting with The Format's debut album, Interventions and Lullabies. Also discussed: EP, B-sides, and how every song on this album might have the best chorus ever written.
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NF062
The year is just about over, so it's time for some lists! We're counting down our top ten albums of 2025, talking about the year, and looking forward to what's next.
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NF061
It's a snowy midwest winter, and we're closing the loop (the wreath?) on our Bright Eyes series with A Christmas Album, released in 2002 as a benefit for the Nebraska AIDS Project. Also, Troy tried to rank the entire Conor Oberst catalogue, and we manifested something awesome.
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NF060
Our sub-series on Conor Oberst's collaborative side projects concludes this week with Better Oblivion Community Center, which finds Oberst teaming up with Phoebe Bridgers. We talk about the songs, the marketing campaign, and the album's place in their respective careers.
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NF059
In the mid-aughts, Conor Oberst and Mike Mogis teamed up with Jim James of My Morning Jacket and M. Ward to form the supergroup Monsters of Folk. On this episode, we dive into their lone self-titled album, their collaborative process, and the band's place in the Bright Eyes mythos.
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NF058
We've come to the end of the Bright Eyes discography with 2024's Five Dice, All Threes. Join us as we dig into the raw, back to basics production approach, contributions from Alex Orange Drink and others, and the album's exploration of chance and fate.
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NF057
Bright Eyes formally ended an eight-year hiatus with 2020's Down In the Weeds, Where the World Once Was, the band's most grandiose, orchestrated album yet. On this episode, we cover the tribulations that led up to the band's reformation, expanding the Bright Eyes fold with players like Flea and Jon Theodore, and how processing tragedy informs this group of songs.
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NF056
After a busy few years of solo albums and collaborations, Conor Oberst and his bandmates reconvened for The People's Key. We explore the album's new sonic adventures, its connections to science fiction and Rastafari, and its place as the intended (or maybe not) Bright Eyes swan song.
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NF055
This week we're retracing our steps all the way to Cassadaga, the follow up to I'm Wide Awake and Digital Ash and another fascinating evolution of the Bright Eyes sound. We cover our favorite lyrics, themes of mysticism and the search for contentment, and the album's critical reception. We went long on this one because Cassadaga is a truly rich text. Also: A brief digression on The Masked Magician.
Links
Collin Baillio's "A Thick Mist of Change" essay series
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NF054
We're back with the other 2005 Bright Eyes album (or maybe the 2005 Bright Eyes album, depending on which side of the band you prefer), Digital Ash In a Digital Urn. We get into our differing experiences with the album over the years, unpack the overarching themes of time, destiny, and death, and heap much deserving praise on Mike Mogis's production work.
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NF053
On I'm Wide Awake, It's Morning, one of two albums released on the same day in 2005, Bright Eyes put their folk influences front and center. We get into our history with this beloved record, the themes of renewal and rebirth, New York City, and the band's most enduring hit, "First Day of My Life."
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NF052
Our Bright Eyes series continues with Lifted or The Story Is In the Soil, Keep Your Ear To the Ground, the album catapulted Conor Oberst to stardom. We get into the album's grand ambitions, resonant themes, and explore another era of B-sides and EPs.
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NF051
It's our 50th episode! We're not doing anything particularly special to celebrate, just continuing our Bright Eyes series with Fevers and Mirrors, the last album before the band found its way to the mainstream. We break down the recurring imagery, the infamous, surreal fake interview, and dip into the EPs and bonus tracks from this remarkably prolific era of Conor Oberst's career.
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NF050
Our Bright Eyes series continues with the first canonical Bright Eyes album (or is it?). We explore Conor's growth as a songwriter on Letting Off the Happiness, the contributions of producer Mike Mogis, and a slew of B-sides and EPs from this era.
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NF049
It's fall, which means it's time to break out the acoustic guitar and get emotional with us as we go through the Bright Eyes discography. In this episode, we recount our personal histories with the midwestern emo/folk legends, touch on Conor Oberst's pre-Bright Eyes work, and break down the group's somewhat haphazard first album, A Collection of Songs Written and Recorded 1995-1997.
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NF048
It's time for a palate cleanser between series, so we're talking about one of the biggest one-album wonders of the pop punk scene: Box Car Racer. We get into the dynamics in Blink-182 and Tom Delonge's life that led to this side project, how 9/11 and existential angst informed the songs, and how the album holds up over two decades later.
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NF047
Our series on The Armed comes to a close with their latest album, The Future Is Here and Everything Needs To Be Destroyed. We break down the band's return to their aggressive roots and what the album has to say about existing in our present moment. And as always, we rank the discography.
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NF046
On Perfect Saviors, The Armed shed the aliases and antics in order to "be a reliable narrator." The result is their most expansive, accessible album yet, but it still has plenty of surprises. We get into every turn, from acoustic guitars to jazz fusion to the secret EP hidden inside the vinyl packaging.
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NF045
This week we refract into ULTRAPOP, arguably The Armed's magnum opus and inarguably another compelling turn in their discography. We cover the songs, the fascinating and absurd marketing campaign, and the culmination of the ULTRAPOP era in Live At the Masonic.
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Send us mail: noisefloorpodcast@gmail.com
NF044
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