Morally Offensive

Jesus Christ Superstar is the musical that dared to ask: "What if the Gospels...but hippies?" This week on Morally Offensive, Bill and Kevin are joined by actor, filmmaker, ghost tour guide (and former Judas) Orion Couling to break down Jesus Christ Superstar (1973). Along the way, expect some truly off-key singing as we dive into one of the most controversial religious films ever made. We read through Catholic reactions ranging from outright condemnation to surprising praise, including claims that even the Pope was a fan, and unpack what made the film so divisive. Then we explore the fascinating history behind director Norman Jewison and the cast, pushing back on the idea that Jewison was simply a journeyman director and making the case for him as a true auteur. Diversions include growing up Catholic on Dr. Dobson and Focus on the Family, DC Talk's "Nirvana" phase, Bill and Orion's time served on the Edmund Fitzgerald, and that one time Kevin got crucified on stage. If you’re interested in Jesus Christ Superstar, religious film controversy, Catholic reviews, or the legacy of Norman Jewison, this episode digs into how a rock opera about Jesus became a cultural lightning rod. Support the show: Merch: https://morallyoffensive.bigcartel.com/ Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Check Out "Shadow Carriers" Podcast with Orion Couling: https://podcasts.apple.com/us/podcast/shadow-carriers/id1533170469 Follow Orion on Instagram: https://www.instagram.com/nawlins_crawlins/ Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod  

Bill and Jess continue their two part deep dive into the classic film Black Narcissus (1947) as part of the new Morally Offensive series Filthy Habits. Joining them, once again, is film director Dalila Droege (No More Time). In part two - they discuss the film’s back half, where everything starts to come apart. Sister Clodagh (Deborah Kerr) loses her grip on the order, while Sister Ruth (Kathleen Byron) finds her commitment to her vocation quickly disintegrating. The crew and their guest discuss Byron’s performance and how it reads today, especially in the context of dated portrayals of mental health and the long history of women on screen being framed as unstable or hysterical. What may have once felt intense now lands differently, and that tension becomes part of the conversation. We also look at how Michael Powell and Emeric Pressburger, working as The Archers, use color, design, and stylization to mirror the characters’ unraveling. The result is a film that’s as striking as it is uncomfortable, especially in how it handles desire, repression, and collapse. Support the show: Merch: https://morallyoffensive.bigcartel.com/ Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Follow Dalila Droege on Instagram: https://www.instagram.com/daliladroege For the latest updates on Beauty Night, follow the official account: https://www.instagram.com/beautynight_film Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod

Bill and Jess begin a two part deep dive into the classic film Black Narcissus (1947) as part of the Morally Offensive series Filthy Habits, where the show examines religion, repression, and scandal in films about nuns and clergy. Joining them is film director Dalila Droege to help unpack one of the most visually stunning and psychologically intense films of the 1940s. This episode also introduces a new format for the show. Before diving into the movie itself, the hosts examine Catholic reactions and reviews of Black Narcissus. Religious critics have long been divided about the film’s themes of temptation, vocation, and spiritual crisis, and those responses reveal a lot about how the movie has been interpreted by faith communities over the decades. In Part One, the discussion focuses on Act I of the film. The panel explores the arrival of the Anglican nuns at a remote Himalayan palace that is being converted into a convent, the unsettling atmosphere of the mountain setting, and the early hints of emotional and spiritual tension that begin to emerge within the mission. Bill, Jess, and Dalila also discuss the filmmaking of Michael Powell and Emeric Pressburger, the performances that made the film legendary, and why Black Narcissus remains one of the most provocative and talked about “nun movies” ever made. Support the show: Merch: https://morallyoffensive.bigcartel.com/ Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Follow Dalila Droege on Instagram: https://www.instagram.com/daliladroege For the latest updates on Beauty Night, follow the official account: https://www.instagram.com/beautynight_film Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod

In this episode of Morally Offensive, Bill and Jess are joined by horror author Ophelia Crane to dig into the Oscar-nominated film Sinners—and the very different reactions it’s sparked. The trio wades into Catholic reviews of the movie and what they reveal about how religious critics approach controversial art, while also exploring the film’s bigger ideas about religion, colonization, and the long history of cultures borrowing—sometimes stealing—stories, music, and folklore. Along the way, the conversation touches on Catholic film criticism, horror traditions, cultural ownership, and the strange moment when theology collides with awards season. It’s a lively, occasionally irreverent discussion about one of the year’s most talked-about films. *We apologize to our listeners for the slight drop in audio quality on this episode. We have been changing up how we handle remote audio, and we are still learning the ropes with our new setup for recording remote guests or co-hosts. For our upcoming series, we should have the audio quality back to where it usually is on this show. Thank you for your patience.* Support the show: Merch: https://morallyoffensive.bigcartel.com/ Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Follow Ophelia Crane here Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod Keywords: sinners movie, sinners film analysis, sinners movie review, sinners oscars, sinners oscar nominations, sinners themes explained, sinners religion themes, catholic review sinners, catholic film criticism, religion in horror movies, controversial religious films, colonization in film, cultural appropriation in movies, folklore in horror movies, horror film themes, movie podcast, horror movie podcast, film analysis podcast, morally offensive podcast, ophelia crane interview  

In this episode of Morally Offensive, co-hosts Bill and Stephanie continue their series on X-rated films with Stanley Kubrick’s A Clockwork Orange. Originally released with an X rating, the film remains one of the most controversial titles in cinema history, raising enduring questions about violence, free will, censorship, and state power. Guest John Enroth, composer (Regular Show, Interior Chinatown), joins the discussion to examine Wendy Carlos’s electronic score, Kubrick’s use of Beethoven, and the role of music as psychological control and moral irony. The episode places A Clockwork Orange within the history of the MPAA ratings system, film censorship, and controversial cinema of the 1970s, asking whether Kubrick critiques violence or deliberately refuses moral resolution. And of course, it DID receive the dreaded "C" rating from "The Catholics". Keywords: A Clockwork Orange, Stanley Kubrick, X-rated films, MPAA ratings, film censorship, Wendy Carlos, Beethoven, Anthony Burgess, Malcolm McDowell, dystopian cinema, controversial movies Website and Contact info: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod Support the show: Merch: https://morallyoffensive.bigcartel.com/ Buy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive

Beyond the Valley of the Dolls (1970) is an X-rated studio film written by Roger Ebert, directed by Russ Meyer, and still more culturally radioactive than most modern movies. So we had to talk about it. This week on Morally Offensive, the ex-Catholic hosts are joined by Matt Harding of Severin Films to dig into Meyer’s psychedelic cult classic and its strange place in American film history. We unpack Roger Ebert’s involvement in the script, Russ Meyer’s obsession with buxom women, and how that fixation shaped both the visual language and politics of his films. We get into the feminist debates around Meyer’s work, the film’s relationship to 60s counterculture, and the way Beyond the Valley of the Dolls became a cultural reference point for everything from Sublime lyrics to Austin Powers parody. We also go on a side quest through Catholic film criticism, breaking down a period review that condemned this movie while praising the morality of Seven Brides for Seven Brothers, which somehow manages to be more disturbing in its own way. If you’re into film history, cult cinema, Catholic moral panic, and movies that make everyone uncomfortable for different reasons, this episode lives right in that space. Episodes, essays, and archives: https://www.morallyoffensive.com Follow and watch: YouTube: https://www.youtube.com/@MorallyOffensivepod TikTok: https://www.tiktok.com/@morallyoffensivepod Instagram: https://www.instagram.com/morallyoffensivepod Threads: https://www.threads.net/@morallyoffensivepod Guest shoutout: Severin Films https://severinfilms.com Support the show: Merch: https://morallyoffensive.bigcartel.com/ Buy Me a Coffee: https://www.buymeacoffee.com/morallyoffensive

This week on Morally Offensive, Bill and Kevin dig into the origins and impact of John Waters’ Pink Flamingos. The crew is joined by Bryan Wendorf of the Chicago Underground Film Festival and Thomas Bottoms of Bottoms of the Barrel to trace Waters’ early years making films in Baltimore, from DIY shorts and church-basement screenings to cultivating an audience far outside the mainstream. We break down the production of Pink Flamingos, the creation of Divine as a transgressive screen icon, and how the film’s deliberate provocation helped spark outrage, fascination, and the rise of the midnight movie phenomenon. Along the way, we discuss censorship, exhibition, and why Waters’ brand of bad taste proved so culturally disruptive, and so enduring.  Want to help us pay our bills and keep the podcast going: DONATE NOW! Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check out https://cuff.org/ to find out more about the Chicago Underground Film Festival! Find out more about Thomas over at Bottoms of the Barrel: https://www.bottomsofthebarrel.com/

In this Christmas episode of Morally Offensive, Jess and Bill take a deep dive into Black Christmas (1974), the landmark horror film that helped define the slasher genre several years before Halloween. Joining them is Professor Eric D. Wesselmann, who brings an academic lens to Bob Clark’s deeply unsettling and surprisingly nuanced film. The conversation covers the film’s complex female characters, the origins of the “the call is coming from inside the house” trope, and how Roe v. Wade and second-wave feminism shaped the movie’s themes and cultural reception.  A holiday episode about horror, depictions of disability on film, the evolution of women's rights, and why Black Christmas remains one of the most influential films of the 1970s.

This week on Morally Offensive, everybody's talking (okay its just Kevin and Bill) with singer/songwriter (and former film student) Stefanie Joyce about the ONLY X-Rated Film to win Best Picture, Midnight Cowboy. The film features a young Jon Voight as an aspiring sex worker who runs from his past in a small Texas town, toward the bright city lights of Broadway and 42nd St. While unsuccessfully attempting to get into the game, he runs into Ratso Rizzo (a young Dustin Hoffman), a small-time hustler who gets by on petty theft and squating in an abandoned apartment building. The crew uncovers the shocking facts surrounding the film being screened at an international Cahtolic Film Festival, while simultanesouly receiving an A-IV rating (Adults with Reservations - so, not QUITE "C" or "O" - our bad). Diversions including pocketing cold cuts at swanky parties, Meat-and-Threes, Flannery O'Connor, Baby Bob Balaban, and the ongoing debate about THAT scene. Want to donate or buy us a coffee to keep us going? We'd really appreciate it: DONATE NOW! Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check out guest Stefanie Joyce on Tiktok and her website.    

Bill and Stephanie sit down with Thomas Negovan to discuss the restoration of Caligula: The Ultimate Cut and how he and an editor pieced the film back together. Thomas explains how they uncovered hours of never-before-seen footage and used it to assemble a version of Caligula that reflects what was originally filmed, offering a clearer look at the movie’s intended narrative. The episode also explores Bob Guccione’s controversial attempt to reshape Caligula in the edit, the bizarre choice to make an additional R-rated release, and of course the Catholic Reviews from the time. The crew gets into film restoration, the lost footage, and how a movie’s meaning changes depending on who controls the final cut. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok.  

Warning: This episode covers an actual adult movie, and contains discussions about graphic sexual topics. In this episode of Morally Offensive, the first in our "X-Rated" series, we explore the cultural earthquake sparked by the 1972 film Deep Throat with special guest Mark Covino, director of the award-winning documentary A Band Called Death. We dive into the rise of 1970s “porn chic,” the collapse of the Hays Code, the creation of the X-rating, and how a low-budget film became a mainstream phenomenon seen by public figures like Jackie Onassis and Truman Capote. We also examine the Catholic response to the mainstreaming of adult media during a period already shaped by Watergate-era anxiety. This includes a look at the Catechism’s teachings on sexual ethics—especially the debates around oral sex, where Catholics, theologians, and commentators often share conflicting interpretations. Plus, Mark shares personal stories about his father’s life as a celebrity ski instructor and his appearance in an early project by horror icons Sean Cunningham and Wes Craven. If you're interested in film history, 1970s culture, Catholic commentary, or the intersections of media, morality, and censorship, this episode has it all. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Topics: X-rating, Catholicism, Ex-Catholics, Watergate, Deep Throat, Scandal, Linda Lovelace, 1970s, Indie Film, Guilt, Sex Ed, Porn Chic, Hollywood, Times Square, Comedy  

Stephanie and Bill head on up to the lab, to see what's on the slab...and it turns out it's The Rocky Horror Picture Show (celebrating it's 50th anniversary!), a cult classic that started as rebellion and transformed into a midnight movie ritual. With special guest props expert and technical theatre professional Jeffrey Rockey, they dig into the history of the movie that became a cultural touchstone, especially for Catholic school kids who found they didn't quite fit in. Jeff talks coming out, Bill shares the story of how he originated the first stage role of the Captain of the Edmund Fitzgerald, and Stephanie recounts the experience of getting into Rocky Horror as a young Jewish woman. They also revisit Richard O’Brien’s problematic remarks, the Catholic media’s moral outrage, and the often-forgotten sequel Shock Treatment. It’s a science fiction double feature of faith, fishnets, and the strange comfort of finding community in the most “morally offensive” places. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Topics: Rocky Horror, Rocky Horror Show, The Rocky Horror Picture Show, LGBT issues, Catholic School, Catholic upbringing, Ex-Catholic stories, Tim Curry, Susan Sarandon, Midnight Movies, Cult Films, Cinema, Theatre, Musicals, Halloween, Science Fiction, Horror, Lou Adler  

In this episode of Morally Offensive, we revisit the 1995 cult classic Mortal Kombat, the movie that brought video game violence, bad CGI, and 90s martial arts chaos to the big screen. We dig into Catholic reviews of the film, including one that blames stuffed-crust pizza and child day planners for the future downfall of civilization. We talk about the movie, it's place in 90s pop culture, our mutual experiences with the game series, the panic surrounding video game violence, the mammoth status of its CD soundtrack, a brief history of Belgium New Beat, and a tangent about the Wisdom Tree Christian NES Videogame knockoffs, including the classic convert-the-heathens-by-throwing-fruit Zelda ripoff, Spiritual Warfare. Our guest is Aaron (aka @DivineGamerArma on Twitch), who joins us to talk video game morality, cinematic sin, and the theology of terrible movies. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Topics: Mortal Kombat movie review, Catholic pop culture criticism, 90s video games, bad CGI, Hong Kong action, ex-Catholic commentary, media moral panic, Belgium new beat

Bill and Stephanie are joined by film scholar Christopher Hoppe to unlock Sergio Martino’s Your Vice Is a Locked Room and Only I Have the Key (1972), a cornerstone of Giallo cinema, laced with gothic unease, which explores the cultural anxieties of 1970s Italy. The film follows a washed-up writer, his abused wife, and the arrival of his seductive niece, as secrets, betrayals, and murders spiral inside (and outside) a crumbling villa. Lurking over it all is the ghostly presence of the writer’s domineering mother, and watching with uncanny menace is the family’s black cat named (yes, really)...Satan. Together, they trace how Italian Catholic film critics responded to the film, celebrate Edwige Fenech’s rise as a scream queen, and untangle Martino’s twisted adaptation of Poe’s The Black Cat. Along the way, Stephanie recounts her own chaotic Roman car ride with Martino, and the hosts dig into Italy’s sordid legal history, including the now-abolished “rehabilitating marriage” law that once allowed men accused of sexual assault to escape punishment by marrying their victims. It’s a conversation of black gloves, black cats, household murder weapons, and only we have the key. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check out our guest's podcast: Christopher Hoppe Presents: The Chamber

This week, Bill and Stephanie drag Atlanta filmmaker Nicole Kemper into the delivery room to talk David Cronenberg’s The Brood (1979), a horror movie which doubles as the world’s worst sex-ed film. We’re talking cinematic birth control, belly-buttonless mutant murder children, slutty vintage men's bathrobes, and why men are absolutely terrified of the female body. Diversions include Oliver Reed's drunken shenanigans, an attempted cult kidnapping, the Canadian public's outrage over finding out their tax dollars were financing gorey art, and, of course, we read another Catholic review which completely disregards the artistic merits and possibilities of the horror genre. This is definitely an episode to listen to if you're still comtemplating bringing children into a violent world which is on fire. For us, the Brood proved to be far more effective than abstinence-only sex education. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check out Nicole Kemper at Critical Crop Top!

Mae West struts into the spotlight in I’m No Angel (1933), the pre-Code sensation that saved Paramount and scandalized the censors. Co-hosts Bill and Jess welcome Sara Shea of Shea Cinema to talk about Mae’s wit, sexuality, and the double entendres that made Catholic watchdogs sweat. Along the way we meet Joseph Breen and Will Hays, the moral gatekeepers who tried to rein her in, and discover how Cary Grant was launched into stardom with her assistance. From her Broadway scandal Sex (and a stint in jail) all the way to her campy swan song Sextette, we trace Mae’s career of outsmarting the men, proving why her comedy still feels dangerous today.

Bill and Cisco take a deep dive into The Pope’s Exorcist, the horror film where Russell Crowe channels his inner Super Mario Bro, and chews scenery as Father Gabriele Amorth, the wacky, self-proclaimed "Chief Exorcist" of the Vatican (he wasn't). We unpack the real Amorth’s history and his outrageous claims about what opens the door to demonic possession,- from Harry Potter books to yoga classes, from Freemasonry to the soothing music of Yanni. Along the way we compare the movie’s Hollywood exorcisms with the actual Catholic ritual, talk about the Church’s checks and balances within the practice of exorcism, critique the FACT that children and teens can be exorcised without their consent, and laugh at the over-the-top sequel setup that plays like the Pope (played by B-movie favorite Franco Nero) is putting together a ragtag team of supernatural warriors. It’s a mix of film criticism, Catholic weirdness, and irreverent comedy that only Morally Offensive could deliver. 

The wounds of Christ. A chain-smoking atheist. Gabriel Byrne as a brooding Vatican investigator in designer black. Welcome back to Hot Priest Summer. This week on Morally Offensive, we’re going full incense-and-industrial as we revisit Stigmata; the aggressively 1999 Catholic horror film where Patricia Arquette becomes an accidental mystic and Gabriel Byrne has his faith (and sex drive) tested. It’s a heady mix of the Gospel of Thomas, the Nag Hammadi library, anti-clerical paranoia, and… Chumbawamba?  We break down the film’s chaotic theology, its obsession with silenced gospels and Vatican coverups, and why so many ex-Catholics thought they were watching something dangerous. We also take a deeper look at the real history of stigmatics, from St. Francis of Assisi to Padre Pio, and dare to ask the question: Why was Padre Pio hoarding Carbolic acid? Featuring a Billy Corgan-curated soundtrack, strobe-lit nightclubs, exorcisms of non-demons, and 90s fashion choices we can’t unsee, Stigmata is a movie best enjoyed with your Catholic brain turned off, and your popcorn thoroughly buttered. Our guest this week is film teacher Christopher Hoppe, with co-hosting duties from Kevin of A24 On the Rocks. Support us through Libro.fm here. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check of A24 on the Rocks here.

Dogma looms large in the canon of Morally Offensive films, casting a long shadow over many millennial Catholics. For those of us who were teens when it premiered, Dogma felt like the ultimate “anti Catholic” movie we were warned about, crafted by ”satanic” filmmakers from Hollywood (never mind that Smith is from New Jersey). Written and directed by Kevin Smith, it sparked national outrage and became one of the most high profile targets of Bill Donohue and the Catholic League in their crusade against media, which they viewed as attacking the Church. Starring Ben Affleck, Matt Damon, Linda Fiorentino, Salma Hayek, Jason Lee, Alanis Morrisette, George Carlin, Chris Rock, Jason Mewes, Alan Rickman, and many others, Dogma is a comedic epic which has persisted, despite attacks from religious groups and attempts by Harvey Weinstein to suppress it's re-release. In this episode of the Morally Offensive podcast, Bill and Cisco are joined by comedian Ross Childs aka Crabman732 to revisit the controversy. Was Dogma truly as offensive as the Catholic League claimed, and does it hold up? Support us through Libro.fm here. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok.

On this episode of Morally Offensive, Cisco takes a break, so Bill is joined by frequent guest and film presenter Stephanie Sack along with television producer and writer Ken Melvoin-Berg to dive headfirst into The Devils (1971), Ken Russell’s blasphemous, banned, and still shocking masterpiece. Based on Aldous Huxley’s The Devils of Loudun, this true story of sex, power, witch hunts, and moral panic in the Catholic Church proves that real life is often stranger, and in this case even more offensive, than fiction. The crew breaks down the history behind the Loudun possessions, digs into the background of filmmaker Ken Russell, and reads scathing “Condemned” reviews from outraged Catholic news sources. Tune in to find out why some are calling Morally Offensive the "podcast equivalent of a forced enema exorcism". Support us through Libro.fm here. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok.