The Next Reel Film Podcast

"Get Out" is the subject this week on The Next Reel, as Jordan Peele's Oscar-winning directorial debut gets a second look in the Radicalized series. Daniel Kaluuya stars as a young Black photographer meeting his white girlfriend's parents for the first time, with Allison Williams, Bradley Whitford, Catherine Keener, and Caleb Landry Jones rounding out the family at the center of a weekend gone wrong.Pete and Andy dig into how the film's horror doubles as a modern-slavery allegory and how Chris's arc from inaction to action anchors the whole conversation. If you've only seen it once, this makes a strong case for a rewatch. We have a great time talking about it, so check it out then tune in—The Next Reel on TruStory FM, when the movie ends, our conversation begins!The Film Board's original, full-spoiler take on this film, recorded opening weekend back in 2017, is worth a listen next.📝 See Full Show Notes and Resources🎥 Watch on YouTube🔒 This episode includes member-only bonus content. The movie ends. The conversation goes further—and there's more of it in the member feed. Become a member.🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. The Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and Movements | The Film Board | Movies We Like | The Next Reel | Sitting in the DarkConnect With Us:Web | Letterboxd | Flickchart | Instagram | Bluesky | YouTube | DiscordYour Hosts: Andy | PeteMerch Store | Audible

"American History X" opens Radicalized, a new series about how people get pulled into extremist movements. Edward Norton stars as a former neo-Nazi skinhead trying to keep his younger brother, played by Edward Furlong, from following the same path, with Beverly D'Angelo and Avery Brooks rounding out the family and mentor figures around them.Pete and Andy dig into the black-and-white vs. color cinematography and the compressed 24-hour timeline, plus whether redemption is possible for someone who's done this much damage. It's a tough, messy film that still hits hard—a fitting way to kick off a series about how ordinary people end up here. We have a great time talking about it, so check it out then tune in—The Next Reel on TruStory FM, when the movie ends, our conversation begins!Next up, The Film Board already tackled Get Out—the next stop in our Radicalized series—so get a head start before we get there.📝See Full Show Notes and Resources🎥 Watch on YouTube🔓 The movie ends. The conversation goes further. Become a member.🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. The Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and Movements | The Film Board | Movies We Like | The Next Reel | Sitting in the DarkConnect With Us:Web | Letterboxd | Flickchart | Instagram | Bluesky | YouTube | DiscordYour Hosts: Andy | PeteMerch Store | Audible

"The Personal History of David Copperfield" reimagines Charles Dickens' classic as a fast-paced, visually inventive romp through Victorian England. Armando Iannucci directs, with Dev Patel as the title character, Tilda Swinton as his formidable aunt Betsey Trotwood, and Hugh Laurie as the gentle, troubled Mr. Dick. It's the third and final film in Pete and Andy's Institutions Eating Themselves series.Pete and Andy dig into how Iannucci compresses a sprawling, centuries-old novel into two hours without losing its emotional core, and debate whether the film's color-conscious casting changes what the story means. If you love inventive, funny literary adaptations, this is essential listening (and viewing!). We have a great time talking about it, so check it out then tune in—The Next Reel on TruStory FM, when the movie ends, our conversation begins!For more on institutions grinding down the people inside them, follow up with Oliver! or Cinema Scope's British New Wave: Kitchen Sink Realism.📝 See Full Show Notes and Resources🎥 Watch on YouTube🔓 The movie ends. The conversation goes further. Become a member.🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. The Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and Movements | The Film Board | Movies We Like | The Next Reel | Sitting in the DarkConnect With Us:Web | Letterboxd | Flickchart | Instagram | Bluesky | YouTube | DiscordYour Hosts: Andy | PeteMerch Store | Audible

Steve Buscemi stars as Nikita Khrushchev in "The Death of Stalin," Armando Iannucci's dark satire about the scramble for power after the Soviet dictator's sudden death in 1953. Simon Russell Beale plays the ruthless secret police chief Lavrenti Beria, and Jason Isaacs steals scenes as the blustering Field Marshal Zhukov. It's the second film in The Next Reel's Institutions Eating Themselves series.Pete and Andy dig into the film's choice to let its British and American cast use natural accents instead of Russian ones, and wrestle with how far dark comedy can go against real historical horror. If satire can survive Stalin, this conversation makes the case. We have a great time talking about it, so check it out then tune in—The Next Reel on TruStory FM, when the movie ends, our conversation begins!If you want to see where this series started, listen to our episode on "In the Loop," Iannucci's bureaucratic scramble toward war.📝 See Full Show Notes and Resources🎥 Watch on YouTube🔓 The movie ends. The conversation goes further. Become a member.🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. The Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and Movements | The Film Board | Movies We Like | The Next Reel | Sitting in the DarkConnect With Us:Web | Letterboxd | Flickchart | Instagram | Bluesky | YouTube | DiscordYour Hosts: Andy | PeteMerch Store | Audible

James Gandolfini plays a U.S. general trying to talk sense into two governments hurtling toward a war nobody actually wants, in Armando Iannucci's "In the Loop." Pete and Andy kick off their Institutions Eating Themselves series—a run built around Iannucci's career—alongside Peter Capaldi's foul-mouthed communications chief and Tom Hollander's hapless government minister.Pete and Andy dig into how the film's rapid-fire, improvised-feeling dialogue was actually mostly scripted, and debate whether its American characters get satirized as sharply as its British ones. It's a sharp, quotable entry point into Iannucci's larger body of work. We have a great time talking about it, so check it out then tune in—The Next Reel on TruStory FM, when the movie ends, our conversation begins!If you liked the ensemble political chaos here, keep going with our Smoke and Mirrors series—the same satirical muscle, different targets.📝 See Full Show Notes and Resources🎥 Watch on YouTube🔓 The movie ends. The conversation goes further. Become a member.🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. The Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and Movements | The Film Board | Movies We Like | The Next Reel | Sitting in the DarkConnect With Us:Web | Letterboxd | Flickchart | Instagram | Bluesky | YouTube | DiscordYour Hosts: Andy | PeteMerch Store | Audible