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Join Mickey-Jo from MickeyJoTheatre as he reviews the latest show from the West End, Broadway, Off-Broadway, Off-West End, Edinburgh Fringe and across the globe. As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers.
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After thrilling Broadway audiences at the Booth theatre last year, JOHN PROCTOR IS THE VILLAIN has arrived at the Royal Court Theatre in London, 70 years after The Crucible was produced at the venue, for its professional UK premiere.The play, written by Kimberly Belflower, follows a group of students in 2018 Georgia responding to personal and academic questions as they study Arthur Miller's allegorical work at the height of the MeToo movement.After Mickey-Jo's 4th visit to the play, here are his thoughts on why it's been delighting audiences as well as the new cast members and subtle differences in the London production.check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:22 | themes / synopsis11:54 | performances (spoilers)26:15 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
In the 25 years since it premiered, audiences have been debating which of the characters in The Last Five Years is at fault for the end of their relationship.The musical, written by Jason Robert Brown, follows the dual perspectives of Cathy Hyatt, an aspiring actress, and Jamie Wellerstein, a successful novelists, on their 5 year relationship.Productions have previously starred Norbert Leo Butz, Sherie Rene Scott, Nick Jonas, Adrienne Warren, Rachel Zegler, Ben Platt, Jonathan Bailey, Samantha Barks, and more.While many are quickly to denounce Jamie for his shortcomings, Mickey-Jo is finally sharing his perhaps controversial thoughts about the musical's true villain...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:35 | Jamie is the villain15:42 | Cathy is the villain27:06 | they're both the problem•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The fan favourite musical WAITRESS, seen on Broadway and in the West End, is back on stage in a new UK Tour starring Carrie Hope Fletcher as Jenna.The musical, based on the film of the same name features a book by Jessie Nelson and a score from Sara Bareilles, and also stars Dan Partridge, Les Dennis, Sandra Marvin, Evelyn Hoskins, Mark Anderson, and more.Check out what Mickey-Jo thought of the new cast members including Carrie as well as how his feelings towards the show have developed, and what he discovered about it on my 5th visit...•00:00 | introduction02:14 | material / overview08:34 | Carrie Hope Fletcher as Jenna15:13 | the supporting cast20:35 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Right now, it seems like there are more Glee alumni on stage in New York than ever before, and it made Mickey-Jo wonder about the impact of the TV show on the theatre industry in the years since it debuted.From Lea Michele in Funny Girl to Matthew Morrison in Just in Time, plenty of Glee cast members have either made their stage debut or returned to Broadway after finding fame on screen, and it has often afforded these productions a significant box office boost.Check out the full video essay for a recap of all of the stage careers that arose after Glee, as well as Mickey-Jo's thoughts on how the TV show has helped Broadway during a challenging chapter, and why audiences are showing up for the former members of New Directions...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:52 | the Broadway returns11:38 | the stage debuts20:33 | did Glee save Broadway?27:10 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
With the 2026 Olivier Awards fast approaching, Mickey-Jo and his stagey fiancé @AeronJames are finally sharing our predictions for the upcoming ceremony.Check out which productions, actors, and creatives we think (and hope) will win next weekend from nominees including Paddington the Musical, Into the Woods, Kenrex, 1536, All My Sons, Evita, Inter Alia, and more.Check out today's new video for their thoughts and make sure to comment down below with all of yours!•00:00 | introduction01:57 | productions14:04 | creatives30:04 | performances 48:32 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Earlier this week, Mickey-Jo was invited to review the press night performance of ROMEO & JULIET at the Harold Pinter Theatre in London.This new production of the Shakespearean tragedy has been directed by Robert Icke and stars Noah Jupe (Hamnet) and Sadie Sink (John Proctor is the Villain).Check out what Mickey-Jo thought of this bold, new staging and its leading performances...•00:00 | introduction02:04 | this production12:51 | performancces23:04 | creative choices (spoilers)33:32 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
KINKY BOOTS is back in London, in a new production which opened first at Curve Leicester before touring the UK and Europe.This revival of the popular musical stars Johannes Radebe as Lola alongside Matt Cardle as Charlie Price.Check out what Mickey-Jo thought of this production, its design, and its performances and find out where Mickey-Jo thought it improved on the original version...•00:00 | introduction02:01 | material / overview12:38 | performances23:55 | creative choices34:20 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The contemporary musical theatre song cycle IN PIECES has become a fan favourite show, and played sold out concert performances this week at the Other Palace Theatre in London.Before seeing the final show, Mickey-Jo sat down with writer / composer Joey Contreras to discuss the show's inspirations, development, and fan reception.Comment down below with who you'd love to see me to interview next!check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo is sharing reviews of four plays he's seen in the last couple of weeks in London:• Summerfolk at the National Theatre• Slippery at the Omnibus Theatre• Jaja's African Hair Braiding at the Lyric, Hammersmith• Choir Boy at Stratford EastCheck out what Mickey-Jo thought of the writing, creative choices, and performances in each!check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:32 | Summerfolk13:33 | Slippery22:30 | Jaja's African Hair Braiding35:11 | Choir Boy47:30 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
There's a new production of Jason Robert Brown's THE LAST FIVE YEARS, celebrating its 25th Anniversary, and starring Rachel Zegler and Ben Platt.The iconic early contemporary musical theatre song cycle was performed in a semi staged concert last week at the London Palladium and will also be seen at Radio City Music Hall in New York and the Hollywood Bowl.After loving and hating different productions of this fan favourite musical last year, check out what Mickey-Jo thought of the concert treatment, and its two performances...•00:00 | introduction02:23 | overall thoughts10:39 | performances20:32 | creative choices27:15 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
In just a few weeks, the West End Theatre community will celebrate the annual Olivier Awards in London, while many of Broadway's most exciting new shows are opening in anticipation of the Tony Awards in New York.Though these two ceremonies and institutions seem to be comparable counterparts, there has always been distinct differences between them, beyond their geography.Today, as a frequent West End and Broadway theatregoer, Mickey-Jo will be talking through what makes the Tony Awards and Olivier Awards different, from their categories and eligibility to their history and industry impact...check out Mickey-Jo's brand new free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:27 | history / logistics14:02 | categories / eligibility28:02 | impactAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
A new revival of the play TEETH N SMILES by David Hare opened earlier this week at the Duke of York's Theatre in the West End.The play, originally seen 50 years ago at the Royal Court, stars Rebecca Lucy Taylor AKA Selfie Esteem as Maggie, the troubled lead singer of a derailing rock band.Check out what Mickey-Jo thought of the play, its captivating central performance, and the creative choices made for this production in this full review...•00:00 | introduction02:22 | overview / synopsis10:08 | performances18:13 | creative choices24:17 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
When Jessie Buckley won an Oscar earlier this month for her celebrated performance in Hamnet, it reminded Mickey-Jo of the 2008 BBC TV series I'd Do Anything.The programme was a weekly competition in which aspiring performers went head to head to win the role of Nancy in a major West End revival of Oliver!What's fascinating, on reflection, is how many of the show's alumni have gone on to achieve huge success, from Broadway stardom for Rachel Tucker and Samantha Barks to screen success for Buckley and winner Jodie Prenger.Check out this deep dive to find out what each performer went on to do after I'd Do Anything...•00:00 | introduction01:51 | the early eliminations11:14 | the next contestants 20:27 | the three finalistsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mcikey-Jo recently visited the Omnibus Theatre in Clapham, where a new play SLIPPERY was readying for its final preview performance.Mickey-Jo sat down with one of the play's two cast members, John McCrea, known for his starring role in Everybody's Talking About Jamie as well as his recent appearances in Cabaret and Prince F*ggot, as well as the rising star playwright Louis Emmitt-Stern.Find out more about this plays themes, why it might make you call your ex, and what's cooking in the onstage kitchen...About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Over the last week, there has been debate about National press outlets being excluded from the opportunity to review ONE DAY the Musical at the Royal Lyceum Theatre in Edinburgh.The production, which is making its world premiere, is one of a handful that had declined certain critics, alongside The Greatest Showman, and the most recent tours of Legally Blonde, and Kinky Boots.Today, as well as sharing Mickey-Jo's thoughts on this specific uproar, Mickey-Jo will be pulling back the curtain a little on how reviews are arranged, who this affects, and why this decision may have been made...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:00 | how reviews are arranged11:44 | the ONE DAY backlash19:43 | further thoughts 26:31 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Over the last week, drama and discourse has surrounded the new UK Tour of Legally Blonde.While the show was in Milton Keynes, leading lady Amber Davies became ongoingly indisposed due to ill health, with the role of Elle Woods being played thereafter by Hannah Lowther.In addition to the sensationalised reporting of this by the tabloids, the show encountered further challenges when several other cast members were taken ill, meaning the final performance of the tour stop had to be performed as a concert version, for which audience members were, controversially, not offered refunds.Here are Mickey-Jo's thoughts on all of the conversations currently surrounding this production including alleged backstage feuds, audience entitlement, and its future...•00:00 | introduction02:09 | the tabloid drama10:20 | the concert performance18:50 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
As promised, Mickey-Jo made it to the Bristol Hippodrome to see the first preview performance of the world premiere of THE GREATEST SHOWMAN, finally on stage as a full musical.The show stars Oliver Tompsett as PT Barnum and Samantha Barks as Charity Barnum, with a supporting cast including Ben Joyce, Lorna Courtney, Vajèn van den Bosch, Malinda Parris and more.In lieue of a review, here is what Mickey-Jo can tell you about this hugely anticipated show - from the runtime to the cut characters and newly added songs...•00:00 | introduction03:15 | theatregoing experience08:19 | storyline / characters16:54 | the old and new songs23:09 | staging and design29:15 | the future of the show36:20 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Last week the nominations were announced for the 2026 Olivier Awards, celebrating the best of the last year of London Theatre.The most nominated shows this year were Paddington and Into the Woods, with recognition for 1536, Evita, Inter Alia, Punch, Kenrex, Stereophonic, and more.There were, however, some productions, performances and creatives who were snubbed from this year's nominations...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:11 | performances in plays08:26 | performances in musicals14:46 | snubbed shows20:24 | creative teams30:06 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo recently checked out one of London's most talked about new arrivals, a limited workshop presentation of the new musical MIDNIGHT by Todrick Hall.The musical, written, directed and choreographed by as well as starring Todrick, also featured performers including Rachel Tucker, Marisha Wallace, Jeremy Beloate, Ayana George, Charlotte Jaconelli, and more.Ahead of the show's further development, find out more about its story, score, and opportunities to grow, from Mickey-Jo's perspective...•00:00 | introduction03:48 | the material11:38 | performances 15:21 | my thoughts25:27 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo's sharing reviews of four plays he's seen in the last couple of weeks in London:• While They Were Waiting at Upstairs at the Gatehouse (★★)• The Manningtree Witches at Mercury Theatre, Colchester (★★★★)• Our Town at Rose Theatre, Kingston (★★★)• Marie and Rosetta at @sohoplace (★★★★)Check out what Mickey-Jo thought of the writing, creative choices, and performances in each!check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:05 | While They Were Waiting10:02 | The Manningtree Witches19:13 | Our Town26:34 | Marie & Rosetta35:05 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
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