Claim OwnershipThe 50/50 Podcast
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Description
50% Business, 50% Creative.
Hosted by 50/50 founder Luke Steinfeld (Filmmaker), and 50/50 Head of Talent Wyatt Sarkisian (Maximum Effort), the podcast builds on the mission of the platform: to nurture and empower the next generation of industry talent.
Join us every tuesday as we sit down with voices from all corners of the entertainment industry, offering educational insight into process, production, and execution.
Hosted by 50/50 founder Luke Steinfeld (Filmmaker), and 50/50 Head of Talent Wyatt Sarkisian (Maximum Effort), the podcast builds on the mission of the platform: to nurture and empower the next generation of industry talent.
Join us every tuesday as we sit down with voices from all corners of the entertainment industry, offering educational insight into process, production, and execution.
29 Episodes
Reverse
This week, we sit down with editor and creator Jack Lawrence Mayer to talk about the delicate art of receiving notes and navigating conversations with producers and executives. From knowing which feedback sharpens your vision to recognizing when to hold your ground, Jack breaks down how to approach general meetings with confidence, intention, and creative clarity.
We also dive into his journey as the editor of TRICKS CAN GO WRONG—and the origin story of how he connected with the film’s singular writer–director, Luke Matthews. Jack reflects on what it means to make and experience art in the age of at-home content: how to cut through to audiences, create a moment around your work, and what it really means to watch something alone. Plus, he shares his experience creating one of HBO’s first digital series, SINGLE LONG, right on the cusp of the streaming boom—and closes the episode with a special treat: a real pitch he recently took around town.
JACK'S WEBSITE
TRICKS CAN GO WRONG
SINGLE LONG (HBO SERIES)
This week on 50/50, we’re joined by producer Josh Folan, whose sharp wit and knack for organization and budgeting have made him a sought-after producer in the indie film world. Josh breaks down his purposeful approach to filmmaking — blending passion with pragmatism — and uses his feature ASK FOR JANE as a case study in how to shepherd an indie project from script to screen.
Josh goes on to share why he believes in "closing your laptop" and speaking from the heart during pitches, how to back nearly any script into any budget, and why collaborating with emerging filmmakers often proves more rewarding than working with seasoned filmmakers. For aspiring producers looking to follow in his footsteps, Josh offers candid advice on staying open-minded, resourceful, and driven by purpose.
TRICKS CAN GO WRONG (Luke Matthews' Film that Josh produced!)
ASK FOR JANE (as mentioned in the episode!)
Josh's IMDB
This week on the pod, we chat with writer–director Luke Matthews, the mind behind TRICKS CAN GO WRONG — a film about an aspiring magician that doubles as a sharp metaphor for post-college life. Blending vaudevillian, Buster Keaton–style physical comedy with Fielder-esque man-on-the-street absurdity, Luke’s film plays with illusion both onstage and off. We talk about how his fascination with magic and practical effects shaped his visual storytelling, and how the film’s unscripted moments ended up redefining its scripted ones.
Furthermore, we discuss how hybrid-improv comedy fits into today’s film landscape — and how the internet is reshaping the way we all consume comedy. Luke recalls a key piece of advice from mentor and acclaimed comedy director Pete Segal about the power of audience testing, and offers resourceful ways to stretch your budget (spoiler: ask for favors and shoot your shot!). Lastly, the episode closes on a refreshingly honest note as we discuss the shared ups and downs of life as a freelance filmmaker.
Oh, and don't miss our next two episodes where we talk with the producer and editor of the film!
LINK TO 'TRICKS CAN GO WRONG'
LUKE'S IMDB
MUSIC VIDEO HE DIRECTED
This week, Luke and Wyatt sit down with writer/comedian Vanessa Jackson —whose path to standup comedy began, believe it or not, in a “red carpet interview” class that was... sketchy AF.
Vanessa walks us through her years in comedy, from the early open mics to her current “refinement era,” where she’s polishing instead of carving. She shares why comedy can be honed but not learned, what day jobs actually help comedians grow, and how her relationship with her stage persona finally clicked in year seven.
We also dive into the real differences between LA and NY standup scenes, what a healthy dynamic with agents and managers looks like, and what her time at Saturday Night Live taught her about imperfection, chaos, and pitching a sketch solo to Dave Chappelle.
IMDB
STAND-UP SPECIAL: AMERICAN GIRL
Our guest this week, Wylie Anderson, has a background in theater education, which she carries deeply into her craft as a filmmaker. So, it's no coincidence that Wylie brings a thorough understanding of learning styles and emotional intelligence into her filmmaking—skills that shine in her debut short HOW TO CRY ON COMMAND, centered on a young girl learning to navigate vulnerability in the digital age.
But the crux of this episode has to do with PROCESS. We discuss how to pitch yourself with confidence, and how to embed your artistry into every phase of the process—from conceptualizing to execution. Plus: Wylie shares what actually makes a great pitch deck!
We welcome Wylie into the 50/50 Family with open arms, and can't wait to see her at the next fest!
TICKETS: 50/50 HORROR FESTIVAL!
WYLIE'S WEBSITE
HOW TO CRY ON COMMAND
It's a high school reunion this week! The guys chat with singer-songwriter Ava Maybee, who gives us an inside look at what it takes to flourish as an independant musician. On this episode, Ava discusses her evolving relationship with beauty (and Luke's relationship with his hair), her songwriting process (including the challenges of taking a lyrics-first approach), and the moment she found her dream team of producers. Ava also walks us through the speech she gives before every live show; she sets the tone for a space where everyone can express themselves like no one’s watching. Ava also shares why she never writes from a place of anger, how she once rented a Craigslist ambulance for a music video, and what true leadership looks like as an independent artist still charting her own course without a label.
AVA'S MUSIC
AVA'S INSTAGRAM
This week on the Pod, the guys chop it up with writer/comedian Brandon Scott Wolf, who proves that putting in the work—whether it’s daily pages or building friendships—pays off in big, weird, and wonderful ways. He walks us through the very unconventional path that led to becoming a contributing writer on SNL’s Weekend Update (spoiler: it involves his iconic site DateBrandonScottWolf.com [RIP]), working with Neil Patrick Harris on Best Time Ever, and why waiting around for your reps to call isn’t the move. You want the gig? You go get the gig.
We also talk about Brandon’s early role in Will Smith's YouTube channel, which basically invented the idea of celebs leaning into digital content and parasocial marketing—a strategy that’s everywhere now. Plus, Brandon brings a ton of his own projects to the table (seriously, he’s pitching left and right), digs into the importance of building out your own IP, and shares why his current, totally unexpected job is actually a perfect fit once you hear the backstory.
A STORY: DATE BRANDON SCOTT WOLF
BRANDON'S IMDB
BRANDON'S WEBSITE
This week, Luke and Wyatt banter with the brilliant Britt Berke! Britt's knowledge accrued as a theatre director applies not only to the stage, but universally. We discuss topics such as how to communicate with actors using precise, supportive language (ie getting actors out of their own heads!!), how to discover the "note behind the note," and how to establish a unique point of view on a script, even when said script is more than 100 years old.
We also dive into diagnosing problems with theater games, navigating the financial realities of being a working director, and what it takes to build stability in the arts. Plus: Britt reflects on her relationship with New York’s evolving theater scene and shares exclusive hot takes on A24’s purchase of the Cherry Lane Theatre in the West Village. Enjoy, all!
BRITT'S WORKS
THE WILD DUCK!
Prep your kits! Because this week, we chat with Nadia Reese Stone, who provides us with a unique glimpse into on-set life through the boldy-winged eye of a makeup artist.
Through Nadia, we learn that makeup artists are some of the most essential, yet overlooked and undervalued people in the industry. And Nadia proves just why we need them; she walks us through visual touchstones such as prosthetics, creature design, and elevated beauty looks. Nadia spills the tea on what kinds of directors she works best with (the answer might surprise you), how to deepen relationships with actors, and the delicate balance between artistry and safety on set.
Whether you're an aspiring makeup artist or justifyably want to learn more about different roles on set, Nadia provides specific, yet universal advice: how to stand up for yourself on set, how to always remain prepared even with little notice before your gig, how to transform the way we think about beauty standards in media.
We welcome Nadia to the 50/50 Family with open arms, and we look forward to her turning Wyatt into the creature from The Substance.
NADIA'S WEBSITE
NADIA'S ART INSTA
EUPHORIA MAKEUP BOOK (A24)
This week, the guys sit down with writer-director-professor Aviv Rubinstien to talk about turning constraints into creative opportunities. Aviv shares how starting in horror taught him the value of budget limitations, why teaching sharpens his writing and widens his network, and how he’s built career longevity as a storyteller.
We also dig into the lessons behind his meta road-trip movie, what to do—and what not to do—when making a loosely scripted film on the road, and why choosing the right festival is more important than chasing the flashiest one.
AVIV'S IMDB
AVIV'S PODCAST 'IN SYNC' W/ FORMER 50/50 GUEST RACHEL BRODSKY
This week, acclaimed artist/designer/director Jonathan Zawada reports to us live from the Australian countryside, where he details his long list of collaborations with artists like Flume, Mark Pritchard, and Radiohead's Thom Yorke.
In true 50/50 Spirit, we unpack with Jonathan the intricate overlap between art, music, math, and identity.
From translating sound into visuals to navigating the fine line between advertising and fine art, Jonathan shares how commercial work can actually sharpen an artist’s craft. We dive into the beauty of collaborating with musicians—where mutual respect keeps toes unstepped on—and the importance of knowing which part of the creative process truly lights you up.
Jonathan also opens up about the inspiration he draws from fractal geometry and the natural world, the complex (and sometimes necessary) role jealousy plays in an artist’s journey, and why Los Angeles ultimately wasn't the place for him.
Want to hear 3 guys nerd out about flowers? Well, you're in the right place! Enjoy.
JONATHAN'S WEBSITE
FLUME'S SKIN (ALBUM COVER ART by JZ)
TALL TALES (Tom Yorke & Mark Pritchard Concept Art)
This week, Alaman Diadhiou joins the pod. The guys discuss with Alaman what it really takes to carve out your own lane in the industry—and why you shouldn’t listen to people telling you to stay in theirs.
They dig into the mindset shifts that keep you moving forward: realizing what’s good for you (not just what others expect), learning to compete with yourself instead of everyone else, and switching out of the “I’m not doing enough” spiral. Plus: the subtle art of making something look effortless when you’ve actually given it everything you’ve got.
And of course, they cover the importance of wearing multiple hats—metaphorically, and sometimes literally, if you happen to be in the national tour of MJ the Musical. From high level collaboration at songwriting camps in LA to establishing himself in NYC as trusted generator of new theater, Alaman is an oustanding example of how to carry purpose and academic rigor in everything you do. Take a listen folks!
DEBBIE ALLEN DANCE ACADEMY (DADA)ALAMAN'S NEXT PLAY
This week, 50/50 Class President (UTA Coordinator) Noah Wolfson joins us on the show. He breaks down why the balance of power has shifted into the hands of creators—and what that means for the industry at large. We explore how AI is streamlining production and cutting costs, while also threatening the traditional entertainment job pipeline. Plus, Noah shares how to network without making it transactional, and why just 15 seconds of discomfort could be the key to your next big break...
Noah has attended every 50/50 festival to date, and we can't wait to see him at the next one.
50/50 FESTIVAL FILM FREEWAY
Book Recs:
CAA POWERHOUSE
THE MAILROOM
WHO IS MIKE OVITZ
WHO KNEW: BARRY DILLER
THE RIDE OF A LIFETIME: BOB IGER
This week on the 50/50 Podcast, Bebe Katsenes joins us (LINDA wig sadly not included) to talk about the art of building a live comedy show from the ground up. She shares how her improv roots inform her standup, the origin story behind her and Johnny Marx’s beloved character LINDA, and how she keeps audiences coming back month after month.
We also dive into the challenges of finding your comedic voice in today’s divided standup scene—does only performing for like-minded crowds help or hurt the art form? Tune in to find out!
GET YOUR TICKETS TO LINDA! (Monthly Comedy Show)
Clip of Bebe Performing
Take notes, people, because this is the ultimate how to episode! This week, we’re joined by Gabby Fiszman, co-founder of Odd One Out Films (with previous pod guest Maria Quesada). In this episode, Gabby walks us through exactly how she and Maria started Odd One Out on their own terms, through building trusted networks with their closest friends and collaborators.
Additionally, we touch on how to strategically transition away from your full time job while maintaining good relationships, gaining compassionate leadership skills through experience, varied forms of communication with your financiers, and yes… taxes.
ODD ONE OUT
GABBY’S BAND, GROCERIES!
Ever wonder what it's like smoking cigarettes with Natasha Lyonne outside of UCB at the age of 15? Well, you're in the right place. This week, we chat with comedian/writer/performer RUBY KARP! Credits include AFTER MIDNIGHT on CBS, THE CHARLIE PUTH SHOW, and Ruby's debut Off-Broadway stint, I DON'T TRUST ADULTS! We dig deep into the trials and tribulations of childhood fame, how social media is vital for self promotion, and what it takes to invite collaboration into a solo act. This episode is NOT one to miss. Welcome to the 50/50 Family, Ruby.
RUBY IS STRESSED (New Insta Web Series)
THE CHARLIE PUTH SHOW
We have a new Dude of the Day, and it’s Jacob Staudenmaier! His 50/50 Nominated Film, BOYS, answers the very simple question: What do Boys do tho?...
But when Jacob isn’t calling out the delicate turf war of masculinity, he is a jack-of-all trades filmmaker whose consistent output of professional grade shorts is awe inspiring.
In this episode, we discuss how a viral promposal to Emma Stone unexpectedly sparked Jacob's filmmaking career, how he filmed a festival short in just three hours, and the simultaneous restrictions and privileges of shooting on film. Some of Jacob's work below!
PEPPERONI
BABY
EMMA STONE, PROM?
This week, we’re joined by Rachel Brodsky, accomplished music/pop culture journalist. We spoke for just over an hour about what it's like to chart your own path in media and criticism, and what we in the film industry can learn from the film critic. Rachel shares the early words of encouragement that nudged her toward writing and analyzing pop culture, and how learning to think critically shaped her voice as a journalist.
Rachel brings up the challenges of breaking free from the algorithm to become your own curator, and how to sharpen your taste in an overwhelming media landscape. Rachel also reflects on her experiences interviewing actors like Mikey Madison and Eva Victor — including a behind-the-scenes look at Eva’s upcoming film, SORRY, BABY.
Rachel's Rolling Stone Article about SORRY, BABY linked here!
In film, a "calling card" refers to a project, often a short film, designed to showcase a filmmaker's talent, style, and vision to potential collaborators and industry professionals (Wyatt didn't know this so we figured he'd learn it if he read the episode description).
Well, this week, 50/50 Alum Maria Quesada gives us the ultimate download on HER Calling Card, HAPPY HAPPY HAPPY BIRTHDAY, which she wrote, directed, produced, and STARRED in! She takes us through how to allow comedy to be enhanced with stellar visuals, how to take ego out of directing yourself, and spills her secrets on how to film a traffic scene on a small budget set.
We also cover how family allows us to show love through humor, how to find projects that are authentically you, and we delve into her production company, Odd One Out Films, which she co-runs with Gabby Fiszman (future guest on the pod)!
Maria's short was an offical selection of the 2025 50/50 Comedy Festival, and we look forward to having her back next year!
LINK TO ODD ONE OUT PRODS
This week, we're diving headfirst into the wild world of animation with creators Torey Strahl and Elena Ridker. From knowing when it’s time to stop waiting for permission and start making your own work, to surviving the endless loop that is the Network Pitching Process, Torey and Elena share real talk on balancing creative ambition with commercial realities. We also get into the tricky business of separating your art from your income — and why that might just save your sanity.
If you're a cartoon nerd, an aspiring showrunner, or just curious about how an animated series gets made, this one's for you. Check out Torey and Elena’s offbeat animated series Buzzards Bay now streaming on Adult Swim’s YouTube channel. Elena’s already a 50/50 Comedy Festival alum, and we’re thrilled to officially welcome Torey into the 50/50 family!
LINK TO BUZZARDS BAY HERE!
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