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Join Mickey-Jo from MickeyJoTheatre as he reviews the latest show from the West End, Broadway, Off-Broadway, Off-West End, Edinburgh Fringe and across the globe. As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers.
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Over the last week, there has been debate about National press outlets being excluded from the opportunity to review ONE DAY the Musical at the Royal Lyceum Theatre in Edinburgh.The production, which is making its world premiere, is one of a handful that had declined certain critics, alongside The Greatest Showman, and the most recent tours of Legally Blonde, and Kinky Boots.Today, as well as sharing Mickey-Jo's thoughts on this specific uproar, Mickey-Jo will be pulling back the curtain a little on how reviews are arranged, who this affects, and why this decision may have been made...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:00 | how reviews are arranged11:44 | the ONE DAY backlash19:43 | further thoughts 26:31 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Over the last week, drama and discourse has surrounded the new UK Tour of Legally Blonde.While the show was in Milton Keynes, leading lady Amber Davies became ongoingly indisposed due to ill health, with the role of Elle Woods being played thereafter by Hannah Lowther.In addition to the sensationalised reporting of this by the tabloids, the show encountered further challenges when several other cast members were taken ill, meaning the final performance of the tour stop had to be performed as a concert version, for which audience members were, controversially, not offered refunds.Here are Mickey-Jo's thoughts on all of the conversations currently surrounding this production including alleged backstage feuds, audience entitlement, and its future...•00:00 | introduction02:09 | the tabloid drama10:20 | the concert performance18:50 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
As promised, Mickey-Jo made it to the Bristol Hippodrome to see the first preview performance of the world premiere of THE GREATEST SHOWMAN, finally on stage as a full musical.The show stars Oliver Tompsett as PT Barnum and Samantha Barks as Charity Barnum, with a supporting cast including Ben Joyce, Lorna Courtney, Vajèn van den Bosch, Malinda Parris and more.In lieue of a review, here is what Mickey-Jo can tell you about this hugely anticipated show - from the runtime to the cut characters and newly added songs...•00:00 | introduction03:15 | theatregoing experience08:19 | storyline / characters16:54 | the old and new songs23:09 | staging and design29:15 | the future of the show36:20 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Last week the nominations were announced for the 2026 Olivier Awards, celebrating the best of the last year of London Theatre.The most nominated shows this year were Paddington and Into the Woods, with recognition for 1536, Evita, Inter Alia, Punch, Kenrex, Stereophonic, and more.There were, however, some productions, performances and creatives who were snubbed from this year's nominations...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:11 | performances in plays08:26 | performances in musicals14:46 | snubbed shows20:24 | creative teams30:06 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo recently checked out one of London's most talked about new arrivals, a limited workshop presentation of the new musical MIDNIGHT by Todrick Hall.The musical, written, directed and choreographed by as well as starring Todrick, also featured performers including Rachel Tucker, Marisha Wallace, Jeremy Beloate, Ayana George, Charlotte Jaconelli, and more.Ahead of the show's further development, find out more about its story, score, and opportunities to grow, from Mickey-Jo's perspective...•00:00 | introduction03:48 | the material11:38 | performances 15:21 | my thoughts25:27 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo's sharing reviews of four plays he's seen in the last couple of weeks in London:• While They Were Waiting at Upstairs at the Gatehouse (★★)• The Manningtree Witches at Mercury Theatre, Colchester (★★★★)• Our Town at Rose Theatre, Kingston (★★★)• Marie and Rosetta at @sohoplace (★★★★)Check out what Mickey-Jo thought of the writing, creative choices, and performances in each!check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:05 | While They Were Waiting10:02 | The Manningtree Witches19:13 | Our Town26:34 | Marie & Rosetta35:05 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The Academy Award nominated actor Timothée Chalamet is currently experiencing backlash after publicly dismissing Opera and Ballet as dying, unpopular artforms.Chalamet, who has previously appeared on stage and worked alongside trained singers and dancers on screen, has since been criticised by major companies worldwide for his thoughtless comments.But what does this tell us about the mainstream perception of these fields, and their future, and what does this have to do with theatre?check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:33 | Timothée's comments07:44 | what about theatre?15:15 | the wider issue23:18 | the future of performanceAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo finally had the chance to sit down with multi-hyphenate stage star, social media personality and musical theatre superfan Todrick Hall, ahead of a performance of his new musical, MIDNIGHT.The show, currently concluding a sold out workshop run at Sadler's Wells East, is the second London project which Todrick has appeared in, in addition to serving as writer, director, and choreographer.In this overdue interview, they chat about his Broadway beginnings, the role that challenged him the most, what inspired Midnight, and the truth about the behind the scenes drama at BURLESQUE last year.Check out what he had to say...•00:00 | the road to Broadway14:23 | the truth about Burlesque24:17 | let's talk MidnightAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
On Sunday, London's theatregoers had the unique opportunity to see two different musicals, both offering insight into the backstory of the sea witch from the Little Mermaid.One of these was Unfortunate, a parody musical Mickey-Jo first enjoyed at the Edinburgh Festival Fringe which is currently playing at the Other Palace Theatre, and the other was Sea Witch, a brand new musical in concert receiving its world premiere at Theatre Royal, Drury Lane.Stay tuned to find out what Mickey-Jo thought of each show and whether either of them held water...check out my brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:55 | Unfortunate11:56 | performances / creative choices19:31 | Sea Witch26:42 | further problems 32:33 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
A few days ago, Mickey-Jo bought a ticket to go see the brand new UK Tour of LEGALLY BLONDE at the Southampton Mayflower.The new production of the fan favourite musical, which began performances at Curve Leicester earlier in February, stars Amber Davies as Elle Woods.In this full description of the show (rather than a review at this time), find out what the new production is like, what's been cut and what it looks like, as well as why Mickey-Jo thinks it's arrived at the perfect time...•00:00 | introduction01:18 | changes09:31 | design17:31 | creative choices24:00 | performances 31:14 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
On Thursday 5th March at 12pm, the nominations for the 2026 Olivier Awards will be announced, celebrating the best of the last year of London Theatre.In today's video, Mickey-Jo and his stagey fiancé Aeron James are predicting which shows, performers and creatives might be nominated amidst a hugely busy year that included the likes of Paddington the Musical, Evita, All My Sons, 1536, Inter Alia, Into the Woods, and more.Check out today's new episode for their thoughts and make sure to comment down below with all of yours!check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:18 | shows15:47 | performances37:21 | creatives49:44 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
With theatre fans once again talking about stunt casting, it's finally time to have a robust conversation about the controversial topic.From Whitney Leavitt in Chicago on Broadway to Natalie Bassingthwaite in the Australian premiere of Waitress, there are plenty of current examples of the practice which have been come under criticism.check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:41 | what is stunt casting?09:49 | current examples22:22 | the "new talent" problem28:07 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo is sharing reviews of four plays he's seen in the last couple of weeks in London:• Shadowlands, by William Nicholson at the Aldwych Theatre• Deep Azure, by Chadwick Boseman at the Sam Wanamaker Playhouse at Shakespeare's Globe • Guess How Much I Love You?, by Luke Norris at the Royal Court Theatre• Man and Boy, by Terence Rattigan at the Dorfman Theatre at the National Theatre Check out what Mickey-Jo thought of the writing, creative choices, and performances in each!check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:40 | Shadowlands07:52 | Deep Azure15:10 | Guess How Much I Love You?20:31 | Man and Boy28:22 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
It was recently announced that Jamie Lloyd's acclaimed production of William Shakespeare’s MUCH ADO ABOUT NOTHING will transfer to Broadway in the next season later this year.The production, which will once again star Tom Hiddleston and Hayley Atwell, will play at an as yet unannounced theatre, and is rumoured to be a precursor to the much talked about Broadway transfer of Evita starring Rachel Zegler.Check out Mickey-Jo's thoughts about each of these productions as well as all of the rumoured details he's heard so far...•00:00 | introduction03:03 | Much Ado about Nothing09:45 | further details16:51 | Evita transfer?25:01 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo was recently invited to attend a gala night at the West End production of CABARET, currently running at the Kit Kat Club at the Playhouse Theatre in London.The production, which has been directed by Rebecca Frecknall and originally starred Eddie Redmayne and Jessie Buckley has recently welcomed new stars Matt Willis (Waitress, Little Shop of Horrors) and Katie Hall (Les Misérables, The Phantom of the Opera) as The Emcee and Sally Bowles.Check out Mickey-Jo's thoughts on what the production is like with these brand new stars as well as the continuing supporting cast...•00:00 | introduction04:51 | Matt Willis as The Emcee10:52 | Katie Hall as Sally Bowles 17:15 | the supporting cast 23:31 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
It was announced yesterday that a stage play based on the stories by George RR Martin, a prequel to Game of Thrones, would receive its world premiere this Summer at the Royal Shakespeare Company.The play, titled Game of Thrones: The Mad King, will debut in Stratford Upon Avon, with full details to be confirmed, and will be written by Duncan Macmillan and directed by Dominic Cooke.Check out Mickey-Jo's thoughts on this announcement as well as how the play is likely to fare alongside other IP adaptations such as Stranger Things: The First Shadow, or The Hunger Games.•00:00 | introduction03:22 | details09:50 | creatives14:43 | expectations21:17 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
One of the most anticipated West End productions of 2026 has finally arrived, as Dracula starring Cynthia Erivo opened last night at the Noël Coward Theatre in London.The production, which has already been seen in Australia, has been adapted and directed by Kip Williams and comes on the heels of his previous staging of The Picture of Dorian Gray starring Sarah Snook.The production has divided critics, with some outlets giving 2* critiques while others delivered 4* praise. Check out a selection of the critical responses in this review roundup...•00:00 | introduction02:09 | The Stage07:52 | The Sunday Times 13:32 | WhatsOnStage18:18 | The Guardian23:48 | TimeOut London28:58 | The Standard33:27 | The IndependentAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
One of the most anticipated West End productions of 2026 has finally arrived, as Dracula starring Cynthia Erivo opens tonight at the Noel Coward Theatre in London.The production, which has already been seen in Australia, will be adapted and directed by Kip Williams and comes on the heels of his previous staging of The Picture of Dorian Gray starring Sarah Snook.Check out this full review to find out more about the production, this adaptation of the Bram Stoker story, and Cynthia's performance as every one of its characters...•00:00 | introduction02:59 | how does the play work?11:30 | the material / adaptation16:24 | Cynthia's performance 24:57 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
There has recently been a lot of online conversation about a couple of new stage productions in the UK, both of which were, at the time, in previews.The online criticism of early performances of Dracula starring Cynthia Erivo, and curtain call footage of Legally Blonde on tour starring Amber Davies has reignited the debate about whether or not a show's earliest performances should be criticised.So, here are Mickey-Jo's thoughts as a full-time critic about when it is respectful or appropriate to review a show and how much responsibility falls to a show's producers...•00:00 | introduction02:56 | what are previews?10:38 | when do critics review?20:50 | why is there discourse?32:21 | what is the solution?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
One of the most celebrated plays of the 20th century, and perhaps the finest work of Tom Stoppard, Arcadia, has recently returned to the stage in a new production at the Old Vic Theatre.This revival, opening only a few months after the celebrated playwright's passing, is directed by Carrie Cracknell.Check out Mickey-Jo's thoughts on the lauded play, its mathematical complexities, and this new production in this full review...•00:00 | introduction02:23 | overview / synopsis10:05 | themes / development15:17 | this production21:00 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
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