Full Cast And Crew

In this urgent plea for understanding in these troubled times, I veer off the normal charted waters of the podcast and into the knotty, twisted reality of a dawning awareness that all has not been as it seemed in the world of my most beloved snack food, Bachman Twist Pretzels. In this episode I will for the first time reveal the fruits of my investigative efforts uncovering the truth about Bachman Twist Pretzels no longer having a Twist. In all seriousness, my love for Bachman Twist Pretzels spans much of my entire life, and is connected to rare childhood memories of my Father, who loved Bachman Twist Pretzels, too.   In this Very Special Episode, I will reveal the truth behind the Death of the Bachman Twist Pretzel and the apparently inferior product that Utz Snack Foods is replacing this iconic, locally-originated piece of Pennslyvannian and American history with.

One of the greatest, most thought-provoking yet totally accessible films is this masterpiece of cinema from Iranian filmmaker Abbas Kiarostami. It's the true story of a Tehran man who impersonates a famous filmmaker and convinces a family that he's going to cast them in a movie.  Kiarostami then reconstructs the events that occurred using the real people involved, including the imposter. Part documentary, part fiction, and entirely about what we think about what we see on-screen, truth, lies, and cinema. I recommend the Criterion Channel's streaming page about this film as it contains several important subsequent films that will greatly enhance your experience of a film that Martin Scorcese called "life-changing". Watch the film here. Watch the documentary follow-up "'Close-up' Long Shot" here. Watch the 2009 video interview with 'Close-up' director Abbas Kiarostami here. Read this excellent Godfrey Cheshire essay about the film.

From Senator Geary to Frankie Five Angels, Duvall's Tom Hagen navigated a twisty and often dirty road in the second Godfather film. Watching the movie through the lens of Tom Hagen, it's clear tha the film in its own way really focusses on Tom and Michael and how the changing times and Michael's increasing paranoia have removed the family so far from "The Good Old Days". The last two brothers left standing at the end of II are Tom and Michael. One of the great mysteries of Godfather III is if the presence of Tom Hagen would have salvaged that film from being the blight upon the memory of the first two that it unfortunately remains. But let's celebrate Tom Hagen, one of the most enduring characters in Duvall's long life as an actor, and a character present at and maybe the catalyst behind so many iconic scenes in these great films.

'Night of the Juggler' is either one of the best 70's film titles or one of the worst. Honestly I enjoy it, for it's uniqueness and complete (well...near complete) relevence to the film's plot.  It's certainly memorable, if not directly speaking to the film's setting...which is mostly in the daytime of a VERY 1978 NYC. 'Night of the Juggler' had long been sort of like that Jerry Lewis Holocaust film; never-seen, long-rumored to be secretly great...elusive. But KinoLorber has finally rescued the film from obscurity with a new 4K transfer, available now on YouTube and other streaming platforms for purchase. It's well worth the trip. And it IS a trip, of the best, cinematic kind. NY Times Article on the Film's Re-Release & Backstory Link to buy the new DVD release with special bonus features.

Robert Duvall passed away at the age of 95 after more than 60 years as a working actor at the highest levels. One quick way to pay tribute to him is to revisit perhaps his most iconic and substantive role, that of Tom Hagen in The Godfather. Quietly the most important character linking the people and events in the film, Duvall's portrayal navigated complex internal issues like: when is a son not a son, and what is the reward for completing a lifetime of thankless tasks. All of these complicated things rest on Duvall's ability to read to us onscreen a whole host of emotions and thoughts. So in this episode, we'll take a look back at all of Duvall's scenes in 'The Godfather'.

Choosing 'Hooper' out of a combination of desperation and momentary podcast apathy, and seeking a distraction and light entertainment, I discover instead a beautifully realized love letter to Hollywood stunt performers inside an impressive movie-about-making-movies. 

Chris Smith and Sarah Price's Sundance-winning first documentary feature, 'American Movie,' remains an iconic and thoroughly modern film to revisit or to experience for the first time. Like all truly great documentaries, it's ostensibly about a finite thing: hardscrabble, complicated Midwestern working-class 30-year-old lives at home, delivers newspapers, works at a local cemetery, and has big dreams of writing, producing, directing, and acting in films... but it's also about so much more: friendship, alcoholism, Midwestern blue-collar life, filmmaking, and nothing less than the pursuit of the American Dream.   Watch Mark Borchardt's film Coven here. Read about the origins of the film. Where Are They Now (from a while ago). Mike Schank's Obit & Celebrity Remembrances

The sequel to Denis Villeneuve's 'Sicaro' is an impressive off-ramp from the first film's focus on drug cartels trafficking narcotics and stacking bodies. Italian director Stefano Sollima (Gomorra, ZeroZeroZero) focuses more intently on Josh Brolin's Matt Graver and Benicio Del Toro's Alejandro Gillick characters, as they face a (final?) confrontation with the outer limit of their own moral codes. For me, Day of the Soldado is the rare sequel that gets better the more I watch it, and that doean't merely rehash the best-known sequences from the original (although it does that, too) but instead deepens our understanding of two key characters and tantalizingly points in the direction of a much-discussed but yet-to-be-confirmed third film in the series.   Follow the Show on Instagram:  https://www.instagram.com/fullcastandcrew/

Denis Villeneuve's film 'Sicario' remains a vital and prescient glimpse into extra-judicial Governmental activities and the blurring of lines on both sides of the drug war, all brilliantly rendered by top-notch cinematography from Roger Deakins and a host of career-best performances from actors like Emily Blunt, James Brolin, Daniel Kaluuya, and, especially, Benicio Del Toro.  Harrowing, procedural, understated, and complicated, the film unfolds with confidence in the journey it takes viewers on, with a refreshing lack of hand-holding and over-explanation. 

An appreciation of the life and musical legacy of the peerless and uniquely self-deprecating Grateful Dead co-founder and éminence grise.

For my final episode of 2025, it's 'Nobody's Fool' one of my favorite films, and a true comfort watch in keeping with the theme of last week's episode.  Sweet, subtle, well-cast and directed, and slyly much more than it seems, it's both a paen to small-town life and a surprisingly unblinking look at the cost children pay for their parent's mistakes...and for the ones they make all on their own.

The news is unrelenting. Shootings in Bondi Beach.  Terror in the classrooms at Brown University.  The terrible deaths of Rob Reiner and his wife in LA.  The news is shocking and we become numb to the rippling effects but our minds and bodies internalize the fear, anxiety, and worry.  As I am between episodes at the moment, I thought it might be different to try and episode highlighting the calming music, tv shows and movies I find myself turning to in times of trouble. Please share your personal favorites with me, as I'd like to compile a playlist of sorts to share with everyone and to use your emails in a newsletter to follow. Email the pod at fullcastandcrewpod@gmail.com.  I hope this episode gives you some calming vibes and thanks as ever for listening! Spotify playlist of the music referenced in this episode.

From a chance viewing of Saul Bass' iconic 'Psycho' titles on TCM sprung this exploration of the straightforward, human experience of watching 'Psycho' with an eye and ear towards how audience expectations were stoked and then subverted by Hitchcock. From the casting of Janet Leigh to the surprise departure of her character not even halfway through the film, the film toys with audience expectations and loyalties, and makes them complicit in the voyeurism and violence and judgement that unfolds. Hitchcock's decision to attempt a relatively low-budget thriller of the sort directors like Henri-George Clouzot (Diabolique) were having success with resulted unexpectedly in his defining film, a film that changed film language and construction and that influenced every director of note subsequent to the film's 1960 release. From the legendary shower sequence to no-less-stunning dialogue sequences, the film is so much more than it's origins.  It still stands the test of time today, and will forever be a part of Hitchcock's enduring legacy.

This final episode about Milos Forman's brilliant and deeper-than-expected masterpiece adaptation of Ken Kesey's very 1960's novel explores the subtle emotional power of the film's editing and how it establishes certain critical scenes.  Praise for the depth and intelligence of Nicholson's acting while also appreciating Brad Dourif and the late Will Sampson's performance as the Chief are also indulged.  

Part 2 of my deep dive into Milos Forman's incredible 1975 film 'One Flew Over The Cuckoo's Nest'. In Part 2 I get into a handful of scenes from the first third of the film: the introduction of Nurse Ratched, the first time we meet McMurphy, the sit-down between McMurphy and Dr. Spivey, and the first few scenes on the ward with the fellas and the nurses.

Leaving behind one iconic adaptation of a popular novel in 'The Exorcist' and picking up another with this introductory episode about 'One Flew Over The Cuckoo's Nest', Milos Forman and Bo Goldman's film based on Ken Kesey's counter-culture classic novel.  In this episode, I cover some of the film's journey from page to screen and from father to son(s). Casting, pre-production delays, and some context for the film in 1975. 'One Flew Over The Cuckoo's Nest' is one of only three films to ever win "The Big 5" Academy Awards: Best Actor, Best Actress, Best Picture, Best Director, and Best Screenplay.  Listen to the episode to find the surprising other two films. This episode can be consumed prior to a re-watch of the film, and the subsequent two episodes will each cover about half of the film after you watch the film armed with all the behind-the-scenes details from this one. Bo Goldman INTV

Finishing up my four-part exploration of The Exorcist, this episode considers the film's exorcism scenes, its ambiguous ending, and lasting legacy.  My newfound appreciation for the towering achievement represented by this film is perhaps news only to me, but totally genuine nonetheless.

In Part 3 of my multi-part deep dive re-exploration of William Friedkin's 1973 masterpiece 'The Exorcist' I take a detailed look at the filmmaking in the first half of the movie.  Considering the Northern Iraq sequence, the Georgetown sequences, Father Karras in NYC, and the Medical sequences featuring Regan up to and including the hypnotism scene. The absolute mastery of camera movement choices and the spare use of score shows how the film eschews (I always wanted to use that word) "horror" film cliches. Mentioned in this episode: Jack Plotnick's Hilarious Exorcist Video  

The 2nd episode in a series of episodes about 'The Exorcist' is inspired by my rewatch of the film.  My original plan: to meticulously dissect each of three sections of the film in three subsequent episodes.  My new plan? To get this episode filled with my enthusiastic and emotional reactions out to you ASAP.  And to follow with two subsequent episodes if the interest (and downloads) are there.   The best way to listen to the four-part Exorcist episodes: Listen to Part 1: Origins BEFORE re-watching or watching the film. Listen to Part 2: The Rewatch AFTER re-watching or watching the film. Listen to Parts 3 and 4 as commentary tracks WHILE watching the film again after all the above.

In this first of a multi-part exploration of William Friedkin's ground-breaking and massively successful adaptation of William Peter Blatty's best-selling novel 'The Exorcist': Friedkin & DP Owen Roizman coming off 'The French Connection' and into 'The Exorcist' Casting travails involving Jack Nicholson, Paul Newman, Jane Fonda, Anne Bancroft, and Audrey Hepburn. Jason Miller and Ellen Burstyn willing themselves into their roles. Studio pushback on the film's prequel, set in Iraq, and Friedkin's demand that they film there despite political upheaval and a lack of an Iraqi film industry. The search for a girl to pay Regan; over 1,000 seen, hundreds screen-tested, before Linda Blair walked into the film production's offices. Special Effects approaches courtesy of Dick Smith and Rick Baker. Soundtrack troubles with Bernard Hermann and Lalo Schiffrin and the saving grace of Mike Oldfield's 'Tubular Bells'. This episode features Friedkin, Blatty, Roizman, and Ellen Bursytn in their own words. Other Friedkin Full Cast & Crew Episodes: The French Connection To Live And Die In LA The best way to consume these 'The Exorcist' episodes is:   Listen to this episode before watching/re-watching. Listen to episode 2 The Rewatch after watching/re-watching. Listen to episodes 3 and 4.