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Creative Slash

Author: Brad Woodard and Dustin Lee

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Have you ever wondered what secrets drive the most profound, successful, famous, and unique creatives?


Then the Creative Slash podcast is for you. We dig deep to discover the high-leverage concepts, philosophies, tools, weird obsessions, and quiet daily routines that fuel their success—the stuff that rarely gets talked about publicly. 


You'll get an inside look at what really drives the world's greatest graphic designers, illustrators, and artists through in-depth interviews with creatives who've achieved both creative and financial success.


Hosted by Brad Woodard (bravethewoods.com) and Dustin Lee (retrosupply.co), each episode feels like you're hanging out with us after hours, having the kind of conversations that happen when the work day is done. 


You'll walk away with fresh inspiration, new ideas, and practical advice you can actually use in both your creative work and personal life.

55 Episodes
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Most people see a slackline, a motorcycle, or a recurve bow and think, “That’s not me.” Chris DeLorenzo sees the same things and signs up for lessons. He taught himself to slackline one summer. He has a motorcycle license he has never used. For a while, he wondered if he was quietly training for the apocalypse. In this episode, we talk with Chris about his years as lead designer and art director at Johnny Cupcakes, his move into illustration for places like The New York Times, and the 500-foo...
Van Berkemeyer has built two separate creative careers: one as an illustrator and designer, one as a musician who's had real viral hits and industry attention. He says neither one ever actually felt like arriving. In this episode, Brad and Dustin talk with Van about growing up on a small farm in rural Texas, working as a cowboy on an Oklahoma ranch as a teenager, and building BerkMade, his illustration and design studio, alongside a music career as Van Andrew. The surface topic is juggling tw...
A 99-pack of beer sounds like a joke. It's about as tall as Shaq and weighs eighty pounds. When Christian Helms described it to his mom, she said she didn't get it. A few months later, she called to ask if he'd seen what Austin Beerworks did. In this episode, we talk with Christian Helms, founder and creative director of Helms Workshop in Austin, about the 99-pack, Howler Brothers, a week living with Modest Mouse's Isaac Brock, and a career built mostly on naive optimism. Underneath the stori...
There are thousands of magicians who can handle a deck of cards better than David Copperfield. There is one David Copperfield. Bill Gardner has a one-word answer for why, and it turns out to be the same word that explains why one designer’s work gets remembered and another’s gets filed. In this episode, we talk with Bill Gardner — founder of LogoLounge, owner of Gardner Design, and a man who put himself through college as a working magician — about story as the actual engine underneath brandi...
Designers spend their careers trying to make things beautiful. So what do you do when your boss tears up the polished sign you made for the tip jar, tells you to redo it in crayon, and the ugly one makes more money? In this episode, we talk with designer, artist, and reformed graffiti writer Paul Lukes about the road from painting the streets of San Francisco to a career built on craft, community, and a published ethics page. It is a conversation about addiction and recovery, about what graff...
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