Morally Offensive

In Part Two of our discussion of The Eyes of Laura Mars (1978), Bill and Kevin are joined by Ben Schneider from Reel Beans Podcast, and finally get into the movie itself. As part of the continuing American Giallo series, they walk through the plot, dig into the production and behind-the-scenes history, and see whether the Catholic reviews from Part One actually hold any weight. The crew goes over Faye Dunaway’s performance, Tommy Lee Jones' moralizing detective, the film’s strange blend of murder mystery and 1970s thriller, and the Helmut Newton fashion photography at the center of it all. The crew digs into what the movie might be saying about advertising, voyeurism, Capitalism, and the exploitation of women’s bodies. Is The Eyes of Laura Mars really just sleazy sexploitation ala Helmut Newton and Studio 54, or is there a more interesting argument buried underneath the pile of bodies and haute couture? Were the Catholic reviewers onto something in their critiques, or were they totally off base? Did some of the reviewers get it, or at LEAST seem to grasp part of its meaning? Tune in (are we still saying that in the streaming era?) to find out! Theme song by Bill "Netherlands" Holland Follow our guest: Reel Beans podcast: https://reelbeans.com/ Support the show: Merch Store! Merch: https://morallyoffensive.bigcartel.com/ SUPPORT THE SHOW JUST BECAUSE Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod

Bill and Kevin are back with another installment in the American Giallo series, and this time we’re staring directly into The Eyes of Laura Mars (1978) with Ben Schneider from Reel Beans Podcast. In Part One, the guys dig through the Catholic reviews and internal memoranda on Irvin Kershner’s Faye Dunaway thriller, and apparently the “Catholics” had some thoughts. One reviewer dismissed the movie as “twaddle,” another wrote it off as grocery store schlock, and then there’s the surprisingly thoughtful review from one B.F. Dick. Yes...that's actually his name. We also get into the bizarre screenwriting history behind The Eyes of Laura Mars, including the long-running rumors about Italian screenwriter Ernesto Gastaldi’s involvement, and talk about Faye Dunaway’s absolutely killer run of movies leading up to this one. Along the way, we look at the film as a piece of American Giallo, the Catholic obsession with sex and violence on screen, and the strange path this very strange movie took from hands of John Carpenter, to the Eyes of Laura Mars. Check out episode one, and definitely come back for a deep dive into the movie and behind the scenes tidits in episode two. Theme song by Bill "Netherlands" Holland Follow our guest: Reel Beans podcast: https://reelbeans.com/ Support the show: Merch Store! Merch: https://morallyoffensive.bigcartel.com/ SUPPORT THE SHOW JUST BECAUSE Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod

Since the Spooky Season is upon us, and we've gained a LOT of new listeners over the summer, we decided to restore one of our best early episodes, which unfortunately experienced technical difficulties during the recording process. Our Exorcist episode was famously interrupted by demons that got into our recording gear and caused a host of tech issues (or so the TikTok Exorcists tell us). As a result, we were never fully happy with the finished product. Now, armed with the very same technology used to restore John Gielgud's big speech in Caligula, we have improved the audio as best we could, given our time and budget. We didn't expect miracles, but we are much happier with the overall sound of this episode, and it really helps the content shine in the way we initially intended. Summary: It shouldn't be surprising that an episode about William Friedkin's The Exorcist would be plagued with technical problems (if you believe in that kind of thing) but the episode is finally live! Cisco makes Bill watch a film that he has put off seeing for years, due to a deep-seated fear of the devil and the demonic. Bill gives his first reactions, and the guys get into the post-Exorcist panic over demons (and consequent spike in exorcisms in the US), the increase in the number of Exorcists in the US, and the film's troubled production. Tangents include why Bill has never played Dungeons and Dragons, Hot priests, New Age synth music as gateway to the devil, the actual Pope's Exorcist, and irrational Catholic fears over yoga. Theme song by Bill "Netherlands" Holland Support the show: Merch Store! Merch: https://morallyoffensive.bigcartel.com/ SUPPORT THE SHOW JUST BECAUSE Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod

Bill and Jess continue their American Giallo series with Cisco Scartozzi for the second half of Brian De Palma’s Body Double (1984). Once again, Cisco is playing defense for De Palma, and Jess is dissecting some of the less savory subtexts within his films. This time, we dig into the behind-the-scenes stories surrounding the film’s second half, including the casting of Melanie Griffith, De Palma’s obsession with the Hitchcock blonde, and the unexpected Frankie Goes to Hollywood music video that splits the movie in half. We also get into the movie’s wildly uneven tone, its mix of erotic thriller, horror, satire, and whether all those competing ideas ultimately work. Despite its shortcomings, there’s plenty to unpack in Body Double, from its elaborate set pieces and technical filmmaking to the strange collection of ideas that make it such a memorable entry in the American Giallo series. *The views and opinions expressed in this program are those of the hosts and guests. They do not necessarily reflect the official policy or position of the podcast, its management, or any affiliated organizations. Information provided by guests is their own and does not constitute an endorsement by the show. Theme song by Bill "Netherlands" Holland Support the show: Merch Store! Merch: https://morallyoffensive.bigcartel.com/ SUPPORT THE SHOW JUST BECAUSE Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod  

Do you like dirty movies? Did you grow up Catholic? Did you not grow up Catholic, but dislike censorship? Are you passionate about the history of film? Do you enjoy discussing film in the context of the past as well as modern social issues? Do you enjoy hearing weird personal anecdotes about DIY Exorcisms, being condemned by your own parents, or having your entire high school banned from a cathedral? Are you looking for a film podcast made by a bunch of native midwesterners who unironically use the word "Ope"? Then, this podcast MAY be for you!