Failure to Franchise

So you've developed a sequel to one of your recent "successes," but the legendary action star of the previous film has decided he doesn't want to do a follow-up. Are you supposed to scrap the whole thing? Not if you're Cannon Films, who knew better than to throw out all the work they had already done on a potential Invasion USA sequel, and instead decided to rework it into a new potential franchise starter of its own. "Misfired Cannons" continues as we look at 1986's Avenging Force, which saw Chuck Norris replaced with Cannon's own pet-project up-and-coming star, Michael Dudikoff. Here, Dudikoff takes over the role of Matt Hunter (or is maybe a totally different Matt Hunter?), this time taking on an an underground society of crazed right-wing extremists that likes to hunt men for sport. We discuss Dudikoff's place in the Cannon legacy, the movie's surprising-for-the-time-and-genre politics, the perpetual underutilization of co-star Steve James, and much more. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

For film fans of the '80s, one studio was synonymous with over-the-top action, wild premises, and low to mid-budget insanity. Cannon Films delivered a massive output of video store staples and cable classics, and today are looked back on nostalgically as an entertaining alternative to the "big" studio fare of the era. But Cannon certainly had at least one thing in common with the major studios - their fare share of failed franchise starters. So we're devoting two months to the studio's "Misfired Cannons." First up, a look at the 1985 Chuck Norris vehicle Invasion USA, which sees the denim-clad action icon single-handily take on an army of foreign terrorists invading the United States. It might not be the "best '80s action movie," but it is arguably the "most '80s action movie." But we couldn't discuss such a crazy cult-classic alone, so for this discussion we're joined by Bryan Kristopowitz, author of the "Gratuitous B-Movie Column" on the 411mania website, and the recently published book, Not Coming to a Theater Near You!: 50 Great Direct-to-Video Action Flicks of the Early 2000s. So slip on your Chuck Norris Action Jeans, and join us for an in-depth discussion of one of the wildest action movies, and movie studios, of all time! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd Buy Bryan's book HERE, titled: Not Coming to a Theater Near You!: 50 Great Direct-to-Video Action Flicks of the Early 2000s

"The Girl with the Failed February Franchises" concludes with our look at 2018's The Girl in the Spider's Web. Even though the previous film hadn't made as much as Sony had hoped for, it still earned Rooney Mara an Oscar nomination, received critical acclaim, and the entire creative team was down to return for more. So, of course the thing to do is...ignore all that and instead hire a new director and cast to jump ahead to the fourth book (the first not written by series creator Stieg Larsson) and try to reboot the franchise with a much smaller budget. How did that work out for them? Well, we're covering it here, so, you know. Still, we're here to give it a fair shot, discussing whether horror director Fede Alvarez was the right choice to replace Fincher, if Claire Foy is a worthy Lisbeth Salander, and if the movie's global-stakes espionage thriller vibes truly feels appropriate for the overall franchise and character. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

In 2005 (and 2008 for the American translation), the posthumous release of Swedish author Stieg Larsson's "Millennium Trilogy" took the world by storm. A series of Swedish cinematic adaptations soon followed, making even bigger pop culture icons of the characters of Mikael Blomkvist, a crusading journalist, and Lisbeth Salander, the punk computer hacker with a mysterious past. And then, Hollywood decided to take their crack at it...not once, but twice. And we're investigating both, with our "The Girl with the Failed February Franchises" theme month! First, a look at 2011's The Girl with the Dragon Tattoo. Directed by David Fincher and starring Daniel Craig as Blomkvist and Rooney Mara as Salander, the American adaptation was seen by some as a more prestigious adaptation of the first book in Larsson's series; a surefire awards contender and franchise starter. But was it released too soon after the Swedish films? Was its subject matter actually too dark for American audiences, especially given its Christmas release? We explore these questions and more, including how the film rates as part of Fincher's overall filmography, and what it meant for his career moving forward. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

"Thomas JANEuary" concludes with 2018's The Predator, an attempt to resurrect, revitalize, and "event-ize" the classic sci-fi action franchise. To do so, 20th Century Fox recruited famed Hollywood action screenwriter and the acclaimed director of Kiss Kiss Bang Bang, The Nice Guys, and Iron Man 3 (and co-star of the original Predator movie), Shane Black, as well as his former Monster Squad collaborator Fred Dekker, to helm a new entry with an interesting ensemble cast. But The Predator would face a particularly rocky road to the big screen, and we're here to discuss the film's various production headaches and controversies...and explore the important question of the month = what's the deal with Thomas Jane in this one?? Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

We recently realized, though it was never our specific intention, that we covered Thomas Jane movies the last two January's of this podcast. So, what the heck...let's lean in! Welcome to "Thomas JANEuary," a two-episode tribute to the rugged, prickly, shoe-hating star of The Punisher, The Mist, Mutant Chronicles, HBO's Hung, and so much more. First up, we're looking at 2010's Give 'Em Hell, Malone. A relic from the dying days of the DTV era, this indie neo-noir thriller seeks to pay tribute to the hardboiled PI stories and classic film noirs of old...whether or not it truly has the budget to do so. Can Thomas Jane effectively channel the spirit of Sam Spade, Philip Marlowe, Mike Hammer, and other classic hardboiled heroes? Can Highlander director Russell Mulcahy still conjure the same sort of visual dynamism with a much lower budget? And where does the line between loving genre pastiche and cynical genre parody truly begin, or end? We discuss all this and more, as we give 'em hell, Malone. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

A new year is almost upon us, but you know what they say: the holiday season isn't officially over until you've listened to part two of "Failure to Franchise presents Trev & Chris-tmas." This time, Trev gifts Chris the long-in-the-works passion project of legendary filmmaker James Cameron, the cyberpunk manga adaptation Alita: Battle Angel. But, wait...if this was Cameron's passion project, why the heck is it directed by Robert Rodriguez? We discuss that and more, including the unique marriage of Cameron and Rodriguez's sensibilities, the eclectic but sometimes wasted cast, and the strengths and weaknesses of the film's worldbuilding. It's a movie that James Cameron still insists will get a sequel, and as the recent Avatar: Fire & Ash box office proves once again, you can never count Big Jim out. But do we really believe him about this one? And do we even want a sequel? Listen on and find out. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

It's that most wonderful time of the year, and "Failure to Franchise Presents Trev and Chris-tmas" kicks off with a timely look at a sci-fi action take on one of the most important, iconic, and revered properties of all time. And to be sure, 2014's I, Frankenstein pays homage to Mary Shelley's beloved creation by including all the most cherished elements of her classic novel...the heroic gargoyles who are actually angels; the evil human businessman who is secretly an ancient demon; the Filipino Kali stick fighting! Well, okay...maybe this movie took some liberties with the source material. But, amongst all these strange and surprising additions to the Frankenstein mythology we all know and love, we're here to dive into the real important question at the heart of this movie - what the heck is the deal with Aaron Eckhart's career?? Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

It's a very special F2F Holiday Special! Before we exchange our gifts for our next annual "Failure to Franchise presents Trev & Chris-tmas," we're taking a brief, merry break to visit one of the most beloved Christmas movies of all time, and arguably the last movie to date to enter the "Classic Christmas Movie" canon, 2003's Elf. Directed by a pre-Iron Man and Star Wars Jon Favreau, and starring Will Ferrell in his first major leading role, Elf was a giant hit upon release and continues to delight audiences of all ages every holiday season to this very day...so why was there never a sequel? And, is it possible for anyone not to be entirely charmed by the film? We explore both questions, before gifting each other our next two movies! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

"CROWvember" concludes! Not with another Russell Crowe movie, but with the actual bird! Sorta? I dunno, just roll with us here, as we look at 2024's The Crow, a long-gestating comic book movie franchise reboot that went through a lot of permutations, with multiple directors and leading men attached, before finally arriving (with Rupert Sanders at the helm and Bill Skarsgard in the lead role), and being met with a combination of audience apathy and outright anger. But is the movie better than the reputation it immediately cultivated? Is it a worthy part of the Crow franchise legacy? And does it justify its own existence, despite the concerns of many that it was disrespectful to Brandon Lee and the tragedy of the original film to even make this movie in the first place?  Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

New month, new theme. We're kicking off "CROWvember" with yet another failed franchise starter from the surprisingly-regularly-featured-on-F2F Russell Crowe. But this time, it's a classy, prestige play Oscar contender from acclaimed filmmaker Peter Weir that was, nevertheless, meant to hopefully kick off a cinematic series. Adapted from the long-running "Aubrey/Maturin" period war-drama novel series by Patrick O'Brian, 2003's Master and Commander: The Far Side of the World is a rousing 19th century naval battle action epic. But for all the excitement of ship vs. ship conflict, at the heart of the film is a story of loyalty, duty, and male friendship. In an era unfortunately dominated by displays of male toxicity, did we two dudes find something more admirable and aspirational in the friendship of the two dudes played by Crowe and Paul Bettany? And, do we think even a big Best Picture contender like this could really justify a blockbuster-like series of sequels? We discuss all this and more, as we set out to sail in the choppy waters of "CROWvember." Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

Our special  "Trick 'r(esident) Tre(vil)" month concludes, with the 2021 cinematic reboot of the Resident Evil series. We've lost Milla Jovovich and Paul W.S. Anderson (except for an in-name-only producer credit), but hey, we've got a crap-ton of 1998 references to make up for it! That's because Resident Evil: Welcome to Raccoon City promised to be a more faithful adaptation of the original video game source material, condensing the first two games into one movie. And yet, even with this allegedly more accurate representation of the beloved video game series, Welcome to Raccoon City clearly did not spawn the same sort of long-running, financially successful franchise that Paul W.S. Anderson's less faithful adaptation did. But...why? We pull out our Palm Pilots and investigate. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

For a special Halloween edition of our "Success to Series" spin-off show, we're taking a break from our usual failures and instead beginning our "Trick 'r(esident) Tre(vil)" theme month, with a loving look at a series we unironically adore - Paul W.S. Anderson's six-film Resident Evil saga (2002-2016), starring Milla Jovovich. We explain why we genuinely enjoy this oft critically-panned series, once again pontificate on the star-power of Jovovich, and try to figure out why we're okay with the huge liberties Anderson took when adapting the video game source material. Ultimately, we take a look at each individual entry in the franchise, sharing our favorite moments and characters, and discuss why the series can possibly be viewed as a deeply personal auteur vision. Yes, that's right, we're still talking about Paul W.S. Anderson movies. So get ready to kick some zombie dogs - and kick aside any concerns about continuity or narrative logic, while you're at it - and join us for an in-depth look at Resident Evil. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

"Double-Shafted September" concludes with our look at Shaft, the second reboot of Shaft, following Shaft. Yeah, ok, this is pretty confusing without the years, isn't it? Just to be clear, this is the 2019 version, another attempt to kick-start a version of the franchise with Samuel L. Jackson as John Shaft, Jr. But this time, he's not alone, as the actual, ostensible main character is actually Jr's son, John "JJ" Shaft III, played by The Boys' Jessie T. Usher. JJ is a new kind of Shaft, a nerdy, millennial tech-expert working for the FBI. But when he decides to conduct a personal investigation into the death of a close friend, JJ is forced to team up with his absentee, old-fashioned, private eye father. If you think this sounds like a goofy "buddy cop" premise, you're not wrong, as the 2019 Shaft attempts to take the series in a more comedy-based direction. Is it successful as a comedy? Is it successful as a Shaft movie? Is it even successful as a sequel to the previous Shaft? We discuss all this, and more, as we once again get double-shafted. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

Are you ready to be shafted? No? Well, how about...double-shafted?? Cause we're kicking off "Double-Shafted September," a two-episode series dedicated to both attempts to relaunch the iconic Blaxploitation franchise that started with 1971's Shaft. First up, we're looking at 2000's Shaft (yep, same name), directed by John Singleton, and starring Hollywood's biggest badass M'Fer, Samuel L. Jackson. In this updated version, Jackson plays John Shaft, the nephew of Richard Roundtree's original John Shaft, this time an NYC detective working to bring the wealthy perpetrator of a heinous race-crime (Christian Bale) to justice. But standing in his way is a vindictive local gangster (Jeffrey Wright)...and a troubled behind-the-scenes production which frustrated many involved with making the movie. Is this Shaft as sexy and cool as the original? Was Samuel L. Jackson the right man to inherit the role? And can a supporting performance be both problematic and still arguably the best thing about the movie? We discuss all this, and more! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

Here it is! It's all been building to this! The epic conclusion of "Summer Surprise," and one of our most anticipated....err, or should we say dreaded episodes yet! That's right, it's 1987's The Garbage Pail Kids, based on the controversial, extremely popular, '80s Topps trading card set parodying the mega-successful Cabbage Patch Kids dolls. How does one make a movie out of a non-narrative trading card line? Is the proper target audience for a Garbage Pail Kids movie kids or adults? Can an audience handle over 90 minutes of looking at purposely disgusting mutant children and their various body fluids? Is the world of fashion a proper setting for an anarchic, gross-out comedy? And, most importantly, does "Small Town Witch Summer" continue? We explore all these questions and more, as we finally dive into the intentional stinky, slimy junk-pile that is The Garbage Pail Kids Movie. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

"Summer Surprise" continues with...what's this? Another witch movie?? That's right, but this one has a hell of a pedigree. A family dark-fantasy romp from Steven Spielberg's Amblin Entertainment, starring Jack Black and Cate Blanchett, and directed by...Eli Roth?? Huh. So how did the infamous filmmaker behind such extreme horror hits as Cabin Fever, Hostel, and Thanksgiving handle the opportunity to helm a more family-friendly adventure story based on the first book in a popular series of children's novels? Was this still an effective match for his twisted sensibilities, or a defective marriage of contrasting styles? Can Jack Black's unique charisma keep this clock ticking? How does it compare to the Goosebumps films of the same era, also starring Black? Is there such a thing as too many poop jokes? We discuss all this, and more! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

The "Summer Surprise" randomizer brings us yet another classic TV show turned big-budget movie, this time with a look at 2002's I Spy, a groundbreaking dramatic spy series from the '60s starring Robert Culp and Bill Cosby, now re-imagined as an action-comedy big-screen adventure starring Owen Wilson and Eddie Murphy. The cinematic I Spy clearly failed to make the impact the filmmakers hoped for, but is it entirely the movie's fault? How much did Eddie Murphy's other then recent box-office bombs hurt the perception of this film? Does original star Bill Cosby's tarnished legacy now further diminish the movie's reputation? Or did the movie itself just miss the mark with the changes it made to the source material? We ponder all these questions and more, in - surprisingly - one of our most contentious episodes in some time! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

"Summer Surprise" rolls along, and this time around our online randomizer has chosen a film from perhaps our most dreaded cinematic genre - a "supernatural romance" YA adaptation! That's right, 2013's Beautiful Creatures was another studio attempt to cash-in on and replicate the success of Twilight, and upon its release it was roundly dismissed as such by both critics and audiences. But could this Southern Gothic tale of love and witchcraft possibly work its magic on us? If nothing else, will we fall under the spell of one of the most impressive ensemble casts we've encountered so far, with Alden Ehrenreich, Alice Englert, Jeremy Irons, Emma Thompson, Viola Davis, Emmy Rossum, Margo Martindale, Zoey Deutch, and Lois Lane herself, Rachel Brosnahan? Or will we once again be left "cursing" the fates that caused us to watch yet another YA adaptation?  Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

"Summer Surprise," our annual event where an online randomizer picks our slate of summer movies, kicks off with 1988's attempt to turn the iconic TV horror hostess Elvira into an iconic big screen star...which, obviously, didn't quite work out. But why? With Elvira-mania in full swing in the 80s, what kept the spooky and goofy comedy of Elvira: Mistress of the Dark from connecting with movie audiences? We investigate that question, and also explore the history of the Elvira character and fascinating life of Cassandra Peterson, the woman behind Elvira. All the while, Elvira-neophyte Chris worries an admittedly Elvira-obsessed Trev might not be able to contain himself during the discussion. So, c'mon, don't be a boob; and be sure to listen to one of our breast episodes yet! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd