The Sin Syndicate

To know her is to love her. Meet Francy. Or better yet, meet Curt Ledger, a name you may recognize as being attached to a notorious sexploitation film (often called the roughest roughie) called She Came on the Bus. While that film is a “classic” voice-over narration-style piece of artless trash, Ledger was also involved with another picture, a very different, and surprisingly, very good film, called It’s…Francy’s Friday, a coming-of-age dramedy about a not bad lookin’ chick played by the Teenage Tramp herself, Alisha Fontaine. Joining us to discuss all things Ledger, Fontaine, male co-star Ken Chandler, and everyone’s favorite long-haired business babe, Linda Boyce, is researcher and forgotten film explorer, Shawn D. Langrick. SDL has a personal connection to these two films, especially Francy, but you’ll have to listen to learn more. What I can tell you is that we all agreed this is a special, criminally underseen movie made with real care; a tender-hearted sex film that belies its bonafides as just another quickie Curt Ledger project. So join us for Episode 34, “The Most Popular Gal in Town” as we kick start the ignition, engage in a little backseat action, and discuss all things Ledger, Bus, and Francy. Oh, and there’s also this other side-character named Hal Stone.Links:Subscribe to our PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Shawn D. LangrickEpisode Specific:New Beverly Cinema March calendar Watch She Came on the Bus on Cultpix

A bold attempt by a smut publisher and an exploitation director at melding fetishism with general release melodrama, Satan in High Heels is a film that aims big with its sophisticated lounge jazz LP and its lesbianic novelization tie-in. But maybe the world wasn’t ready to get fully Bizarre just yet. A few years later, One Shocking Moment would open with a sharp heel to the back of a hand, among other sadomasochistic things, but in the early 60s, exploiteers were still testing the waters of acceptability, and legality. Olga and her House of Shame were still a few years away, so temper your expectations for leather, lingerie and bondage, and you’ll find something just, if not more, interesting—a seriously well-made film featuring Hollywood players, a mononymous pin-up queen, and that lady from Dark Shadows with the crazy eyes and smoker's scream.Behind the camera is the incredibly talented Bernie Hirschenson, who made William Mishkin’s super-smash nudie, Orgy at Lil’s Place, infinitely more watchable than it had any right to be. It all comes together surprisingly well, even if it doesn’t fully capture fet-publisher Leonard Burtman’s original vision (for that, maybe read the book). Taking us through all this and more is our special guest, our pompadoured tour guide, Alex DiSanto, the headmaster of the incredible account paperbackgrindhouse. So sink into your stilletos, grab your stiffest riding crop, and join us for Episode 33: “More Deadly Than The Male.”Links:Subscribe to our PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Alex DiSanto, Richard Pérez SevesEpisode Specific:Get tickets to the SECS Fest screening with Jane GarrettWatch the restored trailerOrder Scuro 08Listen to In Film We Trust #148

Rip the curlers from your hair. Peggy’s gone. She was The Most Beautiful Woman in the World. For this episode we planned to discuss Anything for Money with Joe Sarno biographer Michael Bowen, but just an hour before recording we got the news that Peggy Steffans-Sarno had passed away the night before. She was 84 years old.Peggy was many things: she was a New Yorker; she was a mother; she was a muse to artist Tom Wesselman, who was enraptured by her lips; she was a London trained actress that ran in the same circles as Peter Bogdanovich, Polly Platt and director Adolfas Mekas, who put her in his movie; and last but not least, she was a devoted wife and long-time, long-suffering collaborator to husband Joe Sarno, who she truly believed in as a serious artist with a special talent for peering into the depths of taboo eroticism and female sexuality.But as Michael says, “Peggy didn’t appreciate maudlin behavior,” so we did our little part to soldier on, drifting in and out of a film-specific discussion and a celebration of her life, as a Steffans, and as a Sarno. Hell, you may even learn more about Deep Throat 2 than you ever expected, or wanted to. Rest in piece, Peggy. The work continues.Links:Subscribe to our PatreonFollow Michael on FacebookRead the memoriam on The Hollywood ReporterInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Michael Bowen

We've got more secrets and more things. In this Short Ends bonus episode, we have a few important updates regarding Secret Places, Secret Things, the film covered in Episode 31: "Love Land." What is Satin Lips? How much is rent for a studio apartment at the former Westgate Hotel where the film was shot? How cute is Debbie Osborne's senior yearbook photo? Besides all things Secret, the Sin Syndicate give an impromptu review of the entire February 2026 calendar for the New Beverly Cinema's "month of erotica." You best believe we have takes.Links:Subscribe to our PatreonInstagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird ChannelListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comEpisode Specific:Listen to Episode 31: "Love Land"View the New Beverly Cinema February 2026 calendar Like Jacob's Sex Shockers ListSpecial thanks: Charles Devlin, Mike McCollum

Fasten your seatbelts, don't forget to pack your mother's diaphragm, we're heading to Main Street, USA for an evening in "Love Land." In Episode 31 of The Sin Syndicate, we are joined by author, brick-breaker and long-time exploitation film historian, Chris Poggiali, who personally chose the subject of this week's episode: actor/stuntman Gary Kent's directorial debut, the woozy, mysterious, sensual, Secret Places, Secret Things (1971).Described by Casey as "a special experience," this underrated gem made for the Pussycat Theater chain and distributed by Fineberg & Miranda's Grads Corp feels like it shouldn't exist at all. And for a long time, it looked like it never did. But recently, thanks to film archivists and historians like Joe Rubin and Charles Devlin, this magical little diamond resurfaced in a scratchy but still comforting scan-from-British VHS. It's a rare film that gives popular sexploitation performers Neola Graef and Kathy Hilton more to do than strip and look pretty (though they do that, too), and girl next door Debbie Osborne, unsurprisingly, gives another lovable, standout performance (more akin to Cindy and Donna than Tobacco Roody) as the kind of hippie chick you could bring home to momma. But maybe the most interesting thing of it all is new information from Chris about two of our leading men: Hollywood-handsome Edward Blessington and The Love Butcher himself, Erik Stern. Of course, there will also be diversions to talk about the irascible duo of Lee Frost and Pete Perry, amongst other things. So, send the porter for a bottle of grog, listen to the thunder outside your window, and join us for a very special look at marriage, love, infidelity, and triumph.Links:Subscribe to our PatreonGet your tickets to Casey's screening: Alice in WonderlandInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Chris Poggiali and Charles Devlin

You asked, we answered, Part 2. Our new year Q&A concludes with the second and final installment, "Uta Go Home." In this episode, Casey once again rants about the missing footage from The Amazing Transplant, Alex throws shade at the non-gore Herschell Gordon Lewis films and Gentry would really like people to stop asking him where they can watch these films. If you enjoyed Alex's in-depth explainer from Part 1 about the cost of a sexploitation film, tune in for a history lesson on some important players in his native Canada's sex film industry. And if you want a rapid-fire list of the most noir sexploitation films, get your pen and paper ready. What other podcast is queening out over Cherie Winters' hair? Yeah, just this one. Links:Subscribe to our PatreonCheck out Something Weird VideoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Alex DiSanto

You asked, we answered. We thought it would be fun to kick off the new year with a little Q&A, but that little Q&A unsurprsingly turned into a four-hour epic. So, we've broken it in two. If you don't hear your question answered in this episode, stay tuned for next week. But in the meantime, in Part One, "Radley Metzger's Ascot," we are joined by our Canadian youngboy Alex DiSanto to discuss all manner of sexploitation and sexploitation adjacent topics, including: our most wanted SWV HD upgrades, our favorite SWV releases, Bucky Beaver, Betsy Burger and...Howard Hughes? Yeah, it's a lot. Join us for what will surely be a New Year's tradition (that's a threat), both a celebration of the annual uptick, and a thank you to everyone who has listened and supported us the past year. If we had any haters, I'd thank them too. But they stay quiet.Links:Subscribe to our PatreonCheck out Something Weird VideoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Alex DiSanto

It’s a Christmas miracle! It’s been a long time coming, but for the final episode of the year, The Sin Syndicate have been blessed with the immaculate presence of The Boss, Something Weird Video owner and operator, Lisa Petrucci. Ever since we started this podcast we knew we wanted to bring Lil’ Lisa on the show, but we were waiting for the right moment. Well, what better time than now, our last episode of 2025, where we talk with the multi-talented Ms. Petrucci about a subject near and dear to her heart—the Mighty Monarch of Exploitation, David F. Friedman, and the recently announced series of double and triple features from Melusine and Distribpix dedicated to his colorful career. Besides Uncle Dave, we also chat about the early days of Something Weird, the current state of film censorship, and some of our favorite Friedman films. If you listen closely, you might even catch Lisa drop a couple hints about some upcoming releases from SWV in the new year. So, join us for “On Mighty Monarchs and Lady Bosses,” the first, but hopefully not the last, of our discussions with the small but powerful woman behind an exploitation empire.Links:Subscribe to our PatreonCheck out Something Weird VideoPurchase The Adult Version Of Jekyll & Hide + The Erotic Adventures of ZorroInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Lisa Petrucci 

Strap in for Episode 27, “Not That Tony Orlando,” a two and half hour ride that boards at Philadelphia's 30th Street Station, makes a detour to Brigantine, New Jersey, and comes to a stop at New York’s Grand Central Station. There will be: more Dawn Bennett slander, a discussion about what makes a “bear,” and a reveal of the inspiration behind Casey’s move to The Big Apple.Curl up with a bag of Takis for some 60s sexploitation comfort viewing as The Sin Syndicate, with special guest Alex DiSanto, discuss the short filmmaking career of Philly boy Tony Orlando (in association with cinematographer C. “Chuck” Davis Smith), and the four pictures he made before his unfortunate death on the operating table: The Block (1964), Lust and the Flesh (1965), Hot Nights on the Campus (1966) and Banned (1966).Besides covering everything you need to know about this quartet of features, there will be diversions to talk about the most uncomfortable exploitation film ever made (The Molesters, and yes, Alex has the promotional whistle), a disgusting promotional tactic around The Twisted Sex (involving a dead girl in white go-go boots) and two other men on the periphery of this scene: Sande N. Johnsen and Jerry Denby. Also not to be missed is our world famous Sexploitation News segment, were we give our initial thoughts on the recently announced high-definition David F. Friedman series from Distribpix + Something Weird Video, reveal the final tally results from our Mount Rushmore of NYC Sexploitation Actresses Patreon poll, and make other historical updates and corrections. All aboard who are coming aboard. Destination: newer, bigger kicks.Links:Subscribe to our PatreonWatch Hot Nights on the Campus on CultpixWatch the David F. Friedman announcement videoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Alex DiSanto

What would you do for a Van Houten chocolate bar? Crawl on your hands and knees and join us for Episode 26 of the Sin Syndicate, where we are submitting to the erotic symphony of director Allen Savage’s psychosexual 1969 sex film, Submission. Starring future hardcore star Jennifer Welles under her “Lisa Duran” pseudonym, she plays “little miss innocence,” a baby doll beauty used and abused by her cruel master, played by actor (maybe producer?) Gary Judin. When the two insinuate themselves into the home of a wealthy older woman, Orgasmo games ensue. Other familiar sexploitation faces featured in this artistically edited X film include Southern gal Sheila Britt, João Fernandes from Doris Wishman's The Amazing Transplant, and a behind the scenes crew that includes one of Joe Sarno's favorite 60s editors, and the cinematographer of Freddy vs. Jason. Clearly, there’s a lot to discuss with this one, so light a candle, grab your favorite candy confection, and quell your insatiable hunger with “Sex and Chocolate.” Links:Read the show notes on our PatreonWatch Submission on CultpixInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.com

The theme is respect yourself. For Episode 25, "Earn Your Money, Koichi," The Sin Syndicate are peering through the two-way mirror at producer/distributor Bob Cresse's Japanese sexploitation pick-up, The Bite (1966). Directed by pink film pioneer Kan Mukai, this early B&W eroduction was purchased for $4,000, re-dubbed, and re-distributed to adults only theaters by Cresse's Olympic International Films. Listen closely and you'll hear sexploitation regular John Alderman as the voice of our protagonist, Koichi, a Sun Tribey young gigolo forced to degrade himself for the pleasure of voyeuristic couples on the other side of the glass. But when Koichi falls for a waitress used in his madam's live peep shows, the walls start closing in as fists are thrown, jail time is served, and a sick mother desperately needs money for an operation. Joining us to talk about the separate but not dissimilar worlds of Japanese and American sexploitation are Christopher and Dakota of the Two in the Pinku podcast, bringing their expertise to an informal discussion about the early years of independently produced pink film, what lens we should view these movies today, and the circumstances that led Cresse to unleashing several of these productions to American grindhouses. Remove the wall covering, hold your lover tight, and join us for a leering look into a world of male prostitution, shotgun revenge, fondling on sailboats, and wearing sunglasses in the night club. Links:Subscribe to our PatreonInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.comGuest Links:Special thanks: Christopher Velasco & Dakota NootListen and follow Two in the PinkuPurchase Sex and Fury from TerracottaPurchase Tokyo Emmanuelle from 88 Films

Lick the end of that paint brush. Tie that electrical cord a little tighter. Rub that ice cube counterclockwise over your left breast. We're entering the "Vortex of Voluptousness" for Episode 24 of The Sin Syndicate podcast—peering into New York City apartments filled with sex games, body painting, banana nibbling and general absurd degradation—with a look at two films from director Joel Landwehr (pseudonym "Leo J. Rhewdnal"), In Hot Blood (1968) and Fluctuations (1970).The former is the story of an ordinary girl with an extraordinary body seduced by a big city modeling job, slowly descending into bondage, methadrone and lesbianism. The latter is an avante-garde depiction of a smut novel leaping off the page with a karate kick and a golden shower. Join The Sin Syndicate and special guest Alex DiSanto on this grimy trip to the poetic gutters of NYC as we scratch the true crime surface of Landwehr’s sad end, and look at the unique circumstances that bred such strange, erotic filth. This is one rendezvous with death you won’t want to miss. Bring your own purse hatchet, but leave the methadrine at home.Links:Subscribe to our PatreonWatch In Hot Blood & Fluctuations on CultpixInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.comSpecial thanks: Alex DiSanto, John Charles & Shawn Langrick

It’s all fun and games at the black magic bacchanal until someone holds a heated plate to your chest with a hungry rat inside. The Sin Syndicate conclude their horrotic Halloween series with Episode 23, “New Thrill at Old Castle,” at look at Zoltan G. Spencer’s languid softcore gothic from 1972, Terror at Orgy Castle. This narration-only bone, uh, chiller, features a bevy of underdiscussed beauties, led by Bambi Allen as the Countess Dominova, and with supporting roles for Jane Tsentas and Linda Marie as soul-sucking succubi. The less said about the men the better, but as is often the case, the story behind the film is arguably more interesting than the film itself, particularly when it comes to George Spencer Crilly, the man behind the name “Zoltan.” Join us on this Eastern European jaunt as Casey and Gentry leave no castle stone unturned, and no Saint Andrew’s cross unused for shackling. Recommended for fans of grapes with foreplay and sequined ram’s heads used for Black Mass rituals.Links:Subscribe to our PatreonWatch Terror at Orgy Castle on CultpixInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.com

Just keep telling yourself, "This is only a hypnotic astral projection, Cindy.” The Sin Syndicate's horrotic October continues with Episode 22, "Let's Fantasy F**k Now!" Join us for an in-depth look at Psyched by the 4D Witch, a uniquely terrifying tale of demonology from director Victor Luminera. Largely a one-man passion project from the psydonomous man, this strange and often comical light and music show was actually a serious attempt by Luminera to break into the mainstream and further advance his experimental ideas about illumination therapy, feminine power and ethereal phenomena. It's fair to say he made some commercial compromises in producing a sexpolitation film where a woman pulls a snake out of her ass. But in the words of Luminera, "this is a trip without drugs." Listen now, get psyched, get f**ked, and watch out for the evil eye. Links:Join the community on PatreonWatch Psyched By The 4-D Witch on Archive.orgRead the info-dump Letterboxd reviewInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.com

Someone’s playing this game for keeps. Instagram’s least favorite podcast, The Sin Syndicate, is back for the onset of scary season with Episode 21, “Uncle’s Night of Tricks.” In honor of October, we’re looking at director Ron Garcia’s Pandora's box of horrotic, Freudian depravity, "The Toy Box" (1971), a midnight party with orgies, casket play, magic boxes, and Debbie Osborne as a sleepy-drunk giant. In this episode we discuss Garcia’s strange career path from sexploitation director to David Lynch collaborator as well as dissect Super Bitch star, Ann Perry, a powerful woman both in front of, and behind the erotic scenes. Break yourself in, accept your payment, and join us for a kinky night in Uncle Ralph’s old dark house.Links:Subscribe to our PatreonInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsCheck out Something Weird VideoContact us: thesinsyndicatepodcast@gmail.com

O say can you see what she’s doing to me? Glory, glory, hallelujah! Join The Sin Syndicate in saluting the flag of Peggy Church and the quiet genius of director Mark Haggard in Episode 20, “Don’t Forget Your Girl.” In this episode we’ve brought along Patrick Crain to help us discuss “The All-American Girl,” a 1973 softcore sexploitation film produced by hardcore pioneer Bob Chinn while he was laying low in Los Angeles. Listen as Gentry gets schooled in “snowballing,” Joe Rubin gets repeatedly called out for refusing requests for restoration, and many other diversions to talk about Erotic Master Joe Sarno, The Immortal Bob Chinn, and the diminishing returns of Carlos Tobalina. We also discuss the greatest mutual masterbation scene ever recorded to film. To paraphrase our adventurous, babysitting girl: relax, lie back, hit play…and let us do the work.Links:Subscribe to our PatreonInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Patrick Crain

It’s a nice day to be alive and swimming in “The Rivers of Cruel Intent” as The Sin Syndicate return for Episode 19, a deep exploration of the cavernous depths of Russ Meyer’s underrated camp classic, “Common Law Cabin.” This week we’re celebrating the day of birth of our very own Casey Scott, and what better way than to look at the Meyer film that he won’t shut up about. Keeping it in the family, we are once again joined by degenerate film archivist and unofficial third member, Alex DiSanto (sans riding crop), who hitches a ride in the roundbottom boat as we gush over Jimmy McDonough’s Russ Meyer biography, ponder the state of the RM catalogue, and debate the sexism of the artist vs. the power of the woman. Also, apparently a certain demographic finds Ken Swofford “yummers.” So, pant with us (an animal trait), drink the foul water, and ask yourself, “Is your turntable working?” It’s going to be a most unusual day.Links:Subscribe to our PatreonExplore the new RM releases at Severin FilmsInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSanto

They may be lost—or only available to see at a German screening—but they are not forgotten. The Sin Syndicate returns with the second and final volume of our most ambitious project yet, a two-part journey through the Twisted Sex trailer archives for our Top 10 most wanted Lost and in Limbo sexploitation films. Helping us finish the countdown of number five through one is friend of the Syndicate and riding crop wielder, Alex DiSanto. A reminder of the rules:- a trailer must exist- one film per director- two substitutions allowed- all the lost Andy Milligan films are off the table (too obvious)What is the Sin Syndicate’s cumulative most wanted film? When are we getting a Don Davis/Marsha Jordan box set? How much time will we spend talking about press books? Join us for “Lost and in Limbo, Vol 2” to find out! P.S. For those that want to spoil themselves on our picks, I’ve listed them at the very bottom of the show notes.Links:Subscribe to our PatreonWatch the Twisted Sex trailer compilations on the Something Weird ChannelInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSantoTimestamps:(00:00:32) Intro(00:01:59) Future of Twisted Sex(00:08:10) #5 (00:42:37) #4 (01:11:50) #3(01:45:18) #2(02:08:00) #1(02:41:13) Honorable MentionsOur Picks: Gentry:05. A Weekend with Strangers04. The Playpen Girls03. Teach Me How to Do It (sub for: Mme. Olga’s Massage Parlor)02. Infidelity American Style (sub for: Justine: The Erotic Excess of Evil)01. Death of a Nymphette Alex:05. The Street Is My Beat04. The Twisted Sex (sub for: The Playpen Girls)03. The Seducers02. (Pass) (orig. pick: A Weekend with Strangers)01. Scarf of Mist, Thigh of SatinCasey:05. The Daisy Chain04. House of the Red Dragon03. Ride Mister02. Threesome (sub for: A Weekend with Strangers)01. A New Girl in TownHonorable Mentions: Gentry: Body of a FemaleAlex: Satan’s MistressCasey: Corporate Queen

They may be gone—or locked in a private collector’s vault—but they are not forgotten. The Sin Syndicate return with our most ambitious project yet, a two-part journey through the Twisted Sex trailer archives for our Top 10 most wanted Lost and in Limbo sexploitation films. We are once again joined by friend, press book hoarder and Canadian degenerate, Alex DiSanto, for a countdown of numbers 10-6 from our personally compiled, highly secretive lists.The rules:- a trailer must exist- one film per director- two substitutions allowed- all the lost Andy Milligan films are off the table (too obvious)How many films featuring Peggy Sarno will appear? What lost Barry Mahon film do we actually want to watch? Who the hell is George Gunter? Join us for “Lost and in Limbo, Vol 1” to find out! P.S. For those who want to spoil themselves on our picks, they are listed at the very bottom of the show notes.Links:Subscribe to our PatreonWatch the Twisted Sex trailer compilations on the Something Weird ChannelInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comSpecial thanks to Alex DiSantoTimestamps:(00:00:32) Intro(00:01:39) Why Lost?(00:04:47) The Rules(00:06:40) #10 (00:27:27) #9(00:50:42) #8(01:14:07) #7(01:49:40) #6 (02:14:35) Final Thoughts Our Picks: Gentry10. Carny Girl 09. The House of Cats08. Love Thy Neighbor And His Wife 07. Come Ride the Wild Pink Horse 06. Fanny Hill Meets Dr. EroticoAlex10. Mme. Olga’s Massage Parlor09. Diary Of Knockers McCalla08. Game People Play07. Devil’s Bedroom06. Smoke Of Evil (sub: Come Play with Me)Casey10. The Peeping Phantom09. Justine: The Erotic Excitement of Evil08. Whip’s Women07. Come Play with Me06. Prowl Girls

Gather ye rosebuds and put on your ballet slippers, The Sin Syndicate is taking a stroll through Central Park and Greenwich Village for director Stanley H. Brasloff’s directorial debut, 1968’s Two Girls for a Madman, a melancholic roughie focused on two ambitious dancers (Arlene Farber, Jean Weston), one giggling sex maniac (Lucky Kargo), and a Beatnik cafe that offers masked orgies with admission.Before he went for broke with his candy-colored daddy/daughter melodrama, Toys are Not for Children, Brasloff—a showbiz kid from an early age—cooked up this exemplary sexploitation film with a little help from his friends and connections in the East Coast entertainment business, including former Broadway performers and Jewish comedians like himself. Join us as we discuss Brasloff’s short but memorable career in moviemaking, a career filled with wonderful failures, interesting stories, and a whole lot of passion.In this episode we debate the thespian talents of stunning starlet Arlene Farber, talk early electronic music scores (theremin!), and ask the deep questions, like “Is Lucky Kargo HOT or NOT?” Make sure to stay ‘til the very end, where Casey even has a correction for Mr. Stephen Thrower himself. So burn your tutu, hold on to your passport, and meet us at the fountain for Episode 16,  “The Bruised Ballerina.” Links:Subscribe to our PatreonWatch Two Girls for a Madman on the Something Weird ChannelBuy Toys are Not for Children from Arrow VideoInstagram with us at The Sin SyndicateFollow us on Letterboxd: Gentry & CaseyListen to other podcasts on Someone's Favorite ProductionsContact us: thesinsyndicatepodcast@gmail.comTimestamps:(00:00:33) Intro(00:02:31) Update (Abortion)(00:09:36) Update (Bunny Yeager)(00:12:34) Two Girls for a Madman(00:15:05) Director Stanley Brasloff(00:20:25) DP Victor Petrashevic(00:33:12) Distribpix(00:36:15) The Music(00:40:37) Jewish Connections(00:49:15) Arlene Farber(01:01:48) Jean Weston (01:06:29) Lucky Kargo (01:17:01) Toys are Not for Children