Uncanny Japan

In 1803, fishermen on Japan’s Hitachi coast spotted something round and unfamiliar drifting offshore. They hauled the hollow vessel onto the beach—and discovered a mysterious young woman inside. Step into the story as one of those fishermen. Examine the vessel’s clouded windows and iron-plated hull, hear the woman speak in a language no one understands, and watch as she fiercely protects a box she refuses to surrender. Who was she, what was hidden inside—and why did the villagers send her back out to sea? Learn more about your ad choices. Visit megaphone.fm/adchoices

Japan’s 1970s UFO boom gave us some wonderfully strange cases: children capturing a tiny hat-shaped UFO in Kōchi, two boys encountering wrinkled aliens in a Yamanashi vineyard, and a Hokkaidō farmer who claimed repeated abductions, spoon-bending powers, and telepathic contact with beings from the Samon Call Galactic Planetary Federation. In this episode, we look at Japan’s “Big Three” UFO incidents — Kera, Kōfu, and Nikoro — plus one especially intriguing 1980s case involving the Kaiyō Maru, a government research vessel whose crew recorded strange lights and radar-only objects moving at impossible speeds. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever heard of the nodo-hotoke, or “throat Buddha”? In everyday Japanese, it usually refers to the Adam’s apple. But after death, especially in the context of cremation, the nodo-hotoke becomes something else entirely, the actual seat of your soul. In this episode of Uncanny Japan, I talk about the fascinating and beautiful funeral custom of gathering bones after cremation, using long chopsticks to place them into the urn from feet to head, with the nodo-hotoke placed last. I’ll also touch on the taboo against passing food from chopsticks to chopsticks, the role of the crematorium attendant, and the belief that this Buddha-shaped bone can be connected to the soul, the life lived, or rebirth into the Pure Land. After that, I read my dark story “The Buddha Bone,” originally published in Weird Horror Issue 7 by Undertow Publications. I also explain a couple of story-context words: hifuki-take, a bamboo tube used to blow into and stoke a fire, and hyottoko, the puckered-mouth comic figure associated with fire-blowing imagery. Content warning: this episode discusses death, cremation, funerary ritual, and contains a dark fictional story on those themes. Learn more about your ad choices. Visit megaphone.fm/adchoices

A vengeful princess rides a giant toad into battle while a monstrous skeleton tears through castle walls — and these two legends are connected in ways you might not expect. In this episode, I dig into the story of Takiyasha Hime, daughter of the infamous Taira no Masakado, and the terrifying Gashadokuro. How did a princess become a sorceress? What kind of magic involves frogs? And is that famous skeleton in Kuniyoshi's print really what everyone thinks it is? I even found the actual spell she used to summon the skeleton. Should I read it aloud? [Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.] Follow Uncanny Japan Patreon Uncanny Japan Website Thersa Matsuura Website Books on Amazon YouTube Facebook Instagram Buy Me a Coffee (one-time contribution) Subscribe on Spotify Subscribe on Apple Podcasts Credits Music by Julyan Ray Matsuura About SpectreVision Radio SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.com linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

2026 is the year of the fire horse—a year that happens only once every 60 years. Across East Asia, it symbolizes transformation, intensity, and bold action. But in Japan? It's feared. Birth rates actually plummet during fire horse years because of a superstition that dates back to Edo-era Japan. What does a cursed kimono that burned down 70% of a city have to do with this? And why was a young girl named Oshichi burned at the stake in 1666? Come with me as I explore the tragic story behind this uniquely Japanese superstition, the Great Fire of Meireki that killed over 100,000 people, and what the saying "if it burns down, we'll build again" means for embracing change during difficult times. [Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.] Follow Uncanny Japan Patreon Uncanny Japan Website Thersa Matsuura Website Books on Amazon YouTube Facebook Instagram Buy Me a Coffee (one-time contribution) Subscribe on Spotify Subscribe on Apple Podcasts Credits Music by Julyan Ray Matsuura About SpectreVision Radio SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.com linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices