Claim OwnershipRewind or Die – Cult Movies, Trash Cinema, and Deep Dives
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© Adam Chase 2025
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Rewind or Die is a comedy podcast about movies that are weird, wild, or way more important to us than they probably should be.
Hosted by three friends with strong opinions and questionable priorities, each episode dives headfirst into a different cult classic, box office bomb, or nostalgic fever dream from the video store era. Expect deep movie breakdowns, absurd tangents, pointless arguments, unhinged theories, and the occasional debate over things like cursed action figures, haunted Chuck E. Cheeses, or whether Jack Burton could survive American Gladiators.
If you love pop culture chaos, long conversations that spiral into madness, and the kind of movie talk that feels like arguing in your friend’s basement at 1 a.m.—you’re home now.
New episodes every week. Bring snacks.
51 Episodes
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It’s 1983, John Carpenter teams up with Stephen King, and the result is… a car that straight-up murders people. Christine is part horror, part puberty metaphor, and part demolition derby.In this episode of Rewind or Die, Adam, Jeff, and Steve chase down cursed automobiles, rant about VHS rentals, Frostys in yellow cups, and why the Oakland A’s are basically the Incredible Hulk of baseball. Plus: Carpenter’s ‘director jail’ era, King’s cocaine-fueled writing spree, and more tangents than Christine has dents.
Robert Redford is gone at 89, so the guys dropped a bonus episode on his paranoid cult classic Sneakers (1992). It’s dad-heist cinema at its peak: pizza debates, dial-up hacking, Sidney Poitier staying calm, and Dan Aykroyd screaming about conspiracies.Adam, Jeff, and Steve dive into the plot, the legendary cast (Redford, River Phoenix, David Strathairn, Ben Kingsley, Mary McDonnell), and why this 90s thriller still works today. They talk the box office, its endless cable-TV run, and how Sneakers became one of those early DVDs every dad owned next to Jurassic Park and Twister.Expect VHS tangents, breadstick arguments, VHS vs DVD nostalgia, unhinged 90s pop culture references, and Jeff’s impassioned love for this as one of his true comfort movies. This is Rewind or Dieat its funniest and most chaotic—celebrating Robert Redford’s legacy and one of the greatest paranoid comedies ever made.
Carl Weathers goes full action hero in Action Jackson (1988), a movie that deserved an entire franchise but got left in the VHS aisle. We break down why this cult classic still rules, how Craig T. Nelson’s tuxedo karate is both insane and perfect, why Vanity steals scenes, and why Carl Weathers should’ve been mentioned in the same breath as Stallone, Schwarzenegger, and Willis. It’s part comedy, part tribute, all 80s action chaos.
What if a movie wasn’t a movie but a raccoon-written fever dream? That’s Weapons (2025): Julia Garner weaponizes anxiety, Josh Brolin shows up with mulch and a shotgun, and every frame looks like an A24 trailer about haunted Bass Pro Shops.Adam, Jeff, and Steve try to survive Zach Cregger’s chaos, debate whether Weapons is art or a prank, and spiral into cinematic taser metaphors. Stick around—Louis is back next week for Action Jackson.
Exploding footballs. Cigarettes in the rain. Bruce Willis at peak divorce energy.This week, the guys dive into The Last Boy Scout (1991) — the Shane Black/Tony Scott fever dream where football is corrupt, cars explode for no reason, and Bill Medley sings the most knockoff anthem in history. Adam calls it life-changing, Jeff brings the trivia (and the sighs), and Steve questions the league’s TV ratings.Follow along as we break down Bruce Willis’ weirdest career pocket, Damon Wayans’ indoor sunglasses, and whether this football league somehow connects to Shane Falco and The Replacements.
Boy bands. Demons. Glow sticks as holy weapons. That’s K-Pop Demon Hunter—a movie so insane it makes Point Break look like a documentary.Adam, Jeff, and Steve break down the glitter-soaked chaos: training montages, evil rival bands, fan calendars that seal hell itself, and a finale that might be the most accidental exorcism in film history.
Harrison Ford runs, Tommy Lee Jones doesn’t care, and The Fugitive (1993) still rules. Adam, Jeff, and Steve break down the dam jump, the train crash, the Oscar-winning marshals, and why this is the ultimate dad-thriller. Plus: mustard-on-fries discourse, forgotten TV origins, and whether U.S. Marshalsis more than just a TNT staple.Everything you love about ’90s thrillers: real stunts, real Chicago, and Tommy Lee Jones being the most competent man alive.
Rodney Dangerfield goes back to college, hires Kurt Vonnegut for his homework, and somehow beats Top Gun at the box office. In this week’s episode, we dive into Back to School (1986) — the VHS comedy classic with the legendary Triple Lindy, Robert Downey Jr. in gremlin mode, Pauly from Rocky, Terry Farrell (Star Trek: Deep Space Nine), and Billy Zabka being the ultimate 80s villain.We break down how this Rodney Dangerfield comedy made $90 million, became a Comedy Central staple in the 90s, and why it’s still a cult favorite today. Plus: listener emails, fake IMDb reviews, and a debate about Harrison Ford’s place on the Mount Rushmore of action movies.Hit play, subscribe, and get ready for a full dose of “No Respect!” nostalgia.
Keanu Reeves is Johnny Utah, Patrick Swayze is Bodhi, and Gary Busey just wants two meatball subs. This week, Rewind or Die dives into Point Break (1991) — the surfing, skydiving, bank-robbing action classic that inspired The Fast and the Furious and an entire generation of adrenaline junkies.Join Adam, Jeff, and Producer Steve as they break down Kathryn Bigelow’s cult masterpiece — from the greatest foot chase in movie history to Anthony Kiedis’ unforgettable cameo. They nitpick Johnny Utah’s terrible undercover work (shouldn’t everyone recognize the Rose Bowl quarterback from THE Ohio State?), marvel at Lori Petty’s underrated role, and argue whether Bodhi is a criminal, a guru, or both. Plus, the gang debates if Rodney Dangerfield could’ve pulled off the same assignment, why the dog-throwing scene deserves its own Oscar, and how Point Break still sets the standard for action movies three decades later.
What do you get when you mix Tom Hanks in a bathrobe, Bruce Dern with binoculars, Carrie Fisher rolling her eyes, Corey Feldman as a neighborhood hype man, and Joe Dante’s gift for suburban chaos? You get The ‘Burbs (1989), one of the weirdest and most beloved cult comedies of the late 80s.This week, Adam, Jeff, and Steve move into the cul-de-sac to break down every paranoid detail of Joe Dante’s dark comedy classic. They cover the legendary opening morning sequence, the trash-can curbside theatrics, the killer monologues, and of course—Dick Miller and Robert Picardo as the greatest garbage men in cinematic history.Along the way, they also tackle:• 7-year-old Jeff seeing The ‘Burbs in theaters (and how it shaped him forever)• Why Art’s “the guy was a killer” speech is the suburban cousin of Phoebe Cates’ chimney story from Gremlins• The insane box office year of 1989 (Batman, Indiana Jones, Ghostbusters II, Honey I Shrunk the Kids, and more)• Which Burbs character each host would actually be in real life (spoiler: Steve = the suspicious neighbor)• The surprise Peacock reboot of The ‘Burbs starring Keke Palmer (yes, it’s real!)And as always, Adam begs for Timecop questions, Jeff goes full professor on the movie’s history, and Steve quietly gives up trying to keep things organized.Next week: Point Break (1991). The real one. Swayze. Reeves. Busey. 100% Pure Adrenaline. No remakes allowed.
Jean-Claude Van Damme is a time-traveling cop with a mullet powered by grief and LA Looks gel, and we are absolutelyhere for it. This week on Rewind or Die, Adam, Jeff, and Steve go deep on 1994’s Timecop—the rocket-sled-to-a-wall sci-fi action “classic” where politicians commit time crimes, Mia Sara explodes after ten minutes, and Ron Silver gets paradoxed into hamburger soup.We cover:Why Timecop might actually be more scientifically accurate than Primer (according to Adam, which is terrifying)The lost Timecop Happy Meal toys that should’ve existedHow this movie beat Forrest Gump at the box office for one glorious weekendBruce McGill in a mesh tank top as the true hero of the future year… 2004Plus: the shocking Back to the Future fast-food conspiracy, Sloane Peterson’s brief leap from Ferris Bueller to exploding spouse, and the Timecop 2: Totino Protocol pitch you didn’t know you needed.Next week: We move from time crimes to suburban paranoia with The ’Burbs (1989).📧 Email us your movie suggestions: rewindordiepodcast@gmail.com 📲 Like, follow, and subscribe so your future self doesn’t regret it.
HELLOOOO, dear listeners! The boys are back and we’re kicking off our return with a deep dive into Mrs. Doubtfire, the heartwarming 1993 family comedy about—checks notes—identity fraud, stalking your ex-wife, and the healing power of latex prosthetics.Robin Williams delivers a legendary performance as Daniel Hillard: a man so determined to see his kids, he creates a fake Scottish nanny persona, passes a background check under false identity, and nearly kills James Bond with a lime. It’s emotional. It’s chaotic. It’s borderline criminal. And somehow, it still works.We talk: – Why Sally Field is 100% right and everyone owes her an apology – The myth of the NC-17 Doubtfire cut – Forgotten ‘90s dad jobs (toy designer, dinosaur host, air freshener mogul??) – Matthew Lawrence and the Lawrence Brother Cinematic Universe – The chaotic protagonist vs. reasonable villain problem in movies – And why this movie is basically The Fugitive in a floral cardiganAlso featuring: debates about whether this movie would or should be made today, Steve's terrifying knowledge of Beethoven, and a teaser for next week's episode: Timecop (Van Damme + time travel = instant chaos).New episodes every Monday. Like the show? Smash that follow button, rate & review, or send us your movie takes at rewindordiepodcast@gmail.com
Great Scott! This week on Rewind or Die, the gang finally tackles one of the greatest movies of all time: Back to the Future (1985). Adam, Jeff, and Steve try to stay on track as they discuss plutonium-powered DeLoreans, teenage guitar solos, possible insurance fraud, and the subtle science of living behind a Burger King.Along the way, they question if Doc Brown is a ghost, whether Marty’s band name doomed his music career, and if the Save the Clocktower lady is the true hero of the franchise. Plus: a mysterious cassette tape from Louis labeled “Clocktower Emergency” that might unlock the secrets of the multiverse. Or just a warning about Tab.COMING UP THIS SUMMER: Stay tuned for Jaws, Independence Day, and the time-bending sequels Back to the Future Part II and Part III!
After spending three and a half hours celebrating the majesty of Superman: The Movie, the gang does the only logical thing: follows it up with a bite-sized descent into Superman IV: The Quest for Peace—the Cannon Films spectacular that launched a villain made of solar power and bad ideas.Adam, Jeff, and Steve try to piece together the plot, physics, budget, and wig glue holding this thing together, while Louis bursts in with a passionate defense of Nuclear Man (and insists there was a toy line). Highlights include:Why Lacy Warfield should be dead in spaceHow Nuclear Man is secretly drag royaltyElevator-based villain takedownsWhether Superman fixed the economyA very real moon fightThe ghost of Cannon FilmsA Superman III derailment full of trauma and peanutsIt’s short. It’s chaotic. It’s nuclear. And it may have just become our new favorite disaster.💥 New full-length episode drops Monday: Back to the Future (1985) kicks off our trilogy deep dive for its 40th anniversary! Hoverboards not included.
In Part 3 of our Superman (1978) breakdown, we finally dive deep into the behind-the-scenes chaos that shaped one of the most iconic superhero movies of all time. We’re talking director drama, from Richard Donner’s original vision to the chaotic last-minute involvement of Richard Lester—this movie went through some serious production hurdles before it made it to theaters.We also take a closer look at the weirdly genius casting decisions, including Marlon Brando’s eccentric demands, and Gene Hackman’s role as Lex Luthor—which, let’s be honest, is still one of the best villain performances ever.Plus, we explore the legacy of Superman (1978), how it set the stage for superhero movies that followed, and why this movie still holds up today, despite all its flaws and production disasters.So, buckle up as we dive into the final chapter of this wild superhero saga. From unbelievable behind-the-scenes storiesto what makes Superman timeless, this episode has it all.
In Part 2 of our Superman (1978) breakdown, we finally dive into the crazy plot of this iconic movie. From Superman's world-spinning time travel to the epic emotional stakes, we break down the film’s most wild moments and discuss how it still holds up today.We also dive deep into the behind-the-scenes madness, including the director shakeups that nearly derailed the whole production. Richard Donner started the film, but when things got too chaotic, they brought in Richard Lester to finish it, leading to a wild shift in tone between the two movies.Plus, we discuss how Superman navigates the line between gritty realism and cartoonish fantasy, and how it still works despite all the ridiculous time travel nonsense. We explore the legacy of the film and how it set the stage for all superhero movies that followed—for better or worse.Grab your cape, because this part is packed with deep dives, laughter, and unexpected moments from one of the most chaotic productions in Hollywood history. Part 3 is coming soon, but for now, let’s keep flying with Superman!
In Part 1 of our Superman (1978) breakdown, we explore how this movie changed everything for the superhero genre, but not without a whole lot of behind-the-scenes chaos. We dive into how Superman wasn’t just about flying and saving the world—it was a production nightmare that somehow turned into a cultural icon.From Marlon Brando’s eccentric demands (including paying him in cash and his “talking bagel” Jor-El vision), to the unexpected drama with the directors, we break it all down. The movie’s origins were wild, and we can’t help but get sidetracked by the greatest fast food mascot showdown you never knew you needed to hear.What makes Superman (1978) such a legendary film? Was it the heart, the flying scenes, or the bizarre decisions on setthat somehow worked? We’ll cover all that—and more—in this jam-packed first part. Buckle up, because this episode is just the beginning of a wild ride.
Before Tobey Maguire ever suited up, Hollywood spent nearly 15 years trying—and failing—to make a Spider-Manmovie. In this Rewind or Die Shorts episode, Adam discovers the chaotic truth: in the 1980s, Spider-Man almost mutated into a monster, fought a gravity-crazed Doctor Octopus who said “Okey-dokey” after every crime, and eventually became part of a bizarre James Cameron sex-web saga involving rooftop monologues and lawsuits from every studio in existence.Jeff breaks it all down. Steve eats snacks and asks if “Boyd” is a scary villain name. Adam suffers emotionally. And yes, Cannon Films was involved.New York was almost destroyed by anti-gravity beams, but what really got destroyed was common sense.Up next: a full episode on 1978’s Superman (yes, we’re pivoting to DC—deal with it).
Get ready to watch a house collapse—and not just literally! In this episode of Rewind or Die, Adam, Jeff, and Steve dive deep into The Money Pit, the 1986 comedy where Tom Hanks and Shelley Long discover that homeownership might just be the real nightmare. From rogue bathtubs to plumbing disasters, this movie takes slapstick to a whole new level.Is this the movie that launched Tom Hanks into America's heart? Does Spielberg’s name really mean anything? What would a Money Pit toy line look like? We discuss all of this—and more—plus Louis pitches his latest chaotic scheme. Spoiler alert: it involves volcanoes.We also wonder: What role did Spielberg actually play in this house of horrors, and where does The Money Pit sit in the career trajectory of Tom Hanks?Highlights:Tom Hanks and Shelley Long in the zaniest real estate nightmare everWhat The Money Pit teaches us about home renovations (and sanity)Spielberg’s role in a house falling apart (seriously)The unreal movie merchandise we wish existed for The Money PitLouis’s latest questionable business idea (you won’t believe it)Keywords: The Money Pit 1986, Tom Hanks career, Shelley Long, Spielberg, comedy breakdown, 80s movies, house disasters, home renovation comedy, Rewind or Die, movie breakdown, funny podcast, home improvement gone wrong
This week, the Rewind or Die studio descends into nautical madness as Louis bursts in with a Shark Tank–style pitchfor an all–Captain Ron podcast—Roncast. Assisted (silently) by Roy and fueled by a whiteboard full of delusion, Louis tries to convince Dan the Money Man to fund a boat-based multimedia empire.Along the way:Adam tries to keep the ship afloat.Jeff documents the financial crimes.Steve buys six robes.Paige walks in and immediately regrets everything.Dan may or may not be onboard. Literally.There’s merch. There’s a robe. There’s a board game called Ronopoly. And somehow, there’s a cruise.Plus: A teaser for our next full episode: The Money Pit — coming this Monday!
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