The Board of Directors

Adriana Baer has been an arts professional for over 20 years. She has held leadership roles at Profile Theatre (Executive Artistic Director) and Cutting Ball Theater (Associate Artistic Director), and has worked with companies including Oregon Shakespeare Festival, Berkeley Repertory Theatre, and Theatre Communications Group, the national service organization that works for a just and thriving theater ecology. Adriana has directed at theaters including Houston’s Alley Theatre, Portland Center...

Lizards Lying in the Sun/Lagartijas Tiradas al Sol is a collective of artists. They work in theater, create books, radio programs, videos, and educational projects. Since 2003, they have been developing projects to connect work and life, to erase and redefine boundaries. Their work seeks to create narratives from real-life events. It has nothing to do with entertainment; it is a space to think, articulate, displace, and unravel what daily life merges, overlooks, and presents to us as given. T...

Brian Kulick is a director, writer, producer, educator, and current Chair of the Graduate Theatre Program at Columbia University. He has been the Artistic Director of Classic Stage Company, where he directed Galileo with F. Murray Abraham, The Tempest with Mandy Patinkin, and The Forest with Dianne Wiest. He commissioned and co-directed poet Anne Carson's award-winning An Oresteia, collaborated with composer Duncan Sheik on productions of Brecht’s Caucasian Chalk Circle, Man’s A Man, and Moth...

Alvin Tan is the founder and artistic director of The Necessary Stage, one of Singapore’s most respected theatre companies, and the co–artistic director of the M1 Singapore Fringe Festival. A central figure in the evolution of devising in Singapore, he has directed more than one hundred productions presented across Asia, Europe and Australia, including cities such as Glasgow, Cairo, Busan, Melbourne, Birmingham, London, Dublin, New Delhi, Budapest and Bucharest. His practice is distinguished ...

Kareem Fahmy has directed and developed plays at theatres including MCC, The Atlantic, The New Group, Ensemble Studio Theatre, New Dramatists, The Civilians, Writers Theatre, Cincinnati Playhouse, Geva Theatre, Pioneer Theatre, The Magic, Contemporary American Theatre Festival, Berkeley Rep, and more. He is a New York Theatre Workshop Usual Suspect. His plays, which include Fountains of Youth, Dodi & Diana, American Fast, A Distinct Society, The Triumphant, Pareidolia, The In-Between, and...

Suman Mukhopadhyay’s films deal with the socio-political realities and engage in a critical assessment of the contemporary. His explorations into the subaltern lives and histories have lent a distinction to his filmmaking and theatre productions. Suman has directed nine full-length feature films, including Putulnacher Itikatha(2023), Nazarband (2020), Asamapta (2017), and Herbert (2005), which won the National Award for Best Regional Film that year.​ He participated and won awards in v...

Pirronne Yousefzadeh (She/Her/Hers) directs theatre that speaks to the moment and uplifts Global Majority communities with buoyancy, joy, and theatrical magic. She is a director, writer, and educator, serving as Associate Artistic Director and Director of Artistic Partnerships at the Playwrights’ Center. Previously, she served as the Producing Artistic Director at the Colorado Springs Fine Arts Center and as the Associate Artistic Director and Director of Engagement at Geva Theatre. Additiona...

Acadia Barrengos (she/her) is a New York-based director whose work excavates lost histories and engages audiences viscerally. In addition to NYC, she has worked in Washington, D.C., Chicago, San Francisco, North Carolina, Oklahoma, and New Jersey. Inspired by the study of epigenetics, Acadia is driven by stories that wrestle with inheritance. Her work prioritizes surprise, ensemble, and rhythm. Acadia’s work walks the line of hope and doubt, and investigates the space between the pedestrian a...

Joe Deer is the award-winning director and choreographer of over 200 productions - from Off-Broadway to London, regional to summer stock, international, and university stages. His projects vary from new works in Matera, Italy, to operas, classic plays, and musicals at some of the world's finest theaters and training centers. Joe is a former Chair and Artistic Director of the Department of Theatre, Dance and Motion Pictures at Wright State University (Dayton, OH), where he is the Disting...

Mei Ann Teo (they/them) is a queer immigrant from Singapore, an artistic leader, theatre maker, and educator whose work bridges the intersections of the artistic, the civic, and the contemplative. As a director, deviser, and dramaturg, Teo creates across genres, from music theatre and reimagined classics to intermedial participatory projects and documentary theatre, always with a deep curiosity for how performance can reimagine our shared world. Teo has directed and developed an extraordinary...

In this episode, director and actor Shaun Patrick Tubbs joins us to talk about his journey through the worlds of theatre, opera, and new play development. This path has taken him from Wright State to Juilliard, from Miami to New York, from performing center stage to shaping stories from the director’s chair. Shaun’s directing work reflects a deep commitment to both craft and conscience. His productions include Ragtime (Union Avenue Opera), Defacing Michael Jackson (Miami New Drama), The Tempe...

Director, Professor, and writer Anne Bogart has led the Directing concentration at Columbia University's School of the Arts' Theatre program for over 30 years—almost as long as the concentration has been in existence. While her reputation off-campus precedes her as the co-founder of the renowned SITI Theatre Company, which she founded with Japanese director Tadashi Suzuki in 1992, and the revolutionary Viewpoints acting method, on campus, she is known for her extraordinary dedication to...

Here’s something that most people don’t know: my whole career as a podcaster is actually an accident. It all started in 2020, during the pandemic, with The Theatre of Others Podcast. At first, it was just a way to stay connected, to share ideas, and to bring a little spark of creativity at a time when we all felt isolated. What began as a small experiment suddenly took off, and it opened doors I never expected. Now I find myself on a new path—with The Board of Directors. And this wasn’t suppo...