Banjo Hangout Top 100 Traditional Songs

This traditional Cajun waltz sings of the sad loss of a loved one. I like its melody and found it easy to play on clawhammer banjo.

I've always had a soft spot for Marches, and this classic's up there with the best o'them I reckon. Thanks for steppin' up!. .... Don.

For the old time Tune of the Week, 4/28/18, the first part of this medley comes from BHO member RG, learned (he thinks) from a wonderful friend, Larry Brown. The second part is how I think traditionally of Barlow Knife in three parts. My dad didn't have a barlow knife, but his boy scout knife reminded me of one.

A hasty rendition....i heard Ron Mullenix perform...

Appalachian ode to a true love

I posted tunes the last two holiday seasons so I thought I'd do another this year. Wishing all the best to my BHO friends for the season and the new year. In Double C.

Lynwood Lunsford playing on his 30s style 4 with one of my "Magaret Boote" Florentine/RB4 reproduction necks.

Béla Fleck Baritone

A good ol' murder ballad. Clawhammer and voice

Test driving yet another tone ring.

This is a very old Irish carol. Fingerstyle guitar and banjo (muted).

I'm thrilled to have been asked to do the rollout of an innovative instrument that opens a new world of mando-banjo potential. The Octajo is a double-course tenor banjo tuned an octave (or lower) below mandolin and violin. With a 12” banjo rim with bronze tone ring and an octave mandolin neck the Octajo can be strung with either metal or nylon strings. The one on this recording is set up with nylon. Hope you enjoy. Banjo Crazy Paul

I learned this tune when Mark Johnson posted it in the Tune of the Week for 4-1-2011. Since then, it's pretty much always the first tune I play whenever I tune into G (or in this case A) modal. I've been meaning to thank Mark for introducing me to this for three-and-a-half years. So... "Thanks Mark!"

Messing around with this English Ballad tonight.

From the CD "On The Edge" by the Cliffhangers. Fiddle: Mark Simos; banjo: Brendan Doyle; guitar: Rusty Neithammer; tenor guitar: Jody Platt; bass: Karen Falkowski. Fiddle tuning: FCFC, banjo tuning: FBbFBbC Sources: Hiram Stamper, Hindman, Knott County, Kentucky; and his son Art Stamper. Mark's notes: "I first heard Art play this tune late one foggy night at Clifftop — standing in a muddy clearing amidst a gathered crowd, hat slouched on his head, cross-tuned fiddle sailing the glorious fat low notes out into the dark trees. Though our version here is closer to his dad Hiram’s, we dedicate this tune to Art’s memory."

seldom scene

A French-Canadian crooked tune learned from Guy Bouchard. Robin Kearton playing fiddle.

Traditional Greek melody adapted for 5-string cello banjo, Gold Tone CEB-5, double C tuning, gCGCD.