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Essential Guide to Writing a Novel
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Essential Guide to Writing a Novel

Author: James Thayer

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Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel. It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer's novels are "superbly crafted') and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer's "writing is smooth and clear. it wastes no words, and it has a rhythm only confident stylists achieve.
235 Episodes
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Here are ten smaller techniques that'll improve our story, each maybe not big enough for a full segment but worthwhile to help make our story gripping and our sentences shine. Also, here are thoughts about our story's ending; isn't HEA (happily-ever-after) a formula and cliche? And: how to show rather than tell about the weather. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, an...
What do Elizabeth Bennett, Anne Shirley, Frodo Baggins, Jo March, Harry Potter, and Huckleberry Finn have in common? Readers love them. We can create such a character, one readers will long remember and maybe reread the storyl just to be with the character again. Also, adverbs and adjectives can weaken sentences. Here is why and how to avoid them. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, ...
We writers can train ourselves to peel the onion: to look more deeply at places and people, and so set forth our discoveries in lovely language in our stories. Here's how the masters do it. Also, F. Scott Fitzgerald's "action is character" is a strong technique for revealing our characters' personalities to readers, and I talk about "action is character" here. Support the show Buy the master class.
Readers love dialogue. It's as if they are part of the scene, sitting there and listening to our characters argue or romance each other or plan something important. Here are additional techniques to grip readers with our dialogue. Also: V.S. Naipaul's rules of writing. Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 m...
Dialogue is like a Snickers candy bar: it's good. Here are eight techniques for making conversations in our story engage the reader, things we should do and things we should avoid. Also, how did Sue Monk Kidd handle her first rejection? And Meg Cabot on how to keep going so we finish our story. Support the show Buy the master class.
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