Journey Through Sci-Fi: Science Fiction Film History

The Day the Earth Stood Still (1951) and its 2008 remake. The alien who comes in peace and brings a threat with him. Journey Through Sci-Fi continues We Come in Peace, our series tracing the history of friendly aliens on screen. This time, the foundational one. A saucer lands on a Washington baseball field, a man walks out with a gift and a message, and he is shot for it inside a minute. Klaatu is polite, patient and 78 years old in a 35 year old body. Behind him stands Gort, seven foot seven of rubber suit and near limitless force. We get into what 1951 audiences carried into the cinema with them, why a film about world peace was built from a short story that had nothing to do with world peace, and how much of the friendly alien playbook starts right here. Then 2008. Keanu Reeves, Jennifer Connelly, a swarm of nanobots and a McDonald's. The nuclear threat becomes an environmental one, Klaatu arrives having already decided we are not worth saving, and the remake we both expected to be terrible turns out to be an admirable attempt at updating the classic sci-fi movie. In this episode: Flying saucer mania Farewell to the Master: Harry Bates' 1940 story, and the twist Fox threw away Michael Rennie's charm offensive, and the two separate times he gets gunned down Gort's little pants, circus strongmen and the Superman connection Who would you take an alien to today? Brian Cox or Martin Lewis Milk, milkshakes, and the day the American dairy industry stood still GORT as an acronym Old Testament orbs, arks and biblical locusts Is humanity worth saving? Asked and answered in a McDonald's car park Also discussed: E.T. the Extra-Terrestrial, A Message from Mars, Destination Moon, The Man from Planet X, The Twilight Zone, War of the Worlds (2005), The Happening, WALL-E, Armageddon, The Matrix, John Wick, Terminator 2: Judgment Day, Alien: Romulus, Neon Genesis Evangelion and Disclosure Day. Gort or GORT? Tell us which robot you would rather meet in a field. Next time: It Came from Outer Space (1953) and Warning from Space (1956). Hosted and produced by James Payne and Matt Willcock. Edited by James Payne. Bonus episodes on Patreon: https://www.patreon.com/journeythroughscifi Join the JTSF Logbook, our free newsletter: https://journeythroughscifi.beehiiv.com Full back catalogue and everything else: https://journeythroughscifi.com Follow the show so you never miss an episode, and if you can, a review or a share costs nothing and helps a lot. Journey Through Sci-Fi is part of the EOH Network.

Where does the friendly alien begin? Not with E.T., but with a Martian exiled to Edwardian London to reform the most selfish man alive. Journey Through Sci-Fi returns with a brand new series. We Come in Peace traces the history of friendly aliens on screen. In this opener we set out the stall: what makes a visitor friendly rather than hostile, why everything gets measured against E.T., and how one mistranslated Italian word put Martians in our heads. Then we go back to 1913 and A Message from Mars, widely held to be the first British science fiction film. Ramiel, a Martian stripped of his rank and banished to Earth, has to reform a selfish London bachelor called Horace Parker. It is A Christmas Carol with a spaceman, and almost every benevolent visitor since owes it something. In this episode: Friendly visitor or invader? Where the line actually sits Voltaire's Micromégas (1752), possibly the first friendly alien story ever written Kenneth Arnold, Roswell, and how 1947 gave us the flying saucer Schiaparelli's canali: the mistranslation that built fictional Mars Ramiel's tough love, the zap power, and some baffling 1913 camera trickery Lizard people or Arthurian courtiers? Britain in 1913: picture palaces and a film industry inventing itself Also discussed: E.T. the Extra-Terrestrial, Cocoon, Batteries Not Included, Earth Girls Are Easy, It Came from Outer Space, Aelita: Queen of Mars, A Princess of Mars, Project Hail Mary and Armageddon. Watch along with us. A Message from Mars is free on BFI Replay: https://replay.bfi.org.uk/video/7f470ecc-3ccd-5cde-aca0-ac97153f8ecd Lizards or courtiers? Tell us what you saw. Next time: The Day the Earth Stood Still (1951) meets its 2008 remake. Hosted and produced by James Payne and Matt Willcock. Edited by James Payne. Bonus episodes on Patreon: https://www.patreon.com/journeythroughscifi Join the JTSF Logbook our free newsletter: https://journeythroughscifi.beehiiv.com Full back catalogue and everything else: https://journeythroughscifi.com Follow the show so you never miss an episode, and if you can a review or a share costs nothing and helps a lot. Journey Through Sci-Fi is part of the Evolution of Horror Network. 

We close out our Mad Science series the only way we know how: with a very serious, deeply prestigious and completely unofficial Mad Science Film Awards. After 58 films and more than a century of sci-fi cinema, we look back at the scientists, monsters, labs, experiments and terrible decisions that defined the season. From Frankenstein, Dr. Jekyll and Mr. Hyde and The Invisible Man to The Fly, Re-Animator, Jurassic Park, Get Out and Poor Things, we trace how mad science evolved from gothic cautionary tales to atomic-age anxiety, body horror, corporate genetics, surveillance, consent and control. Categories include Best Mad Scientist, Biggest Ego in a Lab Coat, Most Unethical Experiment, Best Creation, Best Lab, Hidden Gem and the big one: Best Mad Science Movie. Plus we unveil what we will be covering the next series of Jounrey Through Sci-fi! 🚀 Join The JTSF Logbook Recommendations, discoveries and updates from our journey through sci-fi cinema: journeythroughscifi.beehiiv.com Visit our website https://www.journeythroughscifi.com/ Email Us! Support the podcast on PATREON Add us on INSTAGRAM Find us on TIKTOK Like us on FACEBOOK Follow us on LETTERBOXD

This week on Journey Through Sci-Fi, we head into the Star Trek universe to explore one of its most enduring mad science taboos: genetic engineering. From Space Seed and the rise of Khan to Enterprise's Augments arc and Deep Space Nine's shocking Bashir reveal, we trace how Star Trek keeps returning to the dangers of trying to "improve" humanity. Along the way, we get into the Eugenics Wars, creator-creation relationships, scientific hubris, and why a utopian future still casts a long shadow over forbidden science. Plus: Brent Spiner being superbly awful, Bashir's identity crisis, and why this theme runs through Star Trek for more than 200 years of in-universe history. Episodes discussed:Star Trek: The Original Series — "Space Seed" (S1E22)Star Trek: Enterprise — "Borderland" (S4E04), "Cold Station 12" (S4E05), "The Augments" (S4E06)Star Trek: Deep Space Nine — "Doctor Bashir, I Presume?" (S5E16) Also referenced:Star Trek — "What Are Little Girls Made Of?"Star Trek: The Next Generation — "The Schizoid Man"Star Trek: Voyager — "Tuvix"

What happens when one of sci-fi's oldest stories is reimagined for a modern audience? In this episode of Journey Through Sci-Fi, we return to the origin of mad science — Mary Shelley's Frankenstein — through two new adaptations: Frankenstein (2025), directed by Guillermo del Toro, and The Bride! (2026), directed by Maggie Gyllenhaal. This isn't just another adaptation. It's a full-circle moment for the genre. From the obsessive creator who dares to make life… to the creation who refuses to belong to him, these films show how the Frankenstein myth has evolved over 200 years of science fiction. In this episode we explore: • Why Frankenstein is still the blueprint for every mad scientist story • How these new versions reinterpret the act of creating life • What they keep — and what they completely reinvent — from the original myth • Why The Bride! flips the perspective from creator to creation • What this tells us about where sci-fi — and mad science — is heading next From gothic horror roots to modern sci-fi storytelling, this is the evolution of one of the genre's defining ideas. And a fitting end point for our Mad Science series. Because sometimes the most important sci-fi story isn't about the future… …it's the one we've been retelling all along.